Re: [AUDITORY] Neutral sound for a relaxation experiment, Bog the Frog (hgo )


Subject: Re: [AUDITORY] Neutral sound for a relaxation experiment, Bog the Frog
From:    hgo  <okuno@xxxxxxxx>
Date:    Thu, 21 Sep 2017 14:19:02 +0900
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--001a11495cf8319e480559ac3c6a Content-Type: text/plain; charset="UTF-8" Content-Transfer-Encoding: quoted-printable Dear Kelvin Concerning frog chorusing, our following papers will give insights on the mechanism how frogs chorus. Ikkyu Aihara, Ryu Takeda, Takeshi Mizumoto, Takuma Otsuka, Toru Takahashi,Hiroshi G. Okuno, Kazuyuki Aihara: Complex and Transitive Synchronization in a Frustrated System of Calling Frogs, Physical Review E, Vol.83, Issue 3. 031913 (2011) [5 pages], 21 Mar. 2011. doi:10.1103/PhysRevE.83.031913 <http://dx.doi.org/10.1103/PhysRevE.83.031913> <http://dx.doi.org/10.1103/PhysRevE.83.031913> Takeshi Mizumoto, Ikkyu Aihara, Takuma Otsuka, Ryu Takeda, Kazuyuki Aihara, Hiroshi G. Okuno: Sound imaging of nocturnal animal calls in their natural habitat, Journal of Comparative Physiology A:*Neuroethology, Sensory, Neural, and Behavioral Physiology*, Vol.197, No.9, 915-921, Online First, 17 May 2011. doi:10.1007/s00359-011-0652-7 <http://dx.doi.org/10.1007/s00359-011-0652-7> Ikkyu Aihara, Takeshi Mizumoto, Takuma Otsuka, Hiromitsu Awano, Kohei Nagira, Hiroshi G. Okuno, Kazuyuki Aihara: Spatio-Temporal Dynamics in Collective Frog Choruses Examined by Mathematical Modeling and Field Observation. * <http://www.natureasia.com/ja-jp/srep/>* *Scientific Reports <http://www.natureasia.com/ja-jp/srep/>*, 4:3891 Nature Publishing Group, 27 Jan. 2014. doi: 10.1038/srep03891 <http://dx.doi.org/10.1038/srep03891> <http://dx.doi.org/10.1038/srep03891> Enjoy, - Gitchang - Hiroshi "Gitchang" Okuno Waseda University, Professor Kyoto University, Professor Emeritus <http://dx.doi.org/10.1038/srep03891> 2017-09-21 13:41 GMT+09:00 Kevin Austin <kevin.austin@xxxxxxxx>: > Or perhaps Frogs in the Bogs. > > Of interest to the computer music synthesis community might be the > anecdote told to me by Dike Newlin https://en.wikipedia. > org/wiki/Dika_Newlin of her invitation to work in the Bell Labs just > after the time of Daisy. When she arrived she listened to the crickets an= d > frogs in a local swamp and said that she wanted to program the system to > sound like the swamp. As she told it to me, the suggestion was not well > received. :-] Perhaps HAL=E2=80=99s character would have been different= growing > up in a computer generated swamp. > > > Kevin > > > > On 2017, Sep 20, at 3:48 AM, Peter Lennox <P.Lennox@xxxxxxxx> wrote: > > I've noticed cricket commentaries to be pretty low valence =F0=9F=98=89 > Seriously, I've even heard a composed 'ambient background' track that > featured low-level cricket commentary - very soothing > > Dr. Peter Lennox SFHEA > Senior Lecturer in Perception > College of Arts, Humanities and Education > School of Arts > > > e: p.lennox@xxxxxxxx > t: 01332 593155 > > > https://derby.academia.edu/peterlennox > https://www.researchgate.net/profile/Peter_Lennox > > > University of Derby, > Kedleston Road, > Derby, > DE22 1GB, UK > ------------------------------ > *From:* AUDITORY - Research in Auditory Perception < > AUDITORY@xxxxxxxx> on behalf of ginacollecchia < > maximumrandb503@xxxxxxxx> > *Sent:* 20 September 2017 05:54:20 > *To:* AUDITORY@xxxxxxxx > *Subject:* Re: Neutral sound for a relaxation experiment > > I would also stray from anything algorithmically generated that is > intended to be low-valence. You run too much risk of the brain identifyin= g > or trying to identify the patterns. That could result in a pretty emotion= al > response to the discovery (or suspicion) that the sounds might not be > authentic. (Lots of thoughts of the =E2=80=9Cuncanny valley of sound=E2= =80=9D now, hmm.) > > In spite of that statement, I would choose low-passed, algorithmically > generated white noise, e.g. pink