[AUDITORY] New datasets for monophonic, melody, bass and multi-f0 pitch tracking (Justin Salamon )


Subject: [AUDITORY] New datasets for monophonic, melody, bass and multi-f0 pitch tracking
From:    Justin Salamon  <justin.salamon@xxxxxxxx>
Date:    Mon, 12 Nov 2018 15:33:55 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--000000000000606ac6057a7d9fb6 Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable *** apologies for cross-postings *** Dear list, We're pleased to announce the release of five new(ish) datasets for research on monophonic, melody, bass and multi-f0 pitch tracking: *http://synthdatasets.weebly.com/* <http://synthdatasets.weebly.com/> The datasets are released as part of our ISMIR 2017 publication: An analysis/synthesis framework for automatic f0 annotation of multitrack datasets <http://www.justinsalamon.com/uploads/4/3/9/4/4394963/salamon_f0synthannota= tion_ismir_2017.pdf> J. Salamon, R. M. Bittner, J. Bonada, J. J. Bosch, E. G=C3=B3mez, and J. P. Bello. In 18th Int. Soc. for Music Info. Retrieval Conf., Suzhou, China, Oct. 2017= . And consist of: *MDB-melody-synth <http://synthdatasets.weebly.com/mdb-melody-synth.html>* 65 songs from the MedleyDB dataset <http://medleydb.weebly.com/> in which the melody track has been resynthesized to obtain a perfect melody f0 annotation using the analysis/synthesis method described in the paper. *MDB-bass-synth <http://synthdatasets.weebly.com/mdb-bass-synth.html>* 71 songs from the MedleyDB dataset <http://medleydb.weebly.com/> in which the bass track has been resynthesized to obtain a perfect bass f0 annotation using the analysis/synthesis method described in the paper. *MDB-mf0-synth <http://synthdatasets.weebly.com/mdb-mf0-synth.html>* 85 songs from the MedleyDB dataset <http://medleydb.weebly.com/> in which polyphonic pitched instruments (such as piano and guitar) have been removed and all monophonic pitched instruments (such as bass and voice) have been resynthesized to obtain perfect f0 annotations using the analysis/synthesis method described in the paper. *MDB-stem-synth <http://synthdatasets.weebly.com/mdb-stem-synth.html>* 230 solo stems (tracks) from the MedleyDB dataset <http://medleydb.weebly.com/> spanning a variety of musical instruments and voices, which have been resynthesized to obtain a perfect f0 annotation using the analysis/synthesis method described in the paper. *Bach10-mf0-synth <http://synthdatasets.weebly.com/bach10-mf0-synth.html>* 10 classical music pieces (four-part J.S. Bach chorales) from the Bach10 dataset <http://music.cs.northwestern.edu/data/Bach10.html> where each instrument (bassoon, clarinet, saxophone and violin) has been resynthesized to obtain perfect f0 annotations using the analysis/synthesis method described in the paper. To hear some samples from these datasets please see the examples page <http://synthdatasets.weebly.com/examples.html>. We hope you find these datasets useful! For example, at MARL we used MDB-stem-synth to train and evaluate our convnet-based monophonic pitch tracker CREPE <https://github.com/marl/crepe>. We're also working on an open-source library implementing the analysis/synthesis method described in the paper so that people can use it to create new f0 annotations for multitrack datasets. It's still in the works, we'll send a follow-up message once it's released. Thanks and sorry it's taken us this long to release the data! Justin, Rachel, Jordi, Juanjo, Emilia and Juan. --=20 Justin Salamon, PhD Senior Research Scientist Music and Audio Research Laboratory (MARL) & Center for Urban Science and Progress (CUSP) New York University, New York, NY www.justinsalamon.com --000000000000606ac6057a7d9fb6 Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div>*** apologies