Subject: Re: music listening styles From: Aki Pasoulas <pasoulas@xxxxxxxx> Date: Mon, 31 Mar 2008 11:41:49 +0000 List-Archive:<http://lists.mcgill.ca/scripts/wa.exe?LIST=AUDITORY>--0-2095605778-1206963709=:2939 Content-Type: text/plain; charset=utf-8 Content-Transfer-Encoding: quoted-printable Hello Chris,=0A=0A=0AThere is a thought-provoking paper on listening strate= gies by Fran=C3=A7ois Delalande, 1998: 'Music Analysis and Reception Behavi= ours' in Journal of New Music Research, Vol. 27 (1-2), pp. 13-66. Delalande= analyses in detail the responses of several listeners to a piece by Pierre= Henry. He discusses three most prominent types of listening behaviours, in= cluding the modes you propose. A good read.=0A=0A=0ABest,=0A=0A=0AAki=0A=0A= =0A_______________________=0A=0A=0Ahtp://www.pasoulas.plus.com=0A__________= _____________=0A=0A=0A=0A=0A=0A=0A=0A=0A----- Original Message ----=0AFrom:= Christian Kaernbach <auditorymail@xxxxxxxx>=0ATo: AUDITORY@xxxxxxxx= L.CA=0ASent: Monday, 31 March, 2008 9:35:12 AM=0ASubject: [AUDITORY] music = listening styles=0A=0AHi,=0A=0AWe are looking for research on the effect of= "listening styles" =0A(listening modes, listening strategies...) on the ef= fect of music on the =0Alistener. How does the "impact" of music change if = one listens to it =0A"emotionally" versus if one listens to it "analyticall= y", or anything of =0Athat kind. Any hint (even far fetched) welcome...=0A= =0ABest,=0AChris=0A=0A-- =0AProf. Dr. Christian Kaernbach=0AAllgemeine Psyc= hologie=0AInstitut f=C3=BCr Psychologie=0AChristian-Albrechts-Universit=C3= =A4t zu Kiel=0AOlshausenstr. 62=0AD-24098 Kiel=0AGermany=0A=0A=0A=0A=0A=0A= =0A=0A __________________________________________________________=0ASe= nt from Yahoo! Mail.=0AA Smarter Inbox http://uk.docs.yahoo.com/nowyoucan.h= tml --0-2095605778-1206963709=:2939 Content-Type: text/html; charset=utf-8 Content-Transfer-Encoding: quoted-printable <html><head><style type=3D"text/css"><!-- DIV {margin:0px;} --></style></he= ad><body><div style=3D"font-family:verdana, helvetica, sans-serif;font-size= :10pt"><div><span class=3D"Apple-style-span" style=3D"font-family: Helvetic= a; font-size: 12px; ">Hello Chris,</span></div>=0A<p style=3D"margin: 0.0px= 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>=0A= <p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">There = is a thought-provoking paper on listening strategies by Fran=C3=A7ois Delal= ande, 1998: 'Music Analysis and Reception Behaviours' in Journal of New Mus= ic Research, Vol. 27 (1-2), pp. 13-66. Delalande analyses in detail the res= ponses of several listeners to a piece by Pierre Henry. He discusses three = most prominent types of listening behaviours, including the modes you propo= se. A good read.</p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 1= 2.0px Helvetica; min-height: 14.0px"><br></p>=0A<p style=3D"margin: 0.0px 0= .0px 0.0px 0.0px; font: 12.0px Helvetica">Best,</p>=0A<p style=3D"margin: 0= .0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br></p= >=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Ak= i</p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica= ; min-height: 14.0px"><br></p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0p= x; font: 12.0px Helvetica">_______________________</p>=0A<p style=3D"margin= : 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><br>= </p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"= >htp://www.pasoulas.plus.com</p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.= 0px; font: 12.0px Helvetica">_______________________</p>=0A<p style=3D"marg= in: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><b= r></p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetic= a; min-height: 14.0px"><br></p>=0A<p style=3D"margin: 0.0px 0.0px 0.0px 0.0= px; font: 12.0px Helvetica; min-height: 14.0px"><br></p>=0A<div style=3D"fo= nt-family:verdana, helvetica, sans-serif;font-size:10pt"><br><br><div style= =3D"font-family:times new roman, new york, times, serif;font-size:12pt">---= -- Original Message ----<br>From: Christian Kaernbach <auditorymail@xxxxxxxx= NBACH.DE><br>To: AUDITORY@xxxxxxxx<br>Sent: Monday, 31 March, 200= 8 9:35:12 AM<br>Subject: [AUDITORY] music listening styles<br><br>Hi,<br><b= r>We are looking for research on the effect of "listening styles" <br>(list= ening modes, listening strategies...) on the effect of music on the <br>lis= tener. How does the "impact" of music change if one listens to it <br>"emot= ionally" versus if one listens to it "analytically", or anything of <br>tha= t kind. Any hint (even far fetched) welcome...<br><br>Best,<br>Chris<br><br= >-- <br>Prof. Dr. Christian Kaernbach<br>Allgemeine Psychologie<br>Institut= f=C3=BCr Psychologie<br>Christian-Albrechts-Universit=C3=A4t zu Kiel<br>Ol= shausenstr. 62<br>D-24098 Kiel<br>Germany<br></div><br></div><div style=3D"position:fixed"></div></d= iv><br>=0A <hr size=3D1>=0ASent from <a =0Ahref=3D"http://us.rd.yahoo= .com/mailuk/taglines/isp/control/*http://us.rd.yahoo.com/evt=3D52418/*http:= //uk.docs.yahoo.com/nowyoucan.html" target=3D_blank>Yahoo! Mail</a>.=0A<br>= =0AA Smarter Inbox.</body></html> --0-2095605778-1206963709=:2939--