Subject: Deadline extension, 9th March - CMMR 2015 and BCMI 2015, Plymouth UK From: "(pg) Joel Eaton" <joel.eaton@xxxxxxxx> Date: Mon, 2 Mar 2015 13:12:22 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--_000_142530194219590969postgradplymouthacuk_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear all, Due to such a large volume of requests we have extended the deadline for bo= th CMMR 2015 and the BCMI 2015 workshop to the 9th March 2015, 23:59 GMT. W= e look forward to receiving submissions around the conference theme of Musi= c, Mind, Embodiment. Registration is now open to the conference and the satellite workshop here: http://cmr.soc.plymouth.ac.uk/cmmr2015/registration.html The Motion Capture (MOCAP) workshop, a satellite event, is now fully booked= . Anyone interested can now add themselves to the reserve list (see link to= MOCAP workshop website below). Please see the corresponding websites below for more information regarding = the calls for works, registration, and conference details. CMMR 2015: http://cmr.soc.plymouth.ac.uk/cmmr2015/ BCMI 2015: http://cmr.soc.plymouth.ac.uk/bcmi2015/ MOCAP 2015: http://cmr.soc.plymouth.ac.uk/mocap2015/ The 11th International Symposium on Computer Music Multidisciplinary Resear= ch (CMMR) Music, Mind, and Embodiment will take place in Plymouth, UK on 16= -19 June 2015. The 1st International Workshop on Brain-Computer Music Interfacing, a satel= lite event of CMMR, will take place on 15th June 2015. Plymouth is a vibrant ocean city with a global history which stretches back= hundreds of years. The symposium will include a series of concerts, a sate= llite workshop on Music Neurotechnology, and an unforgettable boat cruise a= nd banquet trip around the iconic Plymouth Hoe from the Barbican Harbour, site of the Mayflower Steps (portrayed in the logo above), from wh= ich the Pilgrim Fathers left England to settle in North America in 1620. The Interdisciplinary Centre for Computer Music Research (ICCMR) is hosting= the symposium on campus in the center of Plymouth, in their newly complete= d multi-million pound headquarters, "The House", which includes a multichan= nel diffusion suite and full scale auditorium for concert performances. *Music, Mind, and Embodiment* This year, we encourage the submission of contributions on the theme of Mus= ic, Mind, and Embodiment. The notion of mind and embodiment is important in= any field related to sound and music and is therefore well adapted to this= interdisciplinary conference, since it can be studied from different stand= points spanning from physics to perceptual and cognitive considerations, an= d from scientific to artistic approaches. Kind Regards, Eduardo Miranda Duncan Williams Joel Eaton Interdisciplinary Centre for Computer Music Research (ICCMR) Plymouth University http://cmr.soc.plymouth.ac.uk/ email: joel.eaton@xxxxxxxx --_000_142530194219590969postgradplymouthacuk_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html> <head> <meta http-equiv=3D"Content-Type" content=3D"text/html; charset=3Diso-8859-= 1"> <style type=3D"text/css" style=3D"display:none;"><!-- P {margin-top:0;margi= n-bottom:0;} --></style> </head> <body dir=3D"ltr"> <div id=3D"divtagdefaultwrapper" style=3D"font-size:12pt;color:#000000;back= ground-color:#FFFFFF;font-family:Calibri,Arial,Helvetica,sans-serif;"> <div>Dear all,<br> </div> <div><br> </div> Due to such a large volume of requests we have extended the deadline for bo= th <strong> CMMR 2015</strong> and the <strong>BCMI 2015</strong> workshop to the <stro= ng>9th March 2015</strong>, <strong>23:59 GMT</strong>. We look forward to receiving submissions around= the conference theme of Music, Mind, Embodiment.<br> <br> Registration is now open to the conference and the satellite workshop here:= <br> <a href=3D"http://cmr.soc.plymouth.ac.uk/cmmr2015/registration.html" target= =3D"_blank">http://cmr.soc.plymouth.ac.uk/<wbr>cmmr2015/registration.html</= a><br> <br> The Motion Capture (MOCAP) workshop, a satellite event, is now fully booked= . Anyone interested can now add themselves to the reserve list (see link to= MOCAP workshop website below). <br> <br> Please see the corresponding websites below for more information regarding = the calls for works, registration, and conference details.<br> <br> <div>CMMR 2015: <a href=3D"http://cmr.soc.plymouth.ac.uk/cmmr2015/" target= =3D"_blank"> http://cmr.soc.plymouth.ac.uk/<wbr>cmmr2015/</a><br> <br> </div> <div>BCMI 2015: <a href=3D"http://cmr.soc.plymouth.ac.uk/bcmi2015/" target= =3D"_blank"> http://cmr.soc.plymouth.ac.uk/<wbr>bcmi2015/</a><br> <br> </div> <div>MOCAP 2015: <a href=3D"http://cmr.soc.plymouth.ac.uk/mocap2015/" targe= t=3D"_blank"> http://cmr.soc.plymouth.ac.uk/<wbr>mocap2015/</a><br> <br> </div> The 11th International Symposium on Computer Music Multidisciplinary Resear= ch (<span>CMMR</span>) Music, Mind, and Embodiment will take place in Plymo= uth, UK on 16-19 June 2015.<br> <br> The 1st International Workshop on Brain-Computer Music Interfacing, a satel= lite event of CMMR, will take place on 15th June 2015.<br> <br> Plymouth is a vibrant ocean city with a global history which stretches back= hundreds of years. The symposium will include a series of concerts, a sate= llite workshop on Music Neurotechnology, and an unforgettable boat cruise a= nd banquet trip around the iconic Plymouth Hoe from the Barbican<br> Harbour, site of the Mayflower Steps (portrayed in the logo above), from wh= ich the Pilgrim Fathers left England to settle in North America in 1620. <p><br> </p> The Interdisciplinary Centre for Computer Music Research (ICCMR) is hosting= the symposium on campus in the center of Plymouth, in their newly complete= d multi-million pound headquarters, "The House", which includes a= multichannel diffusion suite and full scale auditorium for concert<br> performances.<br> <br> *Music, Mind, and Embodiment*<br> <br> This year, we encourage the submission of contributions on the theme of Mus= ic, Mind, and Embodiment. The notion of mind and embodiment is important in= any field related to sound and music and is therefore well adapted to this= interdisciplinary conference, since it can be studied from different standpoints spanning from physics to perc= eptual and cognitive considerations, and from scientific to artistic approa= ches.<br> <br> <div>Kind Regards,<br> <br> </div> <div>Eduardo Miranda<br> </div> Duncan Williams <div class=3D"yj6qo ajU"> <div id=3D"Signature">Joel Eaton<br> <div name=3D"divtagdefaultwrapper" style=3D"font-family:Calibri,Arial,Helve= tica,sans-serif; font-size:; margin:0"> <font face=3D"Cambria,Serif"><br> Interdisciplinary Centre for Computer Music Research (ICCMR)<br> Plymouth University<br> http://cmr.soc.plymouth.ac.uk/<br> email: joel.eaton@xxxxxxxx</font></div> </div> </div> </div> </body> </html> --_000_142530194219590969postgradplymouthacuk_--