Re: [AUDITORY] AUDITORY Digest - 7 Sep 2013 to 10 Sep 2013 - Special issue (#2013-209) (Pragati Rao )


Subject: Re: [AUDITORY] AUDITORY Digest - 7 Sep 2013 to 10 Sep 2013 - Special issue (#2013-209)
From:    Pragati Rao  <pragatir@xxxxxxxx>
Date:    Tue, 10 Sep 2013 16:07:08 +1000
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--089e01493b549633a204e601505b Content-Type: text/plain; charset=ISO-8859-1 Thanks to list members for such fruitful suggestions. I finally succeeded in putting in triggers. When I inserted 24 triggers or port codes within the audio wav file (6.6 min long; 30 MB) and used Presentation (neurobehavioral systems) to present it- the timing information or time_uncertainity as reported by the presentation log file was quite accurate (time_uncertainity was 0.1 or 0.2). However, when I ran the wav file which had 720 triggers in it, I get accurate trial_time and time_uncetainity is which are off by almost 60ms. I was using Win 7, 64 bit, core i5, 8gb RAM machine. Has anyone else encountered a similar problem. Is there a limit to the number of triggers or the wav file size that presentation can handle? Regards, Pragati PhD Candidate and Research Audiologist Room 1.612 Level 1 Australian Hearing Hub 16 University Avenue Macquarie University NSW 2109 http://www.hearingcrc.org/people/pragati-mandikal-vasuki http://www.ling.mq.edu.au/cll/team.html On Tue, Sep 10, 2013 at 2:34 PM, AUDITORY automatic digest system < LISTSERV@xxxxxxxx> wrote: > There are 3 messages totalling 330466 lines in this issue. > > Topics in this special issue: > > 1. Research Audiologist Wanted: Postdoctoral fellowship at the US Army > Research Laboratory (UNCLASSIFIED) > 2. Deadline Extension: Semantic Audio Conference > 3. Software/code for insertion of a large number of triggers > > ---------------------------------------------------------------------- > > Date: Mon, 9 Sep 2013 14:24:31 +0000 > From: "Scharine, Angelique A CIV USARMY ARL (US)" > <angelique.a.scharine.civ@xxxxxxxx> > Subject: Research Audiologist Wanted: Postdoctoral fellowship at the US > Army Research Laboratory (UNCLASSIFIED) > > ------=_NextPart_000_0044_01CEAD46.C421F9C0 > Content-Type: text/plain; > charset="us-ascii" > Content-Transfer-Encoding: 7bit > > Classification: UNCLASSIFIED > Caveats: NONE > > Applications are invited for a research audiologist position to work as a > member of the Auditory Research Group at the Human Research and Engineering > Directorate, U.S. Army Research Laboratory (ARL). > > The Human Research and Engineering Directorate (HRED) is the principal > center of the U.S. Army Research Laboratory conducting research directed > toward optimizing Soldier performance and man-machine interactions. HRED's > scientific research in Soldier performance is directed toward the > development of human engineering as well as cognitive, perceptual, and > sensory neuroscience technologies and design principles to protect and > extend and enhance the Soldier's performance under hostile and highly > stressed conditions. HRED examines human performance in the perceptual, > cognitive, and psychomotor domains in order to increase the body of > knowledge of human capabilities and limitations, and to assess the impact > of > emerging technologies on Soldier performance. The Auditory Research Group > carries out research activities in auditory displays, bone conduction > communications, speech communication, stealthy military operations, and > methods of hearing enhancement and protection. > > Detailed descriptions of these topic areas can be found at: > > > http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-auditory-situa > tion-awareness.html > > > http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-Identification > -military-sound-events.html > > > http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-tactile-bone.h > tml > > > http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-stealth-milita > ry-operations.html > > The successful applicant should have a Ph.D. in audiology or other related > discipline; be a U.S. citizen; and have or be able to obtain a secret > security clearance. Familiarity with digital audio and programming > expertise > in C++, Visual Basic, or Matlab are a plus. The initial contract is for a > twelve month period. > > E-mail inquires may be sent to Dr. Angelique Scharine > <angelique.a.scharine.civ@xxxxxxxx>. > Formal applications including a letter of intent, curriculum vitae, and two > letters of recommendation should be sent to: > > Angelique A. Scharine, Ph.D. > U.S. Army Research Laboratory > ATTN: RDRL-HRS-D > 520 Mulberry Point Road > Aberdeen Proving Ground, MD 21005-5425 > > Applications will be accepted until the position is filled. > > Additional information concerning the ARL Post-doctoral fellowship program > administered by Oak Ridge Associated Universities is available at: > http://www.orau.org/ARLPostdocFellowship/default.html > > ARL is part of the U.S. Army Research, Development and Engineering Command, > which has the mission to develop technology and engineering solutions for > America's Soldiers. 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--Apple-Mail=_F13F8A7C-8778-4BA7-BD13-B076A37D299F > Content-Transfer-Encoding: quoted-printable > Content-Type: text/plain; > charset=windows-1252 > > Dear Auditory list members, > > Due to popular demand, I'm pleased to announce a deadline extension for = > the submission of full papers to the Semantic Audio Conference. There = > are well over two weeks left to submit full papers and over five weeks = > to submit demo proposals. We also have an enriched programme, and a new = > travel bursary for winners of the reproducible research prize. > > Please see all details in the updated call for papers below. > > Best wishes, > George > > Apologies for cross-posting. Please circulate widely. > > *************************************************************** > > News:=20 > * Paper deadline extended: September 25, 2013. September 15, 2013. > * Now well over two weeks left to submit full papers and five weeks to = > submit demo proposals. > * Up to 1000 GBP travel bursary is included in the Prize for = > Reproducible Research > * We are pleased to announce two new invited speakers: Tuomas Eerola and = > Xavier Serra > * Date of our tutorial day announced: January 26. 2014. > * The conference is sponsored by the Danish strategic research project: = > CoSound > > > *** Audio Engineering Society 53rd conference on Semantic Audio *** > > London, UK, January 27-29, 2014. Tutorial day: January 26, 2014. > Chairs: Karlheinz Brandenburg and Mark Sandler, Email: = > 53rd_chair@xxxxxxxx > > > Semantic Audio is concerned with content-based management of digital = > audio recordings. The rapid evolution of digital audio technologies, = > e.g. audio data compression and streaming, the availability of large = > audio libraries online and offline, and recent developments in = > content-based audio retrieval have significantly changed the way digital = > audio is created, processed, and consumed. New audio content can be = > produced at lower cost, while also large audio archives at libraries or = > record labels are opening to the public. Thus the sheer amount of = > available audio data grows more and more each day. Semantic analysis of = > audio resulting in high-level metadata descriptors such as musical = > chords and tempo, or the identification of speakers facilitate = > content-based management of audio recordings. Aside from audio retrieval = > and recommendation technologies, the semantics of audio signals are also = > becoming increasingly important, for instance, in object-based audio = > coding, as well as intelligent audio editing, and processing. Recent = > product releases already demonstrate this to a great extent, however, = > more innovative functionalities relying on semantic audio analysis and = > management are imminent. These functionalities may utilise, for = > instance, (informed) audio source separation, speaker segmentation and = > identification, structural music segmentation, or social and Semantic = > Web technologies, including ontologies and linked open data. > > This conference will give a broad overview of the state of the art and = > address many of the new scientific disciplines involved in this = > still-emerging field. Our purpose is to continue fostering this line of = > interdisciplinary research. This is reflected by the wide variety of = > invited speakers presenting at the conference. > > Keynote and invited speakers > ----------------------------------------- > > * Meinard M=FCller (International Audio Laboratories Erlangen, Germany)=20= > > * Ga=EBl Richard (TELECOM ParisTech and CNRS, France) > * Gerhard Widmer (Department of Computational Perception, Johannes = > Kepler University, Linz, Austria) > > * Toumas Eerola (Department of Music, Durham University, UK) > * Yves Raimond (BBC R&D, London, UK) > * Xavier Serra (Music Technology Group, Universitat Pompeu Fabra, = > Barcelona, Spain) > > For an up-to-date list of the invited talks, please refer to the = > conference website at http://www.aes.org/conferences/53/. > > > > Submission of papers > ------------------------------- > > Submissions may include full papers for peer review (4-10 pages, = > conforming the AES conference template), or short, late-breaking paper = > proposals including a title and abstract (60-120 words). Complete = > manuscripts (encouraged for full peer review) should be submitted at = > www.aes.org/53rd_authors by September 25, 2013. September 15, 2013. = > Late-breaking paper proposals should be submitted by October 15, 2013.=20= > > > Full-paper submission (option 1) -- Extended deadline: Sept. 25, 2013. > > Peer reviewed papers may be presented in the main sessions, or as a = > poster at the discretion of the committee, although authors may indicate = > a preference. Acceptance of papers will be determined by the 53rd = > international conference review committee based on the full paper = > submission. Accepted authors will be notified by November 13, 2013. = > November 6, 2013. Final manuscripts must be submitted by December 2, = > 2013. November 27, 2013. Authors wishing their conference papers to be = > considered for publication by the Journal of the Audio Engineering = > Society (JAES), should read the Journal's guidelines described at: = > http://www.aes.org/journal/authors/guidelines/ and, following the = > conference, submit a revised and extended version of their paper for = > review, using the Journal's online submission system.=20 > > For full paper submission, please choose the first option on the = > submission site. All papers are peer-reviewed. Please note that option = > two (non-peer reviewed submission) is not available for full papers. > > Full paper authors are eligible for a Prize for Reproducible Research = > provided by SoundSoftware.ac.uk including a travel bursary of up to 1000 = > GBP. Please note that you are required to enter separately between = > September 12-30 to win the prize. > > > Demo proposal submission (option 2) -- Deadline: Oct. 15, 2013. > > Acceptance of late-breaking demo and poster proposals will be determined = > by the review committee based on a 60-120 word abstract. Accepted = > authors will be invited to submit two page extended abstracts (short = > papers), which will not form part of the official proceedings, but will = > be published online, and available from the conference web site. = > Additionally, authors of short papers are invited to use open-access = > publication routes including arXiv.org. Accepted authors will be = > notified by November 13, 2013. Final submissions will due January 6, = > 2014.=20 > > For demo proposal submission please choose the second option on the = > submission site and upload your 60-120 word abstract and title. There = > are no special formatting requirements for demo proposals, but accepted = > authors will have to use the template described below for the final = > short paper submission. > > > All papers must conform to the LaTeX or MS-Word templates available from = > www.aes.org/53rd_authors. Please choose AES53 and download the required = > template from the menu in the left hand side (login is not requires to = > access the templates). If you have any questions about peer reviewed = > paper, poster or extended abstract submissions, please contact: = > 53rd_papers@xxxxxxxx=20 > Conference website: http://www.aes.org/conferences/53/ > =20 > Please submit manuscripts at www.aes.org/53rd_authors no later than = > September 25, 2013 September 15, 2013, or proposals for the = > late-breaking session no later than October 15. 