Subject: [AUDITORY] 1st Call for Paper of SI: Auditory Displays and Auditory User Interfaces From: Myounghoon Jeon <philart@xxxxxxxx> Date: Fri, 9 Nov 2018 14:51:57 -0500 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--00000000000034741c057a40b11f Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Dear Auditory list, (Apologies for cross-postings) Please consider submitting your work: *Auditory Displays and Auditory User Interfaces* *Art-Design-Science-Research* *Guest Editors:* Myounghoon Jeon, Virginia Tech, USA (myounghoonjeon@xxxxxxxx) Areti Andreopoulou, University of Athens, Greece ( a.andreopoulou@xxxxxxxx) Brian FG Katz, Sorbonne University, France ( brian.katz@xxxxxxxx) Deadline for paper submission: May 1, 2019 This special issue concerning Auditory Displays and Auditory User Interfaces: Art-Design-Science-Research (ADSR) is motivated by the theme of the 2018 Conference of ICAD (International Community for Auditory Display), a wordplay on the term =E2=80=9CADSR=E2=80=9D (Attack-Decay-Sustain-Release= ), commonly used in sound-related domains. This is an open call to authors for contributions under this broad theme. We welcome technical, theoretical, and empirical papers that can contribute to any aspect (art, design, science, and research) of auditory displays and auditory user interfaces. Designers and researchers have tried to make auditory displays and auditory user interfaces more useful in numerous areas, extending typical visuo-centric interactions to multimodal and multisensorial systems. Application areas include education, assistive technologies, auditory wayfinding, auditory graphs, speech interfaces, virtual and augmented reality environments, and associated perceptual, cognitive, technical, and technological research and development. *Research through design* or *embed= ded design research* has recently become more pervasive for auditory display designers. Hence, we welcome all types of =E2=80=9Cdesign=E2=80=9D activiti= es as a necessary process in auditory display. In addition, methodical evaluation and analysis have become more prominent, leading to more robust science. In this iterative process, auditory displays can achieve improved reliability through robust and repeatable research. In some areas, we have already arrived at the *science*stage, while in other areas we are still exploring the possibilities. Pursuing novelty encourages artists to seek the integration of different genres and transform modalities. By definition, auditory displays and sonification *transform* data into sound. Thanks to the characteristics of this transformation, there have been active interactions between auditory displays and various forms of art. Hence, we would also like to invite contributions addressing artistic approaches to auditory displays and auditory user interfaces. Rather than insisting on a specific approach, we encourage a broad spectrum of diverse strategies. In other words, all these approaches =E2=80=93 art, = design, science, and research =E2=80=93 should be balanced and utilized more flexib= ly depending on the circumstances. *T**opics of interest* for this special issue include, but are not limited to, the following: - Multimodal user interfaces (auditory + visual/haptic/tactile/olfactory/gustatory, etc.) - Auditory displays inspired by music or other forms of art - Culture-specific auditory displays - Speculative, aspirational prototype designs, case studies, and real-world applications - Aesthetics of auditory displays and auditory user interfaces - Auditory display design paradigm, theory, and taxonomy - Design methods, processes, tools, and techniques - Users, experiences, and contexts of auditory displays and auditory user interfaces - Development of new sensors, devices, or platforms for auditory displays and auditory user interfaces - Accessibility, inclusive design, and assistive technologies - Computational/algorithmic approaches - Human Factors, Ergonomics and Usability - Auditory displays with a focus on spatial/3D sound - Sonification in Health and Environmental Data (soniHED) - Sonification in the Internet of Things, Big Data, or Cybersecurity - Sonification in vehicles *Schedule:* Submission deadline: May 1, 2019 1st round review: August 1, 2019 2nd round review: October 1, 2019 Publication: Spring 2020 *Authors Instructions:* Submissions should be 8-12 pages long, presenting original unpublished work. Previously presented conference and