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CfP ICAD 2015 - Deadline EXTENDED to Sunday March 1, 2015
Deadline for Submission of Papers, Posters, Music, and Installations
EXTENDED to Sunday March 1st, 2015.
Please note that the deadline for Extended Abstracts will not be extended.
http://icad15.iem.at
The 21st International Conference on Auditory Display
July 6 - 7 Workshops and Student Think Tank
July 8 - 10 Conference
University of Music and Performing Arts and Technical University of
Graz, Austria.
::::::::::::::::: KEY DATES :::::::::::::::::
01 March 2015 Submission of Papers, Posters,
Music, and Installations
15 March 2015 Submission of Workshops
15 April 2015 Submission of Extended Abstracts
15 April 2015 Notification of acceptance
for Workshops
01 May 2015 Notification of acceptance
for Papers, Posters, Music, and Installations
15 May 2015 Notification of acceptance
for Extended Abstracts
01 June 2015 Camera-Ready deadline
::::::::::::::::: AREAS OF INTEREST :::::::::::::::::
Relevant areas for ICAD include but are not limited to:
Auditory Display:
- Aesthetics, Culture, & Philosophy
- Design, Theory & Methods
- Technology: Tools & Applications
- Perceptual and Cognitive Aspects
- Usability & Evaluation
- Accessibility
Special Focus of ICAD15:
- Sonification:
- Exploration of Data through Sound
- Sonification as Art
- Sonic Interaction Design
- Interaction design
- Input technologies
- Auditory Information Design
- Spatial Audio
- Binaural virtual acoustics
- Loudspeaker-based sound field synthesis
Accepted papers will be included in the published proceedings and made
publicly available in the Georgia Tech SMARTech system (http://
smartech.gatech.edu/). The types of submissions solicited for ICAD15
include:
::::::::::::::::: PAPERS AND POSTERS:::::::::::::::::
Paper and poster submissions will be 4-8 pages in length, including
all figures and references. Typical paper contributions are between 6
- 8 pages, and typical poster contributions are 4 - 5 pages long. Full
papers should describe work that offers a substantial contribution to
the field of auditory display. Authors of accepted papers will be
invited to give an oral presentation of their work, and at least one
author must present the work at the conference for the paper to appear
in the proceedings. Poster submissions should describe both finished
work and work in late stages of progress. Work that is complete enough
that meaningful conclusions can be drawn at the time of submission are
encouraged. Authors of accepted submissions will be invited to
participate in a poster and/or demonstration session, and at least one
author must present the work at the conference for the paper to appear
in the published proceedings. When weighing the decision to submit to
poster and demonstration sessions, we encourage authors to consider
their work in relation to the potential positive benefits (both to
authors and their audiences) afforded by the personal interactions
that occur in this type of session.
Authors of selected full papers will be invited to submit an extended
version (up to 12 pages) of their papers for publication in a Special
Issue of the Journal on Multimodal User Interfaces (JMUI): Auditory
Display.
(http:// www.springer.com/computer/hci/journal/12193)
::::::::::::::::: EXTENDED ABSTRACTS :::::::::::::::::
Extended abstracts include, but are not limited to late-breaking
results, works in early stages of progress, novel methodologies,
unique or controversial theoretical positions, and discussions of
unsuccessful research or null findings. Submissions for extended
abstracts require a proceedings paper of up to 2 pages in length.
Authors of accepted abstracts will be invited to give a short
presentation of their work, and at least one author must present the
work at the conference for the abstract to appear in the published
proceedings. The deadline of the extended abstracts is later to allow
very recent contributions in the field.
Papers Co-Chairs
Visda Goudarzi and Areti Andreopoulou
papers.icad15@xxxxxx
::::::::::::::::: MUSIC AND INSTALLATIONS:::::::::::::::::
We invite submissions of music and sound installations. Sonification
should be a constitutive element of the proposed works. Priority will
be given to works employing space and interaction as additional
dimensions to an artistic data exploration. We therefore especially
encourage the submission of multichannel electroacoustic or acousmatic
pieces and interactive sound installations.
The works will be reviewed by an international panel of sound and
sonification experts. Preference will be given to submissions that are
technically feasible and have a clear documentation of the setup. At
least one of the authors who wish to have their works presented at
ICAD15 must register and attend to the conference. As we would like to
extend the presentation of these works beyond the time limits of the
conference, authors of accepted works are encouraged to present their
work also online using the Research Catalogue
(http://www.researchcatalogue.net), an international database for
artistic research. The conference page will provide a portal to these
presentations.
Music Co-Chairs
Johannes Zmölnig, Ypatios Grigoriadis, and Gerhard Eckel
music.icad15@xxxxxx
We will provide child care during the conference and workshops. If you
travel with a kid/ kids please drop us an email ahead of time.
For more information on submission in different categories please
refer to the conference website: http://icad15.iem.at
Conference Co-Chairs: Katharina Vogt and Ypatios Grigoriadis
chair.icad15@xxxxxx