noise, at a low volume=E2=80=94the sorts= of sounds > white noise machines and other sounds intended to silence the mind for > sleep. You could use a recording instead, but make sure it doesn=E2=80=99= t have to > loop, as I=E2=80=99ve found that distracting. > > Hope that helps. > > -- > Gina Collecchia > http://ginacollecchia.com > > On Sep 19, 2017, at 9:28 PM, Kevin Austin <kevin.austin@xxxxxxxx> > wrote: > > Having recorded ocean waves since the mid-1970s, I would suggest a good > recording of ocean waves rather than an algorithmic version of AM white > noise, as I have found that real [acoustical] ocean waves are among the > most complex =E2=80=98simple sounds=E2=80=99 in nature. There are usually= multiple > asynchronous cycles, and there is, IME, never one simple wave. Each wave = is > a continuously evolving noise complex with lots of variables. These inclu= de > spectral changes resembling band reject filters, phase shifters and > transient resonances. > > The wave breaking on the beach adds two more basic elements, one the wave > collapsing onto the beach itself, and the other the =E2=80=98sucking back= =E2=80=99 that > occurs as the water recedes and stones and particles tumble back into the > ocean. This is added to by the number of waves which can be heard from an= y > one place. > > For some people I have met, the sound of moving water installs fear. I > would suggest the sound of a gentle wind in tall pine trees. > > > Kevin > > > > > On 2017, Sep 19, at 8:11 AM, Bob Masta <audio@xxxxxxxx> wrote: > > How about "surf" sound, such as white noise with a slow > AM modulation? Easy to generate "live", and can run for > as long as you want. More soothing than continuous > white, pink, or "colored" noise. > > If you don't already have a suitable system, the signal > Generator in my Daqarta for Windows software can do > this with any Windows sound card. Let me know if you > are interested, and I can get you started with a Generator > setup which you can easily modify to change AM depth or > rate, etc. > > Since it only uses the Generator, it's free! (Keeps working > even after the trial period expires.) > > Best regards, > > Bob Masta > > =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D > > On 19 Sep 2017 at 11:05, Aurore Hakoun wrote: > > Dear list, > > One of my colleagues is conducting a study about the comparison of EEG > activity between two relaxation conditions: a postural relaxation versus = a > voice-guided relaxation. > She would need an emotionally neutral auditory stimulation for one of her > conditions. This neutral hearing stimulus will last 20 min. > > Do you have any clue about what kind of neutral sound she could use? > > Many thanks in advance, > > Best regards, > > Aurore Jaumard-Hakoun. > > > > > The University of Derby has a published policy regarding email and > reserves the right to monitor email traffic. > If you believe this was sent to you in error, please reply to the sender > and let them know. > > Key University contacts: http://www.derby.ac.uk/its/contacts/ > > > --001a11495cf8319e480559ac3c6a Content-Type: text/html; charset="UTF-8" Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div>Dear Kelvin</div><div><br></div><div>Concerning frog = chorusing, our following papers will give insights on the mechanism how fro= gs chorus.</div><div><br></div><div>Ikkyu Aihara, Ryu Takeda, Takeshi Mizum= oto, Takuma Otsuka, Toru Takahashi,Hiroshi G. Okuno, Kazuyuki Aihara: <br><= /div><div>Complex and Transitive Synchronization in a Frustrated System of = Calling Frogs, <br></div><div>Physical Review E, Vol.83, Issue 3. 031913 (2= 011) [5 pages], 21 Mar. 2011.<a href=3D"http://dx.doi.org/10.1103/PhysRevE.