[AUDITORY] CALL FOR PAPERS -> Auditory contributions to food perception and consumer behaviour ("Felipe Reinoso Carvalho (Sonic Taste)" )


Subject: [AUDITORY] CALL FOR PAPERS -> Auditory contributions to food perception and consumer behaviour
From:    "Felipe Reinoso Carvalho (Sonic Taste)"  <f.sound@xxxxxxxx>
Date:    Tue, 13 Nov 2018 12:10:21 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail=_F513957E-FB3D-4B80-BCF6-04C9E9CEA6B4 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 CALL FOR PAPERS: SPECIAL ISSUE OF MULTISENSORY RESEARCH=20 (MSR; November, 2018) Auditory contributions to food perception and consumer behaviour =20 Edited by Prof Charles Spence (University of Oxford), Dr. Felipe Reinoso = Carvalho (Los Andes University - School of Management, Bogota, = Colombia), Dr. Carlos Velasco (BI Norwegian Business School, Norway) & = Dr. Janice Wang (Department of Food Science, Aarhus University, Denmark) =20 What we hear affects the perception of what we taste, no matter whether = we realize it or not. Both music and ambient soundscapes have been shown = to bias what we choose to buy/order in shops and restaurants/cafes = (Biswas, Lund, & Szocs, 2018; Zellner, Geller, Lyons, Pyper, & = Riaz,2017), typically without us realizing it. Meanwhile, a separate = literature has developed over the last decade on the topic of =E2=80=98son= ic seasoning.=E2=80=99 This is where music is especially chosen, or = composed, in order to correspond crossmodal with the taste / aroma / = mouthfeel / flavour (Crisinel el al., 2012; Reinoso Carvalho et al., = 2015; Wang & Spence, 2016). Interesting questions here concern where = such surprising correspondences come from, and elucidating the = conditions under which corresponding vs incongruent (or no music) do, = versus do not influence the tasting experience and eating behaviours = (e.g., Hauck & Hecht, in press; H=C3=B6chenberger & Ohla, in press; = Lowe, Ringler, & Haws; 2018, Watson & Gunter, 2017), and the neural = consequences/underpinnings of such almost-synaesthetic crossmodal = interactions (Callan, Callan, & Ando, 2018). A branch of this literature = has also examined =E2=80=98sensation transference=E2=80=99 effects =E2=80=93= addressing questions such as =E2=80=98If you like the music more, do = you like what you are eating/drinking more too?=E2=80=99 (Kantono et = al., 2015, 2016). Auditory inputs that influence the perception of what = we taste are not limited to environmental sounds. They also involve the = sounds that derived from what we eat such as slurping, crunching, or = smacking as well as speech sounds that we use to refer to specific foods = (see Spence, 2015, for a review). When what we hear becomes too loud, it is usually regarded as noise. The = research shows that loud background noise, be it airplane noise, white = noise, or restaurant noise, can affect both the taste of food and drink, = as well as people=E2=80=99s ability to discriminate various aspects of = their tasting experience (see Spence, 2014, for a review). Given the = increasing noise levels in many restaurants and bars these days, there = may even be a public health angle to this research. Finally, given the = growing literature on music and soundscape=E2=80=99s influence on the = multisensory tasting experience, there is a growing interest in using = technology to synchronize auditory stimulation with the tasting = experience (see Spence, 2019, for a review). This is a rich area for = creative practice (see also The Chocolate Symphony at this year=E2=80=99s = IMRF meeting) and submissions are also welcomed in this area, providing = they connect to the multisensory science. Hence, despite its inauspicious beginnings 70 years ago (see Pettit, = 1958), research on auditory contributions to food perception and = behaviour has exploded in recent years, with interest coming from the = fields of cognitive neuroscience, marketing, food science, design, = branding, public health and beyond. As such, now would seem like an = excellent time to capture the growing interest and excitement in this = area with a Special Issue dedicated to the topic. Tentative deadline for submissions 1st December, 2018.=20 Queries regarding the suitability of specific submissions etc. should be = directed in the first instance to Charles.spence@xxxxxxxx = <mailto:Charles.spence@xxxxxxxx>. =20 REFERENCES =20 Biswas, D., Lund, K., & Szocs, C. (2018). Sounds like a healthy retail = atmospheric strategy: Effects of ambient music and background noise on = food sales. Journal of the Academy of Marketing Science, 1-19. Callan, A., Callan, D., & Ando, H. (2018). Differential effects of music = and pictures on taste perception =E2=80=93an fMRI study. Poster = presented at theAnnual Meeting of the International Multisensory = Research Forum. June, 14-17th June, Toronto, CA. Crisinel, A.