Subject: last CFP for ISMIR 2014 (27-31 October, Taipei): International Society for Music Information Retrieval Conference From: Yi-Hsuan Yang <affige@xxxxxxxx> Date: Thu, 1 May 2014 01:49:47 +0800 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--089e0111c210a53ece04f8462c60 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: quoted-printable [apologies for cross-postings] =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D Last CALL FOR PAPERS Paper submission deadline: May 2, 2014 ISMIR 2014: The 15th International Society for Music Information Retrieval Conference Oct 27-31, 2014 The Grand Hotel <http://www.grand-hotel.org/>, Taipei, Taiwan http://ismir2014.ismir.net Submission instructions =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D - There will be no extension to the paper submission deadline (May 2nd). However, authors of registered papers on May 2nd will be allowed to uplo= ad new versions of their papers (in PDF format) until May 9th (23h59 Americ= an Samoa timezone). No other changes will be possible (i.e. authors will no= t be able to change title, abstract, authors, keywords/topics, or other metadata). No submission of new papers will be possible after May 2nd. - Reviews will be double blind. To ensure this please keep the author list from appearing in the text and avoid excessive reference to your ow= n work. - Submitted papers must be no more than six pages long and must consist of original contributions - For more submission instructions, visit http://www.terasoft.com.tw/conf/ismir2014/Submissions.html Important Dates =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D Paper submission due: May 2, 2014 Notification of paper acceptance: June 27, 2014 Deadline for uploading camera-ready papers: July 18, 2014 Music submission due: June 1, 2014 LBD submission open: July 1, 2014 Author/Early registration deadline: July 25, 2014 Overview =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D The annual conference of the International Society for Music Information Retrieval (ISMIR) is the world's leading interdisciplinary forum on accessing, analyzing, and organizing digital music of all sorts. The ISMIR conference embraces the complexity and diversity of music by showcasing ideas and applications that enhance the way in which we interact with music. Centered around MIR, the conference aims to foster dialogue across disciplines by bringing together researchers, developers, educators, librarians, students and professionals, providing multifaceted interaction and cross-fertilization that will benefit a wide range of related fields. Programs and Events =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D ISMIR 2014 will feature the following programs/events: - Tutorials and keynote speech - Oral and poster presentations - Grand Challenge of MIREX (to celebrate the 10th MIREX) - Late-breaking/demo session and unconference - Music program - Music hack day (a satellite event on Oct 25-26) Topics of Interest =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D ISMIR 2014 solicits contributions to the fields of music information retrieval, including but not limited to the following topics: - content-based query and retrieval - database systems, indexing and query - fingerprinting and digital right management - music transcription and annotation - music signal processing - symbolic music processing - music sound source separation - score following and music synchronization - optical music recognition - melody and motives - rhythm, beat, tempo - structure segmentation and analysis - harmony, chords and tonality - timbre, instrumentation and voice - performance analysis - music synthesis and transformation - computational musicology - music perception and cognition - computational ethnomusicology - emotion, mood, affection - MIR applications - genre, style and mood analysis - similarity metrics - music summarization - user interfaces & interaction - user modeling - music recommendation - playlist generation - text and web mining - social tags and metadata - libraries, archives and digital collections - evaluation and annotation - aesthetics - music and gaming All papers will go through a double-blind selection process with at least three reviewers per submission. Accepted papers will be designated by the Program Committee to be presented either as posters or as lectures. All accepted papers have the same status, assignment as poster or lecture is not indicative of the relevance or potential impact but on the type of content and way to better reach the intended audience. Tutorials =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D The first day of ISMIR 2014 will consist of parallel sessions of tutorials, each lasting three hours and concentrating on a single topic. The tutorials are intended to provide a stimulating coverage of the topic appealing to a general audience. The morning tutorials are: Tutorial 1: "Why is Greek music interesting? Towards an ethics of MIR" by Andre Holzapfel and George Tzanetakis Tutorial 2:"Musical structure analysis" by Meinard Mueller and Jordan Smith The afternoon tutorials are: Tutorial 3: "Jingju music: concepts and computational tools for its analysis" by Rafael Caro Repetto, Ajay Srinivasamurthy, Sankalp Gulati and Xavier Serra Tutorial 4: "MiningSuite, a comprehensive framework for music analysis, articulating audio (MIRtoolbox 2.0) and symbolic approaches" by Olivier Lartillot Late-Break, Demos, and Unconference =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D ISMIR2014 will hold