2013. > > > Proposed topics for papers > ------------------------------------- > > * Audio signal processing and feature extraction > * Machine learning methods for audio content analysis > * Intelligent audio production using semantic analysis > * Intelligent audio effects > * Semantic audio description and ontologies > * Semantic Web and Linked Data for audio > * Automatic tagging of audio signals > * Speech processing and analysis > * Content-based audio retrieval > * Music informatics and retrieval > * Automatic music transcription > * Audio source separation > * Audio restoration > * User interfaces for audio management and retrieval > * Applications in gaming, entertainment, education, etc=85 > > > Conference Programme > ----------------------------------- > > The three (+1) day conference programme includes oral and poster = > sessions to be held at the Barbican Centre in a convenient central = > London location, social events, and a technical tour at the BBC in = > London (participant numbers will be limited and subject to registration = > on a first come first served basis).=20 > > A tutorial day on January 26, 2014 will be held at Queen Mary University = > of London on effective research practices (e.g. the use of version = > control and unit testing in audio research) and selected topics TBC = > (e.g. Intelligent audio production, Semantic Web technologies for audio = > and/or Sparse Representation). The tutorials are sponsored by = > Soundsoftware.ac.uk and will be free to attend for all conference = > participants. > > > Important dates > ----------------------- > > Full-paper manuscript deadline: September 25, 2013. September 15, 2013. > Late-breaking demo/poster proposal deadline (60-120 word abstracts): = > October 15, 2013. > Acceptance emailed: November 13, 2013. November 6, 2013. > Camera-ready submission deadline: December 2, 2013. November 27, 2013. > Late-breaking short-paper deadline (extended abstracts): January 6, = > 2014. > > > Paper co-chairs > ----------------------- > > Christian Dittmar, Fraunhofer IDMT > George Fazekas, Queen Mary University of London > Sebastian Ewert, Queen Mary University of London > Email: 53rd_papers@xxxxxxxx > > > Organising Committee > -------------------------------- > > Karlheinz Brandenburg (chair), Fraunhofer IDMT > Mark Sandler (chair), QMUL > > Chris Baume, BBC R&D > Christian Dittmar, Fraunhofer IDMT > George Fazekas, QMUL > Joshua D. Reiss, QMUL > Michael Terrell, QMUL > Panos Kudumakis, QMUL > Sebastian Ewert, QMUL > Sue White, QMUL > Thomas Wilmering, QMUL > Yading Song, QMUL > Mathieu Barthet, QMUL > Dawn Black, QMUL > Mi Tian, QMUL > Brandon Mechtley, QMUL > Carl Joseph Bussey, QMUL > Luis Figueira, QMUL, SoundSoftware.ac.uk > > > --Apple-Mail=_F13F8A7C-8778-4BA7-BD13-B076A37D299F > Content-Transfer-Encoding: quoted-printable > Content-Type: text/html; > charset=windows-1252 > > <html><head></head><body style=3D"word-wrap: break-word; = > -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><div style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; font-size: medium; ">Dear Auditory list = > members,</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; font-size: medium; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><font = > class=3D"Apple-style-span" size=3D"3">Due to popular demand, I'm pleased = > to announce a deadline extension for the&nbsp;<u>submission of full = > papers</u>&nbsp;to the Semantic Audio Conference.&nbsp;There are well = > over two weeks left&nbsp;to submit full papers and over five = > weeks&nbsp;to submit demo proposals. We also have an enriched programme, = > and a new travel bursary for winners of the reproducible research = > prize.</font></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><font = > class=3D"Apple-style-span" size=3D"3"><br></font></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><font class=3D"Apple-style-span" size=3D"3">Please = > see all details in the updated call for papers below.</font></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><font class=3D"Apple-style-span" = > size=3D"3"><br></font></div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><font = > class=3D"Apple-style-span" size=3D"3">Best wishes,</font></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><font class=3D"Apple-style-span" = > size=3D"3">George</font></div><div><br></div></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Apologies for cross-posting. Please circulate widely.</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; = > ">***************************************************************</div><di= > v style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>News:</b>&nbsp;</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > color: rgb(255, 0, 0); "><span style=3D"color: rgb(0, 0, 0); = > ">*&nbsp;</span><b>Paper deadline extended: September 25, 2013.</b><span = > style=3D"color: rgb(0, 0, 0); ">&nbsp;</span><span = > style=3D"text-decoration: line-through; color: rgb(0, 0, 0); ">September = > 15, 2013.</span></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Now&nbsp;<span style=3D"text-decoration: = > underline; ">well over two weeks left</span>&nbsp;to submit full papers = > and&nbsp;<span style=3D"text-decoration: underline; ">five = > weeks</span>&nbsp;to submit demo proposals.</div><div style=3D"margin-top:= > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; color: rgb(25, 86, 238); = > "><span style=3D"color: rgb(0, 0, 0); ">*&nbsp;</span><span = > style=3D"color: rgb(255, 0, 0); "><b>Up to 1000 GBP travel = > bursary</b></span><span style=3D"color: rgb(0, 0, 0); ">&nbsp;is = > included in the&nbsp;<a = > href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audio"><span = > style=3D"text-decoration: underline; ">Prize for Reproducible = > Research</span></a></span></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">* We are pleased to announce two = > new invited speakers: Tuomas Eerola and Xavier Serra</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > Date of our tutorial day announced: January 26. 2014.</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > The conference is sponsored by the Danish strategic research = > project:&nbsp;<a href=3D"http://www.cosound.dk/"><span = > style=3D"text-decoration: underline; color: rgb(25, 86, 238); = > ">CoSound</span></a></div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">***&nbsp;<b>Audio Engineering = > Society 53rd conference on Semantic Audio</b>&nbsp;***</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">London, UK, January 27-29, 2014. = > Tutorial day: January 26, 2014.</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>Chairs:&nbsp;Karlheinz = > Brandenburg and Mark Sandler,</b>&nbsp;Email:&nbsp;<a = > href=3D"mailto:53rd_chair@xxxxxxxx"><span style=3D"text-decoration: = > underline; color: rgb(25, 86, 238); = > ">53rd_chair@xxxxxxxx</span></a></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">Semantic Audio is concerned with = > content-based management of digital audio recordings. The rapid = > evolution of digital audio technologies, e.g. audio data compression and = > streaming, the availability of large audio libraries online and offline, = > and&nbsp;recent developments in content-based audio retrieval have = > significantly changed the way digital audio is created, processed, and = > consumed. New audio content can be produced at lower cost, while also = > large audio archives at libraries or record&nbsp;labels are opening to = > the public. Thus the sheer amount of available audio data grows more and = > more each day.&nbsp;Semantic analysis of audio resulting in high-level = > metadata descriptors such as musical chords and tempo, or the = > identification of speakers facilitate content-based management of audio = > recordings. Aside from audio retrieval and = > recommendation&nbsp;technologies, the semantics of audio signals are = > also becoming increasingly important, for instance, in object-based = > audio coding, as well as intelligent audio editing, and processing. = > Recent product releases already demonstrate this to a great&nbsp;extent, = > however, more innovative functionalities relying on semantic audio = > analysis and management are imminent. These functionalities may utilise, = > for instance, (informed) audio source separation, speaker segmentation = > and identification,&nbsp;structural music segmentation, or social and = > Semantic Web technologies, including ontologies and linked open = > data.</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">This conference will give a broad overview of the state of the art and = > address many of the new scientific disciplines involved in this = > still-emerging field. Our purpose is to continue fostering this line of = > interdisciplinary research. This is reflected by&nbsp;the wide variety = > of invited speakers presenting at the conference.</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>Keynote and invited = > speakers</b></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; = > ">-----------------------------------------</div><div style=3D"margin-top:= > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; min-height: 14px; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">*&nbsp;<b>Meinard = > M=FCller</b>&nbsp;(International Audio Laboratories Erlangen, = > Germany)&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">*&nbsp;<b>Ga=EBl Richard</b>&nbsp;(TELECOM = > ParisTech and CNRS, France)</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">*&nbsp;<b>Gerhard = > Widmer</b>&nbsp;(Department of Computational Perception, Johannes Kepler = > University, Linz, Austria)</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">*&nbsp;<b>Toumas Eerola</b>&nbsp;(Department of Music, Durham = > University, UK)</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">*&nbsp;<b>Yves Raimond</b>&nbsp;(BBC R&amp;D, = > London, UK)</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">*&nbsp;<b>Xavier Serra</b>&nbsp;(Music = > Technology Group, Universitat Pompeu Fabra, Barcelona, Spain)</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">For an up-to-date list of the = > invited talks, please refer to the conference website at&nbsp;<a = > href=3D"http://www.aes.org/conferences/53/"><span = > style=3D"text-decoration: underline; color: rgb(25, 86, 238); = > ">http://www.aes.org/conferences/53/</span></a>.</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>Submission of = > papers</b></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">-------------------------------</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">Submissions may include full = > papers for peer review (4-10 pages, conforming the AES conference = > template), or short, late-breaking paper proposals including a title and = > abstract (60-120 words).&nbsp;Complete manuscripts&nbsp;(encouraged for = > full peer&nbsp;review) should be submitted at&nbsp;<a = > href=3D"http://www.aes.org/53rd_authors"><span style=3D"text-decoration: = > underline; color: rgb(25, 86, 238); = > ">www.aes.org/53rd_authors</span></a>&nbsp;by&nbsp;<span style=3D"color: = > rgb(255, 0, 0); "><b>September 25, 2013.</b></span><b>&nbsp;</b><span = > style=3D"text-decoration: line-through; ">September 15, = > 2013.</span>&nbsp;Late-breaking paper proposals should be submitted = > by&nbsp;<b>October 15, 2013.</b>&nbsp;</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; min-height: 14px; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; "><b>Full-paper submission (option 1) = > --&nbsp;</b><span style=3D"color: rgb(245, 0, 0); "><b>Extended = > deadline: Sept. 25, 2013.</b></span></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Peer reviewed papers may be presented in the main sessions, or as a = > poster at the discretion of the committee, although authors may indicate = > a preference. Acceptance of papers will be determined by the 53rd = > international conference review&nbsp;committee based on the full paper = > submission. Accepted authors will be notified by&nbsp;November 13, = > 2013.&nbsp;<span style=3D"text-decoration: line-through; ">November 6, = > 2013.</span>&nbsp;Final manuscripts must be submitted by&nbsp;December = > 2, 2013.&nbsp;<span style=3D"text-decoration: line-through; ">November = > 27, 2013.</span>&nbsp;Authors wishing their conference papers to be = > considered for publication by the&nbsp;Journal of the Audio Engineering = > Society (JAES), should read the Journal's guidelines described = > at:&nbsp;<a href=3D"http://www.aes.org/journal/authors/guidelines/"><span > = > style=3D"text-decoration: underline; color: rgb(25, 86, 238); = > ">http://www.aes.org/journal/authors/guidelines/</span></a>&nbsp;and, = > following the conference, submit a revised and extended version of their = > paper for review,&nbsp;using the Journal's online submission = > system.