Summary: Auditory after-effects (David Ascher )


Subject: Summary: Auditory after-effects
From:    David Ascher  <da(at)MAIGRET.COG.BROWN.EDU>
Date:    Wed, 3 Nov 1993 12:59:11 -0500

As promised, here is the bibliography of references people suggested, prompted by my question: > I'm looking for any and all references regarding psychophysical > studies of auditory after-effects (in the same line as color or > motion after-effects in vision). > > I vaguely remember reading an article abstract recently which > dealt with this, but can't locate the precise reference. Searches > of SCI, PsycLit, Medline, etc. have yielded nothing, probably > because the reference is too recent. I had several pointers to the vast literature on adaptation, which is much to broad to list here. I will therefore only those on ``auditory after-effects,'' excluding the speech literature for brevity's sake. The references are listed in BibTeX format. Many thanks to: Uwe Baumann, Max Cynader, Bob Carlyon, Laurent Demany, Kip Keller, Lonce LaMar Wyse, Bruno Repp, Kourosh Saberi, Zhengjin Shu If I get significantly more responses, I'll add them to my bibliography and make it available for FTP. Otherwise, this is it. Thanks to all. --david ascher The article I was referring to in my posting is: (at)Article{Shu93, author = "Z. J. Shu and N. V. Swindale and M. S. Cynader", title = "Spectral motion produces an auditory after-effect", journal = "Nature", year = "1993", volume = "364", pages = "721--723", } But I also got pointers to: (at)Article{CioccaSub, author = "Ciocca and Darwin", title = "(submitted for publication)", } (at)Article{Darwin92, author = "Darwin and Ciocca", title = "", journal = "Journal of the Acoustical Society of America", year = "1992", volume = "91", pages = "3381--3390", } (at)InProceedings{Fastl86, author = "H. Fastl", title = "Auditory after-images produced by complex tones with a spectral gap", note = "paper B2-5", year = "1986", organization = "Proceedings of the 12th International Congress on Acoustics", address = "Toronto", } (at)Article{Gardner80, author = "R. B. Gardner and J. P. Wilson", title = "Evidence for direction-specific channels in the processing of frequency modulation", journal = "Journal of the Acoustical Society of America", year = "1980", volume = "66", pages = "704--709", } (at)Article{Grantham79, author = "D. W. Grantham", title = "Auditory motion aftereffects", journal = "Perception and Psychophysics", year = "1979", volume = "26", pages = "403--408", } (at)Article{Grantham89, author = "D. W. Grantham", title = "Motion aftereffects with horizontally moving sound sources in the free field", journal = "Perception and Psychophysics", year = "1989", volume = "45", pages = "129--136", } (at)Article{Grantham92, author = "D. W. Grantham", title = "Adaptation to auditory motion in the free field: Effect of prior exposure to motion on motion detectability", journal = "Perception and Psychophysics", year = "1992", volume = "52", pages = "144--150", } (at)Article{Kay72, author = "R.H. Kay and D. R. Matthews", title = "", journal = "Journal of Physiology", year = "1972", volume = "225", pages = "657--677", } (at)Article{Kay82, author = "R. H. Kay", title = "", journal = "Physiological Review", year = "1982", volume = "62", pages = "894--975", } (at)PhdThesis{Krump93, author = "Gerhard Krump", title = "Beschreibung des akustischen Nachtones mit Hilfe von Mithorschwellenmustern (Describing the auditory after-effect with masking-patterns)", school = "Technical University Munich", year = "1993", address = "Munich, Germany", note = "See References section for further references", } (at)Article{Regan79, author = "D. Regan and B. W. Tansley", title = "Selective adaptation to frequency modulated tones: evidence for an information processing channel selectively sensitive to frequency changes", journal = "Journal of the Acoustical Society of America", year = "1979", volume = "65", pages = "1249--1257", } (at)Article{Summerfiedl84, author = "Q. Summerfield and M. Haggard and J. Foster and S. Gray", title = "Perceiving vowels from uniform spectra: Phonetic exploration of an auditory aftereffect", journal = "Perception and Psychophysics", year = "1984", volume = "35", pages = "203--213", } (at)Article{Summerfield87, author = "Q. Summerfield and A. Sidwell and T. Nelson", title = "Auditory enhancement of changes in spectral amplitude", journal = "Journal of the Acoustical Society of America", year = "87", volume = "81", pages = "700-708", } (at)InCollection{Wilson70, author = "J. P. Wilson", title = "Frequency analysis and psychophysics of hearing", booktitle = "Frequency Analysis and Periodicity Detection in Hearing", publisher = "Sijhtoff", year = "1970", editor = "Promp and Smoorenburg", address = "Leiden, Netherlands", } (at)Article{Wilson92, author = "J. P. Wilson and E. J. Crampin and N. Cann", title = "", journal = "N. Brit. J. Audiol.", year = "1992", volume = "26", pages = "188", } (at)Article{Zwicker64, author = "Zwicker", title = " ``Negative Afterimage'' in hearing ", journal = "Journal of the Acoustical Society of America", year = "1964", volume = "36", pages = "2413--2415", } (at)Book{Zwicker90, author = "Zwicker and Fastl", title = "Psychoacoustics -- Facts and models", publisher = "Springer Verlag", year = "1990", note = "p. 117 ff", } Return-Path: owner-auditory(at)VM1.MCGILL.CA Received: by media.mit.edu (5.57/DA1.0.4.amt) id AA12680; Tue, 16 Nov 93 23:26:07 -0500 Message-Id: <9311170426.AA12680(at)media.mit.edu> Received: from VM1.MCGILL.CA by VM1.MCGILL.CA (IBM VM SMTP V2R2) with BSMTP id 0575; Tue, 16 Nov 93 23:24:55 EST Received: from VM1.MCGILL.CA by VM1.MCGILL.CA (Mailer R2.10 ptf000) with BSMTP id 8851; Tue, 16 Nov 93 23:24:53 EST Date: Tue, 16 Nov 1993 23:22:41 EST Reply-To: PS45000 <PS45(at)MUSICA.MCGILL.CA> Sender: Research in auditory perception <AUDITORY(at)VM1.MCGILL.CA> From: PS45000 <PS45(at)MUSICA.MCGILL.CA> Subject: Keep in touch X-To: AUDITORY(at)MCGILL1.BITNET, ira(at)cidspl.wustl.edu, raman.uppal(at)mtsg.ubc.ca, jan(at)shs.ohio-state.edu X-Cc: phhanse(at)indsvax1.indstate.edu, yparmly(at)luccpua.bitnet, gilk(at)desire.wright.edu, lauter(at)rex.hsc.uoknor.edu To: Multiple recipients of list AUDITORY <AUDITORY(at)VM1.MCGILL.CA> Dear List and Listless friends, I am leaving Montreal and the electronic airwaves for the next 4-6 months. I will spend most of that time in New Delhi, Indja, with Mom, who recently underwent Cancer surgery. I'm on a waiting list for e-mail there, but should get an address eventually. In the meantime, please do keep in touch via other means: Direct FAX: (011-91-11) 301-8743 (the 011 international dialling prefix may be different in countries other than the U.S and Canada). Snail Mail: 20-A Aurangzeb Road, New Delhi - 110011, India Telephone: (011-91-11) 301-4068 or 301-3892 My mail (& e-mail) from McGill will be checked and forwarded periodically as well, so hopefully I'll still receive NEWS from the academic world. Other than playing Comedienne and cheering Mom, hope to do some work on a Hearing-Aid project in Delhi and get back into playing music and writing. I'll miss y'all and the colorful exchanges that have stormed through the list recently. I do hope to receive some scribbles on papyrus though, so sharpen those plume tips. Take care, Punita Zing P.S: An apology to all my European friends. Sorry could'nt stop by on the way East. Hope to visit next summer or fall. From owner-auditory(at)VM1.MCGILL.CA Thu Nov 18 14:58:39 1993 Received: by media.mit.edu (5.57/DA1.0.4.amt) id AA12571; Thu, 18 Nov 93 14:58:39 -0500 Message-Id: <9311181958.AA12571(at)media.mit.edu> Received: from VM1.MCGILL.CA by VM1.MCGILL.CA (IBM VM SMTP V2R2) with BSMTP id 7320; Thu, 18 Nov 93 14:57:00 EST Received: from VM1.MCGILL.CA by VM1.MCGILL.CA (Mailer R2.10 ptf000) with BSMTP id 8179; Thu, 18 Nov 93 14:56:56 EST Date: Thu, 18 Nov 1993 11:25:30 -0800 Reply-To: "Edward M. Burns" <pwa(at)U.WASHINGTON.EDU> Sender: Research in auditory perception <AUDITORY(at)VM1.MCGILL.CA> Comments: Warning -- original Sender: tag was EMB(at)EARL From: "Edward M. Burns" <pwa(at)U.WASHINGTON.EDU> Subject: reply to McAdams X-To: AUDITORY(at)vm1.mcgill.ca To: Multiple recipients of list AUDITORY <AUDITORY(at)VM1.MCGILL.CA> It has come to my attention that I have been dissed on this bb by Steve McAdams, to wit: < Why should a judgment of "the pitch went up or it went down" be any more "subjective" than the kinds of judgments one uses in pitch discrimination tasks where the subject has to choose between . . . "the pitch went up or it went down"!!! The only difference is in the stimulus (in one case some physical parameter actually went up or down, and in the other up or down has no physical sense, being physically ambiguous, which does NOT mean that people don't reliably hear it as going up or down (though of course David Green and Ed Burns and Neil Viemeister don't which makes members of the hardcore psycho- acoustics community afraid to admit they DO!). Just because there is a "right or wrong" answer doesn't make the response any more "objective". At any rate, since we all seem to be interested in "perception" we are all interested in relation between measures of "subjective" experience and measures of "objective" stimulation.> While I am of course flattered to be included with Green and Viemeister as one of the PCIs (psychoacoustical correctness intimidators), McAdams' aside is basically one-over correct as regards my position. Has he ever actually read any of my papers? 95% of the pitch-related experiments use either musical interval recognition, or the oh-so unPC pitch-matching, and none are in d'- speak (well, OK, the latest one is, but it's not out yet, so you can't count it). Furthermore, I have often stated in print that my operational definition of pitch involves the ability to carry melodic information, and that 2IFC "objective" paradigms (e.g. frequency discrimination) give essentially zero information on "pitch" as you don't know what cues the S actually uses. Of course I do have a problem with 2IFC "up or down" procedures for pitch, whether objective or subjective, but that's another story. So, over to you Dr. McAdams. Ed Burns (psychoacoustician with attitude).


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