present two consecutive special sessions ---Late-Breaking / Demo (LBD) and unconference--- in the afternoon of the last conference day (Friday). The LDB session is dedicated to the presentation of preliminary result, ideas, applications or system prototypes that are not yet fully formed nor systematically evaluated, but of interest to the MIR community. Additionally, ISMIR2014 will continue the recent trend of hosting an informal group discussion and brainstorming event, known as an "unconference," which offers the unique opportunity to foster engaging conversations and interactions among participants across a wide range of seniority and experience. For the LBD submissions we will operate on a =E2=80=9Cfirst come, first ser= ved=E2=80=9D policy and screen submissions for formatting compliance. Submissions that do not conform to the required format will be rejected. A maximum of thirty (30) works will be accepted, and therefore interested researchers should be prepared to submit work as early as possible. The LBD submission portal will be made available on July 1, 2014. Acceptance/rejection notifications will be sent to authors as submissions are screened. Note that at least one author of an accepted LBD abstract should present the poster at the session= . Call for Music Submissions =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D ISMIR 2014 will incorporate the 10th International Workshop of Computer Music and Audio Technology (WOCMAT 2014) to invite submissions of musical works for presentation at the workshop concerts. ISMIR/WOCMAT 2014 invites submissions of musical composition for evaluation and possible inclusion in the concert program. We encourage works with ISMIR/WOCMAT 2014 Theme =E2=80=9COriental Thinking=E2=80=9D, which can be related to any oriental e= lements in your works in wide range to submit. As the use of technology in music creation develops across composition and performance practices, structured data plays an increasingly important role in the processing of musical materials, their analysis and their manifestation in a live environment. The music program in the conference will be centered around one concert that will take place on October 29. Call for Sponsorships =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D ISMIR 2014 offers sponsorship opportunities at Gold, Silver and Bronze levels. Be sure to take this opportunity and become a proud sponsor of the conference, where you can showcase your company's latest products and development to an international crowd of MIR researchers/practitioners, and learn about the state-of-the-art research and technologies in MIR. Benefits of the sponsorships can be found here: http://www.terasoft.com.tw/conf/ismir2014/CallforSponsorship.html About Taipei & Taiwan =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D - CNN: 10 things Taiwan does better than anywhere else<http://edition.cnn.com/2014/01/15/travel/10-things-taiwan> - BuzzFeed Travel: 28 Reasons To Love Taipei<http://www.buzzfeed.com/kevintang/reasons-to-love-taipei> - New York Times: 36 Hours in Taipei, Taiwan<http://www.nytimes.com/2008/03/02/travel/02hours.html?pagewanted=3Da= ll> - BuzzFeed Travel: 26 Remarkable Places For Solo Travel<http://www.buzzfeed.com/laraparker/best-places-for-solo-travel> - New York Times: 52 Places to Go in 2014<http://www.nytimes.com/interactive/2014/01/10/travel/2014-places-to-go= .html?%20r=3D0&_r=3D0> Organizing Team =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D - General chairs JS Roger Jang (National Taiwan University) Masataka Goto (National Institute of Advanced Industrial Science and Technology) Xiao Hu (University of Hong Kong) - Program chairs Hsin-Min Wang (Academia Sinica) Yi-Hsuan Yang (Academia Sinica) Jin Ha Lee (University of Washington) - Publicity chair Ye Wang (National University of Singapore) - Tutorial chair Li Su (Academia Sinica) - Music chairs Jeff Huang (Kainan University) Yi-Wen Liu (National Tsing Hua University) - Web/publication chair Ching-Hua Chuan (University of North Florida) - Registration chair Jia-Ching Wang (National Central University) - Late breaking and demo chair Ju-Chiang Wang (University of California, San Diego) - Unconference chair Eric Humphrey (New York University) - Finance chair Ming-Feng Tsai (National Chengchi University) - Local arrangement chairs Jia-Lien Hsu (Fu Jen Catholic University) Wei-Ho Tsai (National Taipei University of Technology) - Program committee Jean-Julien Aucouturier (Institut de Recherche et Coordination Acoustique/Musique) Juan Pablo Bello (New York University) Elaine Chew (Queen Mary University of London) Darrell Conklin (Universidad del Pais Vasco) Sally Jo Cunningham (University of Waikato) Matthew Davies (Institute for Systems and Computer Engineering of Porto= ) J. Stephen Downie (University of Illinois) Zhiyao Duan (Rochester University) Andreas Ehmann (Pandora) Dan Ellis (Columbia University) Slim Essid (ParisTech) Arthur Flexer (Austrian Research Institute for Artificial Intelligence) Rebecca Fiebrink (Princeton University) Ichiro Fujinaga (McGill University) Emilia Gomez (Universitat Pompeu Fabra) Perfecto Herrera (Universitat Pompeu Fabra) Andre Holzapfel (University of Crete) Hirokazu Kameoka (Tokyo University) Peter Knees (Johannes Kepler University) Audrey Laplante (University of Montreal) Luis Gustavo Martins (Catholic University of Porto) Brian Mcfee (Columbia University) Meinard Mueller (Max-Planck-Institut fur Informatik) Geoffroy Peeters (Institut de Recherche et Coordination Acoustique/Musique) Markus