CfP - 1st Conferene on Computer Simulation of Musical Creativity. Huddersfield, UK (Valerio Velardo U1370329 )

Subject: CfP - 1st Conferene on Computer Simulation of Musical Creativity. Huddersfield, UK From: Valerio Velardo U1370329 <Valerio.Velardo@xxxxxxxx> Date: Mon, 2 Nov 2015 12:52:14 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --_000_A63091236F1359498353D630EFAB3D9A9C8DC6CDLANCERADHUDACUK_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear all, We are happy to announce the first Conference on Computer Simulation of Mus= ical Creativity. The event will be held at the University of Huddersfield (= UK) from 17 to 19 June 2016. Conference Website: https://csmc2016.wordpress.com/ Keynote speakers * Professor Graeme Bailey, Cornell University * Professor Geraint Wiggins, Queen Mary University London Key Dates * Deadline for paper submission: 15 March 2016 * Notification of acceptance: 15 April 2016 * Deadline for revisions and camera-ready copy: 30 April 2016 Submissions can cover both theoretical and/or practical aspects of the comp= uter simulation of musical creativity. Interdisciplinary proposals at the i= ntersection of music, computer science, psychology and philosophy are welco= me. Topics of interest may include, but are not limited to: Computer Systems * systems capable of generating music; * systems capable of performing music; * systems capable of (online) improvisation; * systems capable of analysing music; * music-robotic systems; * systems implementing societies of virtual musicians; * systems that foster and enhance the musical creativity of human users= ; * music recommendation systems; * systems implementing computational aesthetics, emotional responses, n= ovelty and originality; Theory * surveys of state-of-the-art techniques in the area; * validation methodologies; * philosophical foundations of creative music systems; * mathematical foundations of creative music systems; * evolutionary models for creative music systems; * cognitive models for creative music systems; * studies on the applicability of music-creative techniques to other re= search areas; * new models for improving creative music systems. Peer-Review Process and Proceedings All papers are double-blind peer reviewed by at least two specialists. Proc= eedings will be published online. Extended versions of selected papers will= be published in a special issue of the Journal of Creative Music Systems <= http://jcms.org.uk/> (http://jcms.org.uk/). Paper Submission Details of submission procedure and formatting can be found at https://csmc= 2016.wordpress.com/instructions-for-authors/. For enquiries, please contact Valerio Velardo at valerio.velardo@xxxxxxxx Best wishes, Valerio Velardo University of Huddersfield inspiring tomorrow's professionals. [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.jpg] This transmission is confidential and may be legally privileged. If you rec= eive it in error, please notify us immediately by e-mail and remove it from= your system. If the content of this e-mail does not relate to the business= of the University of Huddersfield, then we do not endorse it and will acce= pt no liability. --_000_A63091236F1359498353D630EFAB3D9A9C8DC6CDLANCERADHUDACUK_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html dir=3D"ltr"> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-= 1"> <style type=3D"text/css" id=3D"owaParaStyle"></style><style type=3D"text/cs= s"></style> </head> <body fpstyle=3D"1" ocsi=3D"0"> <div style=3D"direction: ltr;font-family: Tahoma;color: #000000;font-size: = 10pt;"> Dear all,<o:p></o:p> We are happy to announce the first Conference on Computer Simulation of Musical Creativity. The event w= ill be held at the University of Huddersfield (UK) from 17 to 19 June 2016.<o:p></o:p> <s= pan style=3D"font-size: small; font-family: Arial, sans-serif;"> </spa= n> Conference Website: <a href=3D"https://csmc2016.wordpress.com/">https://csmc2016.wordpress= .com/</a> <o:p></o:p> <s= trong> Ke= ynote speakers </= p> <ul> <li>Professor Graeme Bailey, Cornell University</li><li><= span style=3D"font-family: Arial, sans-serif; font-size: small; text-indent= : -18pt;">Professor Geraint Wiggins, Queen Mary University London</l= i></ul> <f= ont size=3D"2">Key Dates<o:p></o:p> <ul> <li>Deadline for paper submission: 15 March 2016</li= ><li>Notification of acceptance: 15 April 2016</li><= li>Deadline for revisions and camera-ready copy: 30 April 2016</sp= an></li></ul> <div></div> <s= pan style=3D"font-family: Arial, sans-serif;">Submissions = can cover both theoretical and/or practical aspects of the computer simulat= ion of musical creativity. Interdisciplinary