&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">For full paper submission, please choose the first option on the = > submission site. All papers are peer-reviewed. Please note that option = > two (non-peer reviewed submission) is not available for full = > papers.</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><p = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 12px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Full paper authors are eligible for a&nbsp;<a = > href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audio"><span = > style=3D"text-decoration: underline; color: rgb(52, 0, 238); ">Prize for = > Reproducible Research</span></a>&nbsp;provided by&nbsp;<a = > href=3D"http://SoundSoftware.ac.uk/"><span style=3D"text-decoration: = > underline; color: rgb(52, 0, 238); = > ">SoundSoftware.ac.uk</span></a>&nbsp;<span style=3D"color: rgb(255, 0, = > 0); "><b>including a travel bursary of up to 1000 = > GBP.</b></span>&nbsp;Please note that you are required to&nbsp;<a = > href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audio#submission > "><sp= > an style=3D"text-decoration: underline; color: rgb(52, 0, 238); ">enter = > separately between September 12-30</span></a>&nbsp;to win the = > prize.</p><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><b>Demo proposal submission (option 2) -- Deadline: Oct. 15, = > 2013.</b></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Acceptance of late-breaking demo and poster proposals will be = > determined by the review committee based on a 60-120 word abstract. = > Accepted authors will be invited to submit two page extended abstracts = > (short papers), which will not form part of the&nbsp;official = > proceedings, but will be published online, and available from the = > conference web site. Additionally, authors of short papers are invited = > to use open-access publication routes including&nbsp;<a = > href=3D"http://arXiv.org/">arXiv.org</a>. Accepted authors will be = > notified by&nbsp;November 13, 2013.&nbsp;Final submissions will = > due&nbsp;January 6, 2014.&nbsp;</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">For demo proposal submission please choose the second option on the = > submission site and upload your 60-120 word abstract and title. There = > are no special formatting requirements for demo proposals, but accepted = > authors will have to use the template described below for the final = > short paper submission.</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">All papers must conform to the = > LaTeX or MS-Word templates available from&nbsp;<a = > href=3D"http://www.aes.org/53rd_authors"><span style=3D"text-decoration: = > underline; color: rgb(25, 86, 238); = > ">www.aes.org/53rd_authors</span></a>. Please choose AES53 and download = > the required template from the menu in the left hand side (login is not = > requires to access the templates). If you have any questions about peer = > reviewed paper, poster or extended abstract submissions, please = > contact:&nbsp;<a href=3D"mailto:53rd_papers@xxxxxxxx"><span = > style=3D"text-decoration: underline; color: rgb(25, 86, 238); = > ">53rd_papers@xxxxxxxx</span></a>.&nbsp;</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; color: rgb(25, 86, 238); = > "><span style=3D"color: rgb(0, 0, 0); ">Conference website:&nbsp;<a = > href=3D"http://www.aes.org/conferences/53/"><span = > style=3D"text-decoration: underline; = > ">http://www.aes.org/conferences/53/</span></a></span></div><p = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">&nbsp;</p><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; "><b>Please submit manuscripts at&nbsp;</b><a = > href=3D"http://www.aes.org/53rd_authors"><span style=3D"color: rgb(25, = > 86, 238); "><b>www.aes.org/53rd_authors</b></span></a><b>&nbsp;no later = > than&nbsp;</b><span style=3D"color: rgb(255, 0, 0); "><b>September 25, = > 2013</b></span><b>&nbsp;</b><span style=3D"text-decoration: = > line-through; ">September 15, 2013</span>, or proposals for the = > late-breaking session no later than October 15. 2013.</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><b>Proposed topics for papers</b></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; = > ">-------------------------------------</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; min-height: 14px; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Audio signal processing and feature = > extraction</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Machine learning methods for audio content = > analysis</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Intelligent audio production using semantic = > analysis</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Intelligent audio effects</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > Semantic audio description and ontologies</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; ">* Semantic Web and Linked = > Data for audio</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Automatic tagging of audio signals</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > Speech processing and analysis</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">* Content-based audio = > retrieval</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Music informatics and retrieval</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > Automatic music transcription</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">* Audio source = > separation</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">* Audio restoration</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > User interfaces for audio management and retrieval</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; ">* = > Applications in gaming, entertainment, education, etc=85</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><b>Conference Programme</b></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; = > ">-----------------------------------</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; min-height: 14px; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">The three (+1) day conference programme = > includes&nbsp;<b><i>oral and poster sessions</i></b>&nbsp;to be held at = > the&nbsp;<b><i>Barbican Centre</i></b>&nbsp;in a convenient central = > London&nbsp;location, social events,&nbsp;and a&nbsp;<b><i>technical = > tour at the BBC</i></b>&nbsp;in London (participant numbers will be = > limited and subject to registration on a first come first served = > basis).&nbsp;</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">A&nbsp;<span style=3D"color: rgb(255, 0, 0); "><b><i>tutorial day on = > January 26, 2014</i></b></span>&nbsp;will be held at&nbsp;<b><i>Queen = > Mary University of London</i></b>&nbsp;on effective research practices = > (e.g. the use of version control and unit testing in audio research) and = > selected topics TBC (e.g. Intelligent audio production, Semantic Web = > technologies for audio&nbsp;and/or Sparse Representation). The tutorials = > are sponsored by&nbsp;<a href=3D"http://Soundsoftware.ac.uk/"><span = > style=3D"text-decoration: underline; color: rgb(25, 86, 238); = > ">Soundsoftware.ac.uk</span></a>&nbsp;and will be free to attend for all = > conference participants.</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>Important dates</b></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">-----------------------</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><b>Full-paper manuscript</b>&nbsp;deadline:&nbsp;<span style=3D"color: = > rgb(255, 0, 0); "><b>September 25, 2013.</b></span><b>&nbsp;</b><span = > style=3D"text-decoration: line-through; ">September 15, = > 2013</span><b>.</b></div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; = > "><b>Late-breaking&nbsp;</b>demo/poster&nbsp;proposal deadline (60-120 = > word abstracts):&nbsp;<b>October 15, 2013.</b></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Acceptance emailed: November 13, 2013.&nbsp;<span = > style=3D"text-decoration: line-through; ">November 6, = > 2013.</span></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Camera-ready submission deadline: December 2, = > 2013.&nbsp;<span style=3D"text-decoration: line-through; ">November 27, = > 2013.</span></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Late-breaking short-paper deadline (extended = > abstracts): January 6, 2014.</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > min-height: 14px; "><br></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; "><b>Paper co-chairs</b></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">-----------------------</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Christian Dittmar, Fraunhofer IDMT</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">George Fazekas, Queen Mary = > University of London</div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Sebastian Ewert, Queen Mary University of = > London</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; color: rgb(25, 86, 238); "><span style=3D"color: = > rgb(0, 0, 0); ">Email:&nbsp;<a href=3D"mailto:53rd_papers@xxxxxxxx"><span = > style=3D"text-decoration: underline; = > ">53rd_papers@xxxxxxxx</span></a></span></div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; min-height: 14px; = > "><br></div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > "><b>Organising Committee</b></div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; = > ">--------------------------------</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Karlheinz Brandenburg (chair), Fraunhofer IDMT</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Mark Sandler (chair), QMUL</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; min-height: 14px; "><br></div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Chris Baume, BBC R&amp;D</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">Christian Dittmar, Fraunhofer = > IDMT</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">George Fazekas, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Joshua D. Reiss, QMUL</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">Michael Terrell, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Panos Kudumakis, QMUL</div><div style=3D"margin-top: 0px; = > margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal = > normal normal 12px/normal Helvetica; ">Sebastian Ewert, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Sue White, QMUL</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Thomas Wilmering, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Yading Song, QMUL</div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Mathieu Barthet, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Dawn Black, QMUL</div><div style=3D"margin-top: 0px; margin-right: = > 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Mi Tian, QMUL</div><div style=3D"margin-top: = > 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: = > normal normal normal 12px/normal Helvetica; ">Brandon Mechtley, = > QMUL</div><div style=3D"margin-top: 0px; margin-right: 0px; = > margin-bottom: 0px; margin-left: 0px; font: normal normal normal = > 12px/normal Helvetica; ">Carl Joseph Bussey, QMUL</div><div = > style=3D"margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = > margin-left: 0px; font: normal normal normal 12px/normal Helvetica; = > ">Luis Figueira, QMUL,&nbsp;<span style=3D"text-decoration: underline; = > color: rgb(25, 86, 238); "><a = > href=3D"http://SoundSoftware.ac.uk/">SoundSoftware.ac.uk > </a></span></div><= > div><br></div></body></html>= > > --Apple-Mail=_F13F8A7C-8778-4BA7-BD13-B076A37D299F-- > > ------------------------------ > > Date: Mon, 9 Sep 2013 16:55:01 +0000 > From: Tom Campbell <tom_campbell75@xxxxxxxx> > Subject: Software/code for insertion of a large number of triggers > > --_e54a0bdc-8588-41e9-8c76-6a6838394138_ > Content-Type: multipart/alternative; > boundary="_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_" > > --_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_ > Content-Type: text/plain; charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > > > Dear Pragati Rao=2CEnclosed is a tutorial review with links to code > (slides= > 146-174 are most relevant). The .wav cue approach to triggers is most > effe= > ctive with NBS presentation=2C though I have known people have problems > wit= > h there being a dynamics to the port code onset to event onset delay and > it= > s jitter through the course of the paradigm=2C particularly with large > numb= > ers of port codes. This can happen even when the timing seems fine at > first= > . Initial clues to this may be seen with a dry run of the paradigm when > loo= > king at the uncertainties in the log file Recommended is to record a > trigg= > er channel and the sound signal via multichannel oscilloscope for the > whole= > dry run and then analyze this to assay if there is such a dynamics. You > do= > want that delay to be constant within limits that are suited to your EEG > s= > ample rate and the ERP deflections of interest.Best regards=2CTom > Campbell.