Subject: Call for Registration - 1st Conference on Computer Simulation of Musical Creativity, 17-19 June, Uni Of Huddersfield, UK From: Valerio Velardo U1370329 <Valerio.Velardo@xxxxxxxx> Date: Thu, 19 May 2016 09:50:52 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--_000_A63091236F1359498353D630EFAB3D9AA4AE150FVULCANADHUDACUK_ Content-Type: text/plain; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Dear All, Registration for the 1st Conference on Computer Simulation of Musical Creat= ivity (17-19 June, University of Huddersfield, UK) is now open. The registr= ation fee is =A340 for students and =A360 for non students. To register ple= ase go to <redir.aspx?REF=3DeaK7GDU3c17yZMTlAXW1QuxL55WE1EGdvdupcbzXI0Q4iLb= Pyn_TCAFodHRwczovL2NzbWMyMDE2LndvcmRwcmVzcy5jb20vcmVnaXN0cmF0aW9uLw..> http= s://csmc2016.wordpress.com/registration/ Keynote speakers: Graeme Bailey (Cornell University), Geraint Wiggins (Quee= n Mary University of London). For more information about the conference, please visit https://csmc2016.wo= rdpress.com/ -------------------------------------------------------- CONFERENCE PROGRAMME FRIDAY 17 JUNE 9.00 =96 10.00 Registration 10.00 =96 10.30 Coffee 10.30 =96 11.00 Welcome 11.00 =96 12.30 Paper Session 1: Machine-Learning Generative Systems * Algorithmic Composition of Melodies with Deep Recurrent Neural Networ= ks =96 Florian Colombo, Samuel P. Muscinelli, Alex Seeholzer, Johanni Brea,= Wulfram Gerstner * Text-based LSTM Networks for Automatic Music Composition =96 Keunwoo = Choi, George Fazekas, Mark Sandler * Music Transcription Modelling and Composition Using Deep Learning =96= Bob Sturm, Jo=E3o Felipe Santos, Oded Ben-Tal, Iryna Iryna Korshunova 12.30 =96 14.00 Lunch 14.00 =96 15.00 Panel Session 1: Evaluation of Creative Music Systems 15.00 =96 16.00 Paper Session 2: Computers as Creative Tools * A Model of Emergent Creativity in Sample Corpora =96 Christopher Whit= e * Comparing Sounds of the Singing Voice =96 Christel Elisabeth Bonin 16.00 =96 16.30 Coffee 16.30 =96 17.30 Workshop Session 1: Hands-On Computer Simulation of Music E= volution =96 Marcelo Gimenes 18.30 =96 19.30 Concert ________________________________ SATURDAY 18 JUNE 9.00 =96 9.30 Registration 9.30 =96 11.00 Paper Session 3: Theoretical Perspectives on Creative Music = Systems * Creativity in the Generation of Machine Rhythms =96 Scott Barton * Generative Music Evaluation: Why do We Limit to =91Human=92? =96 Rois= in Loughran, Michael O=92Neill * Creative Music Systems and the Individuation of Musical Works =96 Nem= esio Garc=EDa-Carril Puy 11.00 =96 11.30 Coffee 11.30 =96 12.30 Workshop Session 2: A Composer and a Philosopher on a Mini= =ADRoundabout: CityBuilder and Cybernetics =96 Stephen Overy, Kelcey Swain 12.30 =96 14:00 Lunch 14.00 =96 15:30 Paper Session 4: Systems for Enhancing Human Composition an= d Performance * A Commensal Architecture for Evolving Living Instruments =96 Jonas Ab= ernot, Guillaume Beslon, Simon Hickinbotham, Sergio Peignier, Christophe Ri= gotti * Towards an Embodiment of Compositional Practice: the Ongoing Evolutio= n of CloudCube =96 Simon Cummings * The Undulatory Analysis: a Tool for Music Composition =96 Oswaldo Gon= zalez-Lizausaba 15:30 =96 16:00 Coffee 16:00 =96 17:00 Keynote Lecture 1: Creative Expectations - Graeme Bailey 17:00 =96 18:00 Panel Session 2: Creative Music Systems: Bridging the Divid= e Between Academia and Industry? 