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Call for Papers: 12th Brazilian Symposium on Computer Music
CALL FOR PAPERS
12th Brazilian Symposium on Computer Music
September 7-9 2009
Recife, PE - Brazil
http://compmus.ime.usp.br/sbcm/2009/
The Symposium
The SBCM - Brazilian Symposium on Computer Music is a biannual event
with international recognition in the field of computer music organized
by NUCOM, the computer music interest group of the Brazilian Computer
Society (SBC). This 12th edition will be held from September 7th to 9th,
2009, in Recife, capital of the state of Pernambuco, at the beautiful
northeast Brazilian coast, and is specially dedicated to approaching the
relentless universe of new paradigms for making music with computers and
electronic gears, bringing up their essentials and trends.
During the symposium there will be speeches by renowned researchers,
technical and music paper sessions, discussion panels, and concerts.
Researchers, scientists, composers, educators, manufacturers, and all
concerned with the interplay between music and technology are invited to
submit works. The program will include, among others, a keynote speech
by Miller Puckette (University of California, San Diego), author of Pure
Data (Pd), a graphical programming language for the creation of
interactive computer music and multimedia works widely spread in the
artistic and scientific community of computer music.
The program committee will give a prize for the best student papers
presented at SBCM. Papers that have a student as a major author are
eligible. Two awards will be given: one for the best technical paper and
another for the best music paper.
Organization Committee
General chairs: Regis Rossi A. Faria (LSI - University of São Paulo) and
Marcelo Queiroz (IME - University of São Paulo)
Local organization chairs: Geber Ramalho (UFPE - Federal University of
Pernambuco) and Giordano Cabral (UFPE - Federal University of Pernambuco)
Technical Papers chair: Marcelo Pimenta (UFRGS - Federal University of
Rio Grande do Sul)
Music Papers chair: Damián Keller (UFAC - Federal University of Acre)
Important Dates
June 15th Full papers and posters submissions due
July 20th Full papers and posters notification of acceptance
August 2nd Camera-ready version of papers and posters due
Technical Topics of Interest
The topics to be covered include, but are not limited to:
- Acoustics, Diffusion, Sonorization
- Artificial Intelligence
- Artificial Life and Evolutionary Music Systems
- Audio Hardware design
- Computer-Aided Music Analysis
- Computer-Aided Musical Education
- Computer-Aided Musicology
- Digital Sound Processing
- Digital Music Systems and Services
- Distributed Music
- Internet and Web Applications
- Movement and Gesture
- Multimedia Systems and Applications
- Music Emotion and Communication
- Music Formats, Data Structures and Representation
- Music Information Retrieval
- Music Management
- Music Notation, Printing, and Optical Recognition
- Music Perception and Cognition
- Psychoacoustics and Cognitive Modeling
- Quality of Service for Audio
- Real-time Interactive Systems
- Software Systems and Languages for Composition
- Sound Analysis and Synthesis
Technical Program Committee
Adolfo Maia Jr. (UNICAMP, Brazil)
Aluizio Arcela (UnB, Brazil)
Álvaro Barbosa (Universidade Católica Portuguesa, Portugal)
Andrew Horner (The Hong Kong University of Science & Technology, Hong Kong)
Chris Chafe (Stanford University, USA)
Eduardo Miranda (University of Plymouth, UK)
Emilios Cambouropoulous (Aristotle University of Thessaloniki, Greece)
Evandro Miletto (UFRGS, Brazil)
Fabien Gouyon (INESC – Porto, Portugal)
Fabio Kon (USP, Brazil)
Flávio Soares Corrêa da Silva (USP, Brazil)
François Pachet (Sony Computer Science Laboratory, France)
Geber Ramalho (UFPE, Brazil)
Gianpaolo Evangelista (Linköpings Universitet, Sweden)
Giordano Cabral (Université Paris 6, France)
Hugo de Paula (PUC-MG, Brazil)
Ian Whalley (University of Waikato, New Zealand)
Jean-Pierre Briot (CNRS - Université Paris 6, France)
Jonatas Manzolli (UNICAMP, Brazil)
Lelio Camilleri (University of Bologna, Italy)
Luis Jure (Universidad de la República, Uruguay)
Marcelo Soares Pimenta (UFRGS, Brazil) - Technical Papers Chair
Marcelo Queiroz (USP, Brazil)
Marcelo Wanderley (McGill University, USA)
Marcio Brandao (UnB, Brazil)
Mikhail Malt (IRCAM, France)
Oscar Di Liscia (Universidad Nacional de Quilmes, Argentina)
Palle Dahlstedt (Göteborg University/Chalmers University of Technology,
Sweden)
Peter Beyls (Hogeschool Gent, Belgium)
Petri Toiviainen (University of Jyvaskyla, Finland)
Regis R. A. Faria (USP, Brazil)
Roger Dannenberg (Carnegie Mellon University, USA)
Rosa Viccari (UFRGS, Brazil)
Sever Tipei (University of Illinois School of Music, USA)
Victor Lazzarini (National University of Ireland, Ireland)
Music Papers Program Committee
Adina Izarra (Universidad Simón Bolivar, Venezuela)
Alejandro Viñao (United Kingdom)
Catalina Peralta Cáceres (Universidad de los Andes, Colombia)
Damián Keller (UFAC - Federal University of Acre) - Music Papers Chair
Daniel Teruggi (GRM, Institut National de l'Audiovisuel, France)
Didier Guigue (Universidade Federal da Paraíba, Brazil)
Fernando Iazzetta (Universidade de São Paulo, São Paulo, Brazil)
Fernando Lopez-Lezcano (Center for Computer Research in Music and
Acoustics, Stanford University, USA)
Javier Alvarez (Conservatorio de las Rosas, Mexico)
Rodolfo Coelho de Souza (University of São Paulo, Ribeirão Preto, Brazil)
Papers Submission Instructions
Papers must be submitted in PDF format via the JEMS online submission
system (https://submissoes.sbc.org.br).
Technical papers, up to 12 pages long, are supposed to present original
research with scientific contributions. Music papers, up to 12 pages
long, should describe the experience of composers and users of
computational tools to produce music (see guidelines). Extended
abstracts of posters, up to 4 pages long, should present on-going
research. Please carefully comply with instructions in publications
templates.
Papers which do not fulfill the requirements can not be published.
Download files for manuscript preparation in accordance with the SBC
guidelines from http://gsd.ime.usp.br/sbcm/2007/templates.
In order to get the paper published, it is required that at least one
author register for the symposium by August 3rd, 2009.
More Information
For further information and advanced technical program, please visit the
symposium home page at http://compmus.ime.usp.br/sbcm/2009/.
For questions regarding submissions, please contact Marcelo Pimenta
(mpimenta at inf.ufrgs.br) for technical papers, and Damián Keller
(dkeller at ccrma.stanford.edu) for music papers. For questions
regarding local organization, please contact Giordano Cabral
(giordanorec at gmail.com) or Geber Ramalho (glr at cin.ufpe.br). For
other inquiries contact the symposium general chairs Regis Faria (regis
at lsi.usp.br) or Marcelo Queiroz (mqz at ime.usp.br).
--
Regis Rossi A. Faria
regis@xxxxxxxxxx
LSI - Laboratory of Integrable Systems - University of Sao Paulo
Audio Engineering and Coding Center
05508-010 São Paulo - Brazil
Linköpings Universitet - ITN - Sound Technology
601 74 Norrköping - Sweden
phone: +46 11 363367
fax: +46 11 363270