Subject: Re: Ecological Acoustics Women From: Jim Ballas <james.ballas@xxxxxxxx> Date: Thu, 8 Jan 2009 18:31:09 -0500 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>This is a cryptographically signed message in MIME format. --------------ms020403040005040801070500 Content-Type: text/plain; charset=ISO-8859-1; format=flowed Content-Transfer-Encoding: quoted-printable Claire Piche wrote: > Date: Thu, 8 Jan 2009 11:18:40 -0500 > From: =3D?ISO-8859-1?Q?Claire_Pich=3DE9?=3D <clairepiche@xxxxxxxx> > Subject: Re: Ecological Acoustics Women > > This is a multi-part message in MIME format. > --------------090506080102000804080009 > Content-Type: text/plain; charset=3DISO-8859-1; format=3Dflowed > Content-Transfer-Encoding: quoted-printable > X-MIME-Autoconverted: from 8bit to quoted-printable by drizzle.cc.mcgil= l.ca id n08GJTFP005222 > > Bruno : May I ask what the goal/purpose of your review is? > > A women studies Revue (Universit=3DE9 Laval, City of Qu=3DE9bec) called= for=3D20 > papers on Ecology. > I asked if they were interested in Acoustics Ecology women's work. > They answered back: Since we know nothing about Acoustics Ecology, we=3D= 20 > welcome your proposal. > > I will manily present the =3DABambiophone approach=3DBB I developped in= me=3D20 > thesis and expose few other ways of dealing with Acoustic Ecology=3D20 > object/method/probl=3DE9matique. I won't be able to go over many articl= es=3D20 > because the dead line is too short. But at least, the article will=3D20= > include an extended list of women's work on the field. > * > Articles written by soundscape artists are also welcome.* > > Thank to you all > Claire > > =20 Bruno and Brian have included many of the women researchers in acoustics = (with an ecological perspective) especially those who have an=20 established or emerging publication record, but there are a few others=20 that weren't in their lists who have done good graduate work. Their=20 theses are generally available over the internet: Elif Ozcan Netherlands Delft University of Technology 2008 Ph.D Milena Droumeva Canada Simon Fraser University 2007 MA Kirsteen Aldrich England University of Plymouth 2005 Ph.D. Laura Ottaviani Italy Verona University 2004 Ph.D Pernilla Ulfvengren Sweden Royal Institute of Technology 2003 Ph.D Fr=E9d=E9rique Guyot France University of Maine 1996 Ph.D. Judy Edworthy should be included as she has emphasized effective warning = sound design as opposed to just make it loud (see her paper with Stanton = on auditory warning affordances). Another name on the list should be=20 Beth Wenzel ("the function of the ears is to point the eyes"). And I'm=20 sure there are others.=20 What I like about the table above is the number of recent degrees (and=20 this doesn't include you, Guastavino or Suied). Based on what I know=20 about the students at LAM, IRCAM, and elsewhere, there will be quite a=20 few more to be added soon. Jim --=20 James A. Ballas, Ph.D. Naval Research Laboratory Code 5580 Washington, DC 20375-5337 tel: 202-404-7988 cell: 571-245-3019 fax: 202-767-1122 --------------ms020403040005040801070500 Content-Type: application/x-pkcs7-signature; name="smime.p7s" Content-Transfer-Encoding: base64 Content-Disposition: attachment; filename="smime.p7s" Content-Description: S/MIME Cryptographic Signature MIAGCSqGSIb3DQEHAqCAMIACAQExCzAJBgUrDgMCGgUAMIAGCSqGSIb3DQEHAQAAoIINAzCC BDkwggOioAMCAQICAwPdKDANBgkqhkiG9w0BAQUFADBdMQswCQYDVQQGEwJVUzEYMBYGA1UE ChMPVS5TLiBHb3Zlcm5tZW50MQwwCgYDVQQLEwNEb0QxDDAKBgNVBAsTA1BLSTEYMBYGA1UE AxMPRE9EIEVNQUlMIENBLTExMB4XDTA2MDUxNjAwMDAwMFoXDTA5MDUxNTIzNTk1OVowezEL MAkGA1UEBhMCVVMxGDAWBgNVBAoTD1UuUy4gR292ZXJubWVudDEMMAoGA1UECxMDRG9EMQww CgYDVQQLEwNQS0kxDDAKBgNVBAsTA1VTTjEoMCYGA1UEAxMfQkFMTEFTLkpBTUVTLkFOVEhP TlkuMTIzMTM5ODk2ODCBnzANBgkqhkiG9w0BAQEFAAOBjQAwgYkCgYEA1SwOS0yJr+nudD8U txjXUPy06WoFFGx4yYPNI5mQo+7Xli9dJ0NbZwJeQZz37oN7CbiIn2tmkTYGWFSGXHVN3fjK 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