for cross-postings ***</div><div><br></= div>Dear list,<div><br></div><div>We&#39;re pleased to announce the release= of five new(ish) datasets for research on monophonic, melody, bass and mul= ti-f0 pitch tracking:=C2=A0</div><div><br></div><div><a href=3D"http://synt= hdatasets.weebly.com/" target=3D"_blank"><b>http://synthdatasets.weebly.com= /</b></a><br></div><div><br></div><div><font color=3D"#000000" face=3D"aria= l, helvetica, sans-serif">T</font>he datasets are released as part of our I= SMIR 2017 publication:</div><div><br></div><div><div><a href=3D"http://www.= justinsalamon.com/uploads/4/3/9/4/4394963/salamon_f0synthannotation_ismir_2= 017.pdf" target=3D"_blank">An analysis/synthesis framework for automatic f0= annotation of multitrack datasets</a></div><div>J. Salamon, R. M. Bittner,= J. Bonada, J. J. Bosch, E. G=C3=B3mez, and J. P. Bello.=C2=A0</div><div>In= 18th Int. Soc. for Music Info. Retrieval Conf., Suzhou, China, Oct. 2017.<= /div></div><div><br></div><div><span style=3D"color:rgb(0,0,0);font-family:= arial,helvetica,sans-serif">And consist of:</span><br></div><div><br></div>= <div><font face=3D"arial, helvetica, sans-serif"><strong style=3D"color:rgb= (0,0,0)"><a href=3D"http://synthdatasets.weebly.com/mdb-melody-synth.html" = target=3D"_blank" style=3D"color:rgb(218,68,68);text-decoration-line:none">= MDB-melody-synth</a></strong><br style=3D"color:rgb(0,0,0)"><span style=3D"= color:rgb(0,0,0)">65 songs from the=C2=A0</span><a href=3D"http://medleydb.= weebly.com/" target=3D"_blank" style=3D"color:rgb(218,68,68);text-decoratio= n-line:none">MedleyDB dataset</a><span style=3D"color:rgb(0,0,0)">=C2=A0in = which the melody track=C2=A0has been resynthesized to obtain a perfect melo= dy f0 annotation using the analysis/synthesis method described in the=C2=A0= paper.</span><br style=3D"color:rgb(0,0,0)"><br style=3D"color:rgb(0,0,0)">= <strong style=3D"color:rgb(0,0,0)"><a href=3D"http://synthdatasets.weebly.c= om/mdb-bass-synth.html" target=3D"_blank" style=3D"color:rgb(218,68,68);tex= t-decoration-line:none">MDB-bass-synth</a></strong><br style=3D"color:rgb(0= ,0,0)"><span style=3D"color:rgb(0,0,0)">71 songs from the=C2=A0</span><a hr= ef=3D"http://medleydb.weebly.com/" target=3D"_blank" style=3D"color:rgb(218= ,68,68);text-decoration-line:none">MedleyDB dataset</a><span style=3D"color= :rgb(0,0,0)">=C2=A0in which the bass track has been resynthesized to obtain= a perfect bass f0 annotation using the analysis/synthesis method described= in the paper.</span><br style=3D"color:rgb(0,0,0)"><br style=3D"color:rgb(= 0,0,0)"><strong style=3D"color:rgb(0,0,0)"><a href=3D"http://synthdatasets.= weebly.com/mdb-mf0-synth.html" target=3D"_blank" style=3D"color:rgb(218,68,= 68);text-decoration-line:none">MDB-mf0-synth</a></strong><br style=3D"color= :rgb(0,0,0)"><span style=3D"color:rgb(0,0,0)">85 songs from the=C2=A0</span= ><a href=3D"http://medleydb.weebly.com/" target=3D"_blank" style=3D"color:r= gb(218,68,68);text-decoration-line:none">MedleyDB dataset</a><span style=3D= "color:rgb(0,0,0)">=C2=A0in which polyphonic pitched=C2=A0instruments (such= as piano and guitar) have been removed and all monophonic pitched instrume= nts (such as bass and voice)=C2=A0have been resynthesized to obtain perfect= f0 annotations using the analysis/synthesis method described in the paper.