Subject: jCMMR2015 - DEADLINE APPROACHING: 27 Feb (papers/music) From: "(pg) Joel Eaton" <joel.eaton@xxxxxxxx> Date: Tue, 10 Feb 2015 09:51:14 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--_000_142356187544876341postgradplymouthacuk_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear all, (With apologies for cross posting) This is a reminder that the call for participation is currently open for CM= MR 2015. Registration is also now open. *Important dates: * Paper submission deadline February 27th 2015 Music submission deadline February 27th 2015 Notification of acceptance March 27th 2015 Revisions and camera ready copy deadline May 1st 2015 *Keynote speakers* Hugues Vinet (IRCAM) David Rosenboom (CalArts) Eduardo Miranda (ICCMR) The 11th International Symposium on Computer Music Multidisciplinary Resear= ch (CMMR) Music, Mind, and Embodiment will take place in Plymouth, UK on 16= -19 June 2015. Plymouth is a vibrant ocean city with a global history which stretches back= hundreds of years. The symposium will include a series of concerts, a sate= llite workshop on Music Neurotechnology, and an unforgettable boat cruise a= nd banquet trip around the iconic Plymouth Hoe from the Barbican Harbour, site of the Mayflower Steps (portrayed in the logo above), from wh= ich the Pilgrim Fathers left England to settle in North America in 1620. The Interdisciplinary Centre for Computer Music Research (ICCMR) is hosting= the symposium on campus in the center of Plymouth, in their newly complete= d multi-million pound headquarters, "The House", which includes a multichan= nel diffusion suite and full scale auditorium for concert performances. *Music, Mind, and Embodiment* This year, we encourage the submission of contributions on the theme of Mus= ic, Mind, and Embodiment. The notion of mind and embodiment is important in= any field related to sound and music and is therefore well adapted to this= interdisciplinary conference, since it can be studied from different stand= points spanning from physics to perceptual and cognitive considerations, an= d from scientific to artistic approaches. Some central questions of interest in this context are (but not necessarily= restricted to) : How to identify perceptually relevant signal properties linked to music (fo= r example, neurophysiologically or biologically influenced music creation, = performance, or analysis?) How to define new timbre descriptors that characterise perceptual or emotio= nal characteristics? What is the link between mind and embodiment in musical performance, interp= retation, and improvisation? How can gesture and embodiment be used as a control signal for music genera= tion, sonification, and performance? How can multiple modalities be characterised in interdisciplinary musical c= ontexts (vision, audition, kinesthetic, bio- and neuro- informed approaches= )? Contributions on other topics as described in the call for contributions ar= e also welcome. Submission deadline is February 27th 2015. For further details please visit: http://cmr.soc.plymouth.ac.uk/cmmr2015/ *Satellite workshops* 1st International Workshop in Brain-Computer Music Interfacing - http://cmr= .soc.plymouth.ac.uk/bcmi2015/ Motion and Music Workshop - http://cmr.soc.plymouth.ac.uk/mocap2015/ Please send any enquiries to: cmmr2015-chairs@xxxxxxxx We look forward to seeing you, Prof Eduardo R Miranda (conference chair) Joel Eaton (programme committee) Dr Duncan Williams (music committee) Joel Eaton Interdisciplinary Centre for Computer Music Research (ICCMR) Plymouth University http://cmr.soc.plymouth.ac.uk/ email: joel.eaton@xxxxxxxx --_000_142356187544876341postgradplymouthacuk_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-= 1"> <style type=3D"text/css" style=3D"display:none"><!--P{margin-top:0;margin-b= ottom:0;} --></style> </head> <body dir=3D"ltr"> <div id=3D"divtagdefaultwrapper" style=3D"font-size:12pt;color:#000000;back= ground-color:#FFFFFF;font-family:Calibri,Arial,Helvetica,sans-serif;"> <span class=3D"_rw_5"><span tabindex=3D"-1" class=3D"_rw_2"> <div tabindex=3D"-1" class=3D"_pe_a _pe_n _pe_b"><span class=3D"_pe_e _pe_n= _pe_d1 bidi _pe_G ms-fwt-r ms-font-color-black ms-font-color-themePrimary-= hover allowTextSelection _pe_x"></span></div> <div tabindex=3D"-1" class=3D"_pe_a _pe_n _pe_b"><span class=3D"_pe_e _pe_n= _pe_d1 bidi _pe_G ms-fwt-r ms-font-color-black ms-font-color-themePrimary-= hover allowTextSelection _pe_x"></span></div> </span></span><span class=3D"_rw_5"><span tabindex=3D"-1" class=3D"_rw_2"><= /span></span> <p>Dear all,<br> <br> (With apologies for cross posting)<br> <br> This is a reminder that the call for participation is currently open for CM= MR 2015. Registration is also now open.