Schedl (Johannes Kepler University) Erik Schmidt (Pandora Internet Radio) Joan Serra (Artificial Intelligence Research Institute) Mohamed Sordo (Universitat Pompeu Fabra) Bob Sturm (Aalborg University Copenhagen) Li Su (Academia Sinica) Douglas Turnbull (Ithaca College) George Tzanetakis (University of Victoria) Emmanuel Vincent (Institut National de Recherche en Informatique et en Automatique) Anja Volk (Utrecht University) Ju-Chiang Wang (University of California, San Diego) Frans Wiering (Utrecht) Kazuyoshi Yoshii (Kyoto University) Contact Info =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D - Questions about Paper submission: ismir2014-papers@xxxxxxxx Music submission: ismir2014-music@xxxxxxxx Tutorials: ismir2014-tutorials@xxxxxxxx Late breaking and demos: ismir2014-latebreak@xxxxxxxx Registrations: ismir2014-registration@xxxxxxxx Sponsorship: ismir2014-sponsorship@xxxxxxxx Finance: ismir2014-finance@xxxxxxxx Website: ismir2014-web@xxxxxxxx - Contact General chair: ismir2014-generalchair@xxxxxxxx Program chair: ismir2014-programChair@xxxxxxxx Local chair: ismir2014-localchair@xxxxxxxx --089e0111c210a53ece04f8462c60 Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><p class=3D"MsoNormal" style=3D"background-repeat:initial = initial"><span style=3D"font-family:Arial,sans-serif">=C2=A0</span><span la= ng=3D"EN-US" style=3D"font-family:Arial,sans-serif">[apologies<span class= =3D"">=C2=A0</span></span><span class=3D""><span lang=3D"EN-US" style=3D"fo= nt-family:Arial,sans-serif;background-color:rgb(255,255,204)">for</span></s= pan><span class=3D""><span lang=3D"EN-US" style=3D"font-family:Arial,sans-s= erif">=C2=A0</span></span><span lang=3D"EN-US" style=3D"font-family:Arial,s= ans-serif">cross-postings]</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">Last CALL FOR PAPERS</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">Paper submission deadline:=C2=A0May 2, 2014</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">ISMIR 2014:</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">The 15th International Society for Music Information Retrieval Conference</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US">Oct 27-31, 2014</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US"><a href=3D"http://www.grand-hotel.org/" target=3D"_blank">The= Grand Hotel</a></span><span lang=3D"EN-US">, Taipei, Taiwan</span></p> <p class=3D"MsoNormal" align=3D"center" style=3D"text-align:center"><span l= ang=3D"EN-US"><a href=3D"http://ismir2014.ismir.net/" target=3D"_blank">htt= p://ismir2014.ismir.net</a></span><span lang=3D"EN-US"></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Submission instructions</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p><p class=3D"MsoNormal" style=3D"ba= ckground-repeat:initial initial"></p><ul><li>There will be no extension to = the paper submission deadline (May 2nd). However, authors of registered pap= ers on May 2nd will be allowed to upload new versions of their papers (in P= DF format) until May 9th (23h59 American Samoa timezone). No other changes = will be possible (i.e. authors will not be able to change title, abstract, = authors, keywords/topics, or other metadata). No submission of new papers w= ill be possible after May 2nd.</li> <li>Reviews will be double blind. To ensure this please keep the author lis= t from appearing in the text and avoid excessive reference to your own work= .</li><li>Submitted papers must be no more than six pages long and must con= sist of original contributions</li> <li>For more submission instructions, visit <a href=3D"http://www.terasoft.= com.tw/conf/ismir2014/Submissions.html">http://www.terasoft.com.tw/conf/ism= ir2014/Submissions.html</a></li></ul><p></p><p class=3D"MsoNormal" style=3D= "background-repeat:initial initial"> <span lang=3D"EN-US"><br>=C2=A0</span>=C2=A0</p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Important Dates</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Paper submission due:=C2=A0 May 2, 2014 </span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Notification of paper acceptance:=C2=A0 June 27, 2014</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Deadline for uploading camera-ready papers:=C2=A0 July 18, 2014 </span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Music submission due:=C2=A0 June 1, 2014 </span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">LBD submission open: =C2=A0July 1, 2014 </span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Author/Early registration deadline: =C2=A0July 25, 2014 </span= ></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Overview</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">The annual conference of the International Society for Music Information Retrieval (ISMIR) is the world&= #39;s leading interdisciplinary forum on accessing, analyzing, and organizing dig= ital music of all sorts. The ISMIR conference embraces the complexity and divers= ity of music by showcasing ideas and applications that enhance the way in which= we interact with music. Centered around MIR, the conference aims to foster dialogue across disciplines by bringing together researchers, developers, educators, librarians, students and professionals, providing multifaceted interaction and cross-fertilization that will benefit a wide range of relat= ed fields.