= 83.031913">doi:10.1103/PhysRevE.83.031913</a></div><div><a href=3D"http://d= x.doi.org/10.1103/PhysRevE.83.031913"><br></a></div>Takeshi Mizumoto, Ikkyu= Aihara, Takuma Otsuka, Ryu Takeda, Kazuyuki Aihara, Hiroshi G. Okuno:<br>S= ound imaging of nocturnal animal calls in their natural habitat,<br>Journal= of Comparative Physiology A:<i>Neuroethology, Sensory, Neural, and Behavio= ral Physiology</i>, Vol.197, No.9, 915-921, <br><div>Online First, 17 May 2011. <a href=3D"http://dx.doi.org/10.1007/s00359-011-0652-7">doi:10.1007/s00359-= 011-0652-7</a></div><br><div>Ikkyu Aihara, Takeshi Mizumoto, Takuma Otsuka,= Hiromitsu Awano, Kohei Nagira, Hiroshi G. Okuno, Kazuyuki Aihara: <br></div><div>Spatio-Temporal Dynamics = in Collective Frog Choruses Examined by Mathematical=20 Modeling and Field Observation. <i><a href=3D"http://www.natureasia.com/ja-jp/srep/"><br></a></i></div><div= ><i><a href=3D"http://www.natureasia.com/ja-jp/srep/">Scientific Reports</a= ></i>, 4:3891 Nature Publishing Group, 27 Jan. 2014. <a href=3D"http://dx.doi.org/10.1038/srep03891">doi: 10.1038/srep03891</a><= /div><div><a href=3D"http://dx.doi.org/10.1038/srep03891"><br></a></div>Enj= oy,<br><br><div>- Gitchang -</div><div>Hiroshi &quot;Gitchang&quot; Okuno</= div><div>Waseda University, Professor</div><div>Kyoto University, Professor= Emeritus</div><div><br></div><div><a href=3D"http://dx.doi.org/10.1038/sre= p03891"><br></a></div></div><div class=3D"gmail_extra"><br><div class=3D"gm= ail_quote">2017-09-21 13:41 GMT+09:00 Kevin Austin <span dir=3D"ltr">&lt;<a= href=3D"mailto:kevin.austin@xxxxxxxx" target=3D"_blank">kevin.austin@xxxxxxxx= ideotron.ca</a>&gt;</span>:<br><blockquote class=3D"gmail_quote" style=3D"m= argin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div style=3D= "word-wrap:break-word"><div>Or perhaps Frogs in the Bogs.</div><div><br></d= iv><div>Of interest to the computer music synthesis community might be the = anecdote told to me by Dike Newlin=C2=A0<a href=3D"https://en.wikipedia.org= /wiki/Dika_Newlin" target=3D"_blank">https://en.wikipedia.<wbr>org/wiki/Dik= a_Newlin</a>=C2=A0of her invitation to work in the Bell Labs just after the= time of Daisy. When she arrived she listened to the crickets and frogs in = a local swamp and said that she wanted to program the system to sound like = the swamp. As she told it to me, the suggestion was not well received. =C2= =A0:-] =C2=A0Perhaps HAL=E2=80=99s character would have been different grow= ing up in a computer generated swamp.</div><div><br></div><div><br></div><d= iv>Kevin</div><div><br></div><div><br></div><br><div><blockquote type=3D"ci= te"><div>On 2017, Sep 20, at 3:48 AM, Peter Lennox &lt;<a href=3D"mailto:P.= Lennox@xxxxxxxx" target=3D"_blank">P.Lennox@xxxxxxxx</a>&gt; wrote:</= div><br class=3D"m_-3659777499043591600Apple-interchange-newline"><div><div= id=3D"m_-3659777499043591600divtagdefaultwrapper" dir=3D"ltr" style=3D"fon= t-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:n= ormal;text-align:start;text-indent:0px;text-transform:none;white-space:norm= al;word-spacing:0px;font-size:12pt;font-family:Calibri,Helvetica,sans-serif= "><div style=3D"margin-top:0px;margin-bottom:0px">I&#39;ve noticed cricket = commentaries to be pretty low valence<span class=3D"m_-3659777499043591600A= pple-converted-space">=C2=A0</span><span>=F0=9F=98=89</span></div><div styl= e=3D"margin-top:0px;margin-bottom:0px">Seriously, I&#39;ve even heard a com= posed &#39;ambient background&#39; track that featured low-level cricket co= mmentary - very soothing<br></div><div style=3D"margin-top:0px;margin-botto= m:0px"><br></div><div id=3D"m_-3659777499043591600Signature"><div id=3D"m_-= 3659777499043591600divtagdefaultwrapper" dir=3D"ltr" style=3D"font-size:12p= t;font-family:Calibri,Arial,Helvetica,sans-serif,EmojiFont,&#39;Apple Color= Emoji&#39;,&#39;Segoe UI Emoji&#39;,NotoColorEmoji,&#39;Segoe UI Symbol&#3= 9;,&#39;Android Emoji&#39;,EmojiSymbols"><div class=3D"m_-36597774990435916= 00BodyFragment"><font size=3D"2"><div class=3D"m_-3659777499043591600PlainT= ext"><span id=3D"m_-3659777499043591600ms-rterangepaste-start"></span><div>= <div style=3D"margin-top:0px;margin-bottom:0px">Dr. Peter Lennox SFHEA</div= ><div