[AUDITORY] Looking for examples of =?windows-1252?Q?=93multi-temporality=94?= (pol yrhythm/polymeter/polytempo) (Eve Poudrier )

Subject: [AUDITORY] Looking for examples of =?windows-1252?Q?=93multi-temporality=94?= (pol yrhythm/polymeter/polytempo) From: Eve Poudrier <eve.poudrier@xxxxxxxx> Date: Tue, 18 Jun 2013 16:08:02 -0400 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> --047d7b5d474e384f0504df73456d Content-Type: text/plain; charset=windows-1252 Content-Transfer-Encoding: quoted-printable Dear colleagues, I am building a collection of musical examples from around the world in which =93multi-temporality=94 (e.g., polyrhythm/polymeter/polytempo) plays = a substantial role. We have already collected a number of representative examples from secondary sources (journal articles and monographs) and are now starting to collect examples from repertoires that have not received as much scholarly attention, focusing on the period from 1950 onward. If you have any repertoire suggestions, transcriptions, and/or recordings of music where the use of multi-temporality is clearly apparent, please send them to multitemporality@xxxxxxxx with a short description. All original contributions will be appropriately acknowledged. A short description of the research project is available on request. Once the project is completed, we are planning to make these examples and related materials available online for further research and pedagogical purposes. Best regards, =C8ve Poudrier --=20 =C8ve Poudrier Assistant Professor, Music Theory Yale University, Department of Music 469 College Street, 301 New Haven, CT 06511 (203) 432-2995 --047d7b5d474e384f0504df73456d Content-Type: text/html; charset=UTF-8 Content-Transfer-Encoding: quoted-printable <div dir=3D"ltr"> <style> </style>Dear colleagues, I am building a collection of musical examples from around the world in which =E2=80=9Cmulti-temporality=E2=80=9D= (e.g., polyrhythm/polymeter/polytempo) plays a substantial role. We have already collected a number of representat= ive examples from secondary sources (journal articles and monographs) and are n= ow starting to collect examples from repertoires that have not received as muc= h scholarly attention, focusing on the period from 1950 onward. If you have any repertoire suggestions, transcriptions, and/or recordings of music where the use of multi-temporali= ty is clearly apparent, please send them to <style>  </style> <a href=3D"mailto:multit= emporality@xxxxxxxx">multitemporality@xxxxxxxx</a></sp= an> with a short description. All original contributions will be appropriately acknowledged.= A short description of the research project is available on request. Once the project is completed, we are planning to make these examples and related materials available online for further research and pedagogical purposes.<b= r style> Best regards, =C3=88ve Poudrier -- =C3=88ve Poudrier Assistant Professor, Music Theory Yale U= niversity, Department of Music 469 College Street, 301 New Haven, CT = 06511 (203) 432-2995 =20 </div> --047d7b5d474e384f0504df73456d--

This message came from the mail archive
/var/www/postings/2013/
maintained by:

DAn Ellis <dpwe@ee.columbia.edu>
Electrical Engineering Dept., Columbia University