Re: [AUDITORY] Numerical perceptual ratings for consonant and dissonant pitch intervals (Ken Grant )


Subject: Re: [AUDITORY] Numerical perceptual ratings for consonant and dissonant pitch intervals
From:    Ken Grant  <ken.w.grant@xxxxxxxx>
Date:    Tue, 15 May 2018 07:28:13 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail-11BD072B-FAE9-445A-89F6-0A4779843812 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Try earlier papers by Jennifer Tufts on perceived toughness and dissonance: The Journal of the Acoustical Society of America 121 (4), EL161-EL167, 2007 The Journal of the Acoustical Society of America 118 (2), 955-967, 2005 Sent from my iPhone Ken W. Grant, PhD Chief, Scientific and Clinical Studies National Military Audiology and Speech-Pathology Center (NMASC) Walter Reed National Military Medical Center Bethesda, MD 20889 kenneth.w.grant.civ@xxxxxxxx ken.w.grant@xxxxxxxx Office: 301-319-7043 Cell: 301-919-2957 > On May 14, 2018, at 9:40 PM, Patel, Aniruddh D. <a.patel@xxxxxxxx> wrote:= >=20 > Dear List, > =20 > I=E2=80=99m looking for published numerical perceptual ratings of consonan= t and dissonant pitch intervals from Western tonal music. An example of suc= h ratings (from McDermott, Lehr, and Oxenham 2010, Current Biology) is in Fi= gure 1a on this page: > http://mcdermottlab.mit.edu/consonance_examples/index.html > =20 > I=E2=80=99m interested in numerical ratings for pitch dyads (e.g., minor s= econd, perfect fifth) made from synthetic harmonic complex tones or real mus= ical instrument tones, not pure tones. Ideally the ratings would include al= l dyadic pitch intervals between 1 and 11 semitones in size. > =20 > McDermott et al. 2010 report such data in their Figure 1a, but surely ther= e are earlier papers? Any history buffs out there know the earliest such pa= per? >=20 > Thanks, >=20 > Ani Patel > =20 > Aniruddh D. Patel > Professor, Dept. of Psychology, Tufts University > =20 > Senior Fellow, Canadian Institute for Advanced Research (CIFAR) > Azrieli Program in Brain, Mind, & Consciousness > =20 > http://ase.tufts.edu/psychology/people/patel/ > =20 --Apple-Mail-11BD072B-FAE9-445A-89F6-0A4779843812 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable <html><head><meta http-equiv=3D"content-type" content=3D"text/html; charset=3D= utf-8"></head><body dir=3D"auto">Try earlier papers by Jennifer Tufts on per= ceived toughness and dissonance:<div><span style=3D"font-style: italic; back= ground-color: rgba(255, 255, 255, 0);"><br></span></div><div><span style=3D"= font-style: italic; background-color: rgba(255, 255, 255, 0);">The Journal o= f the Acoustical Society of America 121 (4), EL161-EL167, 2007</span></div><= div><span style=3D"font-style: italic; background-color: rgba(255, 255, 255,= 0);"><br></span></div><div><span style=3D"font-style: italic; background-co= lor: rgba(255, 255, 255, 0);">The Journal of the Acoustical Society of Ameri= ca 118 (2), 955-967, 2005</span><br><br><div id=3D"AppleMailSignature">Sent f= rom my iPhone<div><span style=3D"font-size: 13pt;">Ken W. Grant, PhD</span><= /div><div><span style=3D"font-size: 13pt;">Chief, Scientific and Clinical St= udies</span></div><div><span style=3D"font-size: 13pt;">National Military Au= diology and Speech-Pathology Center (NMASC)</span></div><div><span style=3D"= font-size: 13pt;">Walter Reed National Military Medical Center</span></div><= div><div><span style=3D"font-size: 13pt;">Bethesda, MD 20889</span></div><di= v><a href=3D"mailto:kenneth.w.grant.civ@xxxxxxxx">kenneth.w.grant.civ@xxxxxxxx= il</a></div><div><a