proposals at the intersection of music, computer science, psychology and p= hilosophy are welcome. Topics of interest may include, but are not limited = to:<o:p></o:p> <s= pan style=3D"font-family: Arial, sans-serif;"> <f= ont size=3D"2">Computer Systems<o:p></o:p> <ul type=3D"disc"> <li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bottom-= alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems capable of generating music;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems capable of performing music;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems capable of (online) improvisation;<o:p></o:p></sp= an> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems capable of analysing music;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> music-robotic systems;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems implementing societies of virtual musicians;<o:p></o:p><= /font> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems that foster and enhance the musical creativity of human = users;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> music recommendation systems;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l0 level1 lfo1;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> systems implementing computational aesthetics, emotional respons= es, novelty and originality;<o:p></o:p> </li></ul> <f= ont size=3D"2">Theory<o:p></o:p> <ul type=3D"disc"> <li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bottom-= alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> surveys of state-of-the-art techniques in the area;<o:p></o:p></= font> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> validation methodologies;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> philosophical foundations of <a>creative music </a>systems;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> mathematical foundations of creative music systems;<o:p></o:p></= font> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> evolutionary models for creative music systems;<o:p></o:p></font= > </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> cognitive models for creative music systems;<o:p></o:p></= span> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> studies on the applicability of music-creative techniques to oth= er research areas;<o:p></o:p> </li><li class=3D"MsoNormal" style=3D"mso-margin-top-alt:auto;mso-margin-bo= ttom-alt:auto;=0A= line-height:14.5pt;mso-list:l1 level1 lfo2;tab-stops:list 36.0pt;=0A= background:white;vertical-align:baseline"> new models for improving creative music systems.<o:p></o:p>= </li></ul> <div> <s= trong style=3D"font-size: small; line-height: 14.5pt;"> <s= trong style=3D"font-size: small; line-height: 14.5pt;">Peer= -Review Process and Proceedings </= p> <f= ont size=3D"2">All papers a= re double-blind peer reviewed by at least two specialists. Proceedings will= be published online. Extended versions of selected papers will be published in a special issue of the Journal = of Creative Music Systems <a href=3D"http://jcms.org.uk/" t= arget=3D"_blank"></a>(<a href=3D"http://jcms.org.uk/">http:= //jcms.org.uk/</a>). <e= m> Paper Submission</st= rong><= o:p></o:p> </= p> <f= ont size=3D"2">Details of s= ubmission procedure and formatting can be found at <a href=3D"https://csmc2016.wordpress.com/instructions-for-authors/"= >https://csmc2016.wordpress= .com/instructions-for-authors/</a>.<o:p></o:p> <f= ont size=3D"2"> <f= ont size=3D"2">For enquirie= s, please contact Valerio Velardo at valerio.velardo@xxxxxxxx</fon= t> <s= pan style=3D"font-family: Arial, sans-serif;"> <s= pan style=3D"font-family: Arial, sans-serif;">Best wishes,= <s= pan style=3D"font-family: Arial, sans-serif;">Valerio Vela= rdo <e= m> <f= ont size=3D"2"> <o:p></o:p> <div> <div> <div id=3D"_com_1" class=3D"msocomtxt" language=3D"JavaScript"></div> </div> </div> </div> </= p> <div> <div> <div id=3D"_com_1" class=3D"msocomtxt" language=3D"JavaScript"></div> </div> </div> </div> University of Huddersfield inspiring tomorrow's professionals. <img src=3D"http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooter.= jpg"> This transmission is confidential and may be legally privileged. If you rec= eive it in error, please notify us immediately by e-mail and remove it from= your system. If the content of this e-mail does not relate to the business= of the University of Huddersfield, then we do not endorse it and will accept no liability. </body> </html> --_000_A63091236F1359498353D630EFAB3D9A9C8DC6CDLANCERADHUDACUK_--

This message came from the mail archive
/var/www/postings/2015/
maintained by:

DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University