CFP: Music Perception special issue on Bregman, Krumhansl & Narmour (Stephen McAdams )


Subject: CFP: Music Perception special issue on Bregman, Krumhansl & Narmour
From:    Stephen McAdams  <smc@xxxxxxxx>
Date:    Fri, 12 Sep 2014 14:31:27 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Apple-Mail=_0581A02B-7F14-4D81-A86A-547C8D352980 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=us-ascii CALL FOR PAPERS Following up from the BKN25: Milestones in Music Cognition symposium = (http://www.music.mcgill.ca/bkn25/), Music Perception will publish a = special issue celebrating the 25th anniversary of Auditory Scene = Analysis by Albert S. Bregman, The Cognitive Foundations of Music Pitch = by Carol Lynne Krumhansl, and The Analysis and Cognition of Basic = Melodic Structures: The Implication-Realization Model by Eugene Narmour. = The special issue will be organized by guest editors David Temperley, = Alexander Rozin and Stephen McAdams, targeting the June 2015 issue. = Manuscripts for this special issue should be submitted directly to the = journal by October 1, 2014 (indicate in the cover letter that the = submission is intended for the special issue). All manuscripts will be = reviewed through the normal procedure. The final versions of all = submissions must be accepted by February 28, 2015 to be considered for = inclusion in the special issue. Due to the limited page space for a = single issue, papers that are deemed acceptable for publication in Music = Perception but for which space is not available will appear in = subsequent issues of the journal. We look forward to your submissions related to these three landmark = volumes in our field. Information for authors wishing to submit a paper = can be found at http://www.ucpressjournals.com/assets/mp_guidelines.pdf. --Apple-Mail=_0581A02B-7F14-4D81-A86A-547C8D352980 Content-Transfer-Encoding: quoted-printable Content-Type: text/html; charset=us-ascii <html><head><meta http-equiv=3D"Content-Type" content=3D"text/html = charset=3Dus-ascii"></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;">CALL = FOR PAPERS<div><br></div><div>Following up from the BKN25: Milestones in = Music Cognition symposium (<a = href=3D"http://www.music.mcgill.ca/bkn25/">http://www.music.mcgill.ca/bkn2= 5/</a>), <i>Music Perception</i> will publish a special issue = celebrating the 25th anniversary of <i>Auditory Scene Analysis</i> by = Albert S. Bregman, <i>The Cognitive Foundations of Music Pitch</i> by = Carol Lynne Krumhansl, and&nbsp;<i>The Analysis and Cognition of Basic = Melodic Structures: The Implication-Realization Model</i> by Eugene = Narmour. The special issue will be organized by guest editors David = Temperley, Alexander Rozin and Stephen McAdams, targeting the June 2015 = issue. Manuscripts for this special issue should be submitted directly = to the journal by October 1, 2014 (indicate in the cover letter that the = submission is intended for the special issue). All manuscripts will be = reviewed through the normal procedure. The final versions of all = submissions must be accepted by February 28, 2015 to be considered for = inclusion in the special issue. Due to the limited page space for a = single issue, papers that are deemed acceptable for publication in = <i>Music Perception</i> but for which space is not available will appear = in subsequent issues of the journal.</div><div><br></div><div>We look = forward to your submissions related to these three landmark volumes in = our field. Information for authors wishing to submit a paper can be = found at&nbsp;<a = href=3D"http://www.ucpressjournals.com/assets/mp_guidelines.pdf">http://ww= w.ucpressjournals.com/assets/mp_guidelines.pdf</a>.</div><div><br></div><d= iv><br></div><div><br></div></body></html>= --Apple-Mail=_0581A02B-7F14-4D81-A86A-547C8D352980--


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