= > Date: Fri=2C 6 Sep 2013 08:36:10 +1000 > From: Pragati Rao <pragatir@xxxxxxxx> > Subject: Software/code for insertion of a large number of triggers. > > --f46d043c7b8c77ea0504e5aa8cb7 > Content-Type: text/plain=3B charset=3DISO-8859-1 > > Dear All=2C > > I have to insert triggers for an EEG experiment (almost 3000 triggers) into > a wav file. Adobe audition or Goldwave can be used for this purpose. The > process is very time consuming. Does anyone know of a more time-efficient > way of doing this? Perhaps a MATLAB code? > > I tried getting the sound presentation software to send cue events=2C but I > was advised by presentation (neurobehavioral system) to have this trigger > information within the sound file (so that timing information is precise). > > Any help is appreciated. > > Thanks=2C > Pragati Rao=2C > PhD Candidate and Research Audiologist=2C > Room 1.612=2C Level 1=2C > Australian Hearing Hub=2C > 16 University Avenue=2C > Macquarie University=2C > NSW 2109 > > > http://www.hearingcrc.org/people/pragati-mandikal-vasuki > http://www.ling.mq.edu.au/cll/team.html > = > > --_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_ > Content-Type: text/html; charset="iso-8859-1" > Content-Transfer-Encoding: quoted-printable > > <html> > <head> > <style><!-- > .hmmessage P > { > margin:0px=3B > padding:0px > } > body.hmmessage > { > font-size: 12pt=3B > font-family:Calibri > } > --></style></head> > <body class=3D'hmmessage'><div dir=3D'ltr'><br><div><pre > style=3D"line-heig= > ht: 21px=3B white-space: normal=3B color: rgb(68=2C 68=2C 68)=3B > font-size:= > 15px=3B ">Dear Pragati Rao=2C</pre><pre><font color=3D"#444444"><span > styl= > e=3D"font-size: 15px=3B line-height: 21px=3B white-space: > normal=3B">Enclos= > ed is a tutorial review with links to code (slides 146-174 are most > relevan= > t). The .wav cue approach to triggers is most effective with NBS > presentati= > on=2C though I have known people have problems with there being a dynamics > = > to the port code onset to event onset delay and its jitter through the > cour= > se of the paradigm=2C particularly with large numbers of port codes. This > c= > an happen even when the timing seems fine at first. Initial clues to this > m= > ay be seen with a dry run of the paradigm when looking at the > uncertainties= > in the&nbsp=3Blog file&nbsp=3B Recommended is to record a trigger channel > = > and the sound signal via multichannel oscilloscope for the whole dry run > an= > d then&nbsp=3Banalyze this to assay if there is such a dynamics. You do > wan= > t that delay to be constant within limits that are suited to your EEG > sampl= > e rate and the ERP deflections of interest.</span></font></pre><pre><font > c= > olor=3D"#444444"><span style=3D"font-size: 15px=3B line-height: 21px=3B > whi= > te-space: normal=3B">Best regards=2C</span></font></pre><pre><font > color=3D= > "#444444"><span style=3D"font-size: 15px=3B line-height: 21px=3B > white-spac= > e: normal=3B">Tom Campbell.</span></font></pre><pre style=3D"line-height: > 2= > 1px=3B white-space: normal=3B color: rgb(68=2C 68=2C 68)=3B font-size: > 15px= > =3B ">Date: Fri=2C 6 Sep 2013 08:36:10 +1000<br>From: Pragati Rao > &lt=3Bpra= > gatir@xxxxxxxx&gt=3B<br>Subject: Software/code for insertion of a large > nu= > mber of triggers.<br><br>--f46d043c7b8c77ea0504e5aa8cb7<br>Content-Type: > te= > xt/plain=3B charset=3DISO-8859-1<br><br>Dear All=2C<br><br>I have to > insert= > triggers for an EEG experiment (almost 3000 triggers) into<br>a wav file. > = > Adobe audition or Goldwave can be used for this purpose. The<br>process is > = > very time consuming. Does anyone know of a more time-efficient<br>way of > do= > ing this? Perhaps a MATLAB code?<br><br>I tried getting the sound > presentat= > ion software to send cue events=2C but I<br>was advised by presentation > (ne= > urobehavioral system) to have this trigger<br>information within the sound > = > file (so that timing information is precise).<br><br>Any help is > appreciate= > d.<br><br>Thanks=2C<br>Pragati Rao=2C<br>PhD Candidate and Research > Audiolo= > gist=2C<br>Room 1.612=2C Level 1=2C<br>Australian Hearing Hub=2C<br>16 > Univ= > ersity Avenue=2C<br>Macquarie University=2C<br>NSW 2109<br><br><br><a href= > =3D"http://www.hearingcrc.org/people/pragati-mandikal-vasuki" > target=3D"_bl= > ank" style=3D"color: rgb(0=2C 104=2C 207)=3B cursor: pointer=3B "> > http://ww= > w.hearingcrc.org/people/pragati-mandikal-vasuki</a><br></pre><a > href=3D"htt= > p://www.ling.mq.edu.au/cll/team.html" target=3D"_blank" > style=3D"font-size:= > 15px=3B line-height: 21px=3B color: rgb(0=2C 104=2C 207)=3B cursor: > pointe= > r=3B 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BhgeIOBtdXuzeYOOx3QptMoFlFRMYLiN0T1RGkQLmgdiHZg0qa3XPKbSN9Rx8cEboEWWldSPNXA1 > 0UQ7ybDfyXuM... > > [Message clipped] -- Pragati Rao --089e01493b549633a204e601505b Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr">Thanks to list members for such fruitful suggestions. I fi= nally succeeded in putting in triggers. When I inserted 24 triggers or port= codes within the audio =A0wav file=A0(6.6 min long; 30 MB)=A0and used Pres= entation (neurobehavioral systems) to present it-=A0 the timing information= or time_uncertainity as reported by the presentation log file was quite ac= curate (time_uncertainity was 0.1 or 0.2). However, when I ran the wav file= which had 720 triggers in it, =A0I get accurate trial_time and time_unceta= inity is which are off by almost 60ms. I was using Win 7, 64 bit, core i5, = 8gb RAM machine. Has anyone else encountered a similar problem. Is there a = limit to the number of triggers or the wav file size that presentation can = handle?<div> <br></div><div>Regards,</div><div>Pragati</div><div><span style=3D"font-fam= ily:arial,sans-serif;font-size:13px">PhD Candidate and Research Audiologist= </span><br style=3D"font-family:arial,sans-serif;font-size:13px"><span styl= e=3D"font-family:arial,sans-serif;font-size:13px">Room 1.612 Level 1</span>= <br style=3D"font-family:arial,sans-serif;font-size:13px"> <span style=3D"font-family:arial,sans-serif;font-size:13px">Australian Hear= ing Hub</span><br style=3D"font-family:arial,sans-serif;font-size:13px"><sp= an style=3D"font-family:arial,sans-serif;font-size:13px">16 University Aven= ue</span></div> <div><span style=3D"font-family:arial,sans-serif;font-size:13px">Macquarie = University</span><br style=3D"font-family:arial,sans-serif;font-size:13px">= <span style=3D"font-family:arial,sans-serif;font-size:13px">NSW 2109</span>= <br style=3D"font-family:arial,sans-serif;font-size:13px"> <br style=3D"font-family:arial,sans-serif;font-size:13px"><br style=3D"font= -family:arial,sans-serif;font-size:13px"><a href=3D"http://www.hearingcrc.o= rg/people/pragati-mandikal-vasuki" target=3D"_blank" style=3D"font-family:a= rial,sans-serif;font-size:13px">http://www.hearingcrc.org/people/pragati-ma= ndikal-vasuki</a><br style=3D"font-family:arial,sans-serif;font-size:13px"> <a href=3D"http://www.ling.mq.edu.au/cll/team.html" target=3D"_blank" style= =3D"font-family:arial,sans-serif;font-size:13px">http://www.ling.mq.edu.au/= cll/team.html</a><span style=3D"font-family:arial,sans-serif;font-size:13px= ">=A0=A0 =A0=A0</span><br> </div></div><div class=3D"gmail_extra"><br><br><div class=3D"gmail_quote">O= n Tue, Sep 10, 2013 at 2:34 PM, AUDITORY automatic digest system <span dir= =3D"ltr">&lt;<a href=3D"mailto:LISTSERV@xxxxxxxx" target=3D"_blank">= LISTSERV@xxxxxxxx</a>&gt;</span> wrote:<br> <blockquote class=3D"gmail_quote" style=3D"margin:0 0 0 .8ex;border-left:1p= x #ccc solid;padding-left:1ex">There are 3 messages totalling 330466 lines = in this issue.<br> <br> Topics in this special issue:<br> <br> =A0 1. Research Audiologist Wanted: Postdoctoral fellowship at the US Army<= br> =A0 =A0 =A0Research Laboratory (UNCLASSIFIED)<br> =A0 2. Deadline Extension: Semantic Audio Conference<br> =A0 3. Software/code for insertion of a large number of triggers<br> <br> ----------------------------------------------------------------------<br> <br> Date: =A0 =A0Mon, 9 Sep 2013 14:24:31 +0000<br> From: =A0 =A0&quot;Scharine, Angelique A CIV USARMY ARL (US)&quot;<br> =A0 =A0 =A0 =A0 =A0&lt;<a href=3D"mailto:angelique.a.scharine.civ@xxxxxxxx"= >angelique.a.scharine.civ@xxxxxxxx</a>&gt;<br> Subject: Research Audiologist Wanted: Postdoctoral fellowship at the US Arm= y Research Laboratory (UNCLASSIFIED)<br> <br> ------=3D_NextPart_000_0044_01CEAD46.C421F9C0<br> Content-Type: text/plain;<br> =A0 =A0 =A0 =A0 charset=3D&quot;us-ascii&quot;<br> Content-Transfer-Encoding: 7bit<br> <br> Classification: UNCLASSIFIED<br> Caveats: NONE<br> <br> Applications are invited for a research audiologist position to work as a<b= r> member of the Auditory Research Group at the Human Research and Engineering= <br> Directorate, U.S. Army Research Laboratory (ARL).<br> <br> The Human Research and Engineering Directorate (HRED) is the principal<br> center of the U.S. Army Research Laboratory conducting research directed<br= > toward optimizing Soldier performance and man-machine interactions. HRED&#3= 9;s<br> scientific research in Soldier performance is directed toward the<br> development of human engineering as well as cognitive, perceptual, and<br> sensory neuroscience technologies and design principles to protect and<br> extend and enhance the Soldier&#39;s performance under hostile and highly<b= r> stressed conditions. HRED examines human performance in the perceptual,<br> cognitive, and psychomotor domains in order to increase the body of<br> knowledge of human capabilities and limitations, and to assess the impact o= f<br> emerging technologies on Soldier performance. The Auditory Research Group<b= r> carries out research activities in auditory displays, bone conduction<br> communications, speech communication, stealthy military operations, and<br> methods of hearing enhancement and protection.<br> <br> Detailed descriptions of these topic areas can be found at:<br> <br> <a href=3D"http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-au= ditory-situa tion-awareness.html" target=3D"_blank">http://www.orau.org/ARLPostdocFellow= ship/applicants/hred/hred-auditory-situa<br> tion-awareness.html</a><br> <br> <a href=3D"http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-Id= entification -military-sound-events.html" target=3D"_blank">http://www.orau.org/ARLPostd= ocFellowship/applicants/hred/hred-Identification<br> -military-sound-events.html</a><br> <br> <a href=3D"http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-ta= ctile-bone.h tml" target=3D"_blank">http://www.orau.org/ARLPostdocFellowship/applicants/= hred/hred-tactile-bone.h<br> tml</a><br> <br> <a href=3D"http://www.orau.org/ARLPostdocFellowship/applicants/hred/hred-st= ealth-milita ry-operations.html" target=3D"_blank">http://www.orau.org/ARLPostdocFellows= hip/applicants/hred/hred-stealth-milita<br> ry-operations.html</a><br> <br> The successful applicant should have a Ph.D. in audiology or other related<= br> discipline; be a U.S. citizen; and have or be able to obtain a secret<br> security clearance. Familiarity with digital audio and programming expertis= e<br> in C++, Visual Basic, or Matlab are a plus. The initial contract is for a<b= r> twelve month period.<br> <br> E-mail inquires may be sent to Dr. Angelique Scharine<br> &lt;<a href=3D"mailto:angelique.a.scharine.civ@xxxxxxxx">angelique.a.schari= ne.civ@xxxxxxxx</a>&gt;.<br> Formal applications including a letter of intent, curriculum vitae, and two= <br> letters of recommendation should be sent to:<br> <br> Angelique A. Scharine, Ph.D.<br> U.S. Army Research Laboratory<br> ATTN: RDRL-HRS-D<br> 520 Mulberry Point Road<br> Aberdeen Proving Ground, MD 21005-5425<br> <br> Applications will be accepted until the position is filled.<br> <br> Additional information concerning the ARL Post-doctoral fellowship program<= br> administered by Oak Ridge Associated Universities is available at:<br> <a href=3D"http://www.orau.org/ARLPostdocFellowship/default.html" target=3D= "_blank">http://www.orau.org/ARLPostdocFellowship/default.html</a><br> <br> ARL is part of the U.S. Army Research, Development and Engineering Command,= <br> which has the mission to develop technology and engineering solutions for<b= r> America&#39;s Soldiers. 