Subject: 12th AES-Brazil Conference From: Paulo Marins <pramarins@xxxxxxxx> Date: Thu, 6 Mar 2014 11:07:11 -0300 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--047d7b4724a24d5d2404f3f0a7ef Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable Audio Engineering Society - Brazil Section 12th AES-Brazil Conference 18th AES-Brazil National Convention 13th-15th May 2014 Expo Center Norte (Pavilh=E3o Amarelo) - S=E3o Paulo - SP, Brazil CALL FOR PAPERS The Audio Engineering Society Brazil Section is pleased to announce its 12th Conference and 18th National Convention, to be held in S=E3o Paulo, Brazil, from 13th through 15th of May 2014. We invite all members from scientific and technological communities in audio, engineering, computer, music, and acoustics to submit original research and development papers, posters, and communications of ongoing works. In order to promote interest in audio engineering among youngsters, the participation of undergraduate students with results in research and development projects are encouraged. Manuscripts must be submitted in PDF electronic format using the JEMS/SBC system, at https://submissoes.sbc.org.br. Submissions in Portuguese, Spanish and English will be accepted. Further instructions will be available from the conference website, at http://www.aesbrasil.org/congressos Questions to the conference organization should be addressed to congresso@xxxxxxxx Organization Committee: Convention Chair Jos=E9 Carlos Giner (AES Brazil) Program Committee Chairs Jos=E9 Augusto Mannis (IA-UNICAMP) Sidnei Noceti Filho (LINSE-EEL-CTC-UFSC) Papers Chairs Luiz Wagner Biscainho (COPPE/UFRJ) Diego Barreto Haddad (CEFET/RJ) Editorial Chairs Regis Rossi Alves Faria (USP) Paulo Marins (UnB) Infra structure Chair J=FAlio C=E9sar Lucchi (USJT-IMT-FEI) Communications Chair M=E1rcio Brand=E3o (UnB) Topics Proposed for Submissions: Environmental and Room Acoustics Aeroacoustics Audio Amplification Sound Analysis/Synthesis (Music, Speech, etc) Automotive Audio HD Audio Audio in Medicine and Biology Audio in Networks Spatial and Multichannel Audio Audio for Teaching Internet Audio Cinema and DTV Sound Game Audio Audio Coding and Compression Computer Music Noise Reduction and Control Audio Education Audio Effects, Morphing and Edition Eletronics for Audio Musical Instruments Audio Watermarking Analog and Digital Audio Processing Psychoacoustics and Auditory Perception Audio Quality Assessment Audio Signal Restoration Audiovisual Systems Electroacoustics Systems Recording, Mixing and Reproduction Techniques Microphone Technologies Loudspeaker Technologies Music Technologies Important Dates (deadlines): Papers, lectures, workshop and tutorials submission: *13/Mar/2014* Acceptance Notification: *10/Apr/2014* Camera Ready Submission: *24/Apr/2014* --047d7b4724a24d5d2404f3f0a7ef Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"><div><br></div><div>Audio Engineering Society – Braz= il Section</div><div>12th AES-Brazil Conference</div><div>18th AES-Brazil N= ational Convention</div><div>13th-15th May 2014</div><div>Expo Center Norte= (Pavilh=E3o Amarelo) - S=E3o Paulo - SP, Brazil</div> <div><br></div><div><br></div><div>CALL FOR PAPERS</div><div style=3D"text-= align:left">The Audio Engineering Society Brazil Section is pleased to anno= unce its 12th Conference and 18th National Convention, to be held in S=E3o = Paulo, Brazil, from 13th through 15th of May 2014. </div> <div style=3D"text-align:left">We invite all members from scientific and te= chnological communities in audio, engineering, computer, music, and acousti= cs to submit original research and development papers, posters, and communi= cations of ongoing works. In order to promote interest in audio engineering= among youngsters, the participation of undergraduate students with results= in research and development projects are encouraged. </div> <div style=3D"text-align:left"><br></div><div style=3D"text-align:left">Man= uscripts must be submitted in PDF electronic format using the JEMS/SBC syst= em, at <a href=3D"https://submissoes.sbc.org.br">https://submissoes.sbc.org= .br</a>. Submissions in Portuguese, Spanish and English will be accepted. F= urther instructions will be available from the conference website, at <a hr= ef=3D"http://www.aesbrasil.org/congressos">http://www.aesbrasil.org/congres= sos</a></div> <div style=3D"text-align:left"><br></div><div style=3D"text-align:left">Que= stions to the conference organization should be addressed to <a href=3D"mai= lto:congresso@xxxxxxxx">congresso@xxxxxxxx</a></div><div><br></di= v> <div><br></div><div><br></div><div>Organization Committee:</div><div><br></= div><div>Convention Chair</div><div>Jos=E9 Carlos Giner (AES Brazil)</div><= div><br></div><div>Program Committee Chairs</div><div>Jos=E9 Augusto Mannis= (IA-UNICAMP)</div> <div>Sidnei Noceti Filho (LINSE-EEL-CTC-UFSC)</div><div><br></div><div>Pape= rs Chairs</div><div>Luiz Wagner Biscainho (COPPE/UFRJ)</div><div>Diego Barr= eto Haddad (CEFET/RJ)</div><div><br></div><div>Editorial Chairs</div><div> Regis Rossi Alves Faria (USP)</div><div>Paulo Marins (UnB)</div><div><br></= div><div>Infra structure Chair</div><div>J=FAlio C=E9sar Lucchi (USJT-IMT-F= EI)</div><div><br></div><div>Communications Chair</div><div>M=E1rcio Brand= =E3o (UnB)</div> <div><br></div><div><br></div><div>Topics Proposed for Submissions:</div><d= iv><br></div><div>Environmental and Room Acoustics</div><div>Aeroacoustics<= /div><div>Audio Amplification</div><div>Sound Analysis/Synthesis (Music, Sp= eech, etc)</div> <div>Automotive Audio</div><div>HD Audio</div><div>Audio in Medicine and Bi= ology</div><div>Audio in Networks </div><div>Spatial and Multich= annel Audio</div><div>Audio for Teaching</div><div>Internet Audio</div><div= >Cinema and DTV Sound</div> <div>Game Audio</div><div>Audio Coding and Compression</div><div>Computer M= usic</div><div>Noise Reduction and Control</div><div>Audio Education</div><= div>Audio Effects, Morphing and Edition</div><div>Eletronics for Audio</div= > <div>Musical Instruments</div><div>Audio Watermarking</div><div>Analog and = Digital Audio Processing</div><div>Psychoacoustics and Auditory Perception<= /div><div>Audio Quality Assessment</div><div>Audio Signal Restoration</div> <div>Audiovisual Systems</div><div>Electroacoustics Systems</div><div>Recor= ding, Mixing and Reproduction Techniques </div><div>Microphone Technol= ogies</div><div>Loudspeaker Technologies</div><div>Music Technologies</div>= <div> <br></div><div>Important Dates (deadlines):</div><div>Papers, lecture= s, workshop and tutorials submission: <b>13/Mar/2014</b></div= ><div>Acceptance Notification: &n= bsp; = <b>10/Apr/2014</b></div> <div>Camera Ready Submission: &nb= sp; &= nbsp; <b>24/Apr/2014</b></div><div><br></div></div> --047d7b4724a24d5d2404f3f0a7ef--