ICAD 2011 Conference -- Call for Participation (Bruce Walker )


Subject: ICAD 2011 Conference -- Call for Participation
From:    Bruce Walker  <bruce.walker@xxxxxxxx>
Date:    Wed, 26 Jan 2011 00:33:54 -0500
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

Please forward as appropriate, and please pardon duplicate posts. THE 17TH INTERNATIONAL CONFERENCE ON AUDITORY DISPLAY - CALL FOR PARTICIPATION BUDAPEST, HUNGARY, HOTEL MERCURE BUDA JUNE 20-24, 2011 (Please note the updated deadlines below!) URL for conference: http://icad2011.com/ URL for the community: http://www.icad.org/ ICAD is an interdisciplinary conference with relevance to researchers, practitioners, artists, and students working in the use of sound to convey information and ideas. The conference is unique in its specific focus on auditory displays and the range of interdisciplinary issues related to their use. ICAD 2011 will be a single-track conference, open to everybody, with no membership or affiliation requirements. ICAD 2011 invites the submission of new work and developments in all areas of interest to those who work with sound as a medium for conveying information and ideas. The conference emphasizes the concerns shared by those who work primarily with informational and affective aspects of sound including sonification of data and processes, synthetic and composed sound, musical sound, natural sound, and all issues related to interaction with sound, specifically, how it is presented to, and apprehended by, listeners. Thus, submissions are sought on topics that extend from basic research in auditory display, to application domains in the arts and sciences, mobile applications, accessibility, audio technology, information and communications technology, computer games, engineering analysis, medicine, and more. Each year we aim to attract a wide variety of researchers and practitioners to the ICAD community who work in fields that are concerned with and/or related to computationally based, informational uses of sound. Thus, in addition to ICAD's core interests, we hope to attract submissions from composers and artists who use sonification, acoustic synthesis, spatialization, and/or interaction techniques for composition and performance purposes. Although we fully intend to maintain ICAD's primary emphasis on the use of sound as information, we specifically want to encourage a wider and more collaborative dialogue between practitioners with disparate objectives in auditory display. This year's conference also will have an „aural submission” category for sonifications and aural compositions that employ computational auditory display techniques. It is intended that submissions in this category will be presented as part of the oral sessions. Key Dates Submission Deadline for Papers, Posters, and Aural Categories 28 February 2011 Acceptance Notification (Papers, etc.) 30 March 2011 Camera-Ready Submissions Deadline, Aural and Sonfication Contest Submission 15 May 2011 ICAD 2011 20-24 June 2011 Theme and Topics for ICAD 2011 - Topics include, but are not limited to: 3D and Spatial Audio Aesthetics, Philosophy, and Culture of Auditory Displays Accessibility Applications Auditory Scene Design Design Theory and Methods Evaluation and Usability Human Factors and Interaction Mappings from Data to Sound Psychology, Cognition, Perception, and Psychoacoustics Sonification and Exploration of Data through Sound Sound as Art Technologies and Tools Please see the conference web page for details on Paper, Poster, Workshop, Concert, and other formats.


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