Re: music listening styles (Jean-Julien Aucouturier )


Subject: Re: music listening styles
From:    Jean-Julien Aucouturier  <aucouturier@xxxxxxxx>
Date:    Tue, 1 Apr 2008 14:46:52 +0900
List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>

------=_Part_5797_33221181.1207028812697 Content-Type: text/plain; charset=WINDOWS-1252 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Hello, Interesting topic. The following paper by Janata et al. finds some distinct neural signatures for holistic and analytical listening, in the case of polyphonic music. Janata, P., Tillmann, B., & Bharucha, J. (2002). Listening to polyphonic music recruits domain-general attention and working memory circuits. Cognitive, Affective and Behavioral Neuroscience, 2(2), 121=96140. Best, JJ -- Jean-Julien Aucouturier, Ph.D. Ikegami Lab (Complex Systems and Artificial Life) The University of Tokyo, Japan http://www.jj-aucouturier.info Date: Mon, 31 Mar 2008 10:35:12 +0200 > From: Christian Kaernbach <auditorymail@xxxxxxxx> > Subject: music listening styles > > Hi, > > We are looking for research on the effect of "listening styles"=3D20 > (listening modes, listening strategies...) on the effect of music on > the=3D20 > listener. How does the "impact" of music change if one listens to it=3D20 > "emotionally" versus if one listens to it "analytically", or anything > of=3D20 > that kind. Any hint (even far fetched) welcome... > > Best, > Chris ------=_Part_5797_33221181.1207028812697 Content-Type: text/html; charset=WINDOWS-1252 Content-Transfer-Encoding: quoted-printable Content-Disposition: inline Hello,<br><br>Interesting topic. The following paper by Janata et al. finds= some distinct neural signatures for holistic and analytical listening, in = the case of polyphonic music.<br><br> Janata, P., Tillmann, B., &amp; Bharucha, J. (2002). Listening to polyphonic music recruits domain-general attention and working memory circuits. Cognitive, Affective and Behavioral Neuroscience, 2(2), 121=96140.<br><br>Best,<br>JJ<br>--<br><font color=3D"#888888">Jean-Julien = Aucouturier, Ph.D.<br>Ikegami Lab (Complex Systems and Artificial Life)<br>= The University of Tokyo, Japan<br><a href=3D"http://www.jj-aucouturier.info= ">http://www.jj-aucouturier.info</a></font><br> <br><br><br><div class=3D"gmail_quote"><blockquote class=3D"gmail_quote" st= yle=3D"border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex= ; padding-left: 1ex;">Date: &nbsp; &nbsp;Mon, 31 Mar 2008 10:35:12 +0200<br= > From: &nbsp; &nbsp;Christian Kaernbach &lt;<a href=3D"mailto:auditorymail@xxxxxxxx= AERNBACH.DE">auditorymail@xxxxxxxx</a>&gt;<br> Subject: music listening styles<br> <br> Hi,<br> <br> We are looking for research on the effect of &quot;listening styles&quot;= =3D20<br> (listening modes, listening strategies...) on the effect of music on the=3D= 20<br> listener. How does the &quot;impact&quot; of music change if one listens to= it=3D20<br> &quot;emotionally&quot; versus if one listens to it &quot;analytically&quot= ;, or anything of=3D20<br> that kind. Any hint (even far fetched) welcome...<br> <br> Best,<br> Chris</blockquote></div> ------=_Part_5797_33221181.1207028812697--


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