Subject: Call for papers: International Conference on Multimodal Experiences of Music (extended deadline) From: Renee Timmers <r.timmers@xxxxxxxx> Date: Wed, 1 Oct 2014 12:41:41 +0100 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--001a11396236d2781105045afb6d Content-Type: multipart/alternative; boundary=001a11396236d2780f05045afb6c --001a11396236d2780f05045afb6c Content-Type: text/plain; charset=UTF-8 Apologies for cross-posting Call for papers: International Conference on the Multimodal Experience of Music ICMEM, 23-25 March 2015 In live and virtual situations, music listening and performing are multimodal experiences: Sounds may be experienced tactically, music evokes visual images or is accompanied by visual presentations, and both generate vivid cross-modal associations in terms of force, size, physical location, emotion, fluency and regularity, among others. ICMEM aims to bring together researchers from various disciplines who investigate the multimodality of musical experiences from different perspectives. Disciplines may include among others audiology, cognition, computer science, ethnomusicology, film studies, music performance and theory, neuroscience, philosophy, and psychology. Proposals are invited for papers, symposia, demonstrations and posters. Investigations may include but are not necessarily confined to the following areas * Multimodal experiences of music in everyday life * Cross-modal correspondences with musical parameters * Influences of visual context on music perception * Emotion and cross-modality * Music in film * Tactile, visual, and kinesthetic feedback in music performance * Multi-modal interaction in multimedia, including film and games * Uses of cross-modality in hearing or visual impaired music listeners * Strong and weak synaesthesia * Motion and movement perception in music * Relations between motion and emotion in music listening * Brain-structures related to cross-modal associations with sounds * Technological and commercial applications of cross-modal associations * Creative and pedagogical uses of cross-modality in music Invited speakers: Profs. Amir Amedi, Eric Clarke, Nicholas Cook, Charles Spence, and Peter Walker Dates: 23-25 March 2015 Location: Humanities Research Institute, University of Sheffield, UK Host: Music, Mind, Machine in Sheffield, Department of Music, University of Sheffield, UK Submission deadline (extended): *27 October 2014* by e-mail to ICMEM@xxxxxxxx Further information: www.sheffield.ac.uk/music/research/mmm/icmem This conference is supported by ESCOM and SEMPRE, who offer bursaries to student attendees, and by the British Academy. -- Dr Renee Timmers Director of MAs Psychology for Musicians, Music Psychology in Education Director of Music Mind Machine in Sheffield Editor of Empirical Musicology Review Associate Editor of Psychomusicology: Music, Mind and Brain Department of Music, University of Sheffield 34 Leavygreave Road, Sheffield S3 7RD Tel: 0114-2220477 *** MMM is organising: International Conference on the Multimodal Experience of Music, ICMEM 23-25 March 2015, submission deadline 27 October 2014 http://www.sheffield.ac.uk/music/research/mmm/icmem *** http://ukcatalogue.oup.com/product/9780199659647.do --001a11396236d2780f05045afb6c Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">Apologies for cross-posting=C2=A0<div><br></div><div><div>= Call for papers: International Conference on the Multimodal Experience of M= usic=C2=A0</div><div><br></div><div>ICMEM, 23-25 March 2015</div><div><br><= /div><div>In live and virtual situations, music listening and performing ar= e multimodal experiences: Sounds may be experienced tactically, music evoke= s visual images or is accompanied by visual presentations, and both generat= e vivid cross-modal associations in terms of force, size, physical location= , emotion, fluency and regularity, among others.=C2=A0</div><div><br></div>= <div>ICMEM aims to bring together researchers from various disciplines who = investigate the multimodality of musical experiences from different perspec= tives. Disciplines may include among others audiology, cognition, computer = science, ethnomusicology, film studies, music performance and theory, neuro= science, philosophy, and psychology.