Subject: Re: [AUDITORY] LAC 2019 : Call for Papers / Posters / Workshops/ Demos / Music / Multimedia Installations From: LAC <lac@xxxxxxxx> Date: Mon, 19 Nov 2018 12:00:25 +0100 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--0000000000003682d7057b026d51 Content-Type: text/plain; charset="UTF-8" Dear all, Just a friendly reminder that LAC-19 is still accepting submissions (see details below). The deadline is December 7, 2018! Cheers On Tue, Sep 18, 2018 at 9:03 AM LAC <lac@xxxxxxxx> wrote: > Dear all, > > It is our pleasure to announce the 17th Linux Audio Conference (LAC-19). > We look forward to see you at Stanford this Spring (see details below)! > > Cheers, > > [Apologies for cross posting, please circulate widely.] > > *17th Linux Audio Conference - CCRMA, Stanford University (USA), March > 23-26, 2019* > > After seven years outside of the United States, Linux Audio Conference > (LAC) <https://lac.linuxaudio.org> is coming back to Stanford University > <http://stanford.edu> on March 23-26, 2019 for its 17th edition! LAC is > the international conference about Free/Open-Source Software for music, > sound, and other media with GNU/Linux as the main platform. > > More information about this event can be found on the conference website: > https://lac.linuxaudio.org/2019/ > > *Call for Papers / Posters / Workshops* > > LAC 2019 invites submissions of papers, posters, and workshops addressing > all areas of audio processing based on Linux and open source software. All > submissions and presentations are in English. Submitted papers are expected > to respect academic standards and must be complete (*a simple abstract is > not enough*). > > Submissions can focus on technical, artistic, and/or scientific issues and > can target developers and/or users. This includes (but is not limited to) > the following categories: > > - Audio and Music Languages > - Audio Hardware Support > - Audio Plugins > - Drivers, System and Sound Architecture > - Education and E-Learning > - Games > - Interactive Art > - Interface Design > - Live Coding > - Live Performance > - Media Art > - MIDI, OSC... > - Mobile Audio > - Music Composition > - Music Production > - Networked Audio > - Physical Computing > - Projects Realized using Linux Audio > - Realtime Kernel and Linux Distributions > - Signal Processing and Sound Synthesis > - Sound Spatialization > - Standards and Protocols > - Video > - Etc. > > *Full Papers* > Full papers must be written and presented in English. The length of papers > is 4 to 8 pages, with up to 5 keywords, including an abstract of up to 200 > words. The abstract will be published on the conference website once the > paper has been accepted. The full paper will be available on the website > during and after the conference. All papers are peer reviewed by a > committee of experts from different disciplines. Reviewers may suggest > improvements to the author(s), or require changes in order to accept the > submission. The duration of the presentation is 25 minute followed by a 5 > minute discussion. > > *Poster Papers* > Poster papers must be written in English, should be 2-4 pages, with up to > 5 keywords, including an abstract of up to 150 words. The abstract will be > published on the conference website once the poster has been accepted. All > posters are peer reviewed by a committee of experts in different > disciplines. Reviewers may suggest improvements to the author(s), or > require changes in order for the poster to be accepted. > > *Demos* > Demos are informal project (e.g., plug-in, software, interface, idea, > etc.) presentations that will be carried out in parallel with poster > presentations. Demos can be submitted through this online form > <https://lac.linuxaudio.org/2019/submissions.html> to be added to the > conference program. > > *Workshops* > Workshop presentations (max duration of 2h) should be 1-4 pages, with up > to 5 keywords, including an abstract of up to 150 words to be published on > the conference website. Make sure that your proposal indicates if > participants are expected to have a specific level, if there are > prerequisites, if you'd like to limit the number of participants, etc. > Workshops will take place in the CCRMA classroom (which can host > approximately 30 people). A projector and a 4 channels sound system will be > available in this space. Submit a brief description of the workshop > including a URL (if available). > > *How to Submit Papers / Posters / Workshops?