</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Programs and Events</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">ISMIR 2014 will feature the following programs/events:</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Tutorials and keynote speech</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Oral and poster presentations</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Grand Challenge of MIREX (to celebrate the 10th MIREX)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Late-breaking/demo session and unconference</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Music program</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Music hack day (a satellite event on=C2=A0Oct 25-26)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Topics of Interest</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">ISMIR 2014 solicits contributions to the fields of music information retrieval, including but not limited to the following topics:</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- content-based query and retrieval</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- database systems, indexing and query</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- fingerprinting and digital right management</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music transcription and annotation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music signal processing</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- symbolic music processing</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music sound source separation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- score following and music synchronization</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- optical music recognition</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- melody and motives</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- rhythm, beat, tempo</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- structure segmentation and analysis</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- harmony, chords and tonality</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- timbre, instrumentation and voice</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- performance analysis</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music synthesis and transformation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- computational musicology</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music perception and cognition</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- computational ethnomusicology</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- emotion, mood, affection</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- MIR applications</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- genre, style and mood analysis</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- similarity metrics</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music summarization</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- user interfaces & interaction</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- user modeling</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music recommendation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- playlist generation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- text and web mining</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- social tags and metadata</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- libraries, archives and digital collections</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- evaluation and annotation</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- aesthetics</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- music and gaming</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">All papers will go through a double-blind selection process with at least three reviewers per submission= . Accepted papers will be designated by the Program Committee to be presented either as posters or as lectures. All accepted papers have the same status, assignment as poster or lecture is not indicative of the relevance or poten= tial impact but on the type of content and way to better reach the intended audience.</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Tutorials</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">The first day of ISMIR 2014 will consist of parallel sessions of tutorials, each lasting three hours and concentrating on a single topic. The tutorials are intended to provide a stimulating coverage of the topic appealing to a general audience.</span></= p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">The morning tutorials are:</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Tutorial 1: "Why is Greek music interesting? Towards an ethics of MIR" by Andre Holzapfel and George Tzanetakis</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Tutorial 2:"Musical structure analysis" by Meinard Mueller and Jordan Smith</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">The afternoon tutorials are:</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Tutorial 3: "Jingju music: concepts and computational tools for its analysis" by Rafael Caro Repe= tto, Ajay Srinivasamurthy, Sankalp Gulati and Xavier Serra</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Tutorial 4: "MiningSuite, a comprehensive framework for music analysis, articulating audio (MIRtoolbox = 2.0) and symbolic approaches" by Olivier Lartillot</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Late-Break, Demos, and Unconference</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">ISMIR2014 will hold present two consecutive special sessions ---Late-Breaking / Demo (LBD) and unconference= --- in the afternoon of the last conference day (Friday). The LDB session is dedicated to the presentation of preliminary result, ideas, applications or system prototypes that are not yet fully formed nor systematically evaluate= d, but of interest to the MIR community. Additionally, ISMIR2014 will continue= the recent trend of hosting an informal group discussion and brainstorming even= t, known as an "unconference," which offers the unique opportunity t= o foster engaging conversations and interactions among participants across a = wide range of seniority and experience.