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=A0George Fazekas &lt;<a href=3D"mailto:gyorgy.fazekas@xxxxxxxx= AC.UK">gyorgy.fazekas@xxxxxxxx</a>&gt;<br> Subject: Deadline Extension: Semantic Audio Conference<br> <br> --Apple-Mail=3D_F13F8A7C-8778-4BA7-BD13-B076A37D299F<br> Content-Transfer-Encoding: quoted-printable<br> Content-Type: text/plain;<br> =A0 =A0 =A0 =A0 charset=3Dwindows-1252<br> <br> Dear Auditory list members,<br> <br> Due to popular demand, I&#39;m pleased to announce a deadline extension for= =3D<br> the submission of full papers to the Semantic Audio Conference. There =3D<b= r> are well over two weeks left to submit full papers and over five weeks =3D<= br> to submit demo proposals. We also have an enriched programme, and a new =3D= <br> travel bursary for winners of the reproducible research prize.<br> <br> Please see all details in the updated call for papers below.<br> <br> Best wishes,<br> George<br> <br> Apologies for cross-posting. Please circulate widely.<br> <br> ***************************************************************<br> <br> News:=3D20<br> * Paper deadline extended: September 25, 2013. September 15, 2013.<br> * Now well over two weeks left to submit full papers and five weeks to =3D<= br> submit demo proposals.<br> * Up to 1000 GBP travel bursary is included in the Prize for =3D<br> Reproducible Research<br> * We are pleased to announce two new invited speakers: Tuomas Eerola and = =3D<br> Xavier Serra<br> * Date of our tutorial day announced: January 26. 2014.<br> * The conference is sponsored by the Danish strategic research project: =3D= <br> CoSound<br> <br> <br> *** Audio Engineering Society 53rd conference on Semantic Audio ***<br> <br> London, UK, January 27-29, 2014. Tutorial day: January 26, 2014.<br> Chairs: Karlheinz Brandenburg and Mark Sandler, Email: =3D<br> <a href=3D"mailto:53rd_chair@xxxxxxxx">53rd_chair@xxxxxxxx</a><br> <br> <br> Semantic Audio is concerned with content-based management of digital =3D<br= > audio recordings. The rapid evolution of digital audio technologies, =3D<br= > e.g. audio data compression and streaming, the availability of large =3D<br= > audio libraries online and offline, and recent developments in =3D<br> content-based audio retrieval have significantly changed the way digital = =3D<br> audio is created, processed, and consumed. New audio content can be =3D<br> produced at lower cost, while also large audio archives at libraries or =3D= <br> record labels are opening to the public. Thus the sheer amount of =3D<br> available audio data grows more and more each day. Semantic analysis of =3D= <br> audio resulting in high-level metadata descriptors such as musical =3D<br> chords and tempo, or the identification of speakers facilitate =3D<br> content-based management of audio recordings. Aside from audio retrieval = =3D<br> and recommendation technologies, the semantics of audio signals are also = =3D<br> becoming increasingly important, for instance, in object-based audio =3D<br= > coding, as well as intelligent audio editing, and processing. Recent =3D<br= > product releases already demonstrate this to a great extent, however, =3D<b= r> more innovative functionalities relying on semantic audio analysis and =3D<= br> management are imminent. These functionalities may utilise, for =3D<br> instance, (informed) audio source separation, speaker segmentation and =3D<= br> identification, structural music segmentation, or social and Semantic =3D<b= r> Web technologies, including ontologies and linked open data.<br> <br> This conference will give a broad overview of the state of the art and =3D<= br> address many of the new scientific disciplines involved in this =3D<br> still-emerging field. Our purpose is to continue fostering this line of =3D= <br> interdisciplinary research. This is reflected by the wide variety of =3D<br= > invited speakers presenting at the conference.<br> <br> Keynote and invited speakers<br> -----------------------------------------<br> <br> * Meinard M=3DFCller (International Audio Laboratories Erlangen, Germany)= =3D20=3D<br> <br> * Ga=3DEBl Richard (TELECOM ParisTech and CNRS, France)<br> * Gerhard Widmer (Department of Computational Perception, Johannes =3D<br> Kepler University, Linz, Austria)<br> <br> * Toumas Eerola (Department of Music, Durham University, UK)<br> * Yves Raimond (BBC R&amp;D, London, UK)<br> * Xavier Serra (Music Technology Group, Universitat Pompeu Fabra, =3D<br> Barcelona, Spain)<br> <br> For an up-to-date list of the invited talks, please refer to the =3D<br> conference website at <a href=3D"http://www.aes.org/conferences/53/" target= =3D"_blank">http://www.aes.org/conferences/53/</a>.<br> <br> <br> <br> Submission of papers<br> -------------------------------<br> <br> Submissions may include full papers for peer review (4-10 pages, =3D<br> conforming the AES conference template), or short, late-breaking paper =3D<= br> proposals including a title and abstract (60-120 words). Complete =3D<br> manuscripts (encouraged for full peer review) should be submitted at =3D<br= > <a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank">www.aes.org/5= 3rd_authors</a> by September 25, 2013. September 15, 2013. =3D<br> Late-breaking paper proposals should be submitted by October 15, 2013.=3D20= =3D<br> <br> <br> Full-paper submission (option 1) -- Extended deadline: Sept. 25, 2013.<br> <br> Peer reviewed papers may be presented in the main sessions, or as a =3D<br> poster at the discretion of the committee, although authors may indicate = =3D<br> a preference. Acceptance of papers will be determined by the 53rd =3D<br> international conference review committee based on the full paper =3D<br> submission. Accepted authors will be notified by November 13, 2013. =3D<br> November 6, 2013. Final manuscripts must be submitted by December 2, =3D<br= > 2013. November 27, 2013. Authors wishing their conference papers to be =3D<= br> considered for publication by the Journal of the Audio Engineering =3D<br> Society (JAES), should read the Journal&#39;s guidelines described at: =3D<= br> <a href=3D"http://www.aes.org/journal/authors/guidelines/" target=3D"_blank= ">http://www.aes.org/journal/authors/guidelines/</a> and, following the =3D= <br> conference, submit a revised and extended version of their paper for =3D<br= > review, using the Journal&#39;s online submission system.=3D20<br> <br> For full paper submission, please choose the first option on the =3D<br> submission site. All papers are peer-reviewed. Please note that option =3D<= br> two (non-peer reviewed submission) is not available for full papers.<br> <br> Full paper authors are eligible for a Prize for Reproducible Research =3D<b= r> provided by <a href=3D"http://SoundSoftware.ac.uk" target=3D"_blank">SoundS= oftware.ac.uk</a> including a travel bursary of up to 1000 =3D<br> GBP. Please note that you are required to enter separately between =3D<br> September 12-30 to win the prize.<br> <br> <br> Demo proposal submission (option 2) -- Deadline: Oct. 15, 2013.<br> <br> Acceptance of late-breaking demo and poster proposals will be determined = =3D<br> by the review committee based on a 60-120 word abstract. Accepted =3D<br> authors will be invited to submit two page extended abstracts (short =3D<br= > papers), which will not form part of the official proceedings, but will =3D= <br> be published online, and available from the conference web site. =3D<br> Additionally, authors of short papers are invited to use open-access =3D<br= > publication routes including arXiv.org. Accepted authors will be =3D<br> notified by November 13, 2013. Final submissions will due January 6, =3D<br= > 2014.=3D20<br> <br> For demo proposal submission please choose the second option on the =3D<br> submission site and upload your 60-120 word abstract and title. There =3D<b= r> are no special formatting requirements for demo proposals, but accepted =3D= <br> authors will have to use the template described below for the final =3D<br> short paper submission.<br> <br> <br> All papers must conform to the LaTeX or MS-Word templates available from = =3D<br> <a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank">www.aes.org/5= 3rd_authors</a>. Please choose AES53 and download the required =3D<br> template from the menu in the left hand side (login is not requires to =3D<= br> access the templates). If you have any questions about peer reviewed =3D<br= > paper, poster or extended abstract submissions, please contact: =3D<br> 53rd_papers@xxxxxxxx=3D20<br> Conference website: <a href=3D"http://www.aes.org/conferences/53/" target= =3D"_blank">http://www.aes.org/conferences/53/</a><br> =3D20<br> Please submit manuscripts at <a href=3D"http://www.aes.org/53rd_authors" ta= rget=3D"_blank">www.aes.org/53rd_authors</a> no later than =3D<br> September 25, 2013 September 15, 2013, or proposals for the =3D<br> late-breaking session no later than October 15. 2013.<br> <br> <br> Proposed topics for papers<br> -------------------------------------<br> <br> * Audio signal processing and feature extraction<br> * Machine learning methods for audio content analysis<br> * Intelligent audio production using semantic analysis<br> * Intelligent audio effects<br> * Semantic audio description and ontologies<br> * Semantic Web and Linked Data for audio<br> * Automatic tagging of audio signals<br> * Speech processing and analysis<br> * Content-based audio retrieval<br> * Music informatics and retrieval<br> * Automatic music transcription<br> * Audio source separation<br> * Audio restoration<br> * User interfaces for audio management and retrieval<br> * Applications in gaming, entertainment, education, etc=3D85<br> <br> <br> Conference Programme<br> -----------------------------------<br> <br> The three (+1) day conference programme includes oral and poster =3D<br> sessions to be held at the Barbican Centre in a convenient central =3D<br> London location, social events, and a technical tour at the BBC in =3D<br> London (participant numbers will be limited and subject to registration =3D= <br> on a first come first served basis).=3D20<br> <br> A tutorial day on January 26, 2014 will be held at Queen Mary University = =3D<br> of London on effective research practices (e.g. the use of version =3D<br> control and unit testing in audio research) and selected topics TBC =3D<br> (e.g. Intelligent audio production, Semantic Web technologies for audio =3D= <br> and/or Sparse Representation). The tutorials are sponsored by =3D<br> <a href=3D"http://Soundsoftware.ac.uk" target=3D"_blank">Soundsoftware.ac.u= k</a> and will be free to attend for all conference =3D<br> participants.<br> <br> <br> Important dates<br> -----------------------<br> <br> Full-paper manuscript deadline: September 25, 2013. September 15, 2013.<br> Late-breaking demo/poster proposal deadline (60-120 word abstracts): =3D<br= > October 15, 2013.<br> Acceptance emailed: November 13, 2013. November 6, 2013.<br> Camera-ready submission deadline: December 2, 2013. November 27, 2013.<br> Late-breaking short-paper deadline (extended abstracts): January 6, =3D<br> 2014.<br> <br> <br> Paper co-chairs<br> -----------------------<br> <br> Christian Dittmar, Fraunhofer IDMT<br> George Fazekas, Queen Mary University of London<br> Sebastian Ewert, Queen Mary University of London<br> Email: <a href=3D"mailto:53rd_papers@xxxxxxxx">53rd_papers@xxxxxxxx</a><br> <br> <br> Organising Committee<br> --------------------------------<br> <br> Karlheinz Brandenburg (chair), Fraunhofer IDMT<br> Mark Sandler (chair), QMUL<br> <br> Chris Baume, BBC R&amp;D<br> Christian Dittmar, Fraunhofer IDMT<br> George Fazekas, QMUL<br> Joshua D. Reiss, QMUL<br> Michael Terrell, QMUL<br> Panos Kudumakis, QMUL<br> Sebastian Ewert, QMUL<br> Sue White, QMUL<br> Thomas Wilmering, QMUL<br> Yading Song, QMUL<br> Mathieu Barthet, QMUL<br> Dawn Black, QMUL<br> Mi Tian, QMUL<br> Brandon Mechtley, QMUL<br> Carl Joseph Bussey, QMUL<br> Luis Figueira, QMUL, <a href=3D"http://SoundSoftware.ac.uk" target=3D"_blan= k">SoundSoftware.ac.uk</a><br> <br> <br> --Apple-Mail=3D_F13F8A7C-8778-4BA7-BD13-B076A37D299F<br> Content-Transfer-Encoding: quoted-printable<br> Content-Type: text/html;<br> =A0 =A0 =A0 =A0 charset=3Dwindows-1252<br> <br> &lt;html&gt;&lt;head&gt;&lt;/head&gt;&lt;body style=3D3D&quot;word-wrap: br= eak-word; =3D<br> -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; &quot;&gt;= &lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0px; margi= n-bottom: 0px; =3D<br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; font-size: medium; &quot;&gt;Dear Auditory list =3D<br> members,&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: = 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; font-size: medium; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;font =3D<br> class=3D3D&quot;Apple-style-span&quot; size=3D3D&quot;3&quot;&gt;Due to pop= ular demand, I&#39;m pleased =3D<br> to announce a deadline extension for the&amp;nbsp;&lt;u&gt;submission of fu= ll =3D<br> papers&lt;/u&gt;&amp;nbsp;to the Semantic Audio Conference.