style=3D"margin-top:0px;margin-bottom:0px">Senior Lecturer in Percept= ion</div><div style=3D"margin-top:0px;margin-bottom:0px">College of Arts, H= umanities and Education<span class=3D"m_-3659777499043591600Apple-converted= -space">=C2=A0</span></div><div style=3D"margin-top:0px;margin-bottom:0px">= School of Arts<span class=3D"m_-3659777499043591600Apple-converted-space">= =C2=A0</span></div><p class=3D"m_-3659777499043591600MsoPlainText" style=3D= "margin-top:0px;margin-bottom:0px">=C2=A0</p><div style=3D"margin-top:0px;m= argin-bottom:0px">e:<span class=3D"m_-3659777499043591600Apple-converted-sp= ace">=C2=A0</span><a href=3D"mailto:p.lennox@xxxxxxxx" id=3D"m_-36597774= 99043591600LPNoLP" target=3D"_blank">p.lennox@xxxxxxxx</a></div><div sty= le=3D"margin-top:0px;margin-bottom:0px">t: 01332 593155</div><p class=3D"m_= -3659777499043591600MsoPlainText" style=3D"margin-top:0px;margin-bottom:0px= ">=C2=A0</p><div style=3D"margin-top:0px;margin-bottom:0px"><a href=3D"http= s://derby.academia.edu/peterlennox" id=3D"m_-3659777499043591600LPNoLP" tar= get=3D"_blank">https://derby.academia.edu/<wbr>peterlennox</a></div><div st= yle=3D"margin-top:0px;margin-bottom:0px"><a href=3D"https://www.researchgat= e.net/profile/Peter_Lennox" id=3D"m_-3659777499043591600LPNoLP" target=3D"_= blank">https://www.researchgate.net/<wbr>profile/Peter_Lennox</a></div><p c= lass=3D"MsoNormal" style=3D"margin-top:0px;margin-bottom:0px">=C2=A0</p><di= v style=3D"margin-top:0px;margin-bottom:0px"><span style=3D"font-size:9pt;f= ont-family:Arial,sans-serif">University of Derby,<br>Kedleston Road,<br>Der= by,<br>DE22 1GB, UK</span></div></div><span id=3D"m_-3659777499043591600ms-= rterangepaste-end"></span></div></font></div></div></div></div><hr style=3D= "font-family:CourierNewPSMT;font-size:18px;font-style:normal;font-variant-c= aps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-i= ndent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:i= nline-block;width:1618.953125px"><span style=3D"font-family:CourierNewPSMT;= font-size:18px;font-style:normal;font-variant-caps:normal;font-weight:norma= l;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:non= e;white-space:normal;word-spacing:0px;float:none;display:inline!important">= </span><div id=3D"m_-3659777499043591600divRplyFwdMsg" dir=3D"ltr" style=3D= "font-family:CourierNewPSMT;font-size:18px;font-style:normal;font-variant-c= aps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-i= ndent:0px;text-transform:none;white-space:normal;word-spacing:0px"><font st= yle=3D"font-size:11pt" face=3D"Calibri, sans-serif"><b>From:</b><span class= =3D"m_-3659777499043591600Apple-converted-space">=C2=A0</span>AUDITORY - Re= search in Auditory Perception &lt;<a href=3D"mailto:AUDITORY@xxxxxxxx= A" target=3D"_blank">AUDITORY@xxxxxxxx</a>&gt; on behalf of ginacoll= ecchia &lt;<a href=3D"mailto:maximumrandb503@xxxxxxxx" target=3D"_blank">m= aximumrandb503@xxxxxxxx</a>&gt;<br><b>Sent:</b><span class=3D"m_-365977749= 9043591600Apple-converted-space">=C2=A0</span>20 September 2017 05:54:20<br= ><b>To:</b><span class=3D"m_-3659777499043591600Apple-converted-space">=C2= =A0</span><a href=3D"mailto:AUDITORY@xxxxxxxx" target=3D"_blank">AUD= ITORY@xxxxxxxx</a><br><b>Subject:</b><span class=3D"m_-3659777499043= 591600Apple-converted-space">=C2=A0</span>Re: Neutral sound for a relaxatio= n experiment</font><div>=C2=A0</div></div><div style=3D"font-family:Courier= NewPSMT;font-size:18px;font-style:normal;font-variant-caps:normal;font-weig= ht:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-trans= form:none;white-space:normal;word-spacing:0px">I would also stray from anyt= hing algorithmically generated that is intended to be low-valence. You run = too much risk of the brain identifying or trying to identify the patterns. = That could result in a pretty emotional response to the discovery (or suspi= cion) that the sounds might not be authentic. (Lots of thoughts of the =E2= =80=9Cuncanny valley of sound=E2=80=9D now, hmm.)