Subject: [AUDITORY] ANNOUNCEMENT: Journal of Sonic Studies - New issue now available From: Vincent Meelberg <v.meelberg@xxxxxxxx> Date: Sat, 21 Jan 2017 16:44:42 +0100 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--Apple-Mail=_72FCD66D-37B1-4A2A-9DAA-D9B3C25FB0F3 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 We are proud to announce that the 13th issue of the=C2=A0Journal of = Sonic Studies <http://sonicstudies.org/jss13> (http://sonicstudies.org = <http://sonicstudies.org/>) is online, entitled =E2=80=9CAcoustic = Ephemeralities.=E2=80=9D This issue was prepared by guest editors = Monika Dommann, Boris Previ=C5=A1i=C4=87, and Marianne Sommer, and = discusses the specifically ephemeral qualities of the acoustic and the = relationship between =E2=80=9Cmicro- and macroephemeralities=E2=80=9D in = the modern age. Three focal points will be explicitly highlighted: the = functions of media, music, and the sciences as generators of acoustic = paradigms. In addition, this issue contains several musical = commentaries, sonic interventions, and Sound-Essays, created by Michel = Roth, Hannes Seidl, and Lucas Niggli.=20 Journal contents: Acoustic Ephemeralities: Introduction - Monika Dommann, Boris = Previ=C5=A1i=C4=87, and Marianne Sommer Sound-Essay 1 - Peter Weber and Lucas Niggli Phonograph, Symbolic Acoustic Evidence in Arno Holz=E2=80=99 Phantasus - = Thomas Forrer Acoustic Micro- and Macroephemeralities in Literature. Robert Walser=E2=80= =99s Microscript 364 (1925) and Peter Weber=E2=80=99s Silber und = Salbader (1999) - Boris Previ=C5=A1i=C4=87 At the Margins of the Audible: Morton Feldman=E2=80=99s Ephemeral = Compositions - Dieter Mersch, translated by Laura Radosh Writing the Ephemeral: John Cage=E2=80=99s Lecture on Nothing as a = Landmark in Media History - Simon Aeberhard=20 Smorzando: Chopin on the MP3 player - Michel Roth Listening to the Body Moving: Auscultation, Sound, and Music in the = Early Nineteenth Century - Janina Wellmann Record, Rewind, Rewrite: Acoustic Historiography with the Presidential = Tapes - Monika Dommann, translated by Sarah Pybus Experimental Cylinders: Experiments in Music Psychology around 1900 - = Julia Kursell Archive, Collection, Museum: On the History of the Archiving of Voices = at the Sound Archive of the Humboldt University - Britta Lange, = translated by Benjamin Carter Animal Sounds against the Noise of Modernity and War: Julian Huxley = (1887=E2=80=931975) and the Preservation of the Sonic World Heritage - = Marianne Sommer Sound-Essay 2 - Boris Previ=C5=A1i=C4=87, Hannes Seidl, and Lucas Niggli --Apple-Mail=_72FCD66D-37B1-4A2A-9DAA-D9B3C25FB0F3 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" = class=3D""><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8" class=3D""><div style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" = class=3D""><p style=3D"-webkit-font-smoothing: antialiased; outline: = none 0px; margin: 0px 0px 15px; padding: 0px; border: 0px; font-family: = 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, sans-serif; = line-height: inherit; font-size: 14px; vertical-align: baseline; = box-sizing: border-box; color: rgb(68, 68, 68); background-color: = rgba(255, 255, 255, 0.00784314);" class=3D"">We are proud to announce = that the <a href=3D"http://sonicstudies.org/jss13" = style=3D"font-family: inherit; -webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px 0px 0.15em; border: 0px; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; color: rgb(68, 68, 68); text-decoration: none; = background-image: linear-gradient(rgba(68, 68, 68, 0) 50%, rgba(68, 68, = 68, 0.247059) 0px); background-size: 1em 2px; cursor: pointer; = box-sizing: border-box; background-position: 0px 1.15em; = background-repeat: repeat no-repeat;" class=3D"">13th issue of = the <i style=3D"-webkit-font-smoothing: antialiased; outline: none = 0px; margin: 0px; padding: 0px; border: 0px; font-family: inherit; = font-variant-caps: inherit; line-height: inherit; vertical-align: = baseline; box-sizing: border-box;" class=3D"">Journal of Sonic = Studies</i></a> (<a href=3D"http://sonicstudies.org/" = class=3D"">http://sonicstudies.org</a>) is online, entitled =E2=80=9CAcous= tic Ephemeralities.=E2=80=9D This issue was prepared by guest = editors Monika Dommann, Boris Previ=C5=A1i=C4=87, and Marianne = Sommer, and discusses the specifically ephemeral qualities of the = acoustic and the relationship between =E2=80=9Cmicro- and = macroephemeralities=E2=80=9D in the modern age. Three focal points will = be explicitly highlighted: the functions of media, music, and the = sciences as generators of acoustic paradigms. In addition, this issue = contains several musical commentaries, sonic interventions, and = Sound-Essays, created by Michel Roth, Hannes Seidl, and Lucas = Niggli. </p><p style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 15px 0px; padding: 0px; border: 0px; = font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, = sans-serif; line-height: inherit; font-size: 14px; vertical-align: = baseline; box-sizing: border-box; color: rgb(68, 68, 68); = background-color: rgba(255, 255, 255, 0.00784314);" class=3D"">Journal = contents:</p><ul style=3D"-webkit-font-smoothing: antialiased; outline: = none 0px; margin: 15px 0px 0px; padding: 0px 0px 0px 35px; border: 0px; = font-family: 'Helvetica Neue', HelveticaNeue, Helvetica, Arial, = sans-serif; line-height: inherit; font-size: 14px; vertical-align: = baseline; list-style: none; box-sizing: border-box; color: rgb(68, 68, = 68); background-color: rgba(255, 255, 255, 0.00784314);" class=3D""><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Acoustic Ephemeralities: Introduction - Monika = Dommann, Boris Previ=C5=A1i=C4=87, and Marianne Sommer<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Sound-Essay 1 - Peter Weber and Lucas Niggli<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Phonograph, Symbolic Acoustic Evidence in Arno = Holz=E2=80=99 <i style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px; border: 0px; font-family: = inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; box-sizing: border-box;" = class=3D"">Phantasus</i> - Thomas Forrer<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Acoustic Micro- and Macroephemeralities in = Literature. Robert Walser=E2=80=99s <i = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px; border: 0px; font-family: inherit; font-variant-caps: = inherit; line-height: inherit; vertical-align: baseline; box-sizing: = border-box;" class=3D"">Microscript 364</i> (1925) and Peter = Weber=E2=80=99s <i style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px; border: 0px; font-family: = inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; box-sizing: border-box;" class=3D"">Silber und = Salbader</i> (1999) - Boris Previ=C5=A1i=C4=87<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">At the Margins of the Audible: Morton = Feldman=E2=80=99s Ephemeral Compositions - Dieter Mersch, translated by = Laura Radosh<br style=3D"-webkit-font-smoothing: antialiased; outline: = none 0px; box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Writing the Ephemeral: John Cage=E2=80=99s <i= style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = margin: 0px; padding: 0px; border: 0px; font-family: inherit; = font-variant-caps: inherit; line-height: inherit; vertical-align: = baseline; box-sizing: border-box;" class=3D"">Lecture on = Nothing</i> as a Landmark in Media History - Simon = Aeberhard <br style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D""><i style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px; border: 0px; font-family: = inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; box-sizing: border-box;" = class=3D"">Smorzando</i>: Chopin on the MP3 player - Michel Roth<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Listening to the Body Moving: Auscultation, = Sound, and Music in the Early Nineteenth Century - Janina Wellmann<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Record, Rewind, Rewrite: Acoustic Historiography = with the Presidential Tapes - Monika Dommann, translated by Sarah = Pybus<br style=3D"-webkit-font-smoothing: antialiased; outline: none = 0px; box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Experimental Cylinders: Experiments in Music = Psychology around 1900 - Julia Kursell<br style=3D"-webkit-font-smoothing:= antialiased; outline: none 0px; box-sizing: border-box;" = class=3D""></li><li style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px 0px 0px 5px; border: 0px; = font-family: inherit; font-style: inherit; font-variant-caps: inherit; = line-height: inherit; vertical-align: baseline; list-style-type: disc; = box-sizing: border-box;" class=3D"">Archive, Collection, Museum: On the = History of the Archiving of Voices at the Sound Archive of the Humboldt = University - Britta Lange, translated by Benjamin Carter<br = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; = box-sizing: border-box;" class=3D""></li><li = style=3D"-webkit-font-smoothing: antialiased; outline: none 0px; margin: = 0px; padding: 0px 0px 0px 5px; border: 0px; font-family: inherit; = font-style: inherit; font-variant-caps: inherit; line-height: inherit; = vertical-align: baseline; list-style-type: disc; box-sizing: = border-box;" class=3D"">Animal Sounds against the Noise of Modernity and = War: Julian Huxley (1887=E2=80=931975) and the Preservation of the Sonic = World Heritage - Marianne Sommer<br style=3D"-webkit-font-smoothing: = antialiased; outline: none 0px; box-sizing: border-box;" = class=3D""></li><li style=3D"-webkit-font-smoothing: antialiased; = outline: none 0px; margin: 0px; padding: 0px 0px 0px 5px; border: 0px; = font-family: inherit; font-style: inherit; font-variant-caps: inherit; = line-height: inherit; vertical-align: baseline; list-style-type: disc; = box-sizing: border-box;" class=3D"">Sound-Essay 2 - Boris Previ=C5=A1i=C4=87= , Hannes Seidl, and Lucas Niggli</li></ul><div class=3D""><br = class=3D""></div></div></body></html>= --Apple-Mail=_72FCD66D-37B1-4A2A-9DAA-D9B3C25FB0F3--