Subject: [AUDITORY] CFP: Materials of Sound - the Journal of Sonic Studies From: Vincent Meelberg <v.meelberg@xxxxxxxx> Date: Wed, 15 Feb 2017 13:39:31 +0100 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--Apple-Mail=_5010D7B9-7F2B-41A1-9826-8D890E433359 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=utf-8 CFP: Materials of Sound for the Journal of Sonic Studies Guest Editor: Caleb Kelly=20 Deadline for Abstracts: 31 March 2017=20 Deadline for papers: 31 July 2017=20 Materiality is a constant and contested topic in contemporary art. In = recent years the experimental sound arts have shifted away from digital = and post-production sound in a turn back to materials. Sound in these = practices is not a transparent medium played through hidden speakers, = instead it is employed to investigate materials and is itself produced = through materials that have various histories, including = social/cultural/political, art historical, geological/ecological and = electrical. The editor of this special issue of The Journal of Sonic Studies seeks = submissions that consider the role of materials within the sounding = arts. Topics could include but are not bound by: =20 =E2=80=A2 Materials-based contemporary art practices that = engage sound=20 =E2=80=A2 Sound practices that explore the materiality of = sound as social/cultural/political, energetic, ecological, environmental =E2=80=A2 Sound as reflected in or through materials =E2=80=A2 Non-digital approaches to sound practices in the = arts =E2=80=A2 Experimental and/or process driven sounding = practices=20 =E2=80=A2 The role of sound within hacker/maker cultures The Journal of Sonic Studies is a peer-reviewed, online, open access = journal providing a platform for theorists and artist-researchers who = would like to present relevant work regarding auditory cultures, to = further our collective understanding of the impact and importance of = sound for our cultures. The editors welcome scholarly as well as = artistic research and also expect all contributions to have a firm = theoretical grounding. Submission guidelines can be found at = sonicstudies.org/guidelines <http://sonicstudies.org/guidelines>. Email: caleb.kelly@xxxxxxxx <mailto:caleb.kelly@xxxxxxxx> --Apple-Mail=_5010D7B9-7F2B-41A1-9826-8D890E433359 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=utf-8 <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" = class=3D""><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dutf-8" class=3D""><div style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" = class=3D""><div class=3D""><div style=3D"margin: 0px; font-size: 14px; = line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial;" class=3D""><span style=3D"font-kerning: none" class=3D"">CFP: = Materials of Sound for the <i class=3D"">Journal of Sonic = Studies</i></span></div><div style=3D"margin: 0px; font-size: 14px; = line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial; min-height: 16px;" class=3D""><span style=3D"font-kerning: = none" class=3D""></span><br class=3D""></div><div style=3D"margin: 0px; = font-size: 14px; line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial;" class=3D""><span style=3D"font-kerning: none" class=3D"">Guest = Editor: Caleb Kelly </span></div><div style=3D"margin: 0px; = font-size: 14px; line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial;" class=3D""><span style=3D"font-kerning: none" = class=3D"">Deadline for Abstracts: 31 March 2017 </span></div><div = style=3D"margin: 0px; font-size: 14px; line-height: normal; font-family: = 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D"">Deadline for papers: 31 July = 2017 </span></div><div style=3D"margin: 0px; font-size: 14px; = line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial; min-height: 16px;" class=3D""><span style=3D"font-kerning: = none" class=3D""></span><br class=3D""></div><div style=3D"margin: 0px; = font-size: 14px; line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial;" class=3D""><span style=3D"font-kerning: none" = class=3D"">Materiality is a constant and contested topic in contemporary = art. In recent years the experimental sound arts have shifted away from = digital and post-production sound in a turn back to materials. Sound in = these practices is not a transparent medium played through hidden = speakers, instead it is employed to investigate materials and is itself = produced through materials that have various histories, including = social/cultural/political, art historical, geological/ecological and = electrical.