Subject: CMMR2013 - Call for Demos and Installations - "Sound, Music and Motion" From: =?ISO-8859-1?Q?Ga=EBtan_Parseihian?= <parseihian@xxxxxxxx> Date: Mon, 15 Apr 2013 12:02:59 +0200 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>This is a multi-part message in MIME format. --------------060100080001060201070303 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: quoted-printable Apologies for cross-postings, please distribute ----------------------------------------------------------------- CALL FOR DEMOS AND INSTALLATIONS following the call for papers and posters available on: http://www.cmmr2013.cnrs-mrs.fr/CallP.html SUBMISSION BY 15TH JUNE 2013 10th International Symposium on Computer Music Modeling and Retrieval/ Computer Music Multidisciplinary Research 2013 "Sound, Music & Motion" October 15th -- 18th 2013, CNRS - Laboratoire de M=E9canique et d'Acoustique, Marseille, France Conference website: http://www.cmmr2013.cnrs-mrs.fr ----------------------------------------------------------------- We are pleased to announce the call for demonstrations and sound/media=20 installations for CMMR 2013 -- "Sound, Music & Motion". This event will=20 take place in Marseille, CNRS-LMA, October 15th-18th 2013. This year=20 CMMR celebrates its 10th anniversary. For this special occasion the=20 symposium will be held in Marseille, the European Capital of Culture=20 2013 (http://www.mp2013.fr/?lang=3Den). ----------------------------------------------------------------- Demonstrations and installations should present innovative working=20 systems which, if applicable, can be tested by users. They could either accompany a technical talk or a poster session or be=20 submitted as independent contributions. *Demonstration* Demonstrations will be presented during poster sessions. They aim at strengthening the interactions between participants and=20 offer an exciting opportunity for researchers to demonstrate their=20 state-of-the-art results to a wide audience. Demonstrations are expected=20 to be attractive, interesting, innovative, inventive and to be=20 reasonably clear and self-contained. Demonstrators are encouraged to use=20 a poster to facilitate the illustration of the scientific and=20 technological aspects involved. *Installation* A number of rooms will be specifically used to exhibit sound/media=20 installations. Works must feature original sound processing as a central element though=20 they may and hopefully will include other media or physical components;=20 works with interactive elements are strongly encouraged. *Topics* Original contributions are encouraged in, but not limited to, the=20 following topics: . Sound, Music and motions (e.g. analysis, retrieval, synthesis,=20 composition, performance, music for images) . Gestural control of sound synthesis . Musical gesture analysis . Augmented musical instruments . Musical interfaces . Musically inspired HCI . Mapping & Sonification . Auditory perception and cognition . Virtual reality, augmented reality and human-computer=20 interaction related to music . Interaction sound/image . Semio-acoustics (Soundscapes, Field Recording, daily sounds) . Therapy and rehabilitation . Digital music libraries . User studies (e.g. ethnography, usability of music software) . New methods for music representation and visualization . Retrieval and music recommendation tools . Intelligent music tutoring systems . Music games and interactive learning . Music production and composition tools . Structuring of audio data . Cooperative music networks . Analysis, recognition, comparison, classification, and=20 modeling of sound and music . Music and sound data mining . Sound synthesis . Optical music recognition . Semantic web music technologies . Sound source separation . Music structure analysis . Music transcription . Artificial intelligence and cognitive science for sound and mus= ic * **Submission* All submissions of demonstration and installation proposals will be=20 peer-reviewed to ensure quality and suitability. Please submit a=20 proposal following the instructions specified in the Author instruction=20 & Submission section of the CMMR 2013 website. Participants of accepted=20 proposals are required to be registered for the conference by the author=20 registration deadline. *Important dates:* Submission deadline June 15th 2013 Notification of acceptance July 15th 2013 For general inquiries, please contact the conference general chairs=20 using the following email address: cmmr2013-chairs@xxxxxxxx For inquiries regarding music submissions, please contact the music=20 chair using the following email address: cmmr2013-demo@xxxxxxxx Please forward this call to interested parties. We are looking forward to your contributions ! *Symposium chair* Richard Kronland-Martinet, CNRS-LMA *Paper, program and proceedings chairs* Mitsuko Aramaki, S=F8lvi Ystad, Olivier Derrien, CNRS-LMA *Demonstration and Installation Chairs,* Charles Gondre & Ga=EBtan Parseihian, CNRS-LMA *Music Chair* Jacques Diennet, UBRIS Studio, Marseille * **Communication and Sponsoring Chairs* Etienne Thoret & Simon Conan, CNRS-LMA --------------060100080001060201070303 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit <html> <head> <meta http-equiv="content-type" content="text/html; charset=ISO-8859-1"> </head> <body bgcolor="#FFFFFF" text="#000000"> <br> Apologies for cross-postings, please distribute<br> <br> -----------------------------------------------------------------<br> <br> <div