&amp;nbsp;There = are well =3D<br> over two weeks left&amp;nbsp;to submit full papers and over five =3D<br> weeks&amp;nbsp;to submit demo proposals. We also have an enriched programme= , =3D<br> and a new travel bursary for winners of the reproducible research =3D<br> prize.&lt;/font&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; mar= gin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;font =3D<br> class=3D3D&quot;Apple-style-span&quot; size=3D3D&quot;3&quot;&gt;&lt;br&gt;= &lt;/font&gt;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;font class=3D3D&quot;Apple-style-span&quot;= size=3D3D&quot;3&quot;&gt;Please =3D<br> see all details in the updated call for papers below.&lt;/font&gt;&lt;/div&= gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;font class=3D3D&quot;Apple-style-span&quot;= =3D<br> size=3D3D&quot;3&quot;&gt;&lt;br&gt;&lt;/font&gt;&lt;/div&gt;&lt;div style= =3D3D&quot;margin-top: 0px; margin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;font =3D<br> class=3D3D&quot;Apple-style-span&quot; size=3D3D&quot;3&quot;&gt;Best wishe= s,&lt;/font&gt;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;font class=3D3D&quot;Apple-style-span&quot;= =3D<br> size=3D3D&quot;3&quot;&gt;George&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;br&= gt;&lt;/div&gt;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Apologies for cross-posting. Please circulate widely.&lt;/div&gt;= &lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;***************************************************************&l= t;/div&gt;&lt;di=3D<br> v style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; = =3D<br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;News:&lt;/b&gt;&amp= ;nbsp;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> color: rgb(255, 0, 0); &quot;&gt;&lt;span style=3D3D&quot;color: rgb(0, 0, = 0); =3D<br> &quot;&gt;*&amp;nbsp;&lt;/span&gt;&lt;b&gt;Paper deadline extended: Septemb= er 25, 2013.&lt;/b&gt;&lt;span =3D<br> style=3D3D&quot;color: rgb(0, 0, 0); &quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;s= pan =3D<br> style=3D3D&quot;text-decoration: line-through; color: rgb(0, 0, 0); &quot;&= gt;September =3D<br> 15, 2013.&lt;/span&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; = margin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Now&amp;nbsp;&lt;span style=3D3D&quot;te= xt-decoration: =3D<br> underline; &quot;&gt;well over two weeks left&lt;/span&gt;&amp;nbsp;to subm= it full papers =3D<br> and&amp;nbsp;&lt;span style=3D3D&quot;text-decoration: underline; &quot;&gt= ;five =3D<br> weeks&lt;/span&gt;&amp;nbsp;to submit demo proposals.&lt;/div&gt;&lt;div st= yle=3D3D&quot;margin-top:=3D<br> =A00px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<= br> normal normal normal 12px/normal Helvetica; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;&lt;span style=3D3D&quot;color: rgb(0, 0, 0); &quot;&gt;*&amp;nbs= p;&lt;/span&gt;&lt;span =3D<br> style=3D3D&quot;color: rgb(255, 0, 0); &quot;&gt;&lt;b&gt;Up to 1000 GBP tr= avel =3D<br> bursary&lt;/b&gt;&lt;/span&gt;&lt;span style=3D3D&quot;color: rgb(0, 0, 0);= &quot;&gt;&amp;nbsp;is =3D<br> included in the&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audi= o" target=3D"_blank">http://soundsoftware.ac.uk/rr-prize-semantic-audio</a>= &quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; &quot;&gt;Prize for Reproducibl= e =3D<br> Research&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=3D3D&= quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;* We are pleased to announce= two =3D<br> new invited speakers: Tuomas Eerola and Xavier Serra&lt;/div&gt;&lt;div =3D= <br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> Date of our tutorial day announced: January 26. 2014.&lt;/div&gt;&lt;div = =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> The conference is sponsored by the Danish strategic research =3D<br> project:&amp;nbsp;&lt;a href=3D3D&quot;<a href=3D"http://www.cosound.dk/" t= arget=3D"_blank">http://www.cosound.dk/</a>&quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;CoSound&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=3D3D&quot= ;margin-top: 0px; margin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;***&amp;nbsp;&lt;b&gt;Audio = Engineering =3D<br> Society 53rd conference on Semantic Audio&lt;/b&gt;&amp;nbsp;***&lt;/div&gt= ;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;London, UK, January 27-29, 2= 014. =3D<br> Tutorial day: January 26, 2014.&lt;/div&gt;&lt;div style=3D3D&quot;margin-t= op: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Chairs:&amp;nbsp;Ka= rlheinz =3D<br> Brandenburg and Mark Sandler,&lt;/b&gt;&amp;nbsp;Email:&amp;nbsp;&lt;a =3D<= br> href=3D3D&quot;mailto:<a href=3D"mailto:53rd_chair@xxxxxxxx">53rd_chair@xxxxxxxx= org</a>&quot;&gt;&lt;span style=3D3D&quot;text-decoration: =3D<br> underline; color: rgb(25, 86, 238); =3D<br> &quot;&gt;<a href=3D"mailto:53rd_chair@xxxxxxxx">53rd_chair@xxxxxxxx</a>&lt;/= span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; =3D<= br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;Semantic Audio is concerned = with =3D<br> content-based management of digital audio recordings. The rapid =3D<br> evolution of digital audio technologies, e.g. audio data compression and = =3D<br> streaming, the availability of large audio libraries online and offline, = =3D<br> and&amp;nbsp;recent developments in content-based audio retrieval have =3D<= br> significantly changed the way digital audio is created, processed, and =3D<= br> consumed. New audio content can be produced at lower cost, while also =3D<b= r> large audio archives at libraries or record&amp;nbsp;labels are opening to = =3D<br> the public. Thus the sheer amount of available audio data grows more and = =3D<br> more each day.&amp;nbsp;Semantic analysis of audio resulting in high-level = =3D<br> metadata descriptors such as musical chords and tempo, or the =3D<br> identification of speakers facilitate content-based management of audio =3D= <br> recordings. Aside from audio retrieval and =3D<br> recommendation&amp;nbsp;technologies, the semantics of audio signals are = =3D<br> also becoming increasingly important, for instance, in object-based =3D<br> audio coding, as well as intelligent audio editing, and processing. =3D<br> Recent product releases already demonstrate this to a great&amp;nbsp;extent= , =3D<br> however, more innovative functionalities relying on semantic audio =3D<br> analysis and management are imminent. These functionalities may utilise, = =3D<br> for instance, (informed) audio source separation, speaker segmentation =3D<= br> and identification,&amp;nbsp;structural music segmentation, or social and = =3D<br> Semantic Web technologies, including ontologies and linked open =3D<br> data.&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0px= ; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;This conference will give a broad overview of the state of the ar= t and =3D<br> address many of the new scientific disciplines involved in this =3D<br> still-emerging field. Our purpose is to continue fostering this line of =3D= <br> interdisciplinary research. This is reflected by&amp;nbsp;the wide variety = =3D<br> of invited speakers presenting at the conference.&lt;/div&gt;&lt;div =3D<br= > style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Keynote and invited= =3D<br> speakers&lt;/b&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; marg= in-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; =3D<br> &quot;&gt;-----------------------------------------&lt;/div&gt;&lt;div styl= e=3D3D&quot;margin-top:=3D<br> =A00px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<= br> normal normal normal 12px/normal Helvetica; min-height: 14px; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;*&amp;nbsp;&lt;b&gt;Meinard =3D<br> M=3DFCller&lt;/b&gt;&amp;nbsp;(International Audio Laboratories Erlangen, = =3D<br> Germany)&amp;nbsp;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; marg= in-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;*&amp;nbsp;&lt;b&gt;Ga=3DEBl Richard&lt;/b= &gt;&amp;nbsp;(TELECOM =3D<br> ParisTech and CNRS, France)&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: = 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;*&amp;nbsp;&lt;b&gt;Gerhard = =3D<br> Widmer&lt;/b&gt;&amp;nbsp;(Department of Computational Perception, Johannes= Kepler =3D<br> University, Linz, Austria)&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0= px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;*&amp;nbsp;&lt;b&gt;Toumas Eerola&lt;/b&gt;&amp;nbsp;(Department = of Music, Durham =3D<br> University, UK)&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-= right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;*&amp;nbsp;&lt;b&gt;Yves Raimond&lt;/b&gt;= &amp;nbsp;(BBC R&amp;amp;D, =3D<br> London, UK)&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-righ= t: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;*&amp;nbsp;&lt;b&gt;Xavier Serra&lt;/b&gt;= &amp;nbsp;(Music =3D<br> Technology Group, Universitat Pompeu Fabra, Barcelona, Spain)&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;For an up-to-date list of th= e =3D<br> invited talks, please refer to the conference website at&amp;nbsp;&lt;a =3D= <br> href=3D3D&quot;<a href=3D"http://www.aes.org/conferences/53/" target=3D"_bl= ank">http://www.aes.org/conferences/53/</a>&quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;<a href=3D"http://www.aes.org/conferences/53/" target=3D"_blank">= http://www.aes.org/conferences/53/</a>&lt;/span&gt;&lt;/a&gt;.&lt;/div&gt;&= lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Submission of =3D<b= r> papers&lt;/b&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin= -right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;-------------------------------&lt;/div&gt= ;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;Submissions may include full= =3D<br> papers for peer review (4-10 pages, conforming the AES conference =3D<br> template), or short, late-breaking paper proposals including a title and = =3D<br> abstract (60-120 words).&amp;nbsp;Complete manuscripts&amp;nbsp;(encouraged= for =3D<br> full peer&amp;nbsp;review) should be submitted at&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank= ">http://www.aes.org/53rd_authors</a>&quot;&gt;&lt;span style=3D3D&quot;tex= t-decoration: =3D<br> underline; color: rgb(25, 86, 238); =3D<br> &quot;&gt;<a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank">www= .aes.org/53rd_authors</a>&lt;/span&gt;&lt;/a&gt;&amp;nbsp;by&amp;nbsp;&lt;s= pan style=3D3D&quot;color: =3D<br> rgb(255, 0, 0); &quot;&gt;&lt;b&gt;September 25, 2013.&lt;/b&gt;&lt;/span&g= t;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: line-through; &quot;&gt;September 15, =3D<= br> 2013.&lt;/span&gt;&amp;nbsp;Late-breaking paper proposals should be submitt= ed =3D<br> by&amp;nbsp;&lt;b&gt;October 15, 2013.&lt;/b&gt;&amp;nbsp;&lt;/div&gt;&lt;d= iv style=3D3D&quot;margin-top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; min-height: 14px; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Full-paper submission (option 1) = =3D<br> --&amp;nbsp;&lt;/b&gt;&lt;span style=3D3D&quot;color: rgb(245, 0, 0); &quot= ;&gt;&lt;b&gt;Extended =3D<br> deadline: Sept. 25, 2013.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style= =3D3D&quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Peer reviewed papers may be presented in the main sessions, or as= a =3D<br> poster at the discretion of the committee, although authors may indicate = =3D<br> a preference. Acceptance of papers will be determined by the 53rd =3D<br> international conference review&amp;nbsp;committee based on the full paper = =3D<br> submission. Accepted authors will be notified by&amp;nbsp;November 13, =3D<= br> 2013.&amp;nbsp;&lt;span style=3D3D&quot;text-decoration: line-through; &quo= t;&gt;November 6, =3D<br> 2013.&lt;/span&gt;&amp;nbsp;Final manuscripts must be submitted by&amp;nbsp= ;December =3D<br> 2, 2013.&amp;nbsp;&lt;span style=3D3D&quot;text-decoration: line-through; &= quot;&gt;November =3D<br> 27, 2013.