CFP (extended deadline): Music Perception special issue on Bregman, Krumhansl & Narmour (Stephen McAdams )


Subject: CFP (extended deadline): Music Perception special issue on Bregman, Krumhansl & Narmour
From:    Stephen McAdams  <smc@xxxxxxxx>
Date:    Wed, 1 Oct 2014 07:19:27 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail=_7647C97B-C72F-448D-863A-0DD7E339A560 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii CALL FOR PAPERS - EXTENSION OF DEADLINE DUE TO POPULAR DEMAND Following up from the BKN25: Milestones in Music Cognition symposium = (http://www.music.mcgill.ca/bkn25/), Music Perception will publish a = special issue celebrating the 25th anniversary of Auditory Scene = Analysis by Albert S. Bregman, The Cognitive Foundations of Music Pitch = by Carol Lynne Krumhansl, and The Analysis and Cognition of Basic = Melodic Structures: The Implication-Realization Model by Eugene Narmour. = The special issue will be organized by guest editors David Temperley, = Alexander Rozin and Stephen McAdams, targeting the September 2015 issue. = Manuscripts for this special issue should be submitted directly to the = journal by December 1, 2014 (indicate in the cover letter that the = submission is intended for the special issue). All manuscripts will be = reviewed through the normal procedure. The final versions of all = submissions must be accepted by May 31, 2015 to be considered for = inclusion in the special issue. Due to the limited page space for a = single issue, papers that are deemed acceptable for publication in Music = Perception but for which space is not available will appear in = subsequent issues of the journal. We look forward to your submissions related to these three landmark = volumes in our field. Information for authors wishing to submit a paper = can be found at http://www.ucpressjournals.com/assets/mp_guidelines.pdf.= --Apple-Mail=_7647C97B-C72F-448D-863A-0DD7E339A560 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dus-ascii"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;">CALL = FOR PAPERS - EXTENSION OF DEADLINE DUE TO POPULAR = DEMAND<div><br></div><div>Following up from the BKN25: Milestones in = Music Cognition symposium (<a = href=3D"http://www.music.mcgill.ca/bkn25/">http://www.music.mcgill.ca/bkn2= 5/</a>),&nbsp;<i>Music Perception</i>&nbsp;will publish a special issue = celebrating the 25th anniversary of&nbsp;<i>Auditory Scene = Analysis</i>&nbsp;by Albert S. Bregman,&nbsp;<i>The Cognitive = Foundations of Music Pitch</i>&nbsp;by Carol Lynne Krumhansl, = and&nbsp;<i>The Analysis and Cognition of Basic Melodic Structures: The = Implication-Realization Model</i>&nbsp;by Eugene Narmour. The special = issue will be organized by guest editors David Temperley, Alexander = Rozin and Stephen McAdams, targeting the September 2015 issue. = Manuscripts for this special issue should be submitted directly to the = journal by December 1, 2014 (indicate in the cover letter that the = submission is intended for the special issue). All manuscripts will be = reviewed through the normal procedure. The final versions of all = submissions must be accepted by May 31, 2015 to be considered for = inclusion in the special issue. Due to the limited page space for a = single issue, papers that are deemed acceptable for publication = in&nbsp;<i>Music Perception</i>&nbsp;but for which space is not = available will appear in subsequent issues of the = journal.</div><div><br></div><div>We look forward to your submissions = related to these three landmark volumes in our field. Information for = authors wishing to submit a paper can be found at&nbsp;<a = href=3D"http://www.ucpressjournals.com/assets/mp_guidelines.pdf">http://ww= w.ucpressjournals.com/assets/mp_guidelines.pdf</a>.</div></body></html>= --Apple-Mail=_7647C97B-C72F-448D-863A-0DD7E339A560--


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Electrical Engineering Dept., Columbia University