-S., Cosser, S., King, S., Jones, R., Petrie, J., & Spence, = C. (2012). A bittersweet symphony: Systematically modulating the taste = of food by changing the sonic properties of the soundtrack playing in = the background. Food Quality and Preference, 24, 201-204. Hauck, P., & Hecht, H. (in press). Having a drink with Tchaikovsky: The = crossmodal influence of background music on the taste of = beverages.Multisensory Research. H=C3=B6chenberger, R., & Ohla, K. (in press). A bittersweet symphony: = Evidence for taste=E2=80=90sound correspondences without effects on = taste quality=E2=80=90specific perception. Journal of Neuroscience = Research.=20 Kantono, K., Hamid, N., Sheperd, D., Yoo, M. J. Y., Carr, B. T., & = Grazioli, G. (2015). The effect of background music on food pleasantness = ratings. Psychology of Music, 13, 1-15. Kantono, K., Hamid, N., Sheperd, D., Yoo, M. J. Y., Grazioli, G., & = Carr, T. (2016). Listening to music can influence hedonic and sensory = perceptions of gelati. Appetite, 100, 244-255. Lowe,=C2=A0 <>M., Ringler, C., <>& Haws, K. (2018). An overture to = overeating: The cross-modal effects of acoustic pitch on food = preferences and serving behaviour. Appetite, 123, 128-134. Pettit, L. A. (1958). The influence of test location and accompanying = sound in flavor preference testing of tomato juice. Food Technology, 12, = 55-57. Reinoso Carvalho, F., Van Ee, R., Rychtarikova, M., Touhafi, A., = Steenhaut, K., Persoone, D., Spence, C., & Leman, M. (2015). Does music = influence the multisensory tasting experience? Journal of Sensory = Studies, 30(5), 404-412. Spence, C. (2014). Noise and its impact on the perception of food and = drink. Flavour, 3:9. Spence, C. (2015d). Eating with our ears: Assessing the importance of = the sounds of consumption to our perception and enjoyment of = multisensory flavour experiences. Flavour, 4:3. Spence, C. (2019). Multisensory experiential wine marketing. Food = Quality & Preference, 71, 106-116. Wang, Q. (J.) & Spence, C. (2016). =E2=80=9CStriking a sour note=E2=80=9D:= Assessing the influence of consonant and dissonant music on taste = perception.Multisensory Research, 30, 195-208. Watson, Q. J., & Gunter, K. L. (2017). Trombones elicit bitter more = strongly than do clarinets: A partial replication of three studies of = Crisinel and Spence. Multisensory Research, 30(3-5 = <http://booksandjournals.brillonline.com/content/journals/22134808/30/3-5>= ), 321-335. Zellner, D., Geller, T., Lyons, S., Pyper, A., & Riaz, K. (2017). Ethnic = congruence of music and food affects food selection but not liking. Food = Quality & Preference, 56, Part A, 126-129. -- Felipe Reinoso Carvalho Twitter @xxxxxxxx f.sound [at] gmail.com --Apple-Mail=_F513957E-FB3D-4B80-BCF6-04C9E9CEA6B4 Content-Type: multipart/related; type="text/html"; boundary="Apple-Mail=_290B72EF-0150-457D-BE54-AD48D4D2EDAB" --Apple-Mail=_290B72EF-0150-457D-BE54-AD48D4D2EDAB Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html; = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div><div style=3D"word-wrap: break-word; -webkit-nbsp-mode: = space; line-break: after-white-space;" class=3D""><div class=3D""><div = style=3D"word-wrap: break-word; -webkit-nbsp-mode: space; line-break: = after-white-space;" class=3D""><div dir=3D"auto" style=3D"word-wrap: = break-word; -webkit-nbsp-mode: space; line-break: after-white-space;" = class=3D""><div class=3D""><div class=3D"WordSection1" style=3D"page: = WordSection1;"><br class=3D""><div class=3D""><br class=3D""></div><div = class=3D""><br class=3D""></div><p class=3D"MsoNormal" align=3D"center" = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: center;"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;"><b class=3D"">CALL FOR PAPERS: SPECIAL ISSUE = OF&nbsp;<i class=3D"">MULTISENSORY RESEARCH</i>&nbsp;</b></span></p><p = class=3D"MsoNormal" align=3D"center" style=3D"margin: 0cm 0cm 8pt; = line-height: 22px; font-size: 11pt; font-family: Calibri, sans-serif; = text-align: center;"><span class=3D"" style=3D"font-size: 10pt; = line-height: 20px; font-family: &quot;Times New Roman&quot;, serif;"><b = class=3D"">(MSR; November, 2018)</b><o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" align=3D"center" style=3D"margin: 0cm 0cm 8pt; = line-height: 