workshop papers should include a minimum of 30% new content. The authors will be required to follow the Author=E2=80=99s Guide for manuscript submission to the Journal of Multimod= al User Interfaces published by Springer. (http://www.springer.com/computer/hci/journal/12193) During the submission process, please select =E2=80=9CS.I.: Auditory Displa= y 2018=E2=80=9D as article type. ************************************************ Myounghoon "Philart" Jeon, Ph.D. Associate Professor *Mind Music Machine Lab <http://ise.vt.edu/philart>* Grado Department of Industrial and Systems Engineering Virginia Tech 519D Whittemore Hall 1185 Perry St. Blacksburg, VA 24061 myounghoonjeon@xxxxxxxx --00000000000034741c057a40b11f Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div>Dear Auditory list,=C2=A0</div><div><br></div><div>(<= span class=3D"gmail-il">Apologies</span>=C2=A0for cross-postings)<br></div>= <div>Please consider submitting your work:=C2=A0</div><div><br></div><div><= p class=3D"MsoNormal" align=3D"center" style=3D"margin:0in 0in 0.0001pt;tex= t-align:center;font-size:12pt;font-family:"Times New Roman",serif= "><b>Auditory Displays and Auditory User Interfaces</b></p><p class=3D"MsoN= ormal" align=3D"center" style=3D"margin:0in 0in 0.0001pt;text-align:center;= font-size:12pt;font-family:"Times New Roman",serif"><b>Art-Design= -Science-Research</b></p><p class=3D"MsoNormal" align=3D"center" style=3D"m= argin:0in 0in 0.0001pt;text-align:center;font-size:12pt;font-family:"T= imes New Roman",serif"><b>=C2=A0</b></p><p class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times New Roma= n",serif"><b><span style=3D"color:rgb(1,2,2)">Guest Editors:</span></b= ></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt= ;font-family:"Times New Roman",serif">Myounghoon Jeon, Virginia T= ech, USA (<span lang=3D"EN-GB"><a href=3D"mailto:myounghoonjeon@xxxxxxxx" tar= get=3D"_blank" style=3D"color:navy">myounghoonjeon@xxxxxxxx</a></span>)</p><p= class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-f= amily:"Times New Roman",serif">Areti Andreopoulou, University of = Athens, Greece (<a href=3D"mailto:a.andreopoulou@xxxxxxxx" target=3D"_b= lank" style=3D"color:navy">a.andreopoulou@xxxxxxxx</a>)</p><p class=3D"= MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:&quo= t;Times New Roman",serif"><span style=3D"color:rgb(1,2,2)">Brian FG Ka= tz, Sorbonne University, France (</span><span style=3D"color:rgb(68,68,85);= background-image:initial;background-position:initial;background-size:initia= l;background-repeat:initial;background-origin:initial;background-clip:initi= al"><a href=3D"mailto:brian.katz@xxxxxxxx" target=3D"_blank" = style=3D"color:navy">brian.katz@xxxxxxxx</a>)</span></p><p cl= ass=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-= size:12pt;font-family:"Times New Roman",serif"><span style=3D"col= or:rgb(1,2,2)">=C2=A0</span></p><p class=3D"MsoNormal" style=3D"margin:0in = 0in 0.0001pt;text-align:justify;font-size:12pt;font-family:"Times New = Roman",serif"><span style=3D"color:rgb(1,2,2)">Deadline for paper subm= ission: May 1, 2019</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0i= n 0.0001pt;text-align:justify;font-size:12pt;font-family:"Times New Ro= man",serif"><span style=3D"color:rgb(1,2,2)">=C2=A0</span></p><p class= =3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-siz= e:12pt;font-family:"Times New Roman",serif"><span style=3D"color:= rgb(1,2,2)">This special issue concerning Auditory Displays and Auditory Us= er Interfaces: Art-Design-Science-Research (ADSR) is motivated by the theme= of the 2018 Conference of ICAD (International Community for Auditory Displ= ay), a wordplay on the term =E2=80=9CADSR=E2=80=9D (Attack-Decay-Sustain-Re= lease), commonly used in sound-related domains. This is an open call to aut= hors for contributions under this broad theme. We welcome technical, theore= tical, and empirical papers that can contribute to any aspect (art, design,= science, and research) of auditory displays and auditory user interfaces.