Subject: BCMI 2015 - DEADLINE APPROACHING 27 Feb (papers, demos, performances) From: "(pg) Joel Eaton" <joel.eaton@xxxxxxxx> Date: Wed, 11 Feb 2015 10:07:51 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--_000_142364927218530751postgradplymouthacuk_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear all, (apologies for cross-posting) We are inviting submissions for papers, demo's and performance pieces. Subm= ission deadline: 27th Feb 2015 *IMPORTANT DATES* Paper submission deadline February 27th 2015 Music submission deadline February 27th 2015 Notification of acceptance March 27th 2015 Revisions and camera ready copy deadline May 1st 2015 We are very pleased to announce that we will be hosting the 1st Internation= al Workshop on Brain-Computer Music Interfacing, 15 June 2015 at the Interd= isciplinary Centre for Computer Music Research (ICCMR), Plymouth University= UK. * The workshop is a satellite of the 11th International Symposium on Co= mputer Music Multidisciplinary Research - CMMR 2015: Music, Mind, and Embod= iment, which will take place at Plymouth University, Plymouth, UK, on 16-19= June 2015. Attendance to both events is strongly encouraged. For more info= rmation on CMMR 2015 please visit http://cmr.soc.plymouth.ac.uk/cmmr2015/ * The workshop will coincide with the publication of a new book by Spri= nger entitled Guide Brain-Computer Music Interfacing, edited by Eduardo R. = Miranda and Julien Castet. * Prof David Rosenboom, the pioneer from CalArts, California Institute = of the Arts, is set to perform at the workshop and deliver a CMMR 2015 keyn= ote Key topics of interest in this context include (but not necessarily restric= ted to): * Designing BCMI systems for harnessing of creative musical control and= expression * Applications of hybrid neurotechnology, either integrating multiple B= CI techniques or combining BCI with external signals such as bio-signals, g= estural data, and other forms of control data * Bridging the links between neurotechnology and acoustic music * Key areas where BCMI technologies are brought out of the laboratory e= nvironment and integrated with contemporary music technology in professiona= l and consumer platforms * Creative strategies for mapping brainwaves to music * Innovative methods of real-time classification of brainwaves for musi= c generation * Novel methods of brainwave sonification to benefit understanding of p= atterns in EEG for medical or artistic purposes For more information and submission instructions please visit the website a= t: http://cmr.soc.plymouth.ac.uk/bcmi2015 All enquiries to bcmi2015-enquiries@xxxxxxxx We look forward to seeing you there! Eduardo Miranda Joel Eaton (organisers) --_000_142364927218530751postgradplymouthacuk_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-= 1"> <style type=3D"text/css" style=3D"display:none"><!--P{margin-top:0;margin-b= ottom:0;} --></style> </head> <body dir=3D"ltr"> <div id=3D"divtagdefaultwrapper" style=3D"font-size:12pt;color:#000000;back= ground-color:#FFFFFF;font-family:Calibri,Arial,Helvetica,sans-serif;"> <p>Dear all,<br> <br> (apologies for cross-posting)<br> <br> We are inviting submissions for papers, demo's and performance pieces. Subm= ission deadline: 27th Feb 2015<br> <br> *IMPORTANT DATES*<br> Paper submission deadline February 27th 2015<br> Music submission deadline February 27th 2015<br> Notification of acceptance March 27th 2015<br> Revisions and camera ready copy deadline May 1st 2015<br> <br> We are very pleased to announce that we will be hosting the 1st Internation= al Workshop on Brain-Computer Music Interfacing, 15 June 2015 at the Interd= isciplinary Centre for Computer Music Research (ICCMR), Plymouth University= UK.<br> <br> </p> <ul> <li>The workshop is a satellite of the 11th International Symposium on Comp= uter Music Multidisciplinary Research - CMMR 2015: Music, Mind, and Embodim= ent, which will take place at Plymouth University, Plymouth, UK, on 16-19 J= une 2015. Attendance to both events is strongly encouraged. For more information on CMMR 2015 please visit htt= p://cmr.soc.plymouth.ac.uk/cmmr2015/</li><li>The workshop will coincide wit= h the publication of a new book by Springer entitled Guide Brain-Computer M= usic Interfacing, edited by Eduardo R. Miranda and Julien Castet.</li><li>P= rof David Rosenboom, the pioneer from CalArts, California Institute of the = Arts, is set to perform at the workshop and deliver a CMMR 2015 keynote</li= ></ul> <p><br> Key topics of interest in this context include (but not necessarily restric= ted to):<br> </p> <ul> <li>Designing BCMI systems for harnessing of creative musical control and e= xpression</li><li>Applications of hybrid neurotechnology, either integratin= g multiple BCI techniques or combining BCI with external signals such as bi= o-signals, gestural data, and other forms of control data</li><li>Bri= dging the links between neurotechnology and acoustic music</li><li>Key area= s where BCMI technologies are brought out of the laboratory environment and= integrated with contemporary music technology in professional and consumer= platforms</li><li>Creative strategies for mapping brainwaves to music</li>= <li>Innovative methods of real-time classification of brainwaves for music = generation</li><li>Novel methods of brainwave sonification to benefit under= standing of patterns in EEG for medical or artistic purposes</li></ul> <p>For more information and submission instructions please visit the websit= e at:<br> <br> http://cmr.soc.plymouth.ac.uk/bcmi2015<br> <br> All enquiries to bcmi2015-enquiries@xxxxxxxx<br> <br> We look forward to seeing you there!<br> <br> Eduardo Miranda<br> Joel Eaton<br> (organisers)<br> <br> </p> <p><br> </p> </div> </body> </html> --_000_142364927218530751postgradplymouthacuk_--