22px; font-size: 11pt; font-family: Calibri, sans-serif; = text-align: center;"><b class=3D""><span class=3D"" style=3D"font-size: = 10pt; line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">Auditory contributions to food perception and consumer = behaviour<o:p class=3D""></o:p></span></b></p><div style=3D"margin: 0cm = 0cm 8pt; line-height: 22px; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;" class=3D""><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">&nbsp;</span><br = class=3D"webkit-block-placeholder"></div><p class=3D"MsoNormal" = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">Edited by Prof Charles Spence (University of = Oxford), Dr. Felipe Reinoso Carvalho (Los Andes University - School of = Management, Bogota, Colombia), Dr. Carlos Velasco (BI Norwegian Business = School, Norway) &amp; Dr. Janice Wang (Department of Food Science, = Aarhus University, Denmark)<o:p class=3D""></o:p></span></p><div = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;" class=3D""><span = class=3D"" style=3D"font-size: 10pt; line-height: 20px; font-family: = &quot;Times New Roman&quot;, serif;">&nbsp;</span><br = class=3D"webkit-block-placeholder"></div><p class=3D"MsoNormal" = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">What we hear affects the perception of what we = taste, no matter whether we realize it or not. Both music and ambient = soundscapes have been shown to bias what we choose to buy/order in shops = and restaurants/cafes (Biswas,&nbsp;</span><span lang=3D"EN-US" class=3D""= style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif; background-color: white;">Lund, &amp; = Szocs</span><span class=3D"" style=3D"font-size: 10pt; line-height: = 20px; font-family: &quot;Times New Roman&quot;, serif;">, 2018; = Zellner,&nbsp;</span><span class=3D"" style=3D"font-size: 10pt; = line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">Geller,&nbsp;Lyons, Pyper, &amp; Riaz,</span><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">2017</span><span class=3D"" style=3D"font-size: = 10pt; line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">), typically without us realizing it. Meanwhile, a separate = literature has developed over the last decade on the topic of =E2=80=98son= ic seasoning.=E2=80=99 This is where music is especially chosen, or = composed, in order to correspond crossmodal with the taste / aroma / = mouthfeel / flavour (Crisinel el al., 2012; Reinoso Carvalho et al., = 2015; Wang &amp; Spence, 2016). Interesting questions here concern where = such surprising correspondences come from, and elucidating the = conditions under which corresponding vs incongruent (or no music) do, = versus do not influence the tasting experience and eating behaviours = (e.g.,&nbsp;</span><span class=3D"" style=3D"font-size: 10pt; = line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">Hauck &amp; Hecht, in press;</span><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">&nbsp;H=C3=B6chenberger &amp; Ohla, in = press;&nbsp;<span class=3D"text">Lowe</span><span = class=3D"author-ref">,&nbsp;</span><span = class=3D"text">Ringler</span></span><span class=3D"text"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">,&nbsp;<span class=3D"">&amp; = Haws</span></span></span><span class=3D"author-ref"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">; 2018,&nbsp;</span></span><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">Watson &amp; Gunter, 2017</span><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">), and the neural consequences/underpinnings of = such almost-synaesthetic crossmodal interactions (Callan, Callan, &amp; = Ando, 2018). A branch of this literature has also examined =E2=80=98sensat= ion transference=E2=80=99 effects =E2=80=93 addressing questions such = as&nbsp;<i class=3D"">=E2=80=98If you like the music more, do you like = what you are eating/drinking more too?=E2=80=99</i>&nbsp;(<span = class=3D"">Kantono et al., 2015, 2016).</span>&nbsp;Auditory inputs that = influence the perception of what we taste are not limited to = environmental sounds. They also involve the sounds that derived from = what we eat such as slurping, crunching, or smacking as well as speech = sounds that we use to refer to specific foods (see Spence, 2015, for a = review).