<div><br></div><div>In spi= te of that statement, I would choose low-passed, algorithmically generated = white noise, e.g. pink noise, at a low volume=E2=80=94the sorts of sounds w= hite noise machines and other sounds intended to silence the mind for sleep= . You could use a recording instead, but make sure it doesn=E2=80=99t have = to loop, as I=E2=80=99ve found that distracting.</div><div><br></div><div>H= ope that helps.<br><div><div><div style=3D"font-family:Helvetica;font-size:= 12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-s= pacing:normal;text-align:start;text-indent:0px;text-transform:none;white-sp= ace:normal;word-spacing:0px"><br class=3D"m_-3659777499043591600Apple-inter= change-newline">--</div><div style=3D"font-family:Helvetica;font-size:12px;= font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacin= g:normal;text-align:start;text-indent:0px;text-transform:none;white-space:n= ormal;word-spacing:0px">Gina Collecchia</div><div style=3D"font-family:Helv= etica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight= :normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transfo= rm:none;white-space:normal;word-spacing:0px"><a href=3D"http://ginacollecch= ia.com/" target=3D"_blank">http://ginacollecchia.com</a></div></div><br><di= v><blockquote type=3D"cite"><div>On Sep 19, 2017, at 9:28 PM, Kevin Austin = &lt;<a href=3D"mailto:kevin.austin@xxxxxxxx" target=3D"_blank">kevin.au= stin@xxxxxxxx</a>&gt; wrote:</div><br class=3D"m_-3659777499043591600Ap= ple-interchange-newline"><div><div>Having recorded ocean waves since the mi= d-1970s, I would suggest a good recording of ocean waves rather than an alg= orithmic version of AM white noise, as I have found that real [acoustical] = ocean waves are among the most complex =E2=80=98simple sounds=E2=80=99 in n= ature. There are usually multiple asynchronous cycles, and there is, IME, n= ever one simple wave. Each wave is a continuously evolving noise complex wi= th lots of variables. These include spectral changes resembling band reject= filters, phase shifters and transient resonances.<br><br>The wave breaking= on the beach adds two more basic elements, one the wave collapsing onto th= e beach itself, and the other the =E2=80=98sucking back=E2=80=99 that occur= s as the water recedes and stones and particles tumble back into the ocean.= This is added to by the number of waves which can be heard from any one pl= ace.<br><br>For some people I have met, the sound of moving water installs = fear. I would suggest the sound of a gentle wind in tall pine trees.<br><br= ><br>Kevin<br><br><br><br><br><blockquote type=3D"cite">On 2017, Sep 19, at= 8:11 AM, Bob Masta &lt;<a href=3D"mailto:audio@xxxxxxxx" target=3D"_bla= nk">audio@xxxxxxxx</a>&gt; wrote:<br><br>How about &quot;surf&quot; soun= d, such as white noise with a slow<span class=3D"m_-3659777499043591600Appl= e-converted-space">=C2=A0</span><br>AM modulation?=C2=A0 Easy to generate &= quot;live&quot;, and can run for<span class=3D"m_-3659777499043591600Apple-= converted-space">=C2=A0</span><br>as long as you want.=C2=A0 More soothing = than continuous<span class=3D"m_-3659777499043591600Apple-converted-space">= =C2=A0</span><br>white, pink, or &quot;colored&quot; noise.<br><br>If you d= on&#39;t already have a suitable system, the signal<span class=3D"m_-365977= 7499043591600Apple-converted-space">=C2=A0</span><br>Generator in my Daqart= a for Windows software can do<span class=3D"m_-3659777499043591600Apple-con= verted-space">=C2=A0</span><br>this with any Windows sound card.=C2=A0 Let = me know if you<span class=3D"m_-3659777499043591600Apple-converted-space">= =C2=A0</span><br>are interested, and I can get you started with a Generator= <span class=3D"m_-3659777499043591600Apple-converted-space">=C2=A0</span><b= r>setup which you can easily modify to change AM depth or<span class=3D"m_-= 3659777499043591600Apple-converted-space">=C2=A0</span><br>rate, etc. =C2= =A0=C2=A0<br><br>Since it only uses the Generator, it&#39;s free! =C2=A0(Ke= eps working<span class=3D"m_-3659777499043591600Apple-converted-space">=C2= =A0</span><br>even after the trial period expires.)