<= /span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-alig= n:justify;font-size:12pt;font-family:"Times New Roman",serif"><sp= an style=3D"color:rgb(1,2,2);background:yellow">=C2=A0</span></p><p class= =3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-siz= e:12pt;font-family:"Times New Roman",serif"><span lang=3D"EN-GB">= Designers and researchers have tried to make auditory displays and auditory= user interfaces more useful in numerous areas, extending typical visuo-cen= tric interactions to multimodal and multisensorial systems. Application are= as include education, assistive technologies,=C2=A0<span style=3D"color:bla= ck">auditory wayfinding, auditory graphs, speech interfaces, virtual and au= gmented reality environments, and associated perceptual, cognitive, technic= al, and technological research and development.=C2=A0<i>Research through de= sign</i>=C2=A0or=C2=A0<i>embedded design research</i>=C2=A0has recently bec= ome more pervasive for auditory display designers. Hence, we welcome all ty= pes of =E2=80=9Cdesign=E2=80=9D activities as a necessary process in audito= ry display. In addition, methodical evaluation and analysis have become mor= e prominent, leading to more robust science. In this iterative process, aud= itory displays=C2=A0</span>can achieve improved reliability through robust = and repeatable research. In some areas, we have already arrived at the=C2= =A0<i>science</i>stage, while in other areas we are still exploring the pos= sibilities.</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001= pt;text-align:justify;font-size:12pt;font-family:"Times New Roman"= ;,serif"><span lang=3D"EN-GB">=C2=A0</span></p><p class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;font-family:&= quot;Times New Roman",serif"><span lang=3D"EN-GB">Pursuing novelty enc= ourages artists to seek the integration of different genres and transform m= odalities. By definition, auditory displays and sonification=C2=A0<i>transf= orm</i>=C2=A0data into sound. Thanks to the characteristics of this transfo= rmation, there have been active interactions between auditory displays and = various forms of art. Hence, we would also like to invite contributions add= ressing artistic approaches to auditory displays and auditory user interfac= es.</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-= align:justify;font-size:12pt;font-family:"Times New Roman",serif"= ><span lang=3D"EN-GB">Rather than insisting on a specific approach, we enco= urage a broad spectrum of diverse strategies. In other words, all these app= roaches =E2=80=93 art, design, science, and research =E2=80=93 should be ba= lanced and utilized more flexibly depending on the circumstances.</span></p= ><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify= ;font-size:12pt;font-family:"Times New Roman",serif"><span lang= =3D"EN-GB"><br></span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;line-height:13.65pt;background-image:initial;background-position:ini= tial;background-size:initial;background-repeat:initial;background-origin:in= itial;background-clip:initial;font-size:12pt;font-family:"Times New Ro= man",serif"><b><span style=3D"color:rgb(1,2,2)">T</span></b><b><span l= ang=3D"EN-GB" style=3D"color:black">opics of interest</span></b><span lang= =3D"EN-GB" style=3D"color:black">=C2=A0for this special issue include, but = are not limited to, the following:</span></p><ul type=3D"disc" style=3D"mar= gin-bottom:0in"><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;co= lor:rgb(51,51,51);background-image:initial;background-position:initial;back= ground-size:initial;background-repeat:initial;background-origin:initial;bac= kground-clip:initial;font-size:12pt;font-family:"Times New Roman"= ,serif">Multimodal user interfaces (auditory + visual/haptic/tactile/olfact= ory/gustatory, etc.)</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;color:rgb(51,51,51);background-image:initial;background-position:ini= tial;background-size:initial;background-repeat:initial;background-origin:in= itial;background-clip:initial;font-size:12pt;font-family:"Times New Ro= man",serif">Auditory displays inspired by music or other forms of art<= /li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,5= 1,51);background-image:initial;background-position:initial;background-size:= initial;background-repeat:initial;background-origin:initial;background-clip= :initial;font-size:12pt;font-family:"Times New Roman",serif">Cult= ure-specific auditory displays</li><li class=3D"MsoNormal" style=3D"margin:= 0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;background-po= sition:initial;background-size:initial;background-repeat:initial;background= -origin:initial;background-clip:initial;font-size:12pt;font-family:"Ti= mes New Roman",serif">Speculative, aspirational prototype designs, cas= e studies, and real-world applications</li><li