<o:p class=3D""></o:p></span></p><p class=3D"MsoNormal" = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">When what we hear becomes too loud, it is = usually regarded as noise. The research shows that loud background = noise, be it airplane noise, white noise, or restaurant noise, can = affect both the taste of food and drink, as well as people=E2=80=99s = ability to discriminate various aspects of their tasting experience (see = Spence, 2014, for a review). Given the increasing noise levels in many = restaurants and bars these days, there may even be a public health angle = to this research. Finally, given the growing literature on music and = soundscape=E2=80=99s influence on the multisensory tasting experience, = there is a growing interest in using technology to synchronize auditory = stimulation with the tasting experience (see Spence, 2019, for a = review). This is a rich area for creative practice (see also The = Chocolate Symphony at this year=E2=80=99s IMRF meeting) and submissions = are also welcomed in this area, providing they connect to the = multisensory science.<o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 8pt; line-height: 22px; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; line-height: 20px; = font-family: &quot;Times New Roman&quot;, serif;">Hence, despite its = inauspicious beginnings 70 years ago (see Pettit, 1958), research on = auditory contributions to food perception and behaviour has exploded in = recent years, with interest coming from the fields of cognitive = neuroscience, marketing, food science, design, branding, public health = and beyond. As such, now would seem like an excellent time to capture = the growing interest and excitement in this area with a Special Issue = dedicated to the topic.<o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 8pt; line-height: 22px; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; line-height: 20px; = font-family: &quot;Times New Roman&quot;, serif;"><br = class=3D""></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm 0cm = 8pt; line-height: 22px; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;"><b class=3D""><u class=3D"">Tentative</u> deadline for = submissions 1<sup class=3D"">st</sup>&nbsp;December, = 2018.</b>&nbsp;</span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 8pt; line-height: 22px; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">Queries regarding the suitability of specific submissions etc. = should be directed in the first instance to&nbsp;</span><a = href=3D"mailto:Charles.spence@xxxxxxxx" class=3D"" style=3D"color: = rgb(149, 79, 114);"><span class=3D"" style=3D"font-size: 10pt; = line-height: 20px; font-family: &quot;Times New Roman&quot;, = serif;">Charles.spence@xxxxxxxx</span></a><span class=3D"" = style=3D"font-size: 10pt; line-height: 20px; font-family: &quot;Times = New Roman&quot;, serif;">.<o:p class=3D""></o:p></span></p><div = style=3D"margin: 0cm 0cm 8pt; line-height: 22px; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;" class=3D""><span = class=3D"" style=3D"font-size: 10pt; line-height: 20px; font-family: = &quot;Times New Roman&quot;, serif;">&nbsp;</span><br = class=3D"webkit-block-placeholder"></div><p class=3D"MsoNormal" = align=3D"center" style=3D"margin: 0cm 0cm 8pt; line-height: 22px; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = center;"><span class=3D"" style=3D"font-size: 10pt; line-height: 20px; = font-family: &quot;Times New Roman&quot;, serif;">REFERENCES<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 3pt 35.45pt; line-height: normal; font-size: 11pt; font-family: = Calibri, sans-serif; text-align: justify; text-indent: -35.45pt;"><span = lang=3D"EN-US" class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif; background-color: white;"><o:p = class=3D"">&nbsp;</o:p></span></p><p class=3D"MsoNormal" style=3D"margin: = 0cm 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span lang=3D"EN-US" class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif; background-color: white;">Biswas, D., Lund, K., &amp; Szocs, C. = (2018). Sounds like a healthy retail atmospheric strategy: Effects of = ambient music and background noise on food sales.&nbsp;<i = class=3D"">Journal of the Academy of Marketing Science</i>, 1-19.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, serif;">Callan, A., = Callan, D., &amp; Ando, H.&nbsp;</span><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">(2018).&nbsp;</span><i class=3D""><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Differential effects of music and pictures on taste perception = =E2=80=93an fMRI study</span></i><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, = serif;">.&nbsp;</span><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif;">Poster presented at = the</span><span lang=3D"NL" class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif;">Annual Meeting of = the&nbsp;</span><i class=3D""><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif;">International = Multisensory Research Forum.