[AUDITORY] CFP for workshops and tutorials at ICAD 2018 (Derek Brock )


Subject: [AUDITORY] CFP for workshops and tutorials at ICAD 2018
From:    Derek Brock  <derek.brock@xxxxxxxx>
Date:    Tue, 13 Feb 2018 14:58:34 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail=_A672EDB0-8C89-47E5-B51C-220B19EEEB22 Content-Type: multipart/alternative; boundary="Apple-Mail=_8959F559-8625-416B-9A67-B231F595941E" --Apple-Mail=_8959F559-8625-416B-9A67-B231F595941E Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 (Apologies for cross-postings)=20 ICAD 2018 =E2=80=94 Call for Workshop/Tutorial Proposals=20 24th International Conference on Auditory Display Michigan Technological University, Houghton, MI, USA 10-15 June 2018 http://icad2018.icad.org/=E2=80=A8 Theme/Special Focus of ICAD 2018: Sonification as ADSR: = Art|Design|Science|Research=20 ICAD workshops and tutorials provide in-depth opportunities for = conference attendees to discuss and explore important aspects of the = field of auditory display with like-minded researchers and = practitioners. Sessions can range from applications and programming = methodologies to interdisciplinary research skills, emerging research = areas, and challenge problems. Important Dates: March 9, 2018 - Workshop/Tutorial proposals due=E2=80=A8April 13, 2018 - = Notification of decision General topic areas for focused workshops and tutorial sessions include, = but are not limited to:=20 - Applications, usability, accessibility, and evaluation - Auditory rendering techniques, technologies, and tools - Design theory, methods, philosophy, and culture=20 - Psychology, Cognition, Perception, and Psychoacoustics - Sonification of data: - Context, range of scale, and utility =20 - Motivations, frameworks, methodologies, and techniques Proposal format and submission information: Proposals should be one page in length and include the following: - Title, brief abstract, outline of objectives (e.g., tutorial syllabus, = organized discussion, presentations, submissions, etc.), relevance for = ICAD attendees. - Proposed duration (full day or half day). - Invited speakers (if any). - List of organizers, a designated contact person, and contact = information for all organizers (address, email, and =E2=80=98phone). - Technical and space requirements. Note that workshops inviting extended abstracts may be archived in a = separate supplement to the conference proceedings, so as to clearly = indicate that these materials have not been peer reviewed by the = conference. Extended abstracts will not be attributed individual DOI = references. Workshop and tutorial proposals (as well as inquiries) should be = submitted via email to the Workshop Chair (workshop@xxxxxxxx).=20= Space, facilities, technical support, and the number of sessions that = can be accepted are limited, so early submission of proposals is = encouraged. Workshop and tutorial organizers are expected to collaborate = with the conference committee, issue calls for participation, gather and = review contributed materials (if appropriate), and decide upon the final = program for their session. Visit http://icad2018.icad.org/call-for-participation/ for additional = conference-related information Workshop/Tutorial Chair: Derek Brock workshop@xxxxxxxx Conference Chair: Myounghoon Philart Jeon mjeon@xxxxxxxx About ICAD: First held in 1992, ICAD is a highly interdisciplinary conference with = relevance to researchers, practitioners, artists, and graduate students = working with sound to convey and explore information. The conference is = unique in its specific focus on auditory displays and the range of = interdisciplinary issues related to their use. Like its predecessors, = ICAD18 will be a single-track conference, open to all, with no = membership or affiliation requirements.= --Apple-Mail=_8959F559-8625-416B-9A67-B231F595941E Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" = class=3D""><br class=3D""><div class=3D""> <div style=3D"text-align: start; text-indent: 0px;"><div>(Apologies for = cross-postings)&nbsp;</div><div><br class=3D""></div><div>ICAD 2018 =E2=80= =94 Call for Workshop/Tutorial Proposals&nbsp;</div><div>24th = International Conference on Auditory Display</div><div>Michigan = Technological University, Houghton, MI, USA</div><div>10-15 June = 2018</div><div><a href=3D"http://icad2018.icad.org/" = class=3D"">http://icad2018.icad.org/</a>=E2=80=A8</div><div>Theme/Special = Focus of ICAD 2018: Sonification as ADSR: = Art|Design|Science|Research&nbsp;</div><div><br class=3D""></div><div>ICAD= workshops and tutorials provide in-depth opportunities for conference = attendees to discuss and explore important aspects of the field of = auditory display with like-minded researchers and practitioners. = Sessions can range from applications and programming methodologies to = interdisciplinary research skills, emerging research areas, and = challenge problems.