Re: Music transcription (Bruno Repp )


Subject: Re: Music transcription
From:    Bruno Repp  <repp@xxxxxxxx>
Date:    Mon, 3 Oct 2011 12:45:19 -0400
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

This is a multi-part message in MIME format. --------------060604030604090802010800 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: 7bit Content-Disposition: inline Dear Ali: The following article may be of interest to you, as it is concerned with psychological processes underlying rhythm transcription: Desain, P., & Honing, H. (2003). The formation of rhythmic categories and metric priming. /Perception, 32,/ 341-365. Best, Bruno On 10/3/11 12:32 PM, JIMS wrote: > And of course thanks to Nick for his invaluable suggestion. > > Best, > Ali > > On Oct 2, 2011, at 8:02 PM, Nick Collins wrote: > >> Hi Ali, >> >> Not the psychology literature per se, back to computer music, but Steve Hainsworth carried out an informal survey of human transcription tactics for his PhD thesis to compare these with automated approaches. >> >> The PDF of the thesis is available here under the cached PDF: http://citeseer.ist.psu.edu/viewdoc/summary?doi=10.1.1.5.9579 >> >> John Sloboda does discuss Mozart's Miserere case, and you might also explore literature on musical savants. >> >> best, >> Nick >> >> >> On 2 Oct 2011, at 15:36, JIMS wrote: >> >>> Dear Colleagues, >>> >>> I am currently studying on automatic music transcription but need to find research papers other than written in the framework of Music Information Retrieval. >>> >>> However, I could not find much resource about manual transcription from the perspectives psychology of music, music education or music theory, etc. >>> >>> I could only find papers on "notation reading" such as the one written by John Sloboda (in his book, "exploring the musical minds). >>> >>> I would be grateful if anyone could suggest papers on manual transcription. (I have enough papers on the topic written by ethnomusicologists) >>> >>> Best regards, >>> >>> Ali >>> >>> http://www.musicstudies.org/ali.html -- Bruno H. Repp Research Affiliate (Music Perception and Action) Haskins Laboratories 300 George Street New Haven, CT 06511-6624 E-mail: repp@xxxxxxxx Web page: http://www.haskins.yale.edu/staff/repp.html --------------060604030604090802010800 Content-Type: text/html; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit Content-Disposition: inline <html> <head> <meta content="text/html; charset=ISO-8859-1" http-equiv="Content-Type"> </head> <body bgcolor="#FFFFFF" text="#000000"> Dear Ali:<br> <br> The following article may be of interest to you, as it is concerned with psychological processes underlying rhythm transcription:<br> <br> <meta name="Title" content=""> <meta name="Keywords" content=""> <meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1"> <meta name="ProgId" content="Word.Document"> <meta name="Generator" content="Microsoft Word 2008"> <meta name="Originator" content="Microsoft Word 2008"> <!-- <link rel="File-List" href="file://localhost/Users/brunorepp/Library/Caches/TemporaryItems/msoclip/0clip_filelist.xml"> --> <!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><!--[if gte mso 9]><xml> <w:WordDocument> <w:Zoom>0</w:Zoom> <w:TrackMoves>false</w:TrackMoves> <w:TrackFormatting/> <w:PunctuationKerning/> <w:DrawingGridHorizontalSpacing>18 pt</w:DrawingGridHorizontalSpacing> <w:DrawingGridVerticalSpacing>18 pt</w:DrawingGridVerticalSpacing> <w:DisplayHorizontalDrawingGridEvery>0</w:DisplayHorizontalDrawingGridEvery> <w:DisplayVerticalDrawingGridEvery>0</w:DisplayVerticalDrawingGridEvery> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:Compatibility> <w:BreakWrappedTables/> <w:DontGrowAutofit/> <w:DontAutofitConstrainedTables/> <w:DontVertAlignInTxbx/> </w:Compatibility> </w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" LatentStyleCount="276"> </w:LatentStyles> </xml><![endif]--> <style> <!-- /* Font Definitions */ @xxxxxxxx {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:Cambria; mso-bidi-font-family:"Times New Roman"; font-weight:bold;} @xxxxxxxx Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--> <!--StartFragment--> <p class="MsoNormal" style="margin-left:.5in;text-indent:-.5in;line-height:200%"><span style="font-weight:normal">Desain, P., &amp; Honing, H. (2003). The formation of rhythmic categories and metric priming. <i>Perception, 32,</i> 341-365.<o:p></o:p></span></p> <!--EndFragment--> <br> Best,<br> Bruno<br> <br> On 10/3/11 12:32 PM, JIMS wrote: <blockquote cite="mid:23908_1317659719_4E89E447_23908_141_1_77958BD8-1F8A-4FC3-9BE9-9D115CF88692@xxxxxxxx" type="cite"> <pre wrap="">And of course thanks to Nick for his invaluable suggestion. Best, Ali On Oct 2, 2011, at 8:02 PM, Nick Collins wrote: </pre> <blockquote type="cite"> <pre wrap="">Hi Ali, Not the psychology literature per se, back to computer music, but Steve Hainsworth carried out an informal survey of human transcription tactics for his PhD thesis to compare these with automated approaches. The PDF of the thesis is available here under the cached PDF: <a class="moz-txt-link-freetext" href="http://citeseer.ist.psu.edu/viewdoc/summary?doi=10.1.1.5.9579">http://citeseer.ist.psu.edu/viewdoc/summary?doi=10.1.1.5.9579</a> John Sloboda does discuss Mozart's Miserere case, and you might also explore literature on musical savants. best, Nick On 2 Oct 2011, at 15:36, JIMS wrote: </pre> <blockquote type="cite"> <pre wrap="">Dear Colleagues, I am currently studying on automatic music transcription but need to find research papers other than written in the framework of Music Information Retrieval. However, I could not find much resource about manual transcription from the perspectives psychology of music, music education or music theory, etc. I could only find papers on "notation reading" such as the one written by John Sloboda (in his book, "exploring the musical minds). I would be grateful if anyone could suggest papers on manual transcription. (I have enough papers on the topic written by ethnomusicologists) Best regards, Ali <a class="moz-txt-link-freetext" href="http://www.musicstudies.org/ali.html">http://www.musicstudies.org/ali.html</a> </pre> </blockquote> </blockquote> </blockquote> <br> <br> <pre class="moz-signature" cols="72">-- Bruno H. Repp Research Affiliate (Music Perception and Action) Haskins Laboratories 300 George Street New Haven, CT 06511-6624 E-mail: <a class="moz-txt-link-abbreviated" href="mailto:repp@xxxxxxxx">repp@xxxxxxxx</a> Web page: <a class="moz-txt-link-freetext" href="http://www.haskins.yale.edu/staff/repp.html">http://www.haskins.yale.edu/staff/repp.html</a></pre> </body> </html> --------------060604030604090802010800--


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