Subject: 3rd Intl Workshop on Social Behaviour In Music (Deadline extension) From: Donald Glowinski <glova66@xxxxxxxx> Date: Fri, 20 Jul 2012 23:05:05 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--_505b019f-85e8-4a48-bc1b-efb7e33cf7bb_ Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Dear List=2C Please consider the deadline extension for the Third International Workshop= on Social Behaviour in Music (SBM2012)=2C postponed to July=2C 28th 2012. This workshop will take place within the framework of the 14th Internationa= l Conference on Multimodal Interaction Santa Monica=2C California (USA)=2C October 26=2C 2012. It is partially supported by the EU-ICT-FET Project SIEMPRE (http://www.inf= omus.org/siempre/) Additional information is available on the website : http://www.infomus.org= /Events/SBM2012/index_ita.php?lang=3Dita Call for papers Music making and listening are a clear example of human activities that= are above all interactive and social. On the one hand=2C however=2C nowadays mediated= music making and listening is usually still a passive=2C non-interactive=2C non-context = sensitive=2C and non-social experience. The current electronic technologies have not yet been able = to support and promote these essential aspects. On the other hand=2C new mediated form= s of sharing music experience in a social context with local or remote users or as a part = of a community are emerging. At the same time=2C an increasing need is observed for paradi= gms for embodied and active experience of music where non-verbal communication channels= =2C and in particular movement and gesture=2C play a central role. This workshop focuses on computational models and techniques for analys= is and processing of social behaviour in small and large ensemble musical perf= ormance and audience experience. These are taken as an ideal test-bed for the devel= opment of models and techniques for measuring creative social interaction and related em= otions in an ecologically valid framework. In particular=2C the focus is on explorin= g interpersonal interaction in (i) musician-musician=2C (ii) conductor-musicians=2C and= (iii) musician-listener scenarios. =20 =20 =20 Topics The workshop focuses on the social signals and their features that are = most significant for a qualitative and quantitative analysis of social behaviour and experie= nce in music including the emotional dimension. We encourage papers and demos addres= sing fundamental research issues including=2C but not limited to=2C the foll= owing topics: =20 theoretical approaches to social behaviour in music =20 experimental methodologies for analysis of social behaviour in musi= c =20 computational models of social behaviour in music =20 analysis of social signals in music =20 synchronization of human behaviour in music =20 analysis of social roles in performers and listeners groups =20 analysis of attention and salience in social music experiences =20 multimodal interfaces for active and social music experience =20 cooperative social environments for participative music experience =20 multi-user systems and application for social music experience =20 social communication of emotions in performers and listeners = --_505b019f-85e8-4a48-bc1b-efb7e33cf7bb_ Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html> <head> <style><!-- .hmmessage P { margin:0px=3B padding:0px } body.hmmessage { font-size: 10pt=3B font-family:Tahoma } --></style></head> <body class=3D'hmmessage'><div dir=3D'ltr'> <h2>Dear List=2C</h2><br><BR>Please consider the deadline extension for the= Third International Workshop on Social Behaviour in Music (SBM2012)=2C pos= tponed to July=2C 28th 2012.<BR><br><BR>This workshop will take place withi= n the framework of the 14th International Conference on Multimodal Interact= ion<br>Santa Monica=2C California (USA)=2C October 26=2C 2012.<BR><br><BR>I= t is partially supported by the EU-ICT-FET Project SIEMPRE (http://www.info= mus.org/siempre/)<br><BR><br><BR>Additional information is available on the= website : http://www.infomus.org/Events/SBM2012/index_ita.php?lang=3Dita<b= r> <BR> <br> <BR><br><BR><h2>Call for papers</h2> Music making and listening are a clear example of human activities that= are above all interactive and social. On the one hand=2C however=2C nowadays mediated= music making and listening is usually still a passive=2C non-interactive=2C non-context = sensitive=2C and non-social experience. The current electronic technologies have not yet been able = to support and promote these essential aspects. On the other hand=2C new mediated form= s of sharing music experience in a social context with local or remote users or as a part = of a community are emerging. At the same time=2C an increasing need is observed for paradi= gms for embodied and active experience of music where non-verbal communication channels= =2C and in particular movement and gesture=2C play a central role. This workshop focuses on computational models and techniques for analys= is and processing of social behaviour in small and large ensemble musical perf= ormance and audience experience. These are taken as an ideal test-bed for the devel= opment of models and techniques for measuring creative social interaction and related em= otions in an ecologically valid framework. In particular=2C the focus is on explorin= g interpersonal interaction in (i) musician-musician=2C (ii) conductor-musicians=2C and= (iii) musician-listener scenarios. =20 =20 =20 <BR><h2>Topics</h2> The workshop focuses on the social signals and their features that are = most significant for a qualitative and quantitative analysis of social behaviour and experie= nce in music including the emotional dimension. We encourage papers and demos addres= sing fundamental research issues including=2C but not limited to=2C the foll= owing topics: <ul><li> theoretical approaches to social behaviour in music </li><li> experimental methodologies for analysis of social behaviour in musi= c </li><li> computational models of social behaviour in music </li><li> analysis of social signals in music </li><li> synchronization of human behaviour in music </li><li> analysis of social roles in performers and listeners groups </li><li> analysis of attention and salience in social music experiences </li><li> multimodal interfaces for active and social music experience </li><li> cooperative social environments for participative music experience </li><li> multi-user systems and application for social music experience </li><li> social communication of emotions in performers and listeners </li></ul> </div></body> </html>= --_505b019f-85e8-4a48-bc1b-efb7e33cf7bb_--