19:30 Conference Dinner ________________________________ SUNDAY 19 JUNE 9.00 =96 9.30 Registration 9.30 =96 11.00 Paper Session 5: Computers as Composers * Evaluating a Swarm Algorithm as an Improvising Accompanist: an Experi= ment in Using Transformed Analysis of George E. Lewis=92s =91Voyager=92 =96= Rene Mogensen * Exploring the Rules in Species Counterpoint =96 Iris Yuping Ren * A Knowledge Engineering Approach to Computational Creativity in Sound= Design =96 Eugene Cherny, Johan Lilius, Johannes Brusila, Dmitry Mouromtse= v 11.00 =96 11.30 Coffee 11.30 =96 12.30 Round Table: Creative Music Systems: Current Capacities and= Future Prospects 12.30 =96 14:00 Lunch 14:00 =96 15:00 Keynote Lecture 2 =96 Geraint Wiggins 15:00 =96 16:00 Workshop Session 3: Towards Incorporating Computer-Aided Te= chniques to Interactive Aural Analysis =96 Michael Clarke, Fr=E9d=E9ric Du= feu, Peter Manning 16:00 =96 16:30 Coffee and farewell University of Huddersfield inspiring tomorrow's professionals. [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.jpg] This transmission is confidential and may be legally privileged. If you rec= eive it in error, please notify us immediately by e-mail and remove it from= your system. If the content of this e-mail does not relate to the business= of the University of Huddersfield, then we do not endorse it and will acce= pt no liability. --_000_A63091236F1359498353D630EFAB3D9AA4AE150FVULCANADHUDACUK_ Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable <html dir=3D"ltr"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3DWindows-1= 252"> <style id=3D"owaParaStyle" type=3D"text/css">=0A= <!--=0A= p=0A= {margin-top:0;=0A= margin-bottom:0}=0A= -->=0A= P {margin-top:0;margin-bottom:0;}</style> </head> <body ocsi=3D"0" fpstyle=3D"1"> <div style=3D"direction: ltr;font-family: Tahoma;color: #000000;font-size: = 10pt;">Dear All,<br> <div style=3D"font-family: Times New Roman; color: #000000; font-size: 16px= "> <div> <div style=3D"direction:ltr; font-family:Tahoma; color:#000000; font-size:1= 0pt"><br> Registration for the <i>1st Conference on Computer Simulation of Musical Cr= eativity</i> (17-19 June, University of Huddersfield, UK) is now open. The = registration fee is =A340 for students and =A360 for non students. To regis= ter please go to <a href=3D"redir.aspx?REF=3DeaK7GDU3c17yZMTlAXW1QuxL55WE1EGdvdupcbzXI0Q4iLb= Pyn_TCAFodHRwczovL2NzbWMyMDE2LndvcmRwcmVzcy5jb20vcmVnaXN0cmF0aW9uLw.." targ= et=3D"_blank"> </a><a href=3D"https://csmc2016.wordpress.com/registration/"><span style=3D= "text-decoration:none"><span style=3D"font-size:13.333333333333332px; font-= family:Arial; color:#1155cc; background-color:transparent; font-weight:400;= font-style:normal; font-variant:normal; text-decoration:underline; vertica= l-align:baseline">https://csmc2016.wordpress.com/registration/</span></span= ></a><br> <br> <b>Keynote speakers:</b> Graeme Bailey (Cornell University), Geraint Wiggin= s (Queen Mary University of London).<br> <br> For more information about the conference, please visit <a href=3D"https://= csmc2016.wordpress.com/ "> <span style=3D"text-decoration:none"><span style=3D"font-size:13.3333333333= 33332px; font-family:Arial; color:#1155cc; background-color:transparent; fo= nt-weight:400; font-style:normal; font-variant:normal; text-decoration:unde= rline; vertical-align:baseline"></span></span><span style=3D"text-decoratio= n:none"><span style=3D"font-size:13.333333333333332px; font-family:Arial; c= olor:#1155cc; background-color:transparent; font-weight:400; font-style:nor= mal; font-variant:normal; text-decoration:underline; vertical-align:baselin= e">https://csmc2016.wordpress.com/</span></span> </a><br> <br> --------------------------------------------------------<br> <br> <b>CONFERENCE PROGRAMME<br> </b><br> <b>FRIDAY 17 JUNE</b> <p>9.00 =96 10.00<b> Registration</b></p> <p>10.00 =96 10.30 <b>Coffee</b></p> <p>10.30 =96 11.00 <b>Welcome</b></p> <p>11.00 =96 12.30 <b>Paper Session 1: Machine-Learning Generative Systems<= /b></p> <ul> <li><i>Algorithmic Composition of Melodies with Deep Recurrent Neural Netwo= rks</i> <i>=96</i> Florian Colombo, Samuel P. Muscinelli, Alex Seeholzer, Johanni B= rea, Wulfram Gerstner</li><li><i>Text-based LSTM Networks for Automatic Mus= ic Composition =96 </i>Keunwoo Choi, George Fazekas, Mark Sandler</li><li><= i>Music Transcription Modelling and Composition Using Deep Learning =96 </i= >Bob Sturm, Jo=E3o Felipe Santos, Oded Ben-Tal, Iryna Iryna Korshunova</li>= </ul> <p>12.30 =96 14.00 <b>Lunch</b></p> <p>14.00 =96 15.00 <b>Panel Session 1: </b><b><i>Evaluation of Creative Mus= ic Systems</i></b></p> <p>15.00 =96 16.00 <b>Paper Session 2: Computers as Creative Tools</b></p> <ul> <li><i>A Model of Emergent Creativity in Sample Corpora =96 </i>Christopher= White</li><li><i>Comparing Sounds of the Singing Voice =96 </i>Christel El= isabeth Bonin</li></ul> <p>16.00 =96 16.30 <b>Coffee</b></p> <p>16.30 =96 17.30 <b>Workshop Session 1: </b><b><i>Hands-On Computer Simul= ation of Music Evolution </i></b><i>=96 </i>Marcelo Gimenes</p> <p>18.30 =96 19.30 <b>Concert</b></p> <hr> <p><b>SATURDAY 18 JUNE</b></p> <p>9.00 =96 9.30 <b>Registration</b></p> <p>9.30 =96 11.00 <b>Paper Session 3: Theoretical Perspectives on Creative = Music Systems </b></p> <ul> <li><i>Creativity in the Generation of Machine Rhythms</i> <i>=96</i> Scott= Barton</li><li><i>Generative Music Evaluation: Why do We Limit to =91Human= =92?</i> <i>=96</i> Roisin Loughran, Michael O=92Neill</li><li><i>Creative = Music Systems and the Individuation of Musical Works =96 </i>Nemesio Garc= =EDa-Carril Puy</li></ul> <p>11.00 =96 11.30 <b>Coffee</b></p> <p>11.30 =96 12.30 <b>Workshop Session 2: </b><b><i>A Composer and a Philos= opher on a Mini=ADRoundabout: CityBuilder and Cybernetics</i></b><i> =96 </i>Stephen Overy, Kelcey Swain</p> <p>12.30 =96 14:00 <b>Lunch</b></p> <p>14.00 =96 15:30 <b>Paper Session 4: Systems for Enhancing Human Composit= ion and Performance </b></p> <ul> <li><i>A Commensal Architecture for Evolving Living Instruments =96 </i>Jon= as Abernot, Guillaume Beslon, Simon Hickinbotham, Sergio Peignier, Christop= he Rigotti</li><li><i>Towards an Embodiment of Compositional Practice: the = Ongoing Evolution of CloudCube =96 </i>Simon Cummings</li><li><i>The Undulatory Analysis: a Tool for Music Com= position</i> <i>=96 </i>Oswaldo Gonzalez-Lizausaba</li></ul> <p>15:30 =96 16:00 <b>Coffee</b></p> <p>16:00 =96 17:00 <b>Keynote Lecture 1:</b> <b><i>Creative Expectations</i= > - Graeme Bailey</b></p> <p>17:00 =96 18:00 <b>Panel Session 2: </b><i>Creative Music Systems: Bridg= ing the Divide Between Academia and Industry?</i></p> <p>19:30 <b>Conference Dinner</b></p> <hr> <p><strong>SUNDAY 19 JUNE</strong></p> <p>9.00 =96 9.30 <b>Registration</b></p> <p>9.30 =96 11.00 <b>Paper Session 5: Computers as Composers</b></p> <ul> <li><i>Evaluating a Swarm Algorithm as an Improvising Accompanist: an Exper= iment in Using Transformed Analysis of George E. Lewis=92s =91Voyager=92 = =96 </i>Rene Mogensen</li><li><i>Exploring the Rules in Species Counterpoint = =96 </i>Iris Yuping Ren</li><li><i>A Knowledge Engineering Approach to Comp= utational Creativity in Sound Design =96 </i>Eugene Cherny, Johan Lilius, Johannes Brusila, Dmitry Mouromtsev</li></= ul> <p>11.00 =96 11.30 <b>Coffee</b></p> <p>11.30 =96 12.30 <b>Round Table: </b><b><i>Creative Music Systems: Curren= t Capacities and Future Prospects</i></b></p> <p>12.30 =96 14:00 <b>Lunch</b></p> <p>14:00 =96 15:00 <b>Keynote Lecture 2 </b> <b>=96 Geraint Wiggins </= b></p> <p>15:00 =96 16:00 <b>Workshop Session 3: </b><b><i>Towards Incorporating C= omputer-Aided Techniques to Interactive Aural Analysis</i></b><i> =96 </i> Michael Clarke, Fr=E9d=E9ric Dufeu, Peter Manning</p> <p>16:00 =96 16:30<b> Coffee and</b> <b>farewell</b></p> </div> </div> </div> </div> University of Huddersfield inspiring tomorrow's professionals.<br> <img src=3D"http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.= jpg"><br> <br> This transmission is confidential and may be legally privileged. If you rec= eive it in error, please notify us immediately by e-mail and remove it from= your system. If the content of this e-mail does not relate to the business= of the University of Huddersfield, then we do not endorse it and will accept no liability. </body> </html> --_000_A63091236F1359498353D630EFAB3D9AA4AE150FVULCANADHUDACUK_--
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