</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">For the LBD submissions we will operate on a =E2=80=9Cfirst come, first served=E2=80=9D policy and screen s= ubmissions for formatting compliance. Submissions that do not conform to the required form= at will be rejected. A maximum of thirty (30) works will be accepted, and therefore interested researchers should be prepared to submit work as early= as possible. The LBD submission portal will be made available on July 1, 2014. Acceptance/rejection notifications will be sent to authors as submissions a= re screened. Note that at least one author of an accepted LBD abstract should present the poster at the session.</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Call for Music Submissions</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">ISMIR 2014 will incorporate the 10th International Workshop of Computer Music and Audio Technology (WOCMAT 2014)= to invite submissions of musical works for presentation at the workshop concer= ts. ISMIR/WOCMAT 2014 invites submissions of musical composition for evaluation= and possible inclusion in the concert program. We encourage works with ISMIR/WO= CMAT 2014 Theme =E2=80=9COriental Thinking=E2=80=9D, which can be related to any= oriental elements in your works in wide range to submit. As the use of technology in music creation develops across composition and performance practices, structured = data plays an increasingly important role in the processing of musical materials= , their analysis and their manifestation in a live environment. The music pro= gram in the conference will be centered around one concert that will take place = on October 29.</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Call for Sponsorships</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">ISMIR 2014 offers sponsorship opportunities at Gold, Silver and Bronze levels. Be sure to take this opportunity and become a proud sponsor of the conference, where you can showcase your company's latest products and development to an internati= onal crowd of MIR researchers/practitioners, and learn about the state-of-the-ar= t research and technologies in MIR. Benefits of the sponsorships can be found here:=C2=A0</span><span lang=3D"EN-US"><a href=3D"http://www.terasoft.com.t= w/conf/ismir2014/CallforSponsorship.html" target=3D"_blank">http://www.tera= soft.com.tw/conf/ismir2014/CallforSponsorship.html</a></span><span lang=3D"= EN-US"></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">About Taipei & Taiwan</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- CNN:=C2=A0</span><span lang=3D"EN-US"><a href=3D"http://edit= ion.cnn.com/2014/01/15/travel/10-things-taiwan" target=3D"_blank">10 things= Taiwan does better than anywhere else</a></span><span lang=3D"EN-US"></spa= n></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- BuzzFeed Travel:=C2=A0</span><span lang=3D"EN-US"><a href=3D= "http://www.buzzfeed.com/kevintang/reasons-to-love-taipei" target=3D"_blank= ">28 Reasons To Love Taipei</a></span><span lang=3D"EN-US"></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- New York Times:=C2=A0</span><span lang=3D"EN-US"><a href=3D"= http://www.nytimes.com/2008/03/02/travel/02hours.html?pagewanted=3Dall" tar= get=3D"_blank">36 Hours in Taipei, Taiwan</a></span><span lang=3D"EN-US"></= span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- BuzzFeed Travel:=C2=A0</span><span lang=3D"EN-US"><a href=3D= "http://www.buzzfeed.com/laraparker/best-places-for-solo-travel" target=3D"= _blank">26 Remarkable Places For Solo Travel</a></span><span lang=3D"EN-US"= ></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- New York Times:=C2=A0</span><span lang=3D"EN-US"><a href=3D"= http://www.nytimes.com/interactive/2014/01/10/travel/2014-places-to-go.html= ?%20r=3D0&_r=3D0" target=3D"_blank">52 Places to Go in 2014</a></span><= span lang=3D"EN-US"></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Organizing Team</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- General chairs</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 JS Roger Jang (National Taiwan University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Masataka Goto (National Institute of Advanced Industrial Science and Technology)</span></= p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Xiao Hu (University of Hong Kong)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Program chairs</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Hsin-Min Wang (Academia Sinica)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Yi-Hsuan Yang (Academia Sinica)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Jin Ha Lee (University of Washington)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Publicity chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ye Wang (National University of Singapore)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Tutorial chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Li Su (Academia