* > > - Use the online submission tool <http://submissions.html> > - Choose the relevant submission type (paper, poster, or workshop) in > addition to your 5 categories > - The required file format is PDF. Authors must use the provided > templates <https://lac.linuxaudio.org/2019/doc/LAC-19-templates.zip> for > paper formatting. > - Please let us know if you need a special technical setup for your > presentation. > > *Call for Music / Multimedia Installations* > > LAC 2019 also invites submissions of musical works involving the use of > technology/open source software and multimedia installations. A jury will > select the compositions and installations to be included in the conference > program according to artistic merit and technical feasibility. Please be > prepared to perform your work yourself and make sure that you have all > resources needed to perform your piece (e.g., instruments, props, other > performers, etc.). LAC 2019 cannot pay for any expenses related to a > performance (e.g., performers, travel, accommodation, special equipment, > etc.). SCLOrk <https://www.scu.edu/cas/music/ensembles/sclork/> will be > available to perform new (or old) laptop orchestra compositions, so this > type of submission is encouraged this year! SCLOrk > <https://www.scu.edu/cas/music/ensembles/sclork/> is the Santa Clara > Laptop Orchestra and uses exclusively Linux computers. Musical works and > installations can address all areas of digital audio and audiovisual art. > This includes (but is not limited to) the following categories: > > - Electronic Music > - Electroacoustic Music > - Mixed Music > - Acoustic Music > - Sound Installation > - Interactive Art > - Audiovisual Installation > - Game in art > - Web and Connected Art > > *Available Setups* > For concerts, LAC will provide the following equipment: > > - CCRMA Stage: 56.8 full 3d sound system (up to 6th order Ambisonics) > - CCRMA Listening Room: 22.4 sound system (up to 3d order Ambisonics) > - SCLOrk <https://www.scu.edu/cas/music/ensembles/sclork/> (the Santa > Clara Laptop Orchestra). Pieces accepted for a performance with SCLOrk will > be added to the rehearsal schedule of the corresponding SCU > <https://www.scu.edu> class. > - Additional requests can be made but are not be guaranteed. > > *How to Submit Music / Multimedia Installations?* > > - Use the online submission tool > <https://lac.linuxaudio.org/2019/submissions.html> > - Select the submission type (performance) > - The required file format is PDF, formatted for Letter paper size. > Submissions should include: > - Description of the project program notes > - Link to video or audio demonstration of the project > - Technical rider of the work > > *Important Dates* > > - *Submission Deadline:* December 7, 2018 (11:59pm PST) > - *Notification of Acceptance:* January 18, 2019 > - *Camera-ready Version Due:* February 15, 2019 > - *Conference Dates:* March 23-26, 2019 > > *Contact* > > - lac@xxxxxxxx > > > Additional information about LAC-19 can be found on the conference > website: https://lac.linuxaudio.org/2019/ > > --0000000000003682d7057b026d51 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div>Dear all,<br></div><div><br></div><div>Just a friendl= y reminder that LAC-19 is still accepting submissions (see details below). = The deadline is December 7, 2018!</div><div><br></div><div>Cheers=C2=A0<br>= </div><br><div class=3D"gmail_quote"><div dir=3D"ltr">On Tue, Sep 18, 2018 = at 9:03 AM LAC <<a href=3D"mailto:lac@xxxxxxxx">lac@xxxxxxxx= </a>> wrote:<br></div><blockquote class=3D"gmail_quote" style=3D"margin:= 0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div dir=3D"ltr"><d= iv dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir= =3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr">Dear all,<div><br></div><div>It = is our pleasure to announce the 17th Linux Audio Conference (LAC-19). We lo= ok forward to see you at Stanford this Spring (see details below)!</div><di= v><br></div><div>Cheers,</div><div><br></div><div>[Apologies for cross post= ing, please circulate widely.]