align="center">CALL FOR DEMOS AND INSTALLATIONS<br> <small>following the call for papers and posters available on: <br> <a class="moz-txt-link-freetext" href="http://www.cmmr2013.cnrs-mrs.fr/CallP.html">http://www.cmmr2013.cnrs-mrs.fr/CallP.html</a></small><br> SUBMISSION BY 15TH JUNE 2013<br> <br> 10th International Symposium on Computer Music Modeling and Retrieval/<br> Computer Music Multidisciplinary Research 2013<br> “Sound, Music & Motion”<br> October 15th – 18th 2013, <br> CNRS - Laboratoire de Mécanique et d’Acoustique, Marseille, France<br> <br> Conference website: <a class="moz-txt-link-freetext" href="http://www.cmmr2013.cnrs-mrs.fr">http://www.cmmr2013.cnrs-mrs.fr</a><br> </div> -----------------------------------------------------------------<br> <br> We are pleased to announce the call for demonstrations and sound/media installations for CMMR 2013 – “Sound, Music & Motion”. This event will take place in Marseille, CNRS-LMA, October 15th-18th 2013. This year CMMR celebrates its 10th anniversary. For this special occasion the symposium will be held in Marseille, the European Capital of Culture 2013 (<a class="moz-txt-link-freetext" href="http://www.mp2013.fr/?lang=en">http://www.mp2013.fr/?lang=en</a>). <br> <br> -----------------------------------------------------------------<br> <br> Demonstrations and installations should present innovative working systems which, if applicable, can be tested by users. <br> They could either accompany a technical talk or a poster session or be submitted as independent contributions.<br> <br> <b>Demonstration</b><br> <br> Demonstrations will be presented during poster sessions. <br> They aim at strengthening the interactions between participants and offer an exciting opportunity for researchers to demonstrate their state-of-the-art results to a wide audience. Demonstrations are expected to be attractive, interesting, innovative, inventive and to be reasonably clear and self-contained. Demonstrators are encouraged to use a poster to facilitate the illustration of the scientific and technological aspects involved.<br> <br> <b>Installation</b><br> <br> A number of rooms will be specifically used to exhibit sound/media installations.<br> Works must feature original sound processing as a central element though they may and hopefully will include other media or physical components; works with interactive elements are strongly encouraged.<br> <br> <b>Topics</b><br> <br> Original contributions are encouraged in, but not limited to, the following topics:<br> <br> • Sound, Music and motions (e.g. analysis, retrieval, synthesis, composition, performance, music for images)<br> • Gestural control of sound synthesis<br> • Musical gesture analysis<br> • Augmented musical instruments<br> • Musical interfaces<br> • Musically inspired HCI<br> • Mapping & Sonification<br> • Auditory perception and cognition<br> • Virtual reality, augmented reality and human-computer interaction related to music<br> • Interaction sound/image<br> • Semio-acoustics (Soundscapes, Field Recording, daily sounds)<br> • Therapy and rehabilitation <br> • Digital music libraries<br> • User studies (e.g. ethnography, usability of music software)<br> • New methods for music representation and visualization<br> • Retrieval and music recommendation tools<br> • Intelligent music tutoring systems<br> • Music games and interactive learning<br> • Music production and composition tools<br> • Structuring of audio data<br> • Cooperative music networks<br> • Analysis, recognition, comparison, classification, and modeling of sound and music<br> • Music and sound data mining<br> • Sound synthesis<br> • Optical music recognition<br> • Semantic web music technologies<br> • Sound source separation<br> • Music structure analysis<br> • Music transcription<br> • Artificial intelligence and cognitive science for sound and music<br> <b><br> </b><b>Submission</b><br> <br> All submissions of demonstration and installation proposals will be peer-reviewed to ensure quality and suitability. Please submit a proposal following the instructions specified in the Author instruction & Submission section of the CMMR 2013 website. Participants of accepted proposals are required to be registered for the conference by the author registration deadline.<br> <br> <b>Important dates:</b><br> <br> Submission deadline June 15th 2013<br> Notification of acceptance July 15th 2013<br> <br> <br> For general inquiries, please contact the conference general chairs using the following email address:<br> <a class="moz-txt-link-abbreviated" href="mailto:cmmr2013-chairs@xxxxxxxx">cmmr2013-chairs@xxxxxxxx</a><br> <br> For inquiries regarding music submissions, please contact the music chair using the following email address:<br> <a class="moz-txt-link-abbreviated" href="mailto:cmmr2013-demo@xxxxxxxx">cmmr2013-demo@xxxxxxxx</a><br> <br> Please forward this call to interested parties.<br> We are looking forward to your contributions !<br> <br> <br> <br> <b>Symposium chair</b><br> Richard Kronland-Martinet, CNRS-LMA<br> <br> <b>Paper, program and proceedings chairs</b><br> Mitsuko Aramaki, Sølvi Ystad, Olivier Derrien, CNRS-LMA<br> <br> <b>Demonstration and Installation Chairs,</b> <br> Charles Gondre & Gaëtan Parseihian, CNRS-LMA<br> <br> <b>Music Chair</b><br> Jacques Diennet, UBRIS Studio, Marseille<br> <b><br> </b><b>Communication and Sponsoring Chairs</b><br> Etienne Thoret & Simon Conan, CNRS-LMA<br> </body> </html> --------------060100080001060201070303--