class=3D"MsoNormal" style=3D= "margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;backg= round-position:initial;background-size:initial;background-repeat:initial;ba= ckground-origin:initial;background-clip:initial;font-size:12pt;font-family:= "Times New Roman",serif">Aesthetics of auditory displays and audi= tory user interfaces</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;color:rgb(51,51,51);background-image:initial;background-position:ini= tial;background-size:initial;background-repeat:initial;background-origin:in= itial;background-clip:initial;font-size:12pt;font-family:"Times New Ro= man",serif">Auditory display design paradigm, theory, and taxonomy</li= ><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,5= 1);background-image:initial;background-position:initial;background-size:ini= tial;background-repeat:initial;background-origin:initial;background-clip:in= itial;font-size:12pt;font-family:"Times New Roman",serif">Design = methods, processes, tools, and techniques</li><li class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initial;ba= ckground-position:initial;background-size:initial;background-repeat:initial= ;background-origin:initial;background-clip:initial;font-size:12pt;font-fami= ly:"Times New Roman",serif">Users, experiences, and contexts of a= uditory displays and auditory user interfaces</li><li class=3D"MsoNormal" s= tyle=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:initia= l;background-position:initial;background-size:initial;background-repeat:ini= tial;background-origin:initial;background-clip:initial;font-size:12pt;font-= family:"Times New Roman",serif">Development of new sensors, devic= es, or platforms for auditory displays and auditory user interfaces</li><li= class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);b= ackground-image:initial;background-position:initial;background-size:initial= ;background-repeat:initial;background-origin:initial;background-clip:initia= l;font-size:12pt;font-family:"Times New Roman",serif">Accessibili= ty, inclusive design, and=C2=A0assistive technologies</li><li class=3D"MsoN= ormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-imag= e:initial;background-position:initial;background-size:initial;background-re= peat:initial;background-origin:initial;background-clip:initial;font-size:12= pt;font-family:"Times New Roman",serif">Computational/algorithmic= approaches</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;co= lor:rgb(51,51,51);background-image:initial;background-position:initial;back= ground-size:initial;background-repeat:initial;background-origin:initial;bac= kground-clip:initial;font-size:12pt;font-family:"Times New Roman"= ,serif">Human Factors, Ergonomics and Usability</li><li class=3D"MsoNormal"= style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);background-image:init= ial;background-position:initial;background-size:initial;background-repeat:i= nitial;background-origin:initial;background-clip:initial;font-size:12pt;fon= t-family:"Times New Roman",serif">Auditory displays with a focus = on spatial/3D sound</li><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0= 001pt;color:rgb(51,51,51);background-image:initial;background-position:init= ial;background-size:initial;background-repeat:initial;background-origin:ini= tial;background-clip:initial;font-size:12pt;font-family:"Times New Rom= an",serif">Sonification in Health and Environmental Data (soniHED)</li= ><li class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,5= 1);background-image:initial;background-position:initial;background-size:ini= tial;background-repeat:initial;background-origin:initial;background-clip:in= itial;font-size:12pt;font-family:"Times New Roman",serif">Sonific= ation in the Internet of Things, Big Data, or Cybersecurity</li><li class= =3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;color:rgb(51,51,51);backgro= und-image:initial;background-position:initial;background-size:initial;backg= round-repeat:initial;background-origin:initial;background-clip:initial;font= -size:12pt;font-family:"Times New Roman",serif">Sonification in v= ehicles</li></ul><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;te= xt-align:justify;font-size:12pt;font-family:"Times New Roman",ser= if"><b><span lang=3D"EN-GB" style=3D"color:rgb(1,2,2)">=C2=A0</span></b></p= ><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:justify= ;font-size:12pt;font-family:"Times New Roman",serif"><b><span