</div><div><br class=3D""></div><div>Important = Dates:</div><div>March 9, 2018 - Workshop/Tutorial proposals due=E2=80=A8A= pril 13, 2018 - Notification of decision</div><div><br = class=3D""></div><div>General topic areas for focused workshops and = tutorial sessions include, but are not limited to:&nbsp;</div><div>- = Applications, usability, accessibility, and evaluation</div><div>- = Auditory rendering techniques, technologies, and tools</div><div>- = Design theory, methods, philosophy, and culture&nbsp;</div><div>- = Psychology, Cognition, Perception, and Psychoacoustics</div><div>- = Sonification of data:</div><div><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>- Context, range of scale, and = utility &nbsp;</div><div><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>- Motivations, frameworks, = methodologies, and techniques</div><div><br class=3D""></div><div>Proposal= format and submission information:</div><div>Proposals should be one = page in length and include the following:</div><div>- Title, brief = abstract, outline of objectives (e.g., tutorial syllabus, organized = discussion, presentations, submissions, etc.), relevance for ICAD = attendees.</div><div>- Proposed duration (full day or half = day).</div><div>- Invited speakers (if any).</div><div>- List of = organizers, a designated contact person, and contact information for all = organizers (address, email, and =E2=80=98phone).</div><div>- Technical = and space requirements.</div><div><br class=3D""></div><div>Note that = workshops inviting extended abstracts may be archived in a separate = supplement to the conference proceedings, so as to clearly indicate that = these materials have not been peer reviewed by the conference. Extended = abstracts will not be attributed individual DOI = references.</div><div><br class=3D""></div><div>Workshop and tutorial = proposals (as well as inquiries) should be submitted via email to the = Workshop Chair (<a href=3D"mailto:workshop@xxxxxxxx" = class=3D"">workshop@xxxxxxxx</a>).&nbsp;</div><div><br = class=3D""></div><div>Space, facilities, technical support, and the = number of sessions that can be accepted are limited, so early submission = of proposals is encouraged. Workshop and tutorial organizers are = expected to collaborate with the conference committee, issue calls for = participation, gather and review contributed materials (if appropriate), = and decide upon the final program for their session.</div><div><br = class=3D""></div><div>Visit <a = href=3D"http://icad2018.icad.org/call-for-participation/" = class=3D"">http://icad2018.icad.org/call-for-participation/</a> for = additional conference-related information</div><div><br = class=3D""></div><div>Workshop/Tutorial Chair:</div><div>Derek = Brock</div><div><a href=3D"mailto:workshop@xxxxxxxx" = class=3D"">workshop@xxxxxxxx</a></div><div><br = class=3D""></div><div>Conference Chair:</div><div>Myounghoon Philart = Jeon</div><div><a href=3D"mailto:mjeon@xxxxxxxx" = class=3D"">mjeon@xxxxxxxx</a></div><div><br class=3D""></div><div>About = ICAD:</div><div>First held in 1992, ICAD is a highly interdisciplinary = conference with relevance to researchers, practitioners, artists, and = graduate students working with sound to convey and explore information. = The conference is unique in its specific focus on auditory displays and = the range of interdisciplinary issues related to their use. Like its = predecessors, ICAD18 will be a single-track conference, open to all, = with no membership or affiliation = requirements.</div></div></div></body></html>= --Apple-Mail=_8959F559-8625-416B-9A67-B231F595941E-- --Apple-Mail=_A672EDB0-8C89-47E5-B51C-220B19EEEB22 Content-Disposition: attachment; filename=smime.p7s Content-Type: application/pkcs7-signature; name=smime.p7s Content-Transfer-Encoding: base64 MIAGCSqGSIb3DQEHAqCAMIACAQExCzAJBgUrDgMCGgUAMIAGCSqGSIb3DQEHAQAAoIIS8zCCBKAw ggOIoAMCAQICARQwDQYJKoZIhvcNAQELBQAwWzELMAkGA1UEBhMCVVMxGDAWBgNVBAoTD1UuUy4g R292ZXJubWVudDEMMAoGA1UECxMDRG9EMQwwCgYDVQQLEwNQS0kxFjAUBgNVBAMTDURvRCBSb290 IENBIDMwHhcNMTUxMTA5MTYwNTI3WhcNMjExMTA5MTYwNTI3WjBdMQswCQYDVQQGEwJVUzEYMBYG A1UEChMPVS5TLiBHb3Zlcm5tZW50MQwwCgYDVQQLEwNEb0QxDDAKBgNVBAsTA1BLSTEYMBYGA1UE AxMPRE9EIEVNQUlMIENBLTQxMIIBIjANBgkqhkiG9w0BAQEFAAOCAQ8AMIIBCgKCAQEAlLsnEQwj MOIjxiG3qtWLsP/UvrZEJ03bQxNUUqfwIVVPrCCCyB9AMuRoiWLmdS+DXVBpya7AHkSSBVGWnv3j 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