&lt;/span&gt;&amp;nbsp;Authors wishing their conference papers to = be =3D<br> considered for publication by the&amp;nbsp;Journal of the Audio Engineering= =3D<br> Society (JAES), should read the Journal&#39;s guidelines described =3D<br> at:&amp;nbsp;&lt;a href=3D3D&quot;<a href=3D"http://www.aes.org/journal/aut= hors/guidelines/" target=3D"_blank">http://www.aes.org/journal/authors/guid= elines/</a>&quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;<a href=3D"http://www.aes.org/journal/authors/guidelines/" target= =3D"_blank">http://www.aes.org/journal/authors/guidelines/</a>&lt;/span&gt;= &lt;/a&gt;&amp;nbsp;and, =3D<br> following the conference, submit a revised and extended version of their = =3D<br> paper for review,&amp;nbsp;using the Journal&#39;s online submission =3D<br= > system.&amp;nbsp;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margi= n-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;For full paper submission, please choose the first option on the = =3D<br> submission site. All papers are peer-reviewed. Please note that option =3D<= br> two (non-peer reviewed submission) is not available for full =3D<br> papers.&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0= px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;p =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 12px; = =3D<br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Full paper authors are eligible for a&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audi= o" target=3D"_blank">http://soundsoftware.ac.uk/rr-prize-semantic-audio</a>= &quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(52, 0, 238); &quot;&= gt;Prize for =3D<br> Reproducible Research&lt;/span&gt;&lt;/a&gt;&amp;nbsp;provided by&amp;nbsp;= &lt;a =3D<br> href=3D3D&quot;<a href=3D"http://SoundSoftware.ac.uk/" target=3D"_blank">ht= tp://SoundSoftware.ac.uk/</a>&quot;&gt;&lt;span style=3D3D&quot;text-decora= tion: =3D<br> underline; color: rgb(52, 0, 238); =3D<br> &quot;&gt;<a href=3D"http://SoundSoftware.ac.uk" target=3D"_blank">SoundSof= tware.ac.uk</a>&lt;/span&gt;&lt;/a&gt;&amp;nbsp;&lt;span style=3D3D&quot;co= lor: rgb(255, 0, =3D<br> 0); &quot;&gt;&lt;b&gt;including a travel bursary of up to 1000 =3D<br> GBP.&lt;/b&gt;&lt;/span&gt;&amp;nbsp;Please note that you are required to&a= mp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://soundsoftware.ac.uk/rr-prize-semantic-audi= o#submission" target=3D"_blank">http://soundsoftware.ac.uk/rr-prize-semanti= c-audio#submission</a>&quot;&gt;&lt;sp=3D<br> an style=3D3D&quot;text-decoration: underline; color: rgb(52, 0, 238); &quo= t;&gt;enter =3D<br> separately between September 12-30&lt;/span&gt;&lt;/a&gt;&amp;nbsp;to win t= he =3D<br> prize.&lt;/p&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0px;= =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Demo proposal submission (option 2) -- Deadline: Oct. 15= , =3D<br> 2013.&lt;/b&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-= right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Acceptance of late-breaking demo and poster proposals will be =3D= <br> determined by the review committee based on a 60-120 word abstract. =3D<br> Accepted authors will be invited to submit two page extended abstracts =3D<= br> (short papers), which will not form part of the&amp;nbsp;official =3D<br> proceedings, but will be published online, and available from the =3D<br> conference web site. Additionally, authors of short papers are invited =3D<= br> to use open-access publication routes including&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://arXiv.org/" target=3D"_blank">http://arXiv= .org/</a>&quot;&gt;arXiv.org&lt;/a&gt;. Accepted authors will be =3D<br> notified by&amp;nbsp;November 13, 2013.&amp;nbsp;Final submissions will =3D= <br> due&amp;nbsp;January 6, 2014.&amp;nbsp;&lt;/div&gt;&lt;div style=3D3D&quot;= margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;For demo proposal submission please choose the second option on t= he =3D<br> submission site and upload your 60-120 word abstract and title. There =3D<b= r> are no special formatting requirements for demo proposals, but accepted =3D= <br> authors will have to use the template described below for the final =3D<br> short paper submission.&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px;= =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;All papers must conform to t= he =3D<br> LaTeX or MS-Word templates available from&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank= ">http://www.aes.org/53rd_authors</a>&quot;&gt;&lt;span style=3D3D&quot;tex= t-decoration: =3D<br> underline; color: rgb(25, 86, 238); =3D<br> &quot;&gt;<a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank">www= .aes.org/53rd_authors</a>&lt;/span&gt;&lt;/a&gt;. Please choose AES53 and d= ownload =3D<br> the required template from the menu in the left hand side (login is not =3D= <br> requires to access the templates). If you have any questions about peer =3D= <br> reviewed paper, poster or extended abstract submissions, please =3D<br> contact:&amp;nbsp;&lt;a href=3D3D&quot;mailto:<a href=3D"mailto:53rd_papers= @xxxxxxxx">53rd_papers@xxxxxxxx</a>&quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;<a href=3D"mailto:53rd_papers@xxxxxxxx">53rd_papers@xxxxxxxx</a>&lt= ;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/div&gt;&lt;div style=3D3D&quot;margin-t= op: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;&lt;span style=3D3D&quot;color: rgb(0, 0, 0); &quot;&gt;Conferenc= e website:&amp;nbsp;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://www.aes.org/conferences/53/" target=3D"_bl= ank">http://www.aes.org/conferences/53/</a>&quot;&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: underline; =3D<br> &quot;&gt;<a href=3D"http://www.aes.org/conferences/53/" target=3D"_blank">= http://www.aes.org/conferences/53/</a>&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&= lt;/div&gt;&lt;p =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&amp;nbsp;&lt;/p&gt;&lt;div style=3D3D&quot;margin-top: 0px; marg= in-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Please submit manuscripts at&amp;= nbsp;&lt;/b&gt;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://www.aes.org/53rd_authors" target=3D"_blank= ">http://www.aes.org/53rd_authors</a>&quot;&gt;&lt;span style=3D3D&quot;col= or: rgb(25, =3D<br> 86, 238); &quot;&gt;&lt;b&gt;<a href=3D"http://www.aes.org/53rd_authors" ta= rget=3D"_blank">www.aes.org/53rd_authors</a>&lt;/b&gt;&lt;/span&gt;&lt;/a&g= t;&lt;b&gt;&amp;nbsp;no later =3D<br> than&amp;nbsp;&lt;/b&gt;&lt;span style=3D3D&quot;color: rgb(255, 0, 0); &qu= ot;&gt;&lt;b&gt;September 25, =3D<br> 2013&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;span style=3D3D= &quot;text-decoration: =3D<br> line-through; &quot;&gt;September 15, 2013&lt;/span&gt;, or proposals for t= he =3D<br> late-breaking session no later than October 15. 2013.&lt;/div&gt;&lt;div = =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Proposed topics for papers&lt;/b&gt;&lt;/div&gt;&lt;div = style=3D3D&quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;-------------------------------------&lt;/div&gt;&lt;div style=3D= 3D&quot;margin-top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; min-height: 14px; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Audio signal processing and feature =3D<= br> extraction&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right= : 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Machine learning methods for audio conte= nt =3D<br> analysis&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: = 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Intelligent audio production using seman= tic =3D<br> analysis&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: = 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Intelligent audio effects&lt;/div&gt;&lt= ;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> Semantic audio description and ontologies&lt;/div&gt;&lt;div style=3D3D&quo= t;margin-top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; &quot;&gt;* Semantic Web and Li= nked =3D<br> Data for audio&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-r= ight: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Automatic tagging of audio signals&lt;/d= iv&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> Speech processing and analysis&lt;/div&gt;&lt;div style=3D3D&quot;margin-to= p: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;* Content-based audio =3D<br= > retrieval&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right:= 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Music informatics and retrieval&lt;/div&= gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> Automatic music transcription&lt;/div&gt;&lt;div style=3D3D&quot;margin-top= : 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;* Audio source =3D<br> separation&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right= : 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;* Audio restoration&lt;/div&gt;&lt;div =3D= <br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> User interfaces for audio management and retrieval&lt;/div&gt;&lt;div =3D<b= r> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; &quot;&= gt;* =3D<br> Applications in gaming, entertainment, education, etc=3D85&lt;/div&gt;&lt;d= iv =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Conference Programme&lt;/b&gt;&lt;/div&gt;&lt;div style= =3D3D&quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;-----------------------------------&lt;/div&gt;&lt;div style=3D3D= &quot;margin-top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; min-height: 14px; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;The three (+1) day conference programme = =3D<br> includes&amp;nbsp;&lt;b&gt;&lt;i&gt;oral and poster sessions&lt;/i&gt;&lt;/= b&gt;&amp;nbsp;to be held at =3D<br> the&amp;nbsp;&lt;b&gt;&lt;i&gt;Barbican Centre&lt;/i&gt;&lt;/b&gt;&amp;nbsp= ;in a convenient central =3D<br> London&amp;nbsp;location, social events,&amp;nbsp;and a&amp;nbsp;&lt;b&gt;&= lt;i&gt;technical =3D<br> tour at the BBC&lt;/i&gt;&lt;/b&gt;&amp;nbsp;in London (participant numbers= will be =3D<br> limited and subject to registration on a first come first served =3D<br> basis).&amp;nbsp;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margi= n-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;A&amp;nbsp;&lt;span style=3D3D&quot;color: rgb(255, 0, 0); &quot;= &gt;&lt;b&gt;&lt;i&gt;tutorial day on =3D<br> January 26, 2014&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&amp;nbsp;will be held at&= amp;nbsp;&lt;b&gt;&lt;i&gt;Queen =3D<br> Mary University of London&lt;/i&gt;&lt;/b&gt;&amp;nbsp;on effective researc= h practices =3D<br> (e.g. the use of version control and unit testing in audio research) and = =3D<br> selected topics TBC (e.g. Intelligent audio production, Semantic Web =3D<br= > technologies for audio&amp;nbsp;and/or Sparse Representation). The tutorial= s =3D<br> are sponsored by&amp;nbsp;&lt;a href=3D3D&quot;<a href=3D"http://Soundsoftw= are.ac.uk/" target=3D"_blank">http://Soundsoftware.ac.uk/</a>&quot;&gt;&lt;= span =3D<br> style=3D3D&quot;text-decoration: underline; color: rgb(25, 86, 238); =3D<br= > &quot;&gt;<a href=3D"http://Soundsoftware.ac.uk" target=3D"_blank">Soundsof= tware.ac.uk</a>&lt;/span&gt;&lt;/a&gt;&amp;nbsp;and will be free to attend = for all =3D<br> conference participants.&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px= ; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Important dates&lt;= /b&gt;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;-----------------------&lt;/div&gt;&lt;div style=3D3D&quot;margin= -top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Full-paper manuscript&lt;/b&gt;&amp;nbsp;deadline:&amp;n= bsp;&lt;span style=3D3D&quot;color: =3D<br> rgb(255, 0, 0); &quot;&gt;&lt;b&gt;September 25, 2013.&lt;/b&gt;&lt;/span&g= t;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;span =3D<br> style=3D3D&quot;text-decoration: line-through; &quot;&gt;September 15, =3D<= br> 2013&lt;/span&gt;&lt;b&gt;.&lt;/b&gt;&lt;/div&gt;&lt;div style=3D3D&quot;ma= rgin-top: 0px; margin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Late-breaking&amp;nbsp;&lt;/b&gt;demo/poster&amp;nbsp;pr= oposal deadline (60-120 =3D<br> word abstracts):&amp;nbsp;&lt;b&gt;October 15, 2013.&lt;/b&gt;&lt;/div&gt;&= lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Acceptance emailed: November 13, 2013.&amp;nbsp;&lt;span =3D<br> style=3D3D&quot;text-decoration: line-through; &quot;&gt;November 6, =3D<br= > 2013.&lt;/span&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; marg= in-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;Camera-ready submission deadline: December= 2, =3D<br> 2013.