sty= le=3D"color:rgb(1,2,2)">Schedule:</span></b><span style=3D"color:rgb(1,2,2)= "></span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-s= ize:12pt;font-family:"Times New Roman",serif"><span style=3D"colo= r:rgb(1,2,2)">Submission deadline:=C2=A0 May 1, 2019</span></p><p class=3D"= MsoNormal" style=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:&quo= t;Times New Roman",serif"><span style=3D"color:rgb(1,2,2)">1<sup>st</s= up>=C2=A0round review:=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0 Augu= st 1, 2019</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001p= t;font-size:12pt;font-family:"Times New Roman",serif"><span style= =3D"color:rgb(1,2,2)">2<sup>nd</sup>=C2=A0round review: =C2=A0=C2=A0=C2=A0= =C2=A0=C2=A0=C2=A0 October 1, 2019</span></p><p class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times New Roma= n",serif"><span style=3D"color:rgb(1,2,2)">Publication:=C2=A0=C2=A0=C2= =A0=C2=A0 =C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2=A0=C2= =A0 Spring 2020</span></p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.= 0001pt;font-size:12pt;font-family:"Times New Roman",serif"><b><sp= an style=3D"color:rgb(1,2,2)">=C2=A0</span></b></p><p class=3D"MsoNormal" s= tyle=3D"margin:0in 0in 0.0001pt;font-size:12pt;font-family:"Times New = Roman",serif"><b><span style=3D"color:rgb(1,2,2)">Authors Instructions= :</span></b><span style=3D"color:rgb(1,2,2)"></span></p><p class=3D"MsoNorm= al" style=3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;font= -family:"Times New Roman",serif"><span style=3D"color:rgb(1,2,2)"= >Submissions should be 8-12 pages long, presenting original unpublished wor= k. Previously presented conference and workshop papers should include a min= imum of 30% new content. The authors will be required to follow the Author= =E2=80=99s Guide for manuscript submission to the Journal of Multimodal Use= r Interfaces published by Springer.</span></p><p class=3D"MsoNormal" style= =3D"margin:0in 0in 0.0001pt;text-align:justify;font-size:12pt;font-family:&= quot;Times New Roman",serif"><span style=3D"color:rgb(1,2,2)">(</span>= <span lang=3D"EN-GB"><a href=3D"http://www.springer.com/computer/hci/journa= l/12193" target=3D"_blank" style=3D"color:navy">http://www.springer.com/com= puter/hci/journal/12193</a></span><span style=3D"color:rgb(1,2,2)">)</span>= </p><p class=3D"MsoNormal" style=3D"margin:0in 0in 0.0001pt;text-align:just= ify;font-size:12pt;font-family:"Times New Roman",serif"><span sty= le=3D"color:rgb(1,2,2)">=C2=A0</span></p><span style=3D"font-size:12pt;font= -family:"Times New Roman",serif;color:rgb(1,2,2)">During the subm= ission process, please select =E2=80=9CS.I.: Auditory Display 2018=E2=80=9D= as article type.</span>=C2=A0 =C2=A0=C2=A0<br></div><br clear=3D"all"><div= ><div dir=3D"ltr" class=3D"gmail_signature" data-smartmail=3D"gmail_signatu= re"><div dir=3D"ltr"><div><div dir=3D"ltr"><div><div dir=3D"ltr"><div dir= =3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr= "><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div dir=3D"ltr"><div>= <font color=3D"#666666">************************************************</f= ont><br><font color=3D"#666666">Myounghoon "Philart" Jeon, Ph.D.<= br>Associate Professor</font></div><div><div style=3D"font-size:small"><b s= tyle=3D"font-size:12.8px"><font face=3D"arial, helvetica, sans-serif" color= =3D"#666666"><a href=3D"http://ise.vt.edu/philart" target=3D"_blank">Mind M= usic Machine Lab</a></font></b></div></div><div><div style=3D"font-size:12.= 8px"><font color=3D"#666666">Grado Department of Industrial and Systems Eng= ineering=C2=A0</font></div><div style=3D"font-size:12.8px"><font color=3D"#= 666666">Virginia=C2=A0Tech</font></div><div style=3D"font-size:12.8px"><fon= t color=3D"#666666"><span style=3D"font-size:12.8px;letter-spacing:0.2px">5= 19D=C2=A0</span><span style=3D"font-size:12.8px;letter-spacing:0.2px">Whitt= emore Hall </span><b style=3D"font-size:12.8px;letter-spacing:0.2px">=C2=A0= </b></font></div><div style=3D"font-size:12.8px"><span style=3D"font-size:1= 2.8px;letter-spacing:0.2px"><font color=3D"#666666">1185 Perry St. Blacksbu= rg, VA 24061=C2=A0</font></span></div><div><font color=3D"#666666"><a href= =3D"mailto:myounghoonjeon@xxxxxxxx" target=3D"_blank">myounghoonjeon@xxxxxxxx</= a></font><br></div></div><div><br><br></div></div></div></div></div></div><= /div></div></div></div></div></div></div></div></div></div></div></div> --00000000000034741c057a40b11f--