</span></div><div style=3D"margin: 0px; font-size: 14px; = line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial; min-height: 16px;" class=3D""><span style=3D"font-kerning: = none" class=3D""></span><br class=3D""></div><div style=3D"margin: 0px; = font-size: 14px; line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial;" class=3D""><span style=3D"font-kerning: none" class=3D"">The = editor of this special issue of The Journal of Sonic Studies seeks = submissions that consider the role of materials within the sounding = arts. Topics could include but are not bound = by: </span></div><div style=3D"margin: 0px; font-size: 14px; = line-height: normal; font-family: 'Times New Roman'; = -webkit-text-stroke-color: rgb(0, 0, 0); -webkit-text-stroke-width: = initial; min-height: 16px;" class=3D""><br class=3D""><span = style=3D"font-kerning: none" class=3D""></span></div><div style=3D"margin:= 0px 0px 0px 36px; text-indent: -36px; font-size: 14px; line-height: = normal; font-family: 'Times New Roman'; -webkit-text-stroke-color: = rgb(0, 0, 0); -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> = </span>Materials-based contemporary art practices that engage = sound </span></div><div style=3D"margin: 0px 0px 0px 36px; = text-indent: -36px; font-size: 14px; line-height: normal; font-family: = 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> </span>Sound = practices that explore the materiality of sound as = social/cultural/political, energetic, ecological, = environmental</span></div><div style=3D"margin: 0px 0px 0px 36px; = text-indent: -36px; font-size: 14px; line-height: normal; font-family: = 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> </span>Sound as = reflected in or through materials</span></div><div style=3D"margin: 0px = 0px 0px 36px; text-indent: -36px; font-size: 14px; line-height: normal; = font-family: 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> = </span>Non-digital approaches to sound practices in the = arts</span></div><div style=3D"margin: 0px 0px 0px 36px; text-indent: = -36px; font-size: 14px; line-height: normal; font-family: 'Times New = Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> = </span>Experimental and/or process driven = sounding practices </span></div><div style=3D"margin: 0px 0px = 0px 36px; text-indent: -36px; font-size: 14px; line-height: normal; = font-family: 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D""><span class=3D"Apple-tab-span" = style=3D"white-space:pre"> </span>=E2=80=A2<span = class=3D"Apple-tab-span" style=3D"white-space:pre"> </span>The role = of sound within hacker/maker cultures</span></div><div style=3D"margin: = 0px; font-size: 14px; line-height: normal; font-family: 'Times New = Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial; min-height: 16px;" class=3D""><br = class=3D""><span style=3D"font-kerning: none" class=3D""></span></div><div= style=3D"margin: 0px; font-size: 14px; line-height: normal; = font-family: 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"font-kerning: none" class=3D"">The Journal of Sonic Studies is = a peer-reviewed, online, open access journal providing a platform for = theorists and artist-researchers who would like to present relevant work = regarding auditory cultures, to further our collective understanding of = the impact and importance of sound for our cultures. The editors welcome = scholarly as well as artistic research and also expect all contributions = to have a firm theoretical grounding. Submission guidelines can be found = at <a href=3D"http://sonicstudies.org/guidelines" class=3D""><span = style=3D"-webkit-font-kerning: none;" = class=3D"">sonicstudies.org/guidelines</span></a>.</span></div><div = style=3D"margin: 0px; font-size: 14px; line-height: normal; font-family: = 'Times New Roman'; -webkit-text-stroke-color: rgb(0, 0, 0); = -webkit-text-stroke-width: initial; min-height: 16px;" class=3D""><span = style=3D"font-kerning: none" class=3D""></span><br class=3D""></div><div = style=3D"margin: 0px; font-size: 14px; line-height: normal; font-family: = 'Times New Roman'; color: rgb(0, 0, 255); -webkit-text-stroke-color: = rgb(0, 0, 255); -webkit-text-stroke-width: initial;" class=3D""><span = style=3D"-webkit-font-kerning: none; color: rgb(0, 0, 0); = -webkit-text-stroke-color: rgb(0, 0, 0);" class=3D"">Email: <a = href=3D"mailto:caleb.kelly@xxxxxxxx" class=3D""><span = style=3D"-webkit-font-kerning: none; color: rgb(0, 0, 255); = -webkit-text-stroke-color: rgb(0, 0, 255);" = class=3D"">caleb.kelly@xxxxxxxx</span></a></span></div> </div> </div><br class=3D""></body></html>= --Apple-Mail=_5010D7B9-7F2B-41A1-9826-8D890E433359--