Re: Morning versus Evening Ragas (Brian Gygi )


Subject: Re: Morning versus Evening Ragas
From:    Brian Gygi  <bgygi@xxxxxxxx>
Date:    Thu, 2 Sep 2010 18:19:49 +0000
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

----=_vm_0011_W5152311011_9071_1283451589 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable For morning ragas I wear my pajamas and still have a cup of coffee. For evening ragas I'm in my smoking jacket with a martini. Brian Gygi, Ph.D. Speech and Hearing Research Veterans Affairs Northern California Health Care System 150 Muir Road Martinez, CA 94553 (925) 372-2000 x5653 -----Original Message----- From: Douglas Eck [mailto:eckdoug@xxxxxxxx Sent: Thursday, September 2, 2010 11:00 AM To: AUDITORY@xxxxxxxx Subject: Morning versus Evening Ragas Maybe this isn't the perfect list for this question, but I suspectI'll ge= t an answer or two.I'm curious about morning versus evening ragas. Can mu= sical expertstell them apart? What are the qualities that define a mornin= g versusevening raga?Is it something that would show up via an acoustical= analysis of theaudio drawn from lots of morning and evening ragas?Citati= ons would be great. Or just some observations.Thanks in advance,Doug Eck-= -----------------------------------------Dr. Douglas EckResearch Scientis= t, GoogleAreas: Music and Machine Learninghttp://www.iro.umontreal.ca/~ec= kdoug ----=_vm_0011_W5152311011_9071_1283451589 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable <html>For morning ragas I wear my pajamas and still have a cup of coffee.= <br><br>For evening ragas I'm in my smoking jacket with a martini.<br><di= v><font face=3D"Verdana" size=3D"2">&nbsp;</font></div> Brian Gygi, Ph.D. <br> Speech and Hearing Research <br> Veterans Affairs Northern California Health Care System <br> 150 Muir Road <br> Martinez, CA 94553 <br> (925) 372-2000 x5653<div><font face=3D"Verdana" size=3D"2" color=3D"#0000= ff"></font>&nbsp;</div> <blockquote style=3D"border-left: 2px solid rgb(0, 0, 255); padding-left:= 5px; margin-left: 5px; margin-right: 0px;"><font face=3D"Tahoma" size=3D= "2">-----Original Message-----<br><b>From:</b> Douglas Eck [mailto:eckdou= g@xxxxxxxx<br><b>Sent:</b> Thursday, September 2, 2010 11:00 AM<= br><b>To:</b> AUDITORY@xxxxxxxx<br><b>Subject:</b> Morning versus = Evening Ragas<br><br></font>Maybe this isn't the perfect list for this qu= estion, but I suspect I'll get an answer or two. I'm curious about morning versus evening ragas. Can musical experts tell them apart? What are the qualities that define a morning versus evening raga? Is it something that would show up via an acoustical analysis of the audio drawn from lots of morning and evening ragas? Citations would be great. Or just some observations. Thanks in advance, Doug Eck ------------------------------------------ Dr. Douglas Eck Research Scientist, Google Areas: Music and Machine Learning http://www.iro.umontreal.ca/~eckdoug </blockquote></html> ----=_vm_0011_W5152311011_9071_1283451589--


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