</div><div><br></div><div>Proposals are= invited for papers, symposia, demonstrations and posters.=C2=A0</div><div>= Investigations may include but are not necessarily confined to the followin= g areas</div><div>* Multimodal experiences of music in everyday life</div><= div>* Cross-modal correspondences with musical parameters</div><div>* Influ= ences of visual context on music perception</div><div>* Emotion and cross-m= odality=C2=A0</div><div>* Music in film</div><div>* Tactile, visual, and ki= nesthetic feedback in music performance</div><div>* Multi-modal interaction= in multimedia, including film and games</div><div>* Uses of cross-modality= in hearing or visual impaired music listeners</div><div>* Strong and weak = synaesthesia</div><div>* Motion and movement perception in music</div><div>= * Relations between motion and emotion in music listening</div><div>* Brain= -structures related to cross-modal associations with sounds =C2=A0</div><di= v>* Technological and commercial applications of cross-modal associations= =C2=A0</div><div>* Creative and pedagogical uses of cross-modality in music= </div><div><br></div><div>Invited speakers: Profs. Amir Amedi, Eric Clarke,= Nicholas Cook, Charles Spence, and Peter Walker</div><div><br></div><div>D= ates: 23-25 March 2015</div><div>Location: Humanities Research Institute, U= niversity of Sheffield, UK</div><div>Host: Music, Mind, Machine in Sheffiel= d, Department of Music, University of Sheffield, UK</div><div><br></div><di= v>Submission deadline (extended): <b>27 October 2014</b> by e-mail to <a hr= ef=3D"mailto:ICMEM@xxxxxxxx">ICMEM@xxxxxxxx</a></div><div>Fur= ther information: <a href=3D"http://www.sheffield.ac.uk/music/research/mmm/= icmem">www.sheffield.ac.uk/music/research/mmm/icmem</a></div><div><br></div= ><div>This conference is supported by ESCOM and SEMPRE, who offer bursaries= to student attendees, and by the British Academy.=C2=A0</div><div><br></di= v><div><br></div><div><br></div><div><br></div><div><br></div><div><br></di= v>-- <br><div dir=3D"ltr"><br><div>Dr Renee Timmers</div><div>Director of M= As Psychology for Musicians, Music Psychology in Education<br></div><div><d= iv>Director of Music Mind Machine in Sheffield</div><div>Editor of Empirica= l Musicology Review</div><div>Associate Editor of Psychomusicology: Music, = Mind and Brain</div><div><br>Department of Music, University of Sheffield<b= r>34 Leavygreave Road, Sheffield S3 7RD<br>Tel: 0114-2220477</div><div><br>= </div><div>***</div><div>MMM is organising:=C2=A0</div><div>International C= onference on the Multimodal Experience of Music, ICMEM 23-25 March 2015, su= bmission deadline 27 October 2014</div><div><a href=3D"http://www.sheffield= .ac.uk/music/research/mmm/icmem" target=3D"_blank">http://www.sheffield.ac.= uk/music/research/mmm/icmem</a>=C2=A0</div><div><br></div><div>***</div><di= v><img src=3D"cid:image002.jpg@xxxxxxxx"><br></div><div><span styl= e=3D"color:rgb(31,73,125)"><a href=3D"http://ukcatalogue.oup.com/product/97= 80199659647.do" style=3D"color:rgb(17,85,204)" target=3D"_blank"><span styl= e=3D"color:blue">http://ukcatalogue.oup.com/product/9780199659647.do</span>= </a></span><br></div></div></div> </div></div> --001a11396236d2780f05045afb6c-- --001a11396236d2781105045afb6d Content-Type: image/jpeg; name="image002.jpg" Content-Disposition: inline; filename="image002.jpg" Content-Transfer-Encoding: base64 Content-ID: <image002.jpg@xxxxxxxx> X-Attachment-Id: d6ddc26a2982d811_0.0.1 /9j/4AAQSkZJRgABAQEAYABgAAD/2wBDAAoHBwkHBgoJCAkLCwoMDxkQDw4ODx4WFxIZJCAmJSMg IyIoLTkwKCo2KyIjMkQyNjs9QEBAJjBGS0U+Sjk/QD3/2wBDAQsLCw8NDx0QEB09KSMpPT09PT09 PT09PT09PT09PT09PT09PT09PT09PT09PT09PT09PT09PT09PT09PT09PT3/wAARCABPARYDASIA AhEBAxEB/8QAHwAAAQUBAQEBAQEAAAAAAAAAAAECAwQFBgcICQoL/8QAtRAAAgEDAwIEAwUFBAQA AAF9AQIDAAQRBRIhMUEGE1FhByJxFDKBkaEII0KxwRVS0fAkM2JyggkKFhcYGRolJicoKSo0NTY3 ODk6Q0RFRkdISUpTVFVWV1hZWmNkZWZnaGlqc3R1dnd4eXqDhIWGh4iJipKTlJWWl5iZmqKjpKWm p6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uHi4+Tl5ufo6erx8vP09fb3+Pn6/8QAHwEA 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