Subject: Clark et al. (1963); Kendall et al. (1999) From: "Bruno L. Giordano" <bruno.giordano@xxxxxxxx> Date: Fri, 20 Mar 2009 00:00:49 -0400 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>Hello, I would need two favors from the list: one digital, the other perhaps historical. Digital: could somebody please share an electronic copy of Kendall et al. (1999, below)? Historical: does anybody have recollection of whether Clark et al. (1963, below) presented multiple pitches for each of the instruments investigated in Experiment 1? The manuscript mentions the recording of multiple pitches, but does not seem to specify whether all of them or only a selection was presented to Exp. 1 participants. Thank you! Best, Bruno ~~~~~~~~~~~~References~~~~~~~~~~~~~~~~~~~ @xxxxxxxx{kendall99, author = {R. A. Kendall and E. C. Carterette and J. M. Hajda}, title = {Perceptual and acoustical features of natural and synthetic orchestral instrument tones}, journal = {Music Perception}, year = {1999}, volume = {16}, pages = {327--364}, number = {3}, month = {Spring} } @xxxxxxxx{clark63, author = {M. Clark and D. Luce and R. Abrams and H. Schlossberg and J. Rome}, title = {Preliminary experiments on the aural significance of parts of tones of orchestral instruments and on choral tones}, journal = {Journal of the Audio Engineering Society}, year = {1963}, volume = {11}, pages = {45--54}, number = {1} } ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Bruno L. Giordano, Ph.D. Music Perception and Cognition Laboratory CIRMMT http://www.cirmmt.mcgill.ca/ Schulich School of Music, McGill University 555 Sherbrooke Street West Montréal, QC H3A 1E3 Canada Office: +1 514 398 4535 ext. 00900 http://www.music.mcgill.ca/~bruno/