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CMMR 2012 Deadline Extension

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Apologies for potential cross-postings
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** CMMR 2012 Deadline Extension **
** New deadline for Papers, Demonstrations, Panels, Tutorials: 1st February 2012 ** 

** Deadline for Music (unchanged): 10th February 2012 **
9th International Symposium on Computer Music Modeling and Retrieval (CMMR) "Music and Emotions" 
19-22 June 2012
Queen Mary University of London
Conference website: http://www.cmmr2012.eecs.qmul.ac.uk/
CMMR 2012 Easy Chair portal: https://www.easychair.org/conferences/?conf=cmmr2012 
Twitter: @CMMR2012

Dear all,
The deadline for scientific contributions to CMMR 2012 (papers, demonstrations, panels, tutorials) has been extended to 1st February 2012. All other dates remain unchanged (http://cmmr2012.eecs.qmul.ac.uk/dates).
As in previous CMMR conferences, it is planned to invite authors of high quality selected papers to submit extended versions of their papers for a book of post-proceedings published in the Springer Verlag series Lecture Notes in Computer Science (LNCS). 

+ Call for contributions:

+ Papers: http://cmmr2012.eecs.qmul.ac.uk/call-for-papers
+ Demonstrations: http://cmmr2012.eecs.qmul.ac.uk/call-for-demos
+ Panels: http://cmmr2012.eecs.qmul.ac.uk/call-for-panels
+ Tutorials: http://cmmr2012.eecs.qmul.ac.uk/call-for-tutorials
+ Music: http://cmmr2012.eecs.qmul.ac.uk/call-for-music, and: http://cmmr2012.eecs.qmul.ac.uk/musicvenue 

+ Submission:
Please make your submissions following the instructions on the conference website: 

http://cmmr2012.eecs.qmul.ac.uk/author-instructions

and by using the CMMR 2012 Easy Chair portal:

https://www.easychair.org/conferences/?conf=cmmr2012

+ Topics:
Original contributions are encouraged in, but not limited to, the following topics:
* Music and emotions (e.g. analysis, retrieval, synthesis, composition, performance, music for images) 
    * Computational musicology
    * Auditory perception and cognition
* Virtual reality, augmented reality and human-computer interaction related to music 
    * Digital music libraries
    * User studies (e.g. ethnography, usability of music software)
    * New methods for music representation and visualization
    * Retrieval and music recommendation tools
    * Intelligent music tutoring systems
    * Music games and interactive learning
    * Music production and composition tools
    * Augmented musical instruments
    * Fashion and music technology
    * Structuring of audio data
    * Cooperative music networks
* Analysis, recognition, comparison, classification, and modeling of sound and music 
    * Music and sound data mining
    * Sound synthesis
    * Optical music recognition
    * Semantic web music technologies
    * Sound source separation
    * Music structure analysis
    * Music transcription
    * Artificial intelligence and cognitive science for sound and music

+ Important Dates:

Submission deadline (papers, demos, panels, tutorials):
1st February 2012

Submission deadline (music):
10th February 2012

Notification of acceptance:
20th March 2012

Camera-ready copy deadline (papers):
19th April 2012

Concert dates:
20th and 22nd June 2012

Conference dates:
19-22 June 2012

We are looking forward to your contributions!

Thanks for forwarding this call to interested parties.

+ Symposium General Chairs:

Mathieu Barthet, Queen Mary University of London, UK
Simon Dixon, Queen Mary University of London, UK

+ Paper and Program Chairs:

Richard Kronland-Martinet, CNRS-LMA, France
Mitsuko Aramaki, CNRS-LMA, France
Solvi Ystad, CNRS-LMA, France
Panos Kudumakis, Queen Mary University of London, UK

+ Demonstrations, Panels & Tutorials Chairs:

Daniele Barchiesi, Queen Mary University of London, UK
Steven Hargreaves, Queen Mary University of London, UK

+ Music Chairs:

Andrew McPherson, Queen Mary University of London, UK
Elaine Chew, Queen Mary University of London, UK

+ Organizing Committee:

Daniele Barchiesi, Queen Mary University of London, UK
Emmanouil Benetos, Queen Mary University of London, UK
Luis Figueira, Queen Mary University of London, UK
Steven Hargreaves, Queen Mary University of London, UK
Sefki Kolozali, Queen Mary University of London, UK
Asma Rafiq, Queen Mary University of London, UK
Sue White, Queen Mary University of London, UK

+ Program Committee (confirmed):

Mitsuko Aramaki, CNRS-LMA, France
Federico Avanzini, University of Padova, Italy
Isabel Barbancho, University of Málaga, Spain
Mathieu Barthet, Queen Mary University of London, UK
Roberto Bresin, KTH, Sweden
Antonio Camurri, University of Genova, Italy
Olivier Derrien, Toulon-Var University, France
Simon Dixon, Queen Mary University of London, UK
Barry Eaglestone, University of Sheffield, UK
Cédric Févotte, CNRS-TELECOM ParisTech, France
Bruno Giordano, McGill University, Canada
Emilia Gómez, Pompeu Fabra University, Spain
Brian Gygi, East Bay Institute for Research and Education, USA
Goffredo Haus, Laboratory for Computer Applications in Music, Italy
Henkjan Honing, University of Amsterdam, The Netherlands
Kristoffer Jensen, Aalborg University, Denmark
Youngmoo E. Kim, Drexel University, USA
Anssi Klapuri, Queen Mary University of London, UK
Richard Kronland-Martinet, CNRS-LMA, France
Panos Kudumakis, Queen Mary University of London, UK
Daniel Leech-Wilkinson, King's College London, UK
Sylvain Marchand, Université de Bretagne Occidentale, France
Matthias Mauch, Queen Mary University of London, UK
Eduardo Miranda, University of Plymouth, UK
Emery Schubert, University of New South Wales, Australia
Björn Schuller, Munich University of Technology, Germany
Bob Sturm, Aalborg University, Denmark
George Tzanetakis, University of Victoria, Canada
Geraint A. Wiggins, Queen Mary University of London, UK
Sølvi Ystad, CNRS-LMA, France


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