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[AUDITORY] CfP - Theme track on Sound-Driven Design at DRS2024 Boston Conference



Dear All, 

We are pleased to inform you that the DRS2024 BOSTON Conference has extended the submission deadlines. 

We invite you to consider submitting to the Theme Track #26: 

“How do you sound design? Articulating experiences and cultures via listening” 

The theme track is organised by the Special Interest Group on Sound-Driven Design.

The call for papers can be found via the following link: https://www.drs2024.org/theme-tracks/#26  

NEW IMPORTANT DATES - Extended deadlines

• Deadline for paper titles, abstracts and authors: 13th October 2023
• Final deadline for full paper PDF: 31st October 2023
• Deadline for Conversations, Workshops, Labs, and PhD Consortium: 12th January 2024
• Final notification of accepted papers, Conversations, Workshops, Labs and PhD Consortium: 16th February 2024
• Conference Dates: Last week of June 2024

———————

SIG SoundDD Theme for DRS2024 Boston
Conveners — Dr. Stefano Delle Monache, Dr. Nicolas Misdariis, Dr. Elif Özcan
Extended Organising Group — Dr. Daniel Hug, Dr. Sara Lenzi, Dr. Sandra Pauletto, Prof. Dr. Davide Rocchesso, Dr. Simone Spagnol

The SIG on Sound-Driven Design invites researchers and practitioners to delve into the multifaceted nature of sound, unravelling its physical, perceptual, emotional, and socio-technological dimensions, and contribute to the discovery and development of design methods and tools. In the sound-driven perspective, listening emerges as element that adds depth and richness to the design space, adding to the role of the senses in the experience of the form quality of products, services, and systems. We propose to reflect on the holistic and inclusive character of “sound-driven” as it combines the diverse sonic, experiential, technical, and cultural manifestations of sound with the creative, integrative, mitigative, and purposeful essence of designing. We welcome contributions that offer insights and actionable knowledge on the process of sound-driven design by:

  • Exploring the sonic and creative aspects, with a focus on the sensory, emotional and aesthetic qualities of the audible embodiment to create unique and innovative sonic identity for projects

  • Examining the experiential and integrative aspects, with a focus on how sound enhance and reinforce other sensory cues, such as vision and touch, and ultimately interacts with other design elements to create cohesive and coherent experiences

  • Tackling the technical and mitigative aspects, with a focus on the sources and systems that produce unwanted or harmful sound, in order to create more comfortable and healthy environments

  • Framing the cultural and purposeful aspects, with a focus on crafting culturally relevant and meaningful sound for specific audience or community, conveying values and practices, bridging communities, and fostering connections among stakeholders


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