href=3D"mailto:ken.w.grant@xxxxxxxx">ken.w.grant@xxxxxxxx= com</a></div><div><span style=3D"font-size: 13pt;">Office: &nbsp;301-319-704= 3</span></div><div><span style=3D"font-size: 13pt;">Cell: &nbsp;301-919-2957= </span></div><div><div><br><div><br><div><br></div></div></div></div></div><= /div><div><br>On May 14, 2018, at 9:40 PM, Patel, Aniruddh D. &lt;<a href=3D= "mailto:a.patel@xxxxxxxx">a.patel@xxxxxxxx</a>&gt; wrote:<br><br></div><bl= ockquote type=3D"cite"><div> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Dus-ascii">= <meta name=3D"Generator" content=3D"Microsoft Word 15 (filtered medium)"> <style><!-- /* Font Definitions */ @xxxxxxxx {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {margin:0in; margin-bottom:.0001pt; font-size:11.0pt; font-family:"Calibri",sans-serif;} a:link, span.MsoHyperlink {mso-style-priority:99; color:#0563C1; text-decoration:underline;} a:visited, span.MsoHyperlinkFollowed {mso-style-priority:99; color:#954F72; text-decoration:underline;} span.EmailStyle17 {mso-style-type:personal-compose; font-family:"Calibri",sans-serif; color:windowtext;} .MsoChpDefault {mso-style-type:export-only; font-family:"Calibri",sans-serif;} @xxxxxxxx WordSection1 {size:8.5in 11.0in; margin:1.0in 1.0in 1.0in 1.0in;} div.WordSection1 {page:WordSection1;} --></style><!--[if gte mso 9]><xml> <o:shapedefaults v:ext=3D"edit" spidmax=3D"1026" /> </xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext=3D"edit"> <o:idmap v:ext=3D"edit" data=3D"1" /> </o:shapelayout></xml><![endif]--> <div class=3D"WordSection1"> <p class=3D"MsoNormal">Dear List,<o:p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal">I=E2=80=99m looking for published numerical perceptua= l ratings of consonant and dissonant pitch intervals from Western tonal musi= c.&nbsp; An example of such ratings (from McDermott, Lehr, and Oxenham 2010,= Current Biology) is in Figure 1a on this page:<o:p></o:p></p> <p class=3D"MsoNormal"><a href=3D"http://mcdermottlab.mit.edu/consonance_exa= mples/index.html">http://mcdermottlab.mit.edu/consonance_examples/index.html= </a><o:p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal">I=E2=80=99m interested in numerical ratings for pitch= dyads (e.g., minor second, perfect fifth) made from synthetic harmonic comp= lex tones or real musical instrument tones, not pure tones.&nbsp; Ideally th= e ratings would include all dyadic pitch intervals between 1 and 11 semitones in size.<o:p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal">McDermott et al. 2010 report such data in their Figur= e 1a, but surely there are earlier papers?&nbsp; Any history buffs out there= know the earliest such paper?<br> <br> Thanks,<o:p></o:p></p> <p class=3D"MsoNormal"><br> Ani Patel<o:p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal">Aniruddh D. Patel<o:p></o:p></p> <p class=3D"MsoNormal">Professor, Dept. of Psychology, Tufts University<o:p>= </o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal">Senior Fellow, Canadian Institute for Advanced Resear= ch (CIFAR)<o:p></o:p></p> <p class=3D"MsoNormal">Azrieli Program in Brain, Mind, &amp; Consciousness<o= :p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal"><a href=3D"http://ase.tufts.edu/psychology/people/pat= el/">http://ase.tufts.edu/psychology/people/patel/</a><o:p></o:p></p> <p class=3D"MsoNormal"><o:p>&nbsp;</o:p></p> <p class=3D"MsoNormal"><o:p></o:p></p> </div> </div></blockquote></div></body></html>= --Apple-Mail-11BD072B-FAE9-445A-89F6-0A4779843812--


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