= </span><br style=3D"color:rgb(0,0,0)"><br style=3D"color:rgb(0,0,0)"><stron= g style=3D"color:rgb(0,0,0)"><a href=3D"http://synthdatasets.weebly.com/mdb= -stem-synth.html" target=3D"_blank" style=3D"color:rgb(218,68,68);text-deco= ration-line:none">MDB-stem-synth</a></strong><br style=3D"color:rgb(0,0,0)"= ><span style=3D"color:rgb(0,0,0)">230 solo stems (tracks) from the=C2=A0</s= pan><a href=3D"http://medleydb.weebly.com/" target=3D"_blank" style=3D"colo= r:rgb(218,68,68);text-decoration-line:none">MedleyDB dataset</a><span style= =3D"color:rgb(0,0,0)">=C2=A0spanning a=C2=A0variety of musical instruments = and voices, which have been resynthesized to obtain a perfect f0 annotation= using the=C2=A0analysis/synthesis method described in the paper.</span><br= style=3D"color:rgb(0,0,0)"><br style=3D"color:rgb(0,0,0)"><strong style=3D= "color:rgb(0,0,0)"><a href=3D"http://synthdatasets.weebly.com/bach10-mf0-sy= nth.html" target=3D"_blank" style=3D"color:rgb(218,68,68);text-decoration-l= ine:none">Bach10-mf0-synth</a></strong><br style=3D"color:rgb(0,0,0)"><span= style=3D"color:rgb(0,0,0)">10 classical music pieces (four-part J.S. Bach = chorales) from the=C2=A0</span><a href=3D"http://music.cs.northwestern.edu/= data/Bach10.html" target=3D"_blank" style=3D"color:rgb(218,68,68);text-deco= ration-line:none">Bach10 dataset</a><span style=3D"color:rgb(0,0,0)">=C2=A0= where each instrument (bassoon, clarinet, saxophone and violin) has=C2=A0be= en resynthesized to obtain perfect f0 annotations using the analysis/synthe= sis method described in the paper.</span><br style=3D"color:rgb(0,0,0)"><br= style=3D"color:rgb(0,0,0)"><span style=3D"color:rgb(0,0,0)">To hear some s= amples from these datasets please see the=C2=A0</span><a href=3D"http://syn= thdatasets.weebly.com/examples.html" target=3D"_blank" style=3D"color:rgb(2= 18,68,68);text-decoration-line:none">examples page</a><span style=3D"color:= rgb(0,0,0)">.</span></font><br></div><div><font face=3D"arial, helvetica, s= ans-serif"><span style=3D"color:rgb(0,0,0)"><br></span></font></div><div><s= pan style=3D"color:rgb(0,0,0);font-family:arial,helvetica,sans-serif">We ho= pe you find these datasets useful!</span><font face=3D"arial, helvetica, sa= ns-serif"><font color=3D"#000000">=C2=A0For example, at MARL we used MDB-st= em-synth to train and evaluate our=C2=A0<a href=3D"https://github.com/marl/= crepe" target=3D"_blank">convnet-based monophonic pitch tracker CREPE</a>.<= /font><br></font></div><div><font face=3D"arial, helvetica, sans-serif"><fo= nt color=3D"#000000"><br></font></font></div><div><font face=3D"arial, helv= etica, sans-serif"><font color=3D"#000000">We&#39;re also working on an ope= n-source library implementing the analysis/synthesis method described in th= e paper so that people can use it to create new f0 annotations for multitra= ck datasets. It&#39;s still in the works, we&#39;ll send a follow-up messag= e once it&#39;s released.</font></font></div><div><font face=3D"arial, helv= etica, sans-serif"><font color=3D"#000000"><br></font></font></div><div><fo= nt face=3D"arial, helvetica, sans-serif"><font color=3D"#000000">Thanks and= sorry it&#39;s taken us this long to release the data!</font></font></div>= <div><br></div><div><font color=3D"#000000" face=3D"arial, helvetica, sans-= serif">Justin, Rachel, Jordi, Juanjo, Emilia and Juan.</font></div><div><br= ></div>-- <br><div dir=3D"ltr" class=3D"gmail_signature" data-smartmail=3D"= gmail_signature"><div dir=3D"ltr"><div><div dir=3D"ltr"><div><div dir=3D"lt= r"><div>Justin Salamon, PhD</div><div>Senior Research Scientist</div><div>M= usic and Audio Research Laboratory (MARL)</div><div>&amp; Center for Urban = Science and Progress (CUSP)</div><div>New York University, New York, NY</di= v><div><a href=3D"http://www.justinsalamon.com/" style=3D"color:rgb(17,85,2= 04)" target=3D"_blank">www.justinsalamon.com</a></div></div></div></div></d= iv></div></div></div> --000000000000606ac6057a7d9fb6--


This message came from the mail archive
src/postings/2018/
maintained by:
DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University