Re: Longcat AudioStage (Brian FG Katz )

Subject: Re: Longcat AudioStage From: Brian FG Katz <brian.katz@xxxxxxxx> Date: Sat, 15 Sep 2012 18:40:17 +0200 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY> This is a multipart message in MIME format. ------=_NextPart_000_00DC_01CD9371.8D80FA00 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear Frederik, =20 Sorry, but that isn=92t enough information. It is useful to know what = you are actually try to do. For example, here are some starting questions : 1) Single source, several sources, many sources? 2) Range of angles of interest: any desired position on the full sphere, limited positions on most of the sphere, how high and how low 3) Distance rendering: accurate range needed? Distance <1 from the head? 4) Source trajectories or fixed positions? 5) Room effect or anechoic conditions? 6) Real-time or off-line? 7) Head-tracking integration possible or not? 8) PC platform (Win/Mac/Linux)? 9) Your programming skill level (turn-key system, MaxMSP patching, MatLab coding)? 10) Headphone equalization? 11) Price range possible? 12) Lab setting or installation art?=20 =20 -- Brian FG Katz, Ph.D Audio & Acoustique LIMSI-CNRS BP 133 F91403 Orsay France tel. (+33) 01 69 85 81 55 fax. (+33) 01.69.85.80.88 e-mail <mailto:Brian.Katz@xxxxxxxx> Brian.Katz@xxxxxxxx < <mailto:Brian.Katz@xxxxxxxx> mailto:Brian.Katz@xxxxxxxx> web_theme: <http://www.limsi.fr/Scientifique/aa/thmsonesp/> http://www.limsi.fr/Scientifique/aa/thmsonesp/ web_group: <http://www.limsi.fr/Scientifique/aa/> http://www.limsi.fr/Scientifique/aa/ =20 =20 =20 De : AUDITORY - Research in Auditory Perception [mailto:AUDITORY@xxxxxxxx De la part de Frederik Nielbo Envoy=E9 : samedi 15 septembre 2012 14:27 =C0 : AUDITORY@xxxxxxxx Objet : Re: [AUDITORY] Longcat AudioStage =20 Dear Brian and others, What I am looking for is simply some software that allows me to produce auditory stimuli, enabling me to present it binaurally in stereo = headphones. I need to be able to control the virtual position rather precise. Thank you, Ga=EBtan, I will definitely look into that! Best regards, Frederik 2012/9/14 Brian Katz <brian.katz@xxxxxxxx> What are you actually wanting to do? This will greatly affect your = choice, and there a numerous ones out there with VERY different results and constraints.=20 -Brian FG Katz LIMSI-CNRS =20 On 14 sept. 2012, at 15:07, Frederik Nielbo <frederiknielbo@xxxxxxxx> wrote: Dear list, =20 I am wondering if any of you have experiences with Longcat AudioStage in your work with audio spatialization - is this the best software = available, are there any major limitations, what are the alternatives, etc.? =20 Best regards, Frederik Nielbo Center for Semiotics Aarhus University =20 =20 ------=_NextPart_000_00DC_01CD9371.8D80FA00 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html xmlns:v=3D"urn:schemas-microsoft-com:vml" = xmlns:o=3D"urn:schemas-microsoft-com:office:office" = xmlns:w=3D"urn:schemas-microsoft-com:office:word" = xmlns:m=3D"http://schemas.microsoft.com/office/2004/12/omml" = xmlns=3D"http://www.w3.org/TR/REC-html40"><head><meta = http-equiv=3DContent-Type content=3D"text/html; = charset=3Diso-8859-1"><meta name=3DGenerator content=3D"Microsoft Word = 14 (filtered medium)"><style></style></head><body lang=3DEN-US link=3Dblue = vlink=3Dpurple><div class=3DWordSection1>Dear Frederik,<o:p></o:p><o:p> </o:p>Sorry, but that isn’t enough information. It is useful to know = what you are actually try to do. For example, here are some starting = questions :<o:p></o:p><![if = !supportLists]>1)      = <![endif]>Single source, several sources, many sources?