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2nd Call for Contributions: CMMR 2012 London (19-22 June) - "Music and Emotions"
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Apologies for potential cross-postings
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** 2nd Call for Contributions: CMMR 2012 **
** Deadline for Papers, Demonstrations, Panels, Tutorials: 18th
January 2012 **
** Deadline for Music: 10th February 2012 **
9th International Symposium on Computer Music Modeling and Retrieval
(CMMR) "Music and Emotions"
19-22 June 2012
Queen Mary University of London
Conference website: http://www.cmmr2012.eecs.qmul.ac.uk/
CMMR 2012 Easy Chair portal:
https://www.easychair.org/conferences/?conf=cmmr2012
Twitter: @CMMR2012
Dear all,
The 9th International Symposium on Computer Music Modeling and
Retrieval (CMMR 2012) will take place at Queen Mary University of
London (QMUL) on 19-22 June 2012. It is jointly organised by the
Centre for Digital Music (QMUL) and the CNRS - Laboratoire de
Mecanique et d'Acoustique (France).
CMMR is an interdisciplinary conference involving fields such as
computer science, engineering, information retrieval, human computer
interaction, digital libraries, hypermedia, artificial intelligence,
acoustics, audio and music signal processing, musicology, music
perception and cognition, neuroscience, as well as music composition
and performance.
+ Papers:
Short papers (max. 8 pages in the Springer Verlag LNCS single column
format) should present and discuss a work-in-progress.
Long papers (9-16 pages in the Springer Verlag LNCS single column
format) should present a substantial contribution to the field.
More information at: http://cmmr2012.eecs.qmul.ac.uk/call-for-papers
+ Demonstrations:
Demonstrations (proposal: max. 4 pages in the Springer Verlag LNCS
single column format) should present innovative working systems which,
if applicable, can be tested by users.
More information at: http://cmmr2012.eecs.qmul.ac.uk/call-for-demos
+ Panels:
Panels (proposal: max. 4 pages in the Springer Verlag LNCS single
column format) should focus either on the theme of the conference
("Music and Emotions"), emerging musical technologies, or unsolved
problems in music informatics.
More information at: http://cmmr2012.eecs.qmul.ac.uk/call-for-panels
+ Tutorials:
Tutorials (proposal: max. 4 pages the Springer Verlag LNCS single
column format) are a great way to share some expertise and experience
on a specific topic appealing to the conference audience.
More information at: http://cmmr2012.eecs.qmul.ac.uk/call-for-tutorials
+ Music:
Submissions of music from any musical style or genre are warmly
welcomed in the areas specified in the call for music. Two music
concerts will be collocated with CMMR 2012 at Wilton's Music Hall in
London, the "world's oldest, surviving Grand Music Hall".
More information at: http://cmmr2012.eecs.qmul.ac.uk/call-for-music
and: http://cmmr2012.eecs.qmul.ac.uk/musicvenue
+ Submission:
Please make your submissions following the instructions on the
conference website:
http://cmmr2012.eecs.qmul.ac.uk/author-instructions
and by using the CMMR 2012 Easy Chair portal:
https://www.easychair.org/conferences/?conf=cmmr2012
+ Topics:
Original contributions are encouraged in, but not limited to, the
following topics:
* Music and emotions (e.g. analysis, retrieval, synthesis,
composition, performance, music for images)
* Computational musicology
* Auditory perception and cognition
* Virtual reality, augmented reality and human-computer
interaction related to music
* Digital music libraries
* User studies (e.g. ethnography, usability of music software)
* New methods for music representation and visualization
* Retrieval and music recommendation tools
* Intelligent music tutoring systems
* Music games and interactive learning
* Music production and composition tools
* Augmented musical instruments
* Fashion and music technology
* Structuring of audio data
* Cooperative music networks
* Analysis, recognition, comparison, classification, and modeling
of sound and music
* Music and sound data mining
* Sound synthesis
* Optical music recognition
* Semantic web music technologies
* Sound source separation
* Music structure analysis
* Music transcription
* Artificial intelligence and cognitive science for sound and music
+ Important Dates:
Submission deadline (papers, demos, panels, tutorials):
18th January 2012
Submission deadline (music):
10th February 2012
Notification of acceptance:
20th March 2012
Camera-ready copy deadline (papers):
19th April 2012
Concert dates:
20th and 22nd June 2012
Conference dates:
19-22 June 2012
We are looking forward to your contributions!
Thanks for forwarding this call to interested parties.
+ Symposium General Chairs:
Mathieu Barthet, Queen Mary University of London, UK
Simon Dixon, Queen Mary University of London, UK
+ Paper and Program Chairs:
Richard Kronland-Martinet, CNRS-LMA, France
Mitsuko Aramaki, CNRS-LMA, France
Solvi Ystad, CNRS-LMA, France
Panos Kudumakis, Queen Mary University of London, UK
+ Demonstrations, Panels & Tutorials Chairs:
Daniele Barchiesi, Queen Mary University of London, UK
Steven Hargreaves, Queen Mary University of London, UK
+ Music Chairs:
Andrew McPherson, Queen Mary University of London, UK
Elaine Chew, Queen Mary University of London, UK
+ Organizing Committee:
Daniele Barchiesi, Queen Mary University of London, UK
Emmanouil Benetos, Queen Mary University of London, UK
Luis Figueira, Queen Mary University of London, UK
Steven Hargreaves, Queen Mary University of London, UK
Sefki Kolozali, Queen Mary University of London, UK
Asma Rafiq, Queen Mary University of London, UK
Sue White, Queen Mary University of London, UK
+ Program Committee (confirmed):
Mitsuko Aramaki, CNRS-LMA, France
Federico Avanzini, University of Padova, Italy
Isabel Barbancho, University of Málaga, Spain
Mathieu Barthet, Queen Mary University of London, UK
Roberto Bresin, KTH, Sweden
Antonio Camurri, University of Genova, Italy
Olivier Derrien, Toulon-Var University, France
Simon Dixon, Queen Mary University of London, UK
Barry Eaglestone, University of Sheffield, UK
Cédric Févotte, CNRS-TELECOM ParisTech, France
Bruno Giordano, McGill University, Canada
Emilia Gómez, Pompeu Fabra University, Spain
Brian Gygi, East Bay Institute for Research and Education, USA
Goffredo Haus, Laboratory for Computer Applications in Music, Italy
Henkjan Honing, University of Amsterdam, The Netherlands
Kristoffer Jensen, Aalborg University, Denmark
Anssi Klapuri, Queen Mary University of London, UK
Richard Kronland-Martinet, CNRS-LMA, France
Panos Kudumakis, Queen Mary University of London, UK
Daniel Leech-Wilkinson, King's College London, UK
Sylvain Marchand, Université de Bretagne Occidentale, France
Eduardo Miranda, University of Plymouth, UK
Emery Schubert, University of New South Wales, Australia
Bob Sturm, Aalborg University, Denmark
George Tzanetakis, University of Victoria, Canada
Geraint A. Wiggins, Queen Mary University of London, UK
Sølvi Ystad, CNRS-LMA, France
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