<br> <br> *Important dates: *<br> Paper submission deadline February 27th 2015<br> Music submission deadline February 27th 2015<br> Notification of acceptance March 27th 2015<br> Revisions and camera ready copy deadline May 1st 2015<br> <br> *Keynote speakers*<br> Hugues Vinet (IRCAM)<br> David Rosenboom (CalArts)<br> Eduardo Miranda (ICCMR)<br> <br> The 11th International Symposium on Computer Music Multidisciplinary Resear= ch (CMMR) Music, Mind, and Embodiment will take place in Plymouth, UK on 16= -19 June 2015.<br> <br> Plymouth is a vibrant ocean city with a global history which stretches back= hundreds of years. The symposium will include a series of concerts, a sate= llite workshop on Music Neurotechnology, and an unforgettable boat cruise a= nd banquet trip around the iconic Plymouth Hoe from the Barbican<br> Harbour, site of the Mayflower Steps (portrayed in the logo above), from wh= ich the Pilgrim Fathers left England to settle in North America in 1620.<br= > <br> The Interdisciplinary Centre for Computer Music Research (ICCMR) is hosting= the symposium on campus in the center of Plymouth, in their newly complete= d multi-million pound headquarters, "The House", which includes a= multichannel diffusion suite and full scale auditorium for concert<br> performances.<br> <br> *Music, Mind, and Embodiment*<br> <br> This year, we encourage the submission of contributions on the theme of Mus= ic, Mind, and Embodiment. The notion of mind and embodiment is important in= any field related to sound and music and is therefore well adapted to this= interdisciplinary conference, since it can be studied from different standpoints spanning from physics to perc= eptual and cognitive considerations, and from scientific to artistic approa= ches.<br> <br> Some central questions of interest in this context are (but not necessarily= restricted to) :<br> <br> How to identify perceptually relevant signal properties linked to music (fo= r example, neurophysiologically or biologically influenced music creation, = performance, or analysis?)<br> How to define new timbre descriptors that characterise perceptual or emotio= nal characteristics?<br> What is the link between mind and embodiment in musical performance, interp= retation, and improvisation?<br> How can gesture and embodiment be used as a control signal for music genera= tion, sonification, and performance?<br> How can multiple modalities be characterised in interdisciplinary musical c= ontexts (vision, audition, kinesthetic, bio- and neuro- informed approaches= )?<br> <br> Contributions on other topics as described in the call for contributions ar= e also welcome. Submission deadline is February 27th 2015.<br> <br> For further details please visit:<br> <br> http://cmr.soc.plymouth.ac.uk/cmmr2015/<br> <br> *Satellite workshops*<br> 1st International Workshop in Brain-Computer Music Interfacing - <a id=3D"L= Plnk468267" href=3D"http://cmr.soc.plymouth.ac.uk/bcmi2015/"> http://cmr.soc.plymouth.ac.uk/bcmi2015/</a></p> <p><br> Motion and Music Workshop - <a id=3D"LPlnk582278" href=3D"http://cmr.soc.pl= ymouth.ac.uk/mocap2015/"> http://cmr.soc.plymouth.ac.uk/mocap2015/</a></p> <p><br> Please send any enquiries to:<br> <br> cmmr2015-chairs@xxxxxxxx<br> <br> <br> We look forward to seeing you,<br> <br> Prof Eduardo R Miranda (conference chair)<br> Joel Eaton (programme committee)<br> Dr Duncan Williams (music committee)<br> </p> <p><br> </p> <div id=3D"Signature">Joel Eaton<br> <div name=3D"divtagdefaultwrapper" style=3D"font-family:Calibri,Arial,Helve= tica,sans-serif; font-size:; margin:0"> <font face=3D"Cambria,Serif">Interdisciplinary Centre for Computer Music Re= search (ICCMR)<br> Plymouth University<br> http://cmr.soc.plymouth.ac.uk/<br> email: joel.eaton@xxxxxxxx</font></div> </div> </div> </body> </html> --_000_142356187544876341postgradplymouthacuk_--