Subject: [nemisig] Deadline extended: November 15, Special Issue on Musical Rhythm, JNMR From: Juan Bello <jpbello@xxxxxxxx> Date: Thu, 3 Oct 2013 15:54:57 -0400--Apple-Mail=_B65BF8F0-28EE-458B-8C77-E118BAA46FE7 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 Content-Disposition: inline (Apologies for any cross-posting. Please forward to anyone that may be inte= rested) Dear all, The submission deadline for JNMR's special issue on musical rhythm has been= extended. The new deadline is November 15, 2013. Prospective authors are e= ncouraged to state their interest and/or send any questions to Juan Pablo B= ello at: jpbello@xxxxxxxx Please see the modified call for papers below. ----------------------------- CALL FOR PAPERS Journal of New Music Research Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cultural Pers= pectives ----------------------------- Short Description: =20 Variously defined as =93organized duration=94 (Kolinski, 1973), =93the many= different ways in which time is organized in music=94 (Bamberger, 2000) an= d the =93language of time=94 (Lewis, 2005), the attribute of rhythm is of c= entral concern to all music studies. Nevertheless, it is only in recent dec= ades that the subject has received the attention it deserves, producing rhy= thmic theories on a par with those for pitch structure; musicological studi= es providing a more nuanced understanding of the historical and cultural co= ntext that informs the creation and reception of rhythm; rhythm-based compu= tational models that are applicable to music search, computational musicolo= gy, and interactive music systems; as well as new science allowing us to un= derstand the biological mechanisms behind music and rhythm processing, and = the effects of rhythm information on human perception and cognition. Yet, m= ost of this research is confined within the bounds of single disciplines, a= nd limited to specific music traditions, mostly western popular music. =20 This special issue aims to group novel, high-quality research on musical rh= ythm. The emphasis is on interactions between scholars from various discipl= ines -- including music theory, cognitive psychology, neuroscience, musicol= ogy, music information retrieval, performance and composition -- and on an = increased awareness of music outside the Western canon. By focusing on the = presentation and discussion of interdisciplinary cross-cultural research on= musical rhythm, this volume seeks to expand the horizons of traditional mu= sic scholarship in unprecedented ways. The issue follows the workshop of th= e same name that was held in Abu Dhabi, between March 18-21, 2013: https://sites.google.com/site/nyurhythmworkshop/ =20 We invite contributions including, but not limited, to the following topics: =20 =B7 Rhythm well-formedness, complexity and syncopation =B7 Pulse, beat and meter analysis =B7 Meter-less rhythms =B7 Polyrhythms =B7 Groove, swing and micro-timing =B7 Rhythmic performance analysis =B7 Computational models of rhythm =B7 Rhythm-based similarity, classification and search =B7 Automatic rhythm generation =B7 Rhythm perception and cognition =B7 Neural processing of rhythm, rhythms of the brain =B7 Connection between musical and speech/language rhythms =B7 The role of timbre, melody and other musical attributes on rhythm= structure =B7 Culture-specific and cross-cultural rhythm studies =20 ----------------------------- Important Dates: Manuscript Submission Due: November 15, 2013 First Notification: April 1, 2014 Final Version of Manuscripts: October, 2014 Tentative Publication Date: early 2015 (print, possibly earlier online) =20 ----------------------------- Guest Editors: Juan Pablo Bello, Associate Professor of Music Technology, New York Univers= ity Carlos Guedes, Associate Music Professor, NYU Abu Dhabi Robert Rowe, Professor of Music Composition and Technology, New York Univer= sity Godfried Toussaint, Research Professor of Computer Science, NYU Abu Dhabi --------------------------------------------------- Juan Pablo Bello Associate Professor, Music Technology New York University jpbello@xxxxxxxx https://files.nyu.edu/jb2843/public/ http://marl.smusic.nyu.edu/ --Apple-Mail=_B65BF8F0-28EE-458B-8C77-E118BAA46FE7 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01//EN" "http://www.w3.org/TR/htm= l4/strict.dtd"> <html> <head> </head> <body style=3D"background-color: #fff;"> <span style=3D"display:none"> </span> <!--~-|**|PrettyHtmlStartT|**|-~--> <div id=3D"ygrp-mlmsg" style=3D"position:relative;"> <div id=3D"ygrp-msg" style=3D"z-index: 1;"> <!--~-|**|PrettyHtmlEndT|**|-~--> <div id=3D"ygrp-text" > =20=20=20=20=20=20 =20=20=20=20=20=20 <p><div>(Apologies for any cross-posting. Please forward to anyone th= at may be interested)</div><div><br></div><div>Dear all,</div><div><br></di= v><div>The submission deadline for JNMR's special issue on musical rhy= thm has been extended. <b>The new deadline is November 15, 2013</b>. Prospe= ctive authors are encouraged to state their interest and/or send any questi= ons to Juan Pablo Bello at: <a href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx= edu</a>.