Re: [AUDITORY] Numerical perceptual ratings for consonant and dissonant pitch intervals

Subject: Re: [AUDITORY] Numerical perceptual ratings for consonant and dissonant pitch intervals

From: Ken Grant <ken.w.grant@xxxxxxxxx>

Date: Tue, 15 May 2018 07:28:13 -0400

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Comments: To: "Patel, Aniruddh D." <a.patel@xxxxxxxxx>

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Reply-to: Ken Grant <ken.w.grant@xxxxxxxxx>

Sender: AUDITORY - Research in Auditory Perception <AUDITORY@xxxxxxxxxxxxxxx>

Try earlier papers by Jennifer Tufts on perceived toughness and dissonance:

The Journal of the Acoustical Society of America 121 (4), EL161-EL167, 2007

The Journal of the Acoustical Society of America 118 (2), 955-967, 2005

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Ken W. Grant, PhD

Chief, Scientific and Clinical Studies

National Military Audiology and Speech-Pathology Center (NMASC)

Walter Reed National Military Medical Center

Bethesda, MD 20889

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ken.w.grant@xxxxxxxxx

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On May 14, 2018, at 9:40 PM, Patel, Aniruddh D. <a.patel@xxxxxxxxx> wrote:

Dear List,

I’m looking for published numerical perceptual ratings of consonant and dissonant pitch intervals from Western tonal music. An example of such ratings (from McDermott, Lehr, and Oxenham 2010, Current Biology) is in Figure 1a on this page:

http://mcdermottlab.mit.edu/consonance_examples/index.html

I’m interested in numerical ratings for pitch dyads (e.g., minor second, perfect fifth) made from synthetic harmonic complex tones or real musical instrument tones, not pure tones. Ideally the ratings would include all dyadic pitch intervals between 1 and 11 semitones in size.

McDermott et al. 2010 report such data in their Figure 1a, but surely there are earlier papers? Any history buffs out there know the earliest such paper?

Thanks,

Ani Patel

Aniruddh D. Patel

Professor, Dept. of Psychology, Tufts University

Senior Fellow, Canadian Institute for Advanced Research (CIFAR)

Azrieli Program in Brain, Mind, & Consciousness

http://ase.tufts.edu/psychology/people/patel/