&amp;nbsp;&lt;span style=3D3D&quot;text-decoration: line-through; &quo= t;&gt;November 27, =3D<br> 2013.&lt;/span&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; marg= in-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;Late-breaking short-paper deadline (extend= ed =3D<br> abstracts): January 6, 2014.&lt;/div&gt;&lt;div style=3D3D&quot;margin-top:= 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;&lt;b&gt;Paper co-chairs&lt;= /b&gt;&lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;-----------------------&lt;/div&gt;&lt;div style=3D3D&quot;margin= -top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Christian Dittmar, Fraunhofer IDMT&lt;/div&gt;&lt;div style=3D3D&= quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;George Fazekas, Queen Mary = =3D<br> University of London&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; &quot;&gt;Sebastian Ewert, Queen Mary University of = =3D<br> London&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0p= x; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; color: rgb(25, 86, 238); &quot;&gt;&lt;span style=3D= 3D&quot;color: =3D<br> rgb(0, 0, 0); &quot;&gt;Email:&amp;nbsp;&lt;a href=3D3D&quot;mailto:<a href= =3D"mailto:53rd_papers@xxxxxxxx">53rd_papers@xxxxxxxx</a>&quot;&gt;&lt;span = =3D<br> style=3D3D&quot;text-decoration: underline; =3D<br> &quot;&gt;<a href=3D"mailto:53rd_papers@xxxxxxxx">53rd_papers@xxxxxxxx</a>&lt= ;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin= -top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; min-height: 14px; =3D<br> &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; ma= rgin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&l= t;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;&lt;b&gt;Organising Committee&lt;/b&gt;&lt;/div&gt;&lt;div style= =3D3D&quot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;--------------------------------&lt;/div&gt;&lt;div style=3D3D&qu= ot;margin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Karlheinz Brandenburg (chair), Fraunhofer IDMT&lt;/div&gt;&lt;div= =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Mark Sandler (chair), QMUL&lt;/div&gt;&lt;div style=3D3D&quot;mar= gin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; min-height: 14px; &quot;&gt;&lt;br&gt;= &lt;/div&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Chris Baume, BBC R&amp;amp;D&lt;/div&gt;&lt;div style=3D3D&quot;m= argin-top: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;Christian Dittmar, Fraunhofe= r =3D<br> IDMT&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0px;= =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;George Fazekas, QMUL&lt;/div&gt;&lt;div = =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Joshua D. Reiss, QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-t= op: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;Michael Terrell, QMUL&lt;/di= v&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Panos Kudumakis, QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-t= op: 0px; =3D<br> margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal =3D<b= r> normal normal 12px/normal Helvetica; &quot;&gt;Sebastian Ewert, QMUL&lt;/di= v&gt;&lt;div =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Sue White, QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0p= x; margin-right: 0px; =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;Thomas Wilmering, QMUL&lt;/div&gt;&lt;div = =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Yading Song, QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: = 0px; margin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; &quot;&gt;Mathieu Barthet, QMUL&lt;/div&gt;&lt;div = =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Dawn Black, QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0= px; margin-right: =3D<br> 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<b= r> 12px/normal Helvetica; &quot;&gt;Mi Tian, QMUL&lt;/div&gt;&lt;div style=3D3= D&quot;margin-top: =3D<br> 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: =3D<br> normal normal normal 12px/normal Helvetica; &quot;&gt;Brandon Mechtley, =3D= <br> QMUL&lt;/div&gt;&lt;div style=3D3D&quot;margin-top: 0px; margin-right: 0px;= =3D<br> margin-bottom: 0px; margin-left: 0px; font: normal normal normal =3D<br> 12px/normal Helvetica; &quot;&gt;Carl Joseph Bussey, QMUL&lt;/div&gt;&lt;di= v =3D<br> style=3D3D&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; =3D= <br> margin-left: 0px; font: normal normal normal 12px/normal Helvetica; =3D<br> &quot;&gt;Luis Figueira, QMUL,&amp;nbsp;&lt;span style=3D3D&quot;text-decor= ation: underline; =3D<br> color: rgb(25, 86, 238); &quot;&gt;&lt;a =3D<br> href=3D3D&quot;<a href=3D"http://SoundSoftware.ac.uk/" target=3D"_blank">ht= tp://SoundSoftware.ac.uk/</a>&quot;&gt;<a href=3D"http://SoundSoftware.ac.u= k" target=3D"_blank">SoundSoftware.ac.uk</a>&lt;/a&gt;&lt;/span&gt;&lt;/div= &gt;&lt;=3D<br> div&gt;&lt;br&gt;&lt;/div&gt;&lt;/body&gt;&lt;/html&gt;=3D<br> <br> --Apple-Mail=3D_F13F8A7C-8778-4BA7-BD13-B076A37D299F--<br> <br> ------------------------------<br> <br> Date: =A0 =A0Mon, 9 Sep 2013 16:55:01 +0000<br> From: =A0 =A0Tom Campbell &lt;<a href=3D"mailto:tom_campbell75@xxxxxxxx"= >tom_campbell75@xxxxxxxx</a>&gt;<br> Subject: Software/code for insertion of a large number of triggers<br> <br> --_e54a0bdc-8588-41e9-8c76-6a6838394138_<br> Content-Type: multipart/alternative;<br> =A0 =A0 =A0 =A0 boundary=3D&quot;_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_&quo= t;<br> <br> --_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_<br> Content-Type: text/plain; charset=3D&quot;iso-8859-1&quot;<br> Content-Transfer-Encoding: quoted-printable<br> <br> <br> Dear Pragati Rao=3D2CEnclosed is a tutorial review with links to code (slid= es=3D<br> =A0146-174 are most relevant). The .wav cue approach to triggers is most ef= fe=3D<br> ctive with NBS presentation=3D2C though I have known people have problems w= it=3D<br> h there being a dynamics to the port code onset to event onset delay and it= =3D<br> s jitter through the course of the paradigm=3D2C particularly with large nu= mb=3D<br> ers of port codes. This can happen even when the timing seems fine at first= =3D<br> . Initial clues to this may be seen with a dry run of the paradigm when loo= =3D<br> king at the uncertainties in the log file =A0Recommended is to record a tri= gg=3D<br> er channel and the sound signal via multichannel oscilloscope for the whole= =3D<br> =A0dry run and then analyze this to assay if there is such a dynamics. You = do=3D<br> =A0want that delay to be constant within limits that are suited to your EEG= s=3D<br> ample rate and the ERP deflections of interest.Best regards=3D2CTom Campbel= l.=3D<br> Date: Fri=3D2C 6 Sep 2013 08:36:10 +1000<br> From: Pragati Rao &lt;<a href=3D"mailto:pragatir@xxxxxxxx">pragatir@xxxxxxxx= COM</a>&gt;<br> Subject: Software/code for insertion of a large number of triggers.<br> <br> --f46d043c7b8c77ea0504e5aa8cb7<br> Content-Type: text/plain=3D3B charset=3D3DISO-8859-1<br> <br> Dear All=3D2C<br> <br> I have to insert triggers for an EEG experiment (almost 3000 triggers) into= <br> a wav file. Adobe audition or Goldwave can be used for this purpose. The<br= > process is very time consuming. Does anyone know of a more time-efficient<b= r> way of doing this? Perhaps a MATLAB code?<br> <br> I tried getting the sound presentation software to send cue events=3D2C but= I<br> was advised by presentation (neurobehavioral system) to have this trigger<b= r> information within the sound file (so that timing information is precise).<= br> <br> Any help is appreciated.<br> <br> Thanks=3D2C<br> Pragati Rao=3D2C<br> PhD Candidate and Research Audiologist=3D2C<br> Room 1.612=3D2C Level 1=3D2C<br> Australian Hearing Hub=3D2C<br> 16 University Avenue=3D2C<br> Macquarie University=3D2C<br> NSW 2109<br> <br> <br> <a href=3D"http://www.hearingcrc.org/people/pragati-mandikal-vasuki" target= =3D"_blank">http://www.hearingcrc.org/people/pragati-mandikal-vasuki</a><br= > <a href=3D"http://www.ling.mq.edu.au/cll/team.html" target=3D"_blank">http:= //www.ling.mq.edu.au/cll/team.html</a> =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 = =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0= =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =A0 =3D<br> <br> --_d9d63cdf-a09b-4f6b-b16c-b1caa6234100_<br> Content-Type: text/html; charset=3D&quot;iso-8859-1&quot;<br> Content-Transfer-Encoding: quoted-printable<br> <br> &lt;html&gt;<br> &lt;head&gt;<br> &lt;style&gt;&lt;!--<br> .hmmessage P<br> {<br> margin:0px=3D3B<br> padding:0px<br> }<br> body.hmmessage<br> {<br> font-size: 12pt=3D3B<br> font-family:Calibri<br> }<br> --&gt;&lt;/style&gt;&lt;/head&gt;<br> &lt;body class=3D3D&#39;hmmessage&#39;&gt;&lt;div dir=3D3D&#39;ltr&#39;&gt;= &lt;br&gt;&lt;div&gt;&lt;pre style=3D3D&quot;line-heig=3D<br> ht: 21px=3D3B white-space: normal=3D3B color: rgb(68=3D2C 68=3D2C 68)=3D3B = font-size:=3D<br> =A015px=3D3B &quot;&gt;Dear Pragati Rao=3D2C&lt;/pre&gt;&lt;pre&gt;&lt;font= color=3D3D&quot;#444444&quot;&gt;&lt;span styl=3D<br> e=3D3D&quot;font-size: 15px=3D3B line-height: 21px=3D3B white-space: normal= =3D3B&quot;&gt;Enclos=3D<br> ed is a tutorial review with links to code (slides 146-174 are most relevan= =3D<br> t). The .wav cue approach to triggers is most effective with NBS presentati= =3D<br> on=3D2C though I have known people have problems with there being a dynamic= s =3D<br> to the port code onset to event onset delay and its jitter through the cour= =3D<br> se of the paradigm=3D2C particularly with large numbers of port codes. This= c=3D<br> an happen even when the timing seems fine at first. Initial clues to this m= =3D<br> ay be seen with a dry run of the paradigm when looking at the uncertainties= =3D<br> =A0in the&amp;nbsp=3D3Blog file&amp;nbsp=3D3B Recommended is to record a tr= igger channel =3D<br> and the sound signal via multichannel oscilloscope for the whole dry run an= =3D<br> d then&amp;nbsp=3D3Banalyze this to assay if there is such a dynamics. You = do wan=3D<br> t that delay to be constant within limits that are suited to your EEG sampl= =3D<br> e rate and the ERP deflections of interest.&lt;/span&gt;&lt;/font&gt;&lt;/p= re&gt;&lt;pre&gt;&lt;font c=3D<br> olor=3D3D&quot;#444444&quot;&gt;&lt;span style=3D3D&quot;font-size: 15px=3D= 3B line-height: 21px=3D3B whi=3D<br> te-space: normal=3D3B&quot;&gt;Best regards=3D2C&lt;/span&gt;&lt;/font&gt;&= lt;/pre&gt;&lt;pre&gt;&lt;font color=3D3D=3D<br> &quot;#444444&quot;&gt;&lt;span style=3D3D&quot;font-size: 15px=3D3B line-h= eight: 21px=3D3B white-spac=3D<br> e: normal=3D3B&quot;&gt;Tom Campbell.&lt;/span&gt;&lt;/font&gt;&lt;/pre&gt;= &lt;pre style=3D3D&quot;line-height: 2=3D<br> 1px=3D3B white-space: normal=3D3B color: rgb(68=3D2C 68=3D2C 68)=3D3B font-= size: 15px=3D<br> =3D3B &quot;&gt;Date: Fri=3D2C 6 Sep 2013 08:36:10 +1000&lt;br&gt;From: Pra= gati Rao &amp;lt=3D3Bpra=3D<br> <a href=3D"mailto:gatir@xxxxxxxx">gatir@xxxxxxxx</a>&amp;gt=3D3B&lt;br&gt= ;Subject: Software/code for insertion of a large nu=3D<br> mber of triggers.&lt;br&gt;&lt;br&gt;--f46d043c7b8c77ea0504e5aa8cb7&lt;br&g= t;Content-Type: te=3D<br> xt/plain=3D3B charset=3D3DISO-8859-1&lt;br&gt;&lt;br&gt;Dear All=3D2C&lt;br= &gt;&lt;br&gt;I have to insert=3D<br> =A0triggers for an EEG experiment (almost 3000 triggers) into&lt;br&gt;a wa= v file. =3D<br> Adobe audition or Goldwave can be used for this purpose. The&lt;br&gt;proce= ss is =3D<br> very time consuming. Does anyone know of a more time-efficient&lt;br&gt;way= of do=3D<br> ing this? Perhaps a MATLAB code?&lt;br&gt;&lt;br&gt;I tried getting the sou= nd presentat=3D<br> ion software to send cue events=3D2C but I&lt;br&gt;was advised by presenta= tion (ne=3D<br> urobehavioral system) to have this trigger&lt;br&gt;information within the = sound =3D<br> file (so that timing information is precise).&lt;br&gt;&lt;br&gt;Any help i= s appreciate=3D<br> d.&lt;br&gt;&lt;br&gt;Thanks=3D2C&lt;br&gt;Pragati Rao=3D2C&lt;br&gt;PhD Ca= ndidate and Research Audiolo=3D<br> gist=3D2C&lt;br&gt;Room 1.612=3D2C Level 1=3D2C&lt;br&gt;Australian Hearing= Hub=3D2C&lt;br&gt;16 Univ=3D<br> ersity Avenue=3D2C&lt;br&gt;Macquarie University=3D2C&lt;br&gt;NSW 2109&lt;= br&gt;&lt;br&gt;&lt;br&gt;&lt;a href=3D<br> =3D3D&quot;<a href=3D"http://www.hearingcrc.org/people/pragati-mandikal-vas= uki" target=3D"_blank">http://www.hearingcrc.org/people/pragati-mandikal-va= suki</a>&quot; target=3D3D&quot;_bl=3D<br> ank&quot; style=3D3D&quot;color: rgb(0=3D2C 104=3D2C 207)=3D3B cursor: poin= ter=3D3B 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Electrical Engineering Dept., Columbia University