Sinica)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Music chairs</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Jeff Huang (Kainan University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Yi-Wen Liu (National Tsing Hua University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Web/publication chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ching-Hua Chuan (University of North Florida)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Registration chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Jia-Ching Wang (National Central University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Late breaking and demo chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ju-Chiang Wang (University of California, San Diego)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Unconference chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Eric Humphrey (New York University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Finance chair</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ming-Feng Tsai (National Chengchi University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Local arrangement chairs</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Jia-Lien Hsu (Fu Jen Catholic University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Wei-Ho Tsai (National Taipei University of Technology)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Program committee</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Jean-Julien Aucouturier (Institut de Recherche et Coordination Acoustique/Musique)</spa= n></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Juan Pablo Bello (New York University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Elaine Chew (Queen Mary University of London)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Darrell Conklin (Universidad del Pais Vasco)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Sally Jo Cunningham (University of Waikato)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Matthew Davies (Institute for Systems and Computer Engineering of Porto)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 J. Stephen Downie (University of Illinois)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Zhiyao Duan (Rochester University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Andreas Ehmann (Pandora)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Dan Ellis (Columbia University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Slim Essid (ParisTech)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Arthur Flexer (Austrian Research Institute for Artificial Intelligence)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Rebecca Fiebrink (Princeton University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ichiro Fujinaga (McGill University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Emilia Gomez (Universitat Pompeu Fabra)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Perfecto Herrera (Universitat Pompeu Fabra)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Andre Holzapfel (University of Crete)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Hirokazu Kameoka (Tokyo University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Peter Knees (Johannes Kepler University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Audrey Laplante (University of Montreal)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Luis Gustavo Martins (Catholic University of Porto)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Brian Mcfee (Columbia University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Meinard Mueller (Max-Planck-Institut fur Informatik)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Geoffroy Peeters (Institut de Recherche et Coordination Acoustique/Musique)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Markus Schedl (Johannes Kepler University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Erik Schmidt (Pandora Internet Radio)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Joan Serra (Artificial Intelligence Research Institute)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Mohamed Sordo (Universitat Pompeu Fabra)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Bob Sturm (Aalborg University Copenhagen)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Li Su (Academia Sinica)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Douglas Turnbull (Ithaca College)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 George Tzanetakis (University of Victoria)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Emmanuel Vincent (Institut National de Recherche en Informatique et en Automatique)</span></= p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Anja Volk (Utrecht University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Ju-Chiang Wang (University of California, San Diego)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Frans Wiering (Utrecht)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Kazuyoshi Yoshii (Kyoto University)</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">Contact Info</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">- Questions about</span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= ng=3D"EN-US">=C2=A0=C2=A0=C2=A0 Paper submission:=C2=A0</span><span lang=3D"EN-US"><a href=3D"mailto:ismir2014-pa= pers@xxxxxxxx" target=3D"_blank">ismir2014-papers@xxxxxxxx</a></span><spa= n lang=3D"EN-US"></span></p> <p class=3D"MsoNormal" style=3D"background-repeat:initial initial"><span la= 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