Subject: [nemisig] 2nd Call for Papers: Special Issue on Musical Rhythm, JNMR. Deadline: October 15, 2013. From: Juan Bello <jpbello@xxxxxxxx> Date: Wed, 4 Sep 2013 18:48:26 -0400--Apple-Mail=_211D3ECA-F32A-484D-8230-9E2E4BAA3889 Content-Transfer-Encoding: quoted-printable Content-Type: text/plain; charset=windows-1252 Content-Disposition: inline Dear all, (Apologies for any cross-posting. Please forward to anyone that may be inte= rested) Please find below the second call for papers for JNMR's special issue on mu= sical rhythm. The submission deadline is October 15, 2013, only a short mon= th and half away. Looking forward to your contributions!=20 ----------------------------- 2nd CALL FOR PAPERS Journal of New Music Research Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cultural Pers= pectives ----------------------------- Short Description: =20 Variously defined as =93organized duration=94 (Kolinski, 1973), =93the many= different ways in which time is organized in music=94 (Bamberger, 2000) an= d the =93language of time=94 (Lewis, 2005), the attribute of rhythm is of c= entral concern to all music studies. Nevertheless, it is only in recent dec= ades that the subject has received the attention it deserves, producing rhy= thmic theories on a par with those for pitch structure; musicological studi= es providing a more nuanced understanding of the historical and cultural co= ntext that informs the creation and reception of rhythm; rhythm-based compu= tational models that are applicable to music search, computational musicolo= gy, and interactive music systems; as well as new science allowing us to un= derstand the biological mechanisms behind music and rhythm processing, and = the effects of rhythm information on human perception and cognition. Yet, m= ost of this research is confined within the bounds of single disciplines, a= nd limited to specific music traditions, mostly western popular music. =20 This special issue aims to group novel, high-quality research on musical rh= ythm. The emphasis is on interactions between scholars from various discipl= ines -- including music theory, cognitive psychology, neuroscience, musicol= ogy, music information retrieval, performance and composition -- and on an = increased awareness of music outside the Western canon. By focusing on the = presentation and discussion of interdisciplinary cross-cultural research on= musical rhythm, this volume seeks to expand the horizons of traditional mu= sic scholarship in unprecedented ways. The issue follows the workshop of th= e same name that was held in Abu Dhabi, between March 18-21, 2013: https://sites.google.com/site/nyurhythmworkshop/ =20 We invite contributions including, but not limited, to the following topics: =20 =B7 Rhythm well-formedness, complexity and syncopation =B7 Pulse, beat and meter analysis =B7 Meter-less rhythms =B7 Polyrhythms =B7 Groove, swing and micro-timing =B7 Rhythmic performance analysis =B7 Computational models of rhythm =B7 Rhythm-based similarity, classification and search =B7 Automatic rhythm generation =B7 Rhythm perception and cognition =B7 Neural processing of rhythm, rhythms of the brain =B7 Connection between musical and speech/language rhythms =B7 The role of timbre, melody and other musical attributes on rhythm= structure =B7 Culture-specific and cross-cultural rhythm studies =20 ----------------------------- Important Dates: Manuscript Submission Due: October 15, 2013 First Notification: March 1, 2014 Final Version of Manuscripts: September 1, 2014 Tentative Publication Date: Late 2014 or early 2015 =20 ----------------------------- Guest Editors: Juan Pablo Bello, Associate Professor of Music Technology, New York Univers= ity Carlos Guedes, Associate Music Professor, NYU Abu Dhabi Robert Rowe, Professor of Music Composition and Technology, New York Univer= sity Godfried Toussaint, Research Professor of Computer Science, NYU Abu Dhabi --------------------------------------------------- Juan Pablo Bello Associate Professor, Music Technology New York University jpbello@xxxxxxxx https://files.nyu.edu/jb2843/public/ http://marl.smusic.nyu.edu/ --Apple-Mail=_211D3ECA-F32A-484D-8230-9E2E4BAA3889 Content-Type: text/html; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline <!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01//EN" "http://www.w3.org/TR/htm= l4/strict.dtd"> <html> <head> </head> <body style=3D"background-color: #fff;"> <span style=3D"display:none"> </span> <!--~-|**|PrettyHtmlStartT|**|-~--> <div id=3D"ygrp-mlmsg" style=3D"position:relative;"> <div id=3D"ygrp-msg" style=3D"z-index: 1;"> <!--~-|**|PrettyHtmlEndT|**|-~--> <div id=3D"ygrp-text" > =20=20=20=20=20=20 =20=20=20=20=20=20 <p><div>Dear all,</div><div><div>(Apologies for any cross-posting. Pl= ease forward to anyone that may be interested)</div></div><div><br></div><d= iv>Please find below the second call for papers for JNMR's special issue on= musical rhythm. The submission deadline is October 15, 2013, only a short = month and half away. Looking forward to your contributions! </di= v><div><br></div><div>-----------------------------</div><div><br></div><di= v>2nd CALL FOR PAPERS</div><div><div>Journal of New Music Research</div><di= v><b>Special Issue -- Musical Rhythm: Cross-disciplinary and Multi-cultural= Perspectives<br></b><br></div><div>-----------------------------</div><div= >Short Description:</div><div> <br>Variously defined as =93organized d= uration=94 (Kolinski, 1973), =93the many different ways in which time is or= ganized in music=94 (Bamberger, 2000) and the =93language of time=94 (Lewis= , 2005), the attribute of rhythm is of central concern to all music studies= . Nevertheless, it is only in recent decades that the subject has received = the attention it deserves, producing rhythmic theories on a par with those = for pitch structure; musicological studies providing a more nuanced underst= anding of the historical and cultural context that informs the creation and= reception of rhythm; rhythm-based computational models that are applicable= to music search, computational musicology, and interactive music systems; = as well as new science allowing us to understand the biological mechanisms = behind music and rhythm processing, and the effects of rhythm information o= n human perception and cognition. Yet, most of this research is confined wi= thin the bounds of single disciplines, and limited to specific music tradit= ions, mostly western popular music.<br> <br>This special issue aims to= group novel, high-quality research on musical rhythm. The emphasis is on i= nteractions between scholars from various disciplines -- including music th= eory, cognitive psychology, neuroscience, musicology, music information ret= rieval, performance and composition -- and on an increased awareness of mus= ic outside the Western canon. By focusing on the presentation and discussio= n of interdisciplinary cross-cultural research on musical rhythm, this volu= me seeks to expand the horizons of traditional music scholarship in unprece= dented ways. The issue follows the workshop of the same name that was held = in Abu Dhabi, between March 18-21, 2013:<br><br><a href=3D"https://sites.go= ogle.com/site/nyurhythmworkshop/">https://sites.google.com/site/nyurhythmwo= rkshop/</a><br> <br>We invite contributions including, but not limited= , to the following topics:<br> <br>=B7 Rhyth= m well-formedness, complexity and syncopation<br>=B7 &n= bsp;Pulse, beat and meter analysis<br>=B7 Meter-l= ess rhythms<br>=B7 Polyrhythms<br>=B7  = ; Groove, swing and micro-timing<br>=B7 &n= bsp;Rhythmic performance analysis<br>=B7 Computat= ional models of rhythm<br>=B7 Rhythm-based simila= rity, classification and search<br>=B7 Automatic = rhythm generation<br>=B7 Rhythm perception and co= gnition<br>=B7 Neural processing of rhythm, rhyth= ms of the brain<br>=B7 Connection between musical= and speech/language rhythms<br>=B7 The role of t= imbre, melody and other