Re: manipulation of voice onset time (Kevin Austin )


Subject: Re: manipulation of voice onset time
From:    Kevin Austin  <kevin.austin@xxxxxxxx>
Date:    Tue, 6 Dec 2011 12:12:55 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

--Boundary_(ID_FEDho0dCxLNUQHSYMHCIWA) Content-type: text/plain; CHARSET=US-ASCII Content-transfer-encoding: 7BIT It sounds like you want software that will allow morphing from one sound to another. Kevin Recently from Marcelo Caetano: >> Dear list, >> my recently completed PhD thesis "Morphing Isolated Quasi-Harmonic Acoustic Musical Instrument Sounds Guided by Perceptually Motivated Features" is now available online here: http://recherche.ircam.fr/anasyn/caetano/caetano_morphing_musical_instrument_sounds.pdf >> >> A brief overview of the underlying "sound morphing by feature interpolation" principle developed along with some sound examples can be found here:http://recherche.ircam.fr/anasyn/caetano/icassp2011.html >> >> For those interested, more details about the work with more sound examples can be found here: http://recherche.ircam.fr/anasyn/caetano/overview.html >> >> Feedback and comments are more than welcome. >> >> Regards, >> >> Marcelo Caetano On 2011, Dec 6, at 5:25 AM, Daniela Sammler wrote: > Hello, > > I am looking for a good a way to manipulate voice onset time in real speech, for example to create a continuum from "bear" to "pear". > > So far, I spliced in aspiration noise between fricative and voice onset using PRAAT, but the result is not really satisfying. > > Can anybody give advice? > > Thank you very much! > Daniela > > -- > Daniela SAMMLER, Ph.D. > Max Planck Institute for > Human Cognitive and Brain Sciences > Stephanstr. 1a > 04103 Leipzig > phone: +49 341 9940 2679 > fax: +49 341 9940 2260 --Boundary_(ID_FEDho0dCxLNUQHSYMHCIWA) Content-type: text/html; CHARSET=US-ASCII Content-transfer-encoding: quoted-printable <html><head></head><body style=3D"word-wrap: break-word; = -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; = "><div><br></div><div>It sounds like you want software that will allow = morphing from one sound to = another.</div><div><br></div><div>Kevin</div><div><br></div><div><br></div= ><div>Recently from Marcelo Caetano:</div><div><br></div><div><div = style=3D"font-family: 'times new roman', 'new york', times, serif; = font-size: 16px; "></div><blockquote type=3D"cite"><blockquote = type=3D"cite"><div style=3D"font-family: 'times new roman', 'new york', = times, serif; font-size: 16px; ">Dear list,</div><div = style=3D"font-family: 'times new roman', 'new york', times, serif; = font-size: 16px; ">my recently completed PhD thesis "Morphing Isolated = Quasi-Harmonic Acoustic Musical Instrument Sounds Guided by Perceptually = Motivated Features"&nbsp;is now available online here:&nbsp;<a = href=3D"http://recherche.ircam.fr/anasyn/caetano/caetano_morphing_musical_= instrument_sounds.pdf">http://recherche.ircam.fr/anasyn/caetano/caetano_mo= rphing_musical_instrument_sounds.pdf</a></div><div style=3D"font-family: = 'times new roman', 'new york', times, serif; font-size: 16px; = ">&nbsp;</div><div style=3D"font-family: 'times new roman', 'new york', = times, serif; font-size: 16px; ">A brief overview of the underlying = "sound morphing by feature interpolation" principle&nbsp;developed along = with some sound examples can be found here:<a = href=3D"http://recherche.ircam.fr/anasyn/caetano/icassp2011.html">http://r= echerche.ircam.fr/anasyn/caetano/icassp2011.html</a></div><div = style=3D"font-family: 'times new roman', 'new york', times, serif; = font-size: 16px; ">&nbsp;</div><div style=3D"font-family: 'times new = roman', 'new york', times, serif; font-size: 16px; ">For those = interested,&nbsp;more details about the work with more = sound&nbsp;examples can be found here:&nbsp;<a = href=3D"http://recherche.ircam.fr/anasyn/caetano/overview.html">http://rec= herche.ircam.fr/anasyn/caetano/overview.html</a></div><div = style=3D"font-family: 'times new roman', 'new york', times, serif; = font-size: 16px; ">&nbsp;</div><div style=3D"font-family: 'times new = roman', 'new york', times, serif; font-size: 16px; ">Feedback and = comments are more than welcome.</div><div style=3D"font-family: 'times = new roman', 'new york', times, serif; font-size: 16px; = ">&nbsp;</div><div style=3D"font-family: 'times new roman', 'new york', = times, serif; font-size: 16px; ">Regards,</div><div style=3D"font-family: = 'times new roman', 'new york', times, serif; font-size: 16px; = ">&nbsp;</div><div style=3D"font-family: 'times new roman', 'new york', = times, serif; font-size: 16px; ">Marcelo = Caetano</div></blockquote></blockquote></div><div><br></div><div><br></div= ><div><br></div><br><div><div>On 2011, Dec 6, at 5:25 AM, Daniela = Sammler wrote:</div><br class=3D"Apple-interchange-newline"><blockquote = type=3D"cite"><div>Hello,<br><br>I am looking for a good a way to = manipulate voice onset time in real speech, for example to create a = continuum from "bear" to "pear". <br><br>So far, I spliced in aspiration = noise between fricative and voice onset using PRAAT, but the result is = not really satisfying.<br><br>Can anybody give advice?<br><br>Thank you = very much!<br>Daniela<br><br>-- <br>Daniela SAMMLER, Ph.D.<br>Max Planck = Institute for <br>Human Cognitive and Brain Sciences<br>Stephanstr. = 1a<br>04103 Leipzig<br>phone: +49 341 9940 2679<br>fax: &nbsp;&nbsp;+49 = 341 9940 2260<br></div></blockquote></div><br></body></html>= --Boundary_(ID_FEDho0dCxLNUQHSYMHCIWA)--


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