To play devil's advocate here, I'm not sure that the question of whether or not musical training has effects beyond music in is worth asking, other than in the political attempt to counter the philistinism of a utilitarian capitalism that discounts any investment in activities that are not obviously of immediate economic value. One of the persistent problems with research into phenomena such as "effects of musical training" or "genetics of musicality" is a failure to recognise the culture-specificity of the concepts "musical training" and "musicality". Even in what might be construed as the fairly homogeneous musical culture of contemporary Europe, different skills are accorded different degrees of importance in different national music-educational traditions. "Musicality" across Europe is something of a Frankenstein concept — and once one moves beyond Europe the diversity of what might count as "musicality" only increases. Hence one would expect to find quite different answers to the question that are highly dependent on cultural context — even if one could identify what one intends by the term "music" in the first place.
Best,
Ian Cross
I suggest you have a look at the following meta-analysis re cognition.
Sala, G., & Gobet, F. (2020). Cognitive and academic benefits of music training with children: A multilevel meta-analysis. Mem Cognit. doi:10.3758/s13421-020-01060-2
And this paper
Schellenberg, E. G. (2015). Music training and speech perception: a gene-environment interaction. Ann N Y Acad Sci, 1337, 170-177. doi:10.1111/nyas.12627
..and many papers that make claims unsubstantiated by their stats or research design.
Best regards,
Colette
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From: AUDITORY - Research in Auditory
Perception [mailto:AUDITORY@xxxxxxxxxxxxxxx]
On Behalf Of Francesco Caprini
Sent: Friday, 14 August 2020 2:28 AM
To: AUDITORY@xxxxxxxxxxxxxxx
Subject: [AUDITORY] Papers on lack of
effect of musical training
Dear everyone,
I'm currently conducting a literature review on the transfer of musical expertise onto other domains of cognition, as part of a paper where I compare musicians with sound engineers across a number of behavioural tasks, i.e. psychophysics, auditory scene analysis, sustained selective attention, and speech in noise perception.
I am specifically interested in papers that failed to detect an association between musicianship and any of these dimensions, which are surprisingly (or unsurprisingly?) very hard to find via canonical search engines.
Would anyone know of any recent papers that might fit into this category?
I’m only aware of the mixed literature on speech in noise perception (see refs below).
Any help will be greatly appreciated.
Kind regards,
Francesco
**References**
Ruggles, D. R., Freyman, R. L., & Oxenham, A. J. (2014). Influence of musical training on understanding voiced and whispered speech in noise. PLoS ONE, 9(1). https://doi.org/10.1371/journal.pone.0086980
Boebinger, D., Evans, S., Rosen, S., Lima, C. F., Manly, T., & Scott, S. K. (2015). Musicians and non-musicians are equally adept at perceiving masked speech. The Journal of the Acoustical Society of America, 137(1), 378–387. https://doi.org/10.1121/1.4904537
Fuller, C. D., Galvin, J. J., Maat, B., Free, R. H., & Başkent, D. (2014). The musician effect: Does it persist under degraded pitch conditions of cochlear implant simulations? Frontiers in Neuroscience, 8(8 JUN), 1–16. https://doi.org/10.3389/fnins.2014.00179
Skoe, E., Camera, S., & Tufts, J. (2019). Noise exposure may diminish the musician advantage for perceiving speech in noise. Ear and Hearing, 40(4), 782–793. https://doi.org/10.1097/AUD.0000000000000665
Madsen, S. M. K., Whiteford, K. L., & Oxenham, A. J. (2017). Musicians do not benefit from differences in fundamental frequency when listening to speech in competing speech backgrounds. Scientific Reports, 7(1), 1–9. https://doi.org/10.1038/s41598-017-12937-9
**********************************************
Francesco Caprini
PhD student in Auditory Neuroscience
Birkbeck, University of London
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-- Professor Ian Cross Chair, Faculty Board of Music Director, Centre for Music & Science Faculty of Music University of Cambridge Cambridge CB3 9DP