musical attributes on rhythm structure<br>=B7 = Culture-specific and cross-cultural rhythm studies<br>= <br><div>-----------------------------</div><div>Important Dates:</di= v><div><br></div>Manuscript Submission Due: October 15, 2013<br>First Notif= ication: March 1, 2014<br>Final Version of Manuscripts: September 1, 2014<b= r>Tentative Publication Date: Late 2014 or early 2015<br> </div><div><= div>-----------------------------</div><div>Guest Editors:</div><div><br></= div>Juan Pablo Bello, Associate Professor of Music Technology, New York Uni= versity<br>Carlos Guedes, Associate Music Professor, NYU Abu Dhabi<br>Rober= t Rowe, Professor of Music Composition and Technology, New York University<= br>Godfried Toussaint, Research Professor of Computer Science, NYU Abu Dhab= i</div></div><div><br></div><div apple=3D"true"> <span class=3D"Apple-style-span" style=3D"border-collapse: separate;"><div>= <span class=3D"Apple-style-span" style=3D"border-collapse: separate;color: = rgb(0, 0, 0);font-family: Helvetica;font-style: normal;font-variant: normal= ;font-weight: normal;letter-spacing: normal;text-indent: 0px;text-transform= : none;white-space: normal;"><div><span class=3D"Apple-style-span" style=3D= "border-collapse: separate;color: rgb(0, 0, 0);font-family: Helvetica;font-= style: normal;font-variant: normal;font-weight: normal;letter-spacing: norm= al;text-indent: 0px;text-transform: none;white-space: normal;"><div><span c= lass=3D"Apple-style-span" style=3D"text-indent: 0px;"><div><div><div><div s= tyle=3D"border-collapse: separate;color: rgb(0, 0, 0);font-family: Helvetic= a;font-style: normal;font-variant: normal;font-weight: normal;letter-spacin= g: normal;text-transform: none;white-space: normal;word-spacing: 0px;">----= -----------------------------------------------</div><div style=3D"border-c= ollapse: separate;color: rgb(0, 0, 0);font-family: Helvetica;font-style: no= rmal;font-variant: normal;font-weight: normal;letter-spacing: normal;text-t= ransform: none;white-space: normal;word-spacing: 0px;">Juan Pablo Bello</di= v><div style=3D"border-collapse: separate;color: rgb(0, 0, 0);font-family: = Helvetica;font-style: normal;font-variant: normal;font-weight: normal;lette= r-spacing: normal;text-transform: none;white-space: normal;word-spacing: 0p= x;">Associate Professor, Music Technology</div><div>New York University</di= v><div style=3D"border-collapse: separate;color: rgb(0, 0, 0);font-family: = Helvetica;font-style: normal;font-variant: normal;font-weight: normal;lette= r-spacing: normal;text-transform: none;white-space: normal;word-spacing: 0p= x;"><a href=3D"mailto:jpbello@xxxxxxxx">jpbello@xxxxxxxx</a></div><div style= =3D"border-collapse: separate;color: rgb(0, 0, 0);font-family: Helvetica;fo= nt-style: normal;font-variant: normal;font-weight: normal;letter-spacing: n= ormal;text-transform: none;white-space: normal;word-spacing: 0px;"><a href= =3D"https://files.nyu.edu/jb2843/public/">https://files.nyu.edu/jb2843/publ= ic/</a></div><div style=3D"border-collapse: separate;color: rgb(0, 0, 0);fo= nt-family: Helvetica;font-style: normal;font-variant: normal;font-weight: n= ormal;letter-spacing: normal;text-transform: none;white-space: normal;word-= spacing: 0px;"><a href=3D"http://marl.smusic.nyu.edu/">http://marl.smusic.n= yu.edu/</a></div><div style=3D"border-collapse: separate;color: rgb(0, 0, 0= );font-family: Helvetica;font-style: normal;font-variant: normal;font-weigh= t: normal;letter-spacing: normal;text-transform: none;white-space: normal;w= ord-spacing: 0px;"><br></div><br></div><br></div><br></div></span><br class= =3D"Apple-interchange-newline"></div></span><br class=3D"Apple-interchange-= newline"></div></span><br class=3D"Apple-interchange-newline"></div></span>= <br class=3D"Apple-interchange-newline"><br class=3D"Apple-interchange-newl= ine"> </div> <br></p> </div> =20=20=20=20=20 <!--~-|**|PrettyHtmlStart|**|-~--> <div style=3D"color: #fff; 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