</span></i><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">&nbsp;June, 14-17<sup class=3D"">th</sup>&nbsp;June, Toronto, = CA.<o:p class=3D""></o:p></span></p><p class=3D"MsoNormal" = style=3D"margin: 0cm 0cm 6pt; line-height: normal; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Crisinel, A.-S., Cosser, S., King, S., Jones, R., Petrie, J., = &amp; Spence, C. (2012). A bittersweet symphony: Systematically = modulating the&nbsp;<span class=3D"">taste of food by changing the sonic = properties of the soundtrack playing in the background.&nbsp;<i = class=3D"">Food Quality and Preference</i>,&nbsp;<b class=3D"">24</b>, = 201-204.</span><span class=3D"" style=3D"color: rgb(43, 43, 43);"><o:p = class=3D""></o:p></span></span></p><p class=3D"MsoNormal" style=3D"margin:= 0cm 0cm 6pt; line-height: normal; font-size: 11pt; font-family: = Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Hauck, P., &amp; Hecht, H. (in press). Having a drink with = Tchaikovsky: The crossmodal influence of background music on the taste = of beverages.<i class=3D"">Multisensory Research</i>.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, serif;">H=C3=B6chenberger,= R., &amp; Ohla, K. (in press). A bittersweet symphony: Evidence for = taste=E2=80=90sound correspondences without effects on taste = quality=E2=80=90specific perception.&nbsp;<i class=3D"">Journal of = Neuroscience Research</i>.&nbsp;<o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 6pt; line-height: normal; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">Kantono, K., Hamid, N., Sheperd, = D., Yoo, M. J. Y., Carr, B. T., &amp; Grazioli, G. (2015). The effect of = background music on food pleasantness ratings.&nbsp;<i = class=3D"">Psychology of Music</i>,&nbsp;<b class=3D"">13</b>, 1-15.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, serif;">Kantono, K., = Hamid, N., Sheperd, D., Yoo, M. J. Y., Grazioli, G., &amp; Carr, T. = (2016). Listening to music can influence hedonic and sensory perceptions = of gelati.&nbsp;<i class=3D"">Appetite,&nbsp;</i></span><b = class=3D""><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif; color: rgb(54, 54, 54); = background-color: white;">100</span></b><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif; color: rgb(54, 54, 54); background-color: white;">, = 244-255</span><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">.<o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 6pt; line-height: normal; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"text"><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Lowe</span></span><a name=3D"bau2" class=3D""><span = class=3D"author-ref"><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, = serif;">,&nbsp;</span></span></a><span class=3D""><span = class=3D"text"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">M., = Ringler</span></span></span><span class=3D""><span class=3D"text"><span = class=3D"" style=3D"font-size: 10pt; font-family: &quot;Times New = Roman&quot;, serif;">, C.,&nbsp;</span></span></span><a name=3D"bau3" = class=3D""></a><span class=3D""><span class=3D"text"><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">&amp; Haws</span></span></span><span class=3D""></span><span = class=3D"author-ref"><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif;">,</span></span><span = class=3D"text"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">&nbsp;K.&nbsp;</span></span><span = class=3D"author-ref"><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, = serif;">(2018).&nbsp;</span></span><span class=3D"title-text"><span = class=3D"" style=3D"font-size: 10pt; font-family: &quot;Times New = Roman&quot;, serif;">An overture to overeating: The cross-modal effects = of acoustic pitch on food preferences and serving = behaviour.</span></span><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif;">&nbsp;<i = class=3D"">Appetite</i>,&nbsp;<b class=3D"">123</b>, 128-134.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span lang=3D"EN-US" class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Pettit, L. A. (1958).&nbsp;</span><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">The influence of test location and accompanying sound in flavor = preference testing of tomato juice.&nbsp;<i class=3D"">Food = Technology</i>,&nbsp;<b class=3D"">12</b>, 55-57.