<o:p></o:p><![if !supportLists]>2)      = <![endif]>Range of angles of interest: any desired position on the full sphere, = limited positions on most of the sphere, how high and how = low<o:p></o:p><![if = !supportLists]>3)      = <![endif]>Distance rendering: accurate range needed? Distance <1 from the = head?<o:p></o:p><![if = !supportLists]>4)      = <![endif]>Source trajectories or fixed positions?<o:p></o:p><![if !supportLists]>5)      = <![endif]>Room effect or anechoic conditions?<o:p></o:p><![if !supportLists]>6)      = <![endif]>Real-time or off-line?<o:p></o:p><![if !supportLists]>7)      = <![endif]>Head-tracking integration possible or not?<o:p></o:p><![if !supportLists]>8)      = <![endif]>PC platform (Win/Mac/Linux)?<o:p></o:p><![if !supportLists]>9)      = <![endif]>Your programming skill level (turn-key system, MaxMSP patching, = MatLab coding)?<o:p></o:p><![if = !supportLists]>10)   <![endif]>Headphone equalization?<o:p></o:p><![if !supportLists]>11)   <![endif]>Price range possible?<o:p></o:p><![if !supportLists]>12)   <![endif]>Lab setting or installation art? <o:p></o:p><o:p> </o:p>--<o:p></o:p>Brian FG Katz, Ph.D<o:p></o:p>Audio & Acoustique<o:p></o:p>LIMSI-CNRS<o:p></o:p>BP 133<o:p></o:p>F91403 Orsay<o:p></o:p>France<o:p></o:p>tel. (+33) 01 69 85 81 55<o:p></o:p>fax. (+33) 01.69.85.80.88<o:p></o:p>e-mail <a href=3D"mailto:Brian.Katz@xxxxxxxx">Brian.Katz@xxxxxxxx</a> <<a href=3D"mailto:Brian.Katz@xxxxxxxx">mailto:Brian.Katz@xxxxxxxx</a>><o:p></o:p>web_theme: <a href=3D"http://www.limsi.fr/Scientifique/aa/thmsonesp/">http://www.limsi.fr/Scientifique/aa/thmsonesp/</span= ></a><o:p></o:p>web_group: <a href=3D"http://www.limsi.fr/Scientifique/aa/">http://www.limsi.fr/Scientifique/aa/</a></spa= n><o:p></o:p><o:p> </o:p><o:p> </o:p><o:p> </o:p>De :</s= pan> AUDITORY - = Research in Auditory Perception [mailto:AUDITORY@xxxxxxxx De = la part de Frederik Nielbo Envoy=E9 : samedi 15 = septembre 2012 14:27 =C0 : = AUDITORY@xxxxxxxx Objet : Re: [AUDITORY] Longcat = AudioStage<o:p></o:p><o:p> </o:p><div>Dear = Brian and others, What I am looking for is simply some software = that allows me to produce auditory stimuli, enabling me to present it = binaurally in stereo headphones. I need to be able to control the = virtual position rather precise. Thank you, Ga=EBtan, I will = definitely look into that! Best = regards, Frederik 2012/9/14 Brian Katz <<a = href=3D"mailto:brian.katz@xxxxxxxx" = target=3D"_blank">brian.katz@xxxxxxxx</a>><o:p></o:p><div><div><di= v><blockquote style=3D'border:none;border-left:solid #CCCCCC = 1.0pt;padding:0cm 0cm 0cm = 6.0pt;margin-left:4.8pt;margin-right:0cm'><div><div>What are you actually wanting to do? This will greatly = affect your choice, and there a numerous ones out there with VERY = different results and constraints.  -Brian FG = Katz<o:p></o:p><div>LIMSI-CNRS<o:p></o:p></div><div><o:p> </o:p></div></div><div> On 14 sept. 2012, = at 15:07, Frederik Nielbo <<a = href=3D"mailto:frederiknielbo@xxxxxxxx" = target=3D"_blank">frederiknielbo@xxxxxxxx</a>> = wrote:<o:p></o:p></div><blockquote = style=3D'margin-top:5.0pt;margin-bottom:5.0pt'><div>Dear list,<o:p></o:p><div><o:p> </o:p></div><div>I = am wondering if any of you have experiences with Longcat AudioStage in = your work with audio spatialization - is this the best software = available, are there any major limitations, what are the alternatives, = etc.?<o:p></o:p></div><div><o:p> </o:p></div><div>Best regards,<o:p></o:p></div><div>Frederik Nielbo<o:p></o:p></div><div>Center for = Semiotics<o:p></o:p></div><div>Aarhus = University<o:p></o:p></div></div></blockquote></div></blockquo= te></div><o:p> </o:p></div></div></div><o:p> </o:p></div></body></html> ------=_NextPart_000_00DC_01CD9371.8D80FA00--

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