<br><br>Best regards,<br= ><br>Bob Masta<br><br>=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D<br><br>On 19 Sep 2017 at 11:05, Aurore Hakoun wrote:<br>= <br><blockquote type=3D"cite">Dear list,<br><br>One of my colleagues is con= ducting a study about the comparison of EEG activity between two relaxation= conditions: a postural relaxation versus a voice-guided relaxation.<br>She= would need an emotionally neutral auditory stimulation for one of her cond= itions. This neutral hearing stimulus will last 20 min.<br><br>Do you have = any clue about what kind of neutral sound she could use?<br><br>Many thanks= in advance,<br><br>Best regards,<br><br>Aurore Jaumard-Hakoun.<br></blockq= uote></blockquote></div></div></blockquote></div><br></div></div></div><br = style=3D"font-family:CourierNewPSMT;font-size:18px;font-style:normal;font-v= ariant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:star= t;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">= <br style=3D"font-family:CourierNewPSMT;font-size:18px;font-style:normal;fo= nt-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:= start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0= px"><span style=3D"font-family:CourierNewPSMT;font-size:18px;font-style:nor= mal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-= align:start;text-indent:0px;text-transform:none;white-space:normal;word-spa= cing:0px;float:none;display:inline!important">The University of Derby has a= published policy regarding email and reserves the right to monitor email t= raffic.<span class=3D"m_-3659777499043591600Apple-converted-space">=C2=A0</= span></span><br style=3D"font-family:CourierNewPSMT;font-size:18px;font-sty= le:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal= ;text-align:start;text-indent:0px;text-transform:none;white-space:normal;wo= rd-spacing:0px"><span style=3D"font-family:CourierNewPSMT;font-size:18px;fo= nt-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:= normal;text-align:start;text-indent:0px;text-transform:none;white-space:nor= mal;word-spacing:0px;float:none;display:inline!important">If you believe th= is was sent to you in error, please reply to the sender and let them know.<= /span><br style=3D"font-family:CourierNewPSMT;font-size:18px;font-style:nor= mal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-= align:start;text-indent:0px;text-transform:none;white-space:normal;word-spa= cing:0px"><br style=3D"font-family:CourierNewPSMT;font-size:18px;font-style= :normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;t= ext-align:start;text-indent:0px;text-transform:none;white-space:normal;word= -spacing:0px"><span style=3D"font-family:CourierNewPSMT;font-size:18px;font= -style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:no= rmal;text-align:start;text-indent:0px;text-transform:none;white-space:norma= l;word-spacing:0px;float:none;display:inline!important">Key University cont= acts:<span class=3D"m_-3659777499043591600Apple-converted-space">=C2=A0</sp= an></span><a href=3D"http://www.derby.ac.uk/its/contacts/" style=3D"font-fa= mily:CourierNewPSMT;font-size:18px;font-style:normal;font-variant-caps:norm= al;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0p= x;text-transform:none;white-space:normal;word-spacing:0px" target=3D"_blank= ">http://www.derby.ac.<wbr>uk/its/contacts/</a><span style=3D"font-family:C= ourierNewPSMT;font-size:18px;font-style:normal;font-variant-caps:normal;fon= t-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text= -transform:none;white-space:normal;word-spacing:0px;float:none;display:inli= ne!important"></span></div></blockquote></div><br></div></blockquote></div>= <br></div> --001a11495cf8319e480559ac3c6a--


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