Subject: Re: real-time pitch demonstration From: John Bates <jkbates@xxxxxxxx> Date: Tue, 31 Mar 2009 13:49:15 -0400 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>Jim, Passaggio seems to fill all the requirements from your list. Well, maybe not for accuracy to a few cents. But that could be done by using some interpolation. And so far, we don't do MIDI. I thought you might be interested knowing that the periodicity range of the Passaggio is eight octaves. Although Chris Shafer has used some filtering to reduce artifacts above the soprano range, eight is useful for other applications. The periodictiy sorting matrix is inherently like a well-tempered piano keyboard. In fact, since there is so much interest in music, it occurred to me that the octave range of Passaggio's periodicity method can easily be extended downward to track musical rhythms. How about 16 octaves? And in real time, by which I mean locked to every zero crossing in the signal waveform as it passes through the system from the microphone. No delays. Your turn, Bob! John Bates At 12:08 -0500 29/3/09, James W. Beauchamp wrote: >What is needed is a system that is accurate to a few cents but can also >cover a wide range of pitch, at least 3 octaves, but 7 would be great. >It should be able to handle a wide variety of waveforms, drop outs, a >fair amount of noise and inharmonicity, and it should be able to handle >very fast changes in pitch, i.e., it should be able to accurately >transcribe virtuosic passages (64th notes, etc.), as well as glides, >vibrato, and portamento. > >Besides displaying the data on a log(f0) vs. time chart, the system >should also be able to generate the data to a file for subsequent >post-processing research. Conversion to MIDI and musical notation are >nice features, but these are already available in programs once the >log(f) data is provided.