[AUDITORY] CFP: Journal of Sonic Studies - Sound Studies, Soundscapes, and Sound Art of Latin America [UPDATED] (Vincent Meelberg )

Subject: [AUDITORY] CFP: Journal of Sonic Studies - Sound Studies, Soundscapes, and Sound Art of Latin America [UPDATED] From: Vincent Meelberg <00000085e4d42aca-dmarc-request@xxxxxxxx> Date: Mon, 8 Apr 2019 16:53:51 +0200 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --Apple-Mail=_6EFD5CD2-C8D7-46BC-9FB7-CF3D2FDB91D1 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 JSS Call for Papers: Sound Studies, Soundscapes, and Sound Art of Latin = America [UPDATED] Music, radio, and TV broadcasts; blaring loudspeakers, public = announcements, street vendors; city sounds, sounds of progress, sounds = of revolution, or sounds of change; sounds deliberately produced or = emerging unintentionally, serving a disciplinary function or expressing = forms of freedom; musical as well as non-musical (functional) sounds; = overwhelming natural sounds of rain forests, the pampas, and highlands. Latin America is filled with sounds; indeed, its cities might count = among the noisiest of the world, in notable contrast with the (relative) = quietness of its rural areas and wild nature. Is it possible to identify = specific Latin American soundscapes? How can they be characterized? What = can be heard there? How should we listen to them, experience them, = affect and be affected by them? What is their political, social, = religious, ethical, economic, aesthetic influence or meaning? The Journal of Sonic Studies is searching for scholarly and artistic = contributions that deal with the connections and relationships between = Latin American history, culture, society, and politics and the = production, distribution, and reception of sounds, noises, and silence. = The broader aim of this special issue is to establish =E2=80=9Csound=E2=80= =9D as an analytical category that provides us with challenging = perspectives on and a new understanding of Latin America. Therefore, our = call does not focus on a particular historical period or research = methodology, but seeks to bring together scholars and artist-researchers = who share an interest in Latin American soundscapes. Themes for submission may include but are not limited to: - The sonic identity of any Latin American space - Differences between American/European and Latin American = soundscapes - Latin American (contemporary) sound art - The role, position, and function of music in contemporary Latin = American societies - Sonic histories of Latin America - Listening cultures of Latin America - Politics of sounds or the sounds of politics in Latin America - The role of silence in Latin American societies and/or = discourses - The role of sounds in Latin American religious practices - Rural =E2=80=9Cversus=E2=80=9D urban soundscapes Deadline Potential contributors are invited to submit completed essays by = September 1, 2019. For more information, or to submit an essay, please contact = noise@xxxxxxxx <mailto:noise@xxxxxxxx> =20 Guest editors The Colombian philosopher and sound artist Miguel Isaza and the = Brazilian researcher and sound artist Pedro Oliveira will act as guest = editors of this special issue. The Journal of Sonic Studies is a peer-reviewed, online, open access = journal providing a platform for theorists and artist-researchers who = would like to present relevant work regarding auditory cultures, to = further our collective understanding of the impact and importance of = sound for our cultures. The editors welcome scholarly as well as = artistic research and also expect all contributions to have a firm = theoretical grounding. Priority is given to contributions that = explicitly use the Internet as a medium, e.g. by inserting A/V = materials, hyperlinks, and the use of non-conventional structures. JSS = invites potential contributors to use the Research Catalogue as the = platform in which the submission is presented (see = http://www.researchcatalogue.net/ <http://www.researchcatalogue.net/>). = Other submission guidelines can be found at sonicstudies.org/guidelines = <http://sonicstudies.org/guidelines>. --Apple-Mail=_6EFD5CD2-C8D7-46BC-9FB7-CF3D2FDB91D1 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" class=3D""><meta= http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dutf-8" = class=3D""><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D"">    JSS Call for Papers: Sound Studies, Soundscapes, and = Sound Art of Latin America [UPDATED]<o:p class=3D""></o:p>Music, radio, and TV = broadcasts; blaring loudspeakers, public announcements, street vendors; city sounds, sounds = of progress, sounds of revolution, or sounds of change; sounds deliberately produced or emerging unintentionally, serving a disciplinary function or expressing forms of freedom; musical as well as non-musical (functional) sounds; overwhelming natural sounds of rain forests, the pampas, and = highlands.