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span lang=3D"EN-US" class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif; color: rgb(34, 34, 34); background-color: white;">Reinoso = Carvalho, F., Van Ee, R., Rychtarikova, M., Touhafi, A., Steenhaut, K., = Persoone, D., Spence, C., &amp; Leman, M. (2015). Does music influence = the multisensory tasting experience?&nbsp;<i class=3D"">Journal of = Sensory Studies</i>,&nbsp;<b class=3D"">30(5)</b>, 404-412.</span><span = lang=3D"EN-US" class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;"><o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 6pt; line-height: normal; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">Spence, C. (2014). Noise and its = impact on the perception of food and drink.&nbsp;<i = class=3D"">Flavour</i>,&nbsp;<b class=3D"">3</b>:9.<o:p = class=3D""></o:p></span></p><p class=3D"MsoNormal" style=3D"margin: 0cm = 0cm 6pt; line-height: normal; font-size: 11pt; font-family: Calibri, = sans-serif; text-align: justify;"><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, serif;">Spence, C. = (2015d). Eating with our ears: Assessing the importance of the sounds of = consumption to our perception and enjoyment of multisensory flavour = experiences.&nbsp;<i class=3D"">Flavour</i>,&nbsp;<b = class=3D"">4</b>:3.<o:p class=3D""></o:p></span></p><p class=3D"MsoNormal"= style=3D"margin: 0cm 0cm 6pt; line-height: normal; font-size: 11pt; = font-family: Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Spence, C. (2019). Multisensory experiential wine = marketing.&nbsp;<i class=3D"">Food Quality &amp; Preference</i>,&nbsp;<b = class=3D"">71</b>, 106-116.<o:p class=3D""></o:p></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 6pt; line-height: normal; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">Wang, Q. (J.) &amp; Spence, C. = (2016). =E2=80=9CStriking a sour note=E2=80=9D: Assessing the influence = of consonant and dissonant music on taste perception.<i class=3D""><span = class=3D"">Multisensory Research</span></i><span class=3D"">,&nbsp;<b = class=3D"">30</b>, 195-208.<o:p class=3D""></o:p></span></span></p><p = class=3D"MsoNormal" style=3D"margin: 0cm 0cm 6pt; line-height: normal; = font-size: 11pt; font-family: Calibri, sans-serif; text-align: = justify;"><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif;">Watson, Q. J., &amp; Gunter, K. L. = (2017). Trombones elicit bitter more strongly than do clarinets: A = partial replication of three studies of Crisinel and Spence.&nbsp;<i = class=3D"">Multisensory Research</i>,&nbsp;</span><a = href=3D"http://booksandjournals.brillonline.com/content/journals/22134808/= 30/3-5" class=3D"" style=3D"color: rgb(149, 79, 114);"><b class=3D""><span= class=3D"" style=3D"font-size: 10pt; font-family: &quot;Times New = Roman&quot;, serif; border: 1pt none windowtext; padding: 0cm; = background-color: white; text-decoration: = none;">30(3-5</span></b></a><span class=3D"volumeissue"><b = class=3D""><span class=3D"" style=3D"font-size: 10pt; font-family: = &quot;Times New Roman&quot;, serif; border: 1pt none windowtext; = padding: 0cm; background-color: white;">)</span></b></span><span = class=3D"volumeissue"><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, serif; border: 1pt none = windowtext; padding: 0cm; background-color: white;">,</span></span><span = class=3D"" style=3D"font-size: 10pt; font-family: &quot;Times New = Roman&quot;, serif; background-color: white;">&nbsp;<span = class=3D"meta-value"><span class=3D"" style=3D"border: 1pt none = windowtext; padding: 0cm;">321-335.</span></span></span><span = class=3D"meta-value"><span class=3D"" style=3D"border: 1pt none = windowtext; padding: 0cm; background-color: white;"><o:p = class=3D""></o:p></span></span></p><p class=3D"MsoNormal" style=3D"margin:= 0cm 0cm 6pt; line-height: normal; font-size: 11pt; font-family: = Calibri, sans-serif; text-align: justify;"><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">Zellner, D.,&nbsp;</span><span class=3D"" style=3D"font-size: = 10pt; font-family: &quot;Times New Roman&quot;, serif;">Geller, = T.,&nbsp;Lyons, S., Pyper, A., &amp; Riaz, K.</span><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">&nbsp;(2017). Ethnic congruence of music and food affects food = selection but not liking.&nbsp;<i class=3D"">Food Quality &amp; = Preference,</i>&nbsp;</span><b class=3D""><span class=3D"" = style=3D"font-size: 10pt; font-family: &quot;Times New Roman&quot;, = serif;">56, Part A</span></b><span class=3D"" style=3D"font-size: 10pt; = font-family: &quot;Times New Roman&quot;, = serif;">,&nbsp;126-129.