Re: recognizing a source by its harmonic structure (beauchamp james w )


Subject: Re: recognizing a source by its harmonic structure
From:    beauchamp james w  <jwbeauch(at)UX1.CSO.UIUC.EDU>
Date:    Fri, 27 Jun 2003 10:12:04 -0500

Some other references are: Fujinaga, I. 1998. "Machine recognition of timbre using steady-state tone of acoustic musical instruments", Proc. 1998 Int. Computer Music Conf., pp. 207-210. Fraser, A. and Fujinaga, I. 1999. "Toward real-time recognition of acoustic musical instruments", Proc. 1999 Int. Computer Music Conf., pp. 207-210. Fujinaga, I. and MacMillan, K. 2000. "Realtime recognition of orchestra instruments", Proc. 2000 Int. Computer Music Conf., pp. 241-243. Kostek, Bozena. 1999. Soft Computing in Acoustics: Applications of Neural Networks, Fuzzy Logic and Rough Sets to Musical Acoustics, ISBN 3-7908-1190-4, Physica-Verlag, Heidelberg & New York (243 pp.) The Int. Computer Music Conf. (ICMC) proceedings can be accessed online at http://www.computermusic.org, but you have to first join the Int. Computer Music Assn. (ICMA) (again on-line). The Kostek book includes a section on "Musical Signal Representation" (including spectral and time-frequency representations) and a chapter on "Automatic classification of musical instrument sounds". Jim Beauchamp Univ. of Illinois at Urbana-Champaign jwbeauch(at)uiuc.edu ----- Original Message ----- From: "Gregoire, Jerry" <jgregoire(at)ECE.MONTANA.EDU> Sent: Thursday, June 26, 2003 10:33 PM To: <AUDITORY(at)LISTS.MCGILL.CA> Subject: recognizing a source by its harmonic structure > Does anyone know of work done that categorizes sources by patterns in > their harmonic structure. > > An example would be to separate a guitar from a flute using the harmonic > relationships of f0, f1, f2, ... of a guitar compared to the flute's > harmonics. > > Jerry Gregoire


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