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Re: Laws of physics and old history...
At 11:00 AM -0500 11/10/11, Ranjit Randhawa wrote:
Dear Dick,
I came across these auditory patterns due to pure tones in a text 
book on Physics where these figures have been attributed "courtesy 
of Dr. Harvey Fletcher". Ref: Mechanics, Heat and Sound by Francis 
Weston Sears, Library of Congress card No. 51-899, Addison-Wesley 
Publishing Company, Inc., Second Edition, Seventh printing-June 1958 
(pretty long ago!). I don't have the history on how Fletcher derived 
these figures.
I have over the years have thought about these figures with the 
results of ISI statistics and came to the conclusion that the only 
way a result such as shown in these figures could be explained is by 
showing that it was possible to describe a frequency analysis method 
that analyzes a pure tone as sum of a harmonic series in the energy 
domain. But that is neither here or there, it was simply my approach.
Sorry for the delay.  I got the Sears textbook so I could see what 
you're referring to.  The figures are from Fletcher's 1940 "Auditory 
Patterns" paper (I can provide a copy on request).  You're right that 
Fletcher does show a cochlear response pattern that includes 
responses at what he calls "subjective harmonics".  He gets these by 
measuring the masking effect of pure tones on other tone frequencies, 
and assumes that masking is proportional to the response in the 
cochlea at a place that responds to the fundamental of the probe 
frequency.  A slightly unusual idea, but not bad as a simplifying 
assumption for its time.
No objective correlate in the form of a space pattern of mechanical 
or neural response with harmonic bumps along the length of the 
cochlea has ever been seen, as far as I know.  If you want to 
consider a time-domain mechanism to explain the masking patterns, you 
can do that in the neural domain, based on the neural activity 
patterns out of the quasi-linear cochlea.  That's where the 
inter-spike interval stuff can apply.
I don't quite understand the term "volume compliance", and am quite 
happy to accept that not much of a change of BM geometry is required 
to provide the required change of volume range for a TW,  but was 
more concerned with the restoring force available from the BM, and 
hence "stiffness", I guess I could have called it "springiness?". 
This does not vary as much as required, at least as reported.
Compliance is the inverse of stiffness; volume compliance, sometimes 
written "(volume) compliance", is in the sort of dimensions that 
works easily in a fluid problem:  volume of fluid displaced per unit 
pressure.
In the case of the basilar membrane, it's the volume of fluid 
displaced via membrane displacement, per unit length of cochlear 
duct, per unit of pressure difference across the membrane; or the BM 
is characterized by its local volume compliance per unit length. 
Maybe with the "per unit length" in there it's not exactly the same 
thing as used in characterizing blood vessels and lungs and such in 
the medical field (see for example this book: 
http://books.google.com/books?id=fqWIm8RmVYsC&pg=PA59 and this one 
http://books.google.com/books?id=i5Y6vrWlnXkC&pg=PA31 ).  But it's a 
bit different from simple mechanical "compliance", which is just 
displacement per force.  In any case, I didn't really mean anything 
significantly different from "stiffness" as usually interpreted in 
the cochlea, but that term is too ambiguous as it might be that in 
the factor-of-6 interpretation it was stiffness as resistance to 
bending, without considering the membrane width.
Bottom line is that "springiness" does vary enough to explain the 
wide range of traveling wave velocities.
Dick