</div><div><br></div><div>Please see the modified call for papers b= elow.</div><div><br></div><div>-----------------------------</div><div><br>= </div><div>CALL FOR PAPERS</div><div><div>Journal of New Music Research</di= v><div><b>Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cul= tural Perspectives<br></b><br></div><div>-----------------------------</div= ><div>Short Description:</div><div> <br>Variously defined as =93organi= zed duration=94 (Kolinski, 1973), =93the many different ways in which time = is organized in music=94 (Bamberger, 2000) and the =93language of time=94 (= Lewis, 2005), the attribute of rhythm is of central concern to all music st= udies. Nevertheless, it is only in recent decades that the subject has rece= ived the attention it deserves, producing rhythmic theories on a par with t= hose for pitch structure; musicological studies providing a more nuanced un= derstanding of the historical and cultural context that informs the creatio= n and reception of rhythm; rhythm-based computational models that are appli= cable to music search, computational musicology, and interactive music syst= ems; as well as new science allowing us to understand the biological mechan= isms behind music and rhythm processing, and the effects of rhythm informat= ion on human perception and cognition. Yet, most of this research is confin= ed within the bounds of single disciplines, and limited to specific music t= raditions, mostly western popular music.<br> <br>This special issue ai= ms to group novel, high-quality research on musical rhythm. The emphasis is= on interactions between scholars from various disciplines -- including mus= ic theory, cognitive psychology, neuroscience, musicology, music informatio= n retrieval, performance and composition -- and on an increased awareness o= f music outside the Western canon. By focusing on the presentation and disc= ussion of interdisciplinary cross-cultural research on musical rhythm, this= volume seeks to expand the horizons of traditional music scholarship in un= precedented ways. The issue follows the workshop of the same name that was = held in Abu Dhabi, between March 18-21, 2013:<br><br><a href=3D"https://sit= es.google.com/site/nyurhythmworkshop/">https://sites.google.com/site/nyurhy= thmworkshop/</a><br> <br>We invite contributions including, but not li= mited, to the following topics:<br> <br>=B7 = Rhythm well-formedness, complexity and syncopation<br>=B7 &nbs= p; Pulse, beat and meter analysis<br>=B7 Me= ter-less rhythms<br>=B7 Polyrhythms<br>=B7 = Groove, swing and micro-timing<br>=B7 &nbs= p; Rhythmic performance analysis<br>=B7 Com= putational models of rhythm<br>=B7 Rhythm-based s= imilarity, classification and search<br>=B7 Autom= atic rhythm generation<br>=B7 Rhythm perception a= nd cognition<br>=B7 Neural processing of rhythm, = rhythms of the brain<br>=B7 Connection between mu= sical and speech/language rhythms<br>=B7 The role= of timbre, melody and other musical attributes on rhythm structure<br>=B7&= nbsp; Culture-specific and cross-cultural rhythm studie= s<br> <br><div>-----------------------------</div><div>Important Dates= :</div><div><br></div>Manuscript Submission Due: November 15, 2013<br>First= Notification: April 1, 2014<br>Final Version of Manuscripts: October, 2014= <br>Tentative Publication Date: early 2015 (print, possibly earlier online)= <br> </div><div><div>-----------------------------</div><div>Guest Edi= tors:</div><div><br></div>Juan Pablo Bello, Associate Professor of Music Te= chnology, New York University<br>Carlos Guedes, Associate Music Professor, = NYU Abu Dhabi<br>Robert Rowe, Professor of Music Composition and Technology= , New York University<br>Godfried Toussaint, Research Professor of Computer= Science, NYU Abu Dhabi</div></div><div><br></div><div apple=3D"true"><span= class=3D"Apple-style-span" style=3D"border-collapse: separate;"><div><span= class=3D"Apple-style-span" style=3D"border-collapse: separate;"><div><span= class=3D"Apple-style-span" style=3D"border-collapse: separate;"><div><div>= <div style=3D"border-collapse: separate;">---------------------------------= ------------------</div><div style=3D"border-collapse: separate;">Juan Pabl= o Bello</div><div style=3D"border-collapse: separate;">Associate Professor,= Music Technology</div><div>New York University</div><div style=3D"border-c= ollapse: separate;"><a href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx</a><= /div><div style=3D"border-collapse: separate;"><a href=3D"https://files.nyu= .edu/jb2843/public/">https://files.nyu.edu/jb2843/public/</a></div><div sty= le=3D"border-collapse: separate;"><a href=3D"http://marl.smusic.nyu.edu/">h= ttp://marl.smusic.nyu.edu/</a></div><div style=3D"border-collapse: separate= ;"><br></div></div></div></span></div></span></div></span></div></p> </div> =20=20=20=20=20 <!--~-|**|PrettyHtmlStart|**|-~--> <div style=3D"color: #fff; 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