</div><div><br></div><div><b><u><font size=3D= "4">17th Linux Audio Conference - CCRMA, Stanford University (USA), March 2= 3-26, 2019</font></u></b></div><div><div><br></div><div><div>After seven ye= ars outside of the United States,=C2=A0<a href=3D"https://lac.linuxaudio.or= g" target=3D"_blank">Linux Audio Conference (LAC)</a>=C2=A0is coming back t= o <a href=3D"http://stanford.edu" target=3D"_blank">Stanford University</a>= =C2=A0on March 23-26, 2019 for its 17th edition! LAC is the international c= onference about Free/Open-Source Software for music, sound, and other media= with GNU/Linux as the main platform.</div></div><div><br></div><div>More i= nformation about this event can be found on the conference website:=C2=A0<a= href=3D"https://lac.linuxaudio.org/2019/" target=3D"_blank">https://lac.li= nuxaudio.org/2019/</a></div><div><br></div><div><div><font size=3D"4"><b>Ca= ll for Papers / Posters / Workshops</b></font></div><div><br></div><div>LAC= 2019 invites submissions of papers, posters, and workshops addressing all = areas of audio processing based on Linux and open source software. All subm= issions and presentations are in English. Submitted papers are expected to = respect academic standards and must be complete (<b>a simple abstract is no= t enough</b>).=C2=A0</div><div><br></div><div>Submissions can focus on tech= nical, artistic, and/or scientific issues and can target developers and/or = users. This includes (but is not limited to) the following categories:</div= ><div><ul><li>Audio and Music Languages</li><li>Audio Hardware Support</li>= <li>Audio Plugins</li><li>Drivers, System and Sound Architecture</li><li>Ed= ucation and E-Learning</li><li>Games</li><li>Interactive Art</li><li>Interf= ace Design</li><li>Live Coding</li><li>Live Performance</li><li>Media Art</= li><li>MIDI, OSC...</li><li>Mobile Audio</li><li>Music Composition</li><li>= Music Production</li><li>Networked Audio</li><li>Physical Computing</li><li= >Projects Realized using Linux Audio</li><li>Realtime Kernel and Linux Dist= ributions</li><li>Signal Processing and Sound Synthesis</li><li>Sound Spati= alization</li><li>Standards and Protocols</li><li>Video</li><li>Etc.</li></= ul><b>Full Papers</b></div><div>Full papers must be written and presented i= n English. The length of papers is 4 to 8 pages, with up to 5 keywords, inc= luding an abstract of up to 200 words. The abstract will be published on th= e conference website once the paper has been accepted. The full paper will = be available on the website during and after the conference. All papers are= peer reviewed by a committee of experts from different disciplines. Review= ers may suggest improvements to the author(s), or require changes in order = to accept the submission. The duration of the presentation is 25 minute fol= lowed by a 5 minute discussion.</div><div><br></div><div><b>Poster Papers</= b></div><div>Poster papers must be written in English, should be 2-4 pages,= with up to 5 keywords, including an abstract of up to 150 words. The abstr= act will be published on the conference website once the poster has been ac= cepted. All posters are peer reviewed by a committee of experts in differen= t disciplines. Reviewers may suggest improvements to the author(s), or requ= ire changes in order for the poster to be accepted.</div><div><br></div><di= v><b>Demos</b></div><div>Demos are informal project (e.g., plug-in, softwar= e, interface, idea, etc.) presentations that will be carried out in paralle= l with poster presentations. Demos can be submitted through <a href=3D"http= s://lac.linuxaudio.org/2019/submissions.html" target=3D"_blank">this online= form</a>=C2=A0to be added to the conference program.</div><div><br></div><= div><b>Workshops</b></div><div>Workshop presentations (max duration of 2h) = should be 1-4 pages, with up to 5 keywords, including an abstract of up to = 150 words to be published on the conference website. Make sure that your pr= oposal indicates if participants are expected to have a specific level, if = there are prerequisites, if you'd like to limit the number of participa= nts, etc. Workshops will take place in the CCRMA classroom (which can host = approximately 30 people). A projector and a 4 channels sound system will be= available in this space. Submit a brief description of the workshop includ= ing a URL (if available).