Dear all, (sorry for cross-posting) Call for Submissions for the Special Issue of Journal of New Music Research on Technoscientific Practices of Music; Critical Implications of New Technologies Guest Editors: Koray Tahiroğlu (Aalto University, Finland) Lonce Wyse (University of Pompeu Fabra, Spain) Submission Deadline: 15th June, 2024 Expected publication of issue: December 2024 Technoscientific practices in music emphasise the importance of the use of technology and scientific methods in the creation, production, and analysis of music. In addition to technical and scientific considerations, technoscientific approaches to music also take into account the social and cultural conditions that influence the development, implementation, and use of music technology, which result in a wide range of research that looks at the desirable outcome of human technology relationship / interaction and how it can be used to create more meaningful and impactful music experiences. Given the complex and ever-evolving nature of the music technology research field, it is vital that music practitioners are able to recognise both the technical and cultural aspects with the knowledge and understanding to navigate and address various ethical, economic, social, and environmental implications that arise with the use of technology in music today. In doing so, practitioners can ensure that the technology is ethically sound, that it fosters inclusive and equitable human connections, and that it has a positive impact on the environment. In line with this vision, the primary objective of this special journal issue is to explore a range of critical approaches within the realm of technoscientific practices in music. Our focus lies in prioritising and elevating the importance of accessibility, sustainability, human and non-human interaction, the requirements and viewpoints of musical communities and the general public, as well as ethical considerations. We invite submissions that deepen and broaden the ongoing interest in the development and practices of music technologies that support and empower people, promote artistic _expression_, and contribute to a more diverse and inclusive musical culture. The compilation of articles in this special issue grows out from questions, concerns, and topics that emerged during the open-public symposium held on November 11, 2022, in Helsinki (http://dmi.aalto.fi/symposium22/). Topics of interest of the special issue include, but are not limited to:
Manuscripts:
Online Submission:
Peer Review Process:
Author Guidelines: Best, Koray------------------------------------- M.Koray Tahiroğlu
Department of Art and Media, Aalto University School of Arts, Design and Architecture http://sopi.aalto.fi/ http://dmi.aalto.fi/ http://dmi.aalto.fi/koraytahiroglu/ tel. +358 50 4088441 |