<o:p class=3D""></o:p>Latin America is filled with = sounds; indeed, its cities might count among the noisiest of the world, in notable = contrast with the (relative) quietness of its rural areas and wild nature. Is it possible to identify specific Latin American soundscapes? How can they = be characterized? What can be heard there? How should we listen to them, experience them, affect and be affected by them? What is their = political, social, religious, ethical, economic, aesthetic influence or = meaning?<o:p class=3D""></o:p>The Journal of Sonic Studies is searching for scholarly and artistic = contributions that deal with the connections and relationships between Latin American = history, culture, society, and politics and the production, distribution, and = reception of sounds, noises, and silence. The broader aim of this special issue is = to establish =E2=80=9Csound=E2=80=9D as an analytical category that = provides us with challenging perspectives on and a new understanding of Latin America. Therefore, our = call does not focus on a particular historical period or research = methodology, but seeks to bring together scholars and artist-researchers who share an = interest in Latin American soundscapes. <o:p class=3D""></o:p>Themes for submission may include but are not limited = to:<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = The sonic identity of any Latin American space<o:p = class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Differences between American/European and Latin = American soundscapes<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Latin American (contemporary) sound art<o:p = class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = The role, position, and function of music in = contemporary Latin American societies<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Sonic histories of Latin America<o:p = class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Listening cultures of Latin America <o:p = class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Politics of sounds or the sounds of politics in Latin = America<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = The role of silence in Latin American societies and/or = discourses<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = The role of sounds in Latin American religious = practices<o:p class=3D""></o:p><span lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Verdana",sans-serif;mso-f= areast-font-family: Verdana;mso-bidi-font-family:Verdana;color:black;mso-themecolor:text1; mso-ansi-language:EN-US;mso-bidi-font-weight:bold" class=3D"">-       = Rural =E2=80=9Cversus=E2=80=9D urban soundscapes<o:p = class=3D""></o:p>Deadline<o:p class=3D""></o:p>Potential contributors are = invited to submit completed essays by September 1, 2019.<o:p class=3D""></o:p>For more information, or to = submit an essay, please contact <a href=3D"mailto:noise@xxxxxxxx" = class=3D"">noise@xxxxxxxx</a> <o:p class=3D""></o:p><div class=3D"">  </div><span= lang=3D"EN-US" = style=3D"font-size:10.0pt;font-family:"Georgia",serif; = mso-bidi-font-family:Arial;color:black;mso-themecolor:text1;mso-ansi-langu= age: EN-US" class=3D"">Guest editors<o:p class=3D""></o:p>The Colombian philosopher = and sound artist Miguel Isaza and the Brazilian researcher and sound artist Pedro = Oliveira will act as guest editors of this special issue. <o:p = class=3D""></o:p>The Journal of Sonic Studies is = a peer-reviewed, online, open access journal providing a platform for theorists and artist-researchers who would like to present relevant work regarding = auditory cultures, to further our collective understanding of the impact and = importance of sound for our cultures. The editors welcome scholarly as well as = artistic research and also expect all contributions to have a firm theoretical grounding. Priority is given to contributions that explicitly use the = Internet as a medium, e.g. by inserting A/V materials, hyperlinks, and the use of non-conventional structures. JSS invites potential contributors to use = the Research Catalogue as the platform in which the submission is presented = (see <a href=3D"http://www.researchcatalogue.net/" class=3D""><span= style=3D"font-size:10.0pt; = font-family:"Georgia",serif;mso-bidi-font-family:Arial;mso-bidi-= font-weight: bold" class=3D"">http://www.researchcatalogue.net/</a>). Other submission = guidelines can be found at <a href=3D"http://sonicstudies.org/guidelines" class=3D"">sonicstudies.org/guidelines</a>.</div> </body></html>= --Apple-Mail=_6EFD5CD2-C8D7-46BC-9FB7-CF3D2FDB91D1--

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