</div><div><br></div><div><b>How to Submit Papers = / Posters / Workshops?</b></div><div><ul><li>Use the <a href=3D"http://subm= issions.html" target=3D"_blank">online submission tool</a></li><li>Choose t= he relevant submission type (paper, poster, or workshop) in addition to you= r 5 categories</li><li>The required file format is PDF. Authors must use <a= href=3D"https://lac.linuxaudio.org/2019/doc/LAC-19-templates.zip" target= =3D"_blank">the provided templates</a>=C2=A0for paper formatting.</li><li>P= lease let us know if you need a special technical setup for your presentati= on.</li></ul></div></div><div><div><font size=3D"4"><b>Call for Music / Mul= timedia Installations</b></font><br></div><div><br></div><div>LAC 2019 also= invites submissions of musical works involving the use of technology/open = source software and multimedia installations. A jury will select the compos= itions and installations to be included in the conference program according= to artistic merit and technical feasibility. Please be prepared to perform= your work yourself and make sure that you have all resources needed to per= form your piece (e.g., instruments, props, other performers, etc.). LAC 201= 9 cannot pay for any expenses related to a performance (e.g., performers, t= ravel, accommodation, special equipment, etc.).=C2=A0<a href=3D"https://www= .scu.edu/cas/music/ensembles/sclork/" target=3D"_blank">SCLOrk</a>=C2=A0wil= l be available to perform new (or old) laptop orchestra compositions, so th= is type of submission is encouraged this year!=C2=A0<a href=3D"https://www.= scu.edu/cas/music/ensembles/sclork/" target=3D"_blank">SCLOrk</a>=C2=A0is t= he Santa Clara Laptop Orchestra and uses exclusively Linux computers. Music= al works and installations can address all areas of digital audio and audio= visual art. This includes (but is not limited to) the following categories:= </div><div><ul><li>Electronic Music</li><li>Electroacoustic Music</li><li>M= ixed Music</li><li>Acoustic Music</li><li>Sound Installation</li><li>Intera= ctive Art</li><li>Audiovisual Installation</li><li>Game in art</li><li>Web = and Connected Art</li></ul><b>Available Setups</b><br></div><div>For concer= ts, LAC will provide the following equipment:</div><div><ul><li>CCRMA Stage= : 56.8 full 3d sound system (up to 6th order Ambisonics)</li><li>CCRMA List= ening Room: 22.4 sound system (up to 3d order Ambisonics)</li><li><a href= =3D"https://www.scu.edu/cas/music/ensembles/sclork/" target=3D"_blank">SCLO= rk</a>=C2=A0(the Santa Clara Laptop Orchestra). Pieces accepted for a perfo= rmance with SCLOrk will be added to the rehearsal schedule of the correspon= ding=C2=A0<a href=3D"https://www.scu.edu" target=3D"_blank">SCU</a>=C2=A0cl= ass.</li><li>Additional requests can be made but are not be guaranteed.</li= ></ul><b>How to Submit Music / Multimedia Installations?</b><br></div><div>= <ul><li>Use the <a href=3D"https://lac.linuxaudio.org/2019/submissions.html= " target=3D"_blank">online submission tool</a></li><li>Select the submissio= n type (performance)</li><li>The required file format is PDF, formatted for= Letter paper size. Submissions should include:</li><ul><li>Description of = the project program notes</li><li>Link to video or audio demonstration of t= he project</li><li>Technical rider of the work</li></ul></ul></div></div><d= iv><font size=3D"4"><b>Important Dates</b></font></div><div><div><ul><li><b= >Submission Deadline:</b> December 7, 2018 (11:59pm PST)</li><li><b>Notific= ation of Acceptance:</b> January 18, 2019</li><li><b>Camera-ready Version D= ue:</b> February 15, 2019</li><li><b>Conference Dates:</b> March 23-26, 201= 9</li></ul><font size=3D"4"><b>Contact</b></font></div></div><div><ul><li><= a href=3D"mailto:lac@xxxxxxxx" target=3D"_blank">lac@xxxxxxxx</= a></li></ul><br></div><div>Additional information about LAC-19 can be found= on the conference website:=C2=A0<a href=3D"https://lac.linuxaudio.org/2019= /" target=3D"_blank">https://lac.linuxaudio.org/2019/</a></div><div><br></d= iv><div dir=3D"ltr" class=3D"m_805223441333216636gmail-m_393408853171257154= 2gmail-m_-3634367493527137165gmail_signature"><div dir=3D"ltr"><div><div di= r=3D"ltr"></div></div></div></div></div></div></div></div></div></div></div= ></div></div> </blockquote></div></div> --0000000000003682d7057b026d51--