Re: WASPAA 2011 Call for papers

[Michael Mandel <mim@xxxxxxxxx>]

The WAASPAA 2011 submission deadline remains Friday, May 13th.
However, in order to ensure the best possible submissions and to make
things a little easier for authors, we have added a "revision window":
Papers submitted by the deadline can be modified/revised through the
submission site for an additional week, until Friday May 20th. At 5pm
EDT on Friday, May 20th, the submission site will close, and the
submitted papers will be frozen.

We are looking forward to your submissions!

The WASPAA 2011 Organizing Committee


On Fri, Apr 22, 2011 at 11:47 AM, Michael Mandel <mim@xxxxxxxxx> wrote:
> Reminder: The deadline for submitting papers to WASPAA 2011 is *Friday
> May 13th*.
>
> The submission site is now open.  Details on preparing and submitting
> papers are available at:
>  http://www.waspaa.com/submissions/
>
> Sincerely,
> The organizing committee
>
>
>
>         [apologies for duplicate postings]
>          ********** CALL FOR PAPERS ***********
>
>          2011 IEEE Workshop on Applications of
>         Signal Processing to Audio and Acoustics
>
>                  Mohonk Mountain House
>                   New Paltz, New York
>                   October 16-19, 2011
>
>                  http://www.waspaa.com
>
> The 2011 IEEE Workshop on Applications of Signal Processing to Audio
> and Acoustics (WASPAA'11) will be held at the Mohonk Mountain House in
> New Paltz, New York, and is sponsored by the Audio and Acoustic Signal
> Processing committee of the IEEE Signal Processing Society. The
> objective of this workshop is to provide an informal environment for
> the discussion of problems in audio and acoustics and signal
> processing techniques leading to novel solutions. Technical sessions
> will be scheduled throughout the day. Afternoons will be left free for
> informal meetings among workshop participants.
>
> Papers describing original research and new concepts are solicited for
> technical sessions on, but not limited to, the following topics:
>
> Acoustic scenes
>  * Source separation and localization
>  * Signal enhancement: Echo cancellation, dereverberation,
>   noise reduction, restoration
>  * Microphone arrays
>  * Multichannel audio acquisition and reproduction
>  * Room acoustics
>
> Music and environmental audio
>  * Musical signal analysis: Segmentation, classification, transcription
>  * Creation of musical sounds: Waveforms, instrument models, singing
>  * Audio matching and retrieval
>  * Audio effects
>
> Audio coding
>  * Waveform coding and parameter coding
>  * Spatial audio coding
>  * Sparse representations
>  * Mobile devices
>  * Digital rights
>
> Hearing and perception
>  * Auditory perception
>  * Spatial hearing
>  * Quality assessment
>  * Hearing aids
>
> Important Dates:
>
> Submission of four page paper:     May 13, 2011
> Notification of acceptance:        July 15, 2011
> Early registration open until:     August 31, 2011
>
> Organizing Committee:
>
> General Chair             Dan Ellis, Columbia University
> Technical Program Chair   Paris Smaragdis, UIUC & Adobe Systems Inc
> Finance Chair             Michael Brandstein, MIT Lincoln Labs
> Publications Chair        John McDonough, Disney Research
> Publicity Chair           Michael Mandel, Audience, Inc
> Local Arrangements Chair  Bhiksha Raj, Carnegie Mellon University
> Registration Chair        Thierry Bertin-Mahieux, Columbia University
> Far East Liaison          Shigeki Sagayama, University of Tokyo
>