</span></p></div></div></div></div></div><br = class=3D""></div></div><br class=3D""><div class=3D""> <div style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: = 12px; font-style: normal; font-variant-caps: normal; font-weight: = normal; letter-spacing: normal; text-align: start; text-indent: 0px; = text-transform: none; white-space: normal; word-spacing: 0px; = -webkit-text-stroke-width: 0px;">--<br class=3D""><br = class=3D""></div><span style=3D"color: rgb(0, 0, 0); font-family: = Helvetica; font-size: 12px; font-style: normal; font-variant-caps: = normal; font-weight: normal; letter-spacing: normal; text-align: start; = text-indent: 0px; text-transform: none; white-space: normal; = word-spacing: 0px; -webkit-text-stroke-width: 0px;"><br = class=3D"Apple-interchange-newline" style=3D"color: rgb(0, 0, 0); = font-family: Helvetica; font-size: 12px; font-style: normal; = font-variant-caps: normal; font-weight: normal; letter-spacing: normal; = orphans: auto; text-align: start; text-indent: 0px; text-transform: = none; white-space: normal; widows: auto; word-spacing: 0px; = -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;"><span = style=3D"color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; = font-style: normal; font-variant-caps: normal; font-weight: normal; = letter-spacing: normal; orphans: auto; text-align: start; text-indent: = 0px; text-transform: none; white-space: normal; widows: auto; = word-spacing: 0px; -webkit-text-size-adjust: auto; = -webkit-text-stroke-width: 0px;"><span><span><span><span><img = apple-inline=3D"yes" id=3D"E882585F-B21C-4D09-A380-A9B552E27F20" = width=3D"56" height=3D"60" src=3D"cid:image001.png@xxxxxxxx" = class=3D""></span><br class=3D"Apple-interchange-newline" style=3D"color: = rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: = normal; font-variant-caps: normal; font-weight: normal; letter-spacing: = normal; orphans: auto; text-align: start; text-indent: 0px; = text-transform: none; white-space: normal; widows: auto; word-spacing: = 0px; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: = 0px;"><br style=3D"color: rgb(0, 0, 0); font-family: Helvetica; = font-size: 12px; font-style: normal; font-variant-caps: normal; = font-weight: normal; letter-spacing: normal; orphans: auto; text-align: = start; text-indent: 0px; text-transform: none; white-space: normal; = widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; = -webkit-text-stroke-width: 0px;" class=3D""><br style=3D"color: rgb(0, = 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; = font-variant-caps: normal; font-weight: normal; letter-spacing: normal; = orphans: auto; text-align: start; text-indent: 0px; text-transform: = none; white-space: normal; widows: auto; word-spacing: 0px; = -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;" = class=3D""><span style=3D"color: rgb(0, 0, 0); font-family: Helvetica; = font-size: 12px; font-style: normal; font-variant-caps: normal; = font-weight: normal; letter-spacing: normal; orphans: auto; text-align: = start; text-indent: 0px; text-transform: none; white-space: normal; = widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; = -webkit-text-stroke-width: 0px; float: none; display: inline = !important;" class=3D"">Felipe Reinoso Carvalho</span><br style=3D"color: = rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: = normal; font-variant-caps: normal; font-weight: normal; letter-spacing: = normal; orphans: auto; text-align: start; text-indent: 0px; = 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style=3D"color: rgb(0, 0, 0); font-family: Helvetica; = font-size: 12px; font-style: normal; font-variant-caps: normal; = font-weight: normal; letter-spacing: normal; orphans: auto; text-align: = start; text-indent: 0px; text-transform: none; white-space: normal; = widows: auto; word-spacing: 0px; -webkit-text-size-adjust: auto; = -webkit-text-stroke-width: 0px; float: none; display: inline = !important;" class=3D"">f.sound [at] <a href=3D"http://gmail.com" = class=3D"">gmail.com</a></span><br style=3D"color: rgb(0, 0, 0); = font-family: Helvetica; font-size: 12px; font-style: normal; = font-variant-caps: normal; font-weight: normal; letter-spacing: normal; = orphans: auto; text-align: start; text-indent: 0px; text-transform: = none; white-space: normal; widows: auto; word-spacing: 0px; = -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px;" = class=3D""> </span></span></span></span></span></div> <br class=3D""></body></html>= 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maintained by:
DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University