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Re: By any other name...
Dear Richard:
There is a philosophical (or methodological?) problem I've had with
this effect for a long time: If, as you say, "the interrupting louder
sound stimulates the same peripheral receptors that would have been
stimulated if the sound had indeed been present", what proves that
the sound is actually absent?
Best,
Bruno
The auditory continuity phenomenon has been the subject of several
communications earlier this month, and several names of people
associated with this illusion were mentioned. Massimo Grassi
correctly stated that Vicario's name belongs on the list. He did
indeed observe the effect in 1960, naming it "L'effetto tunnel
acustico." But Miller and Licklider seem to have been the first
discoverers in 1950. Several other investigators, unaware of the
earlier publications, made their own independent discoveries. This
led to a multiplicity of terms describing the effect including
"picket fence effect," "auditory figure ground effect," and more
recently, "auditory continuity effect," "auditory induction," and
"temporal induction."
The communications this month seem to have limited this phenomenon
to the illusory continuity of steady-state tones and tone glides
through interruptions by a louder noise. But this phenomenon is
much broader: portions of any sound can be restored if the
interrupting louder sound stimulates the same peripheral receptors
that would have been stimulated if the sound had indeed been
present. In everyday life this effect represents a sophisticated
process that can restore portions of signals (including speech) if
they have actually been masked. This is accomplished by
reallocating a portion of the neural representation of the louder
interrupting sound for the perceptual synthesis of the fainter
signal. In support of this mechanism, it had been shown that when
illusory restoration of the fainter sound (either a tone or speech)
occurred, it was accompanied by a decrease in the loudness of the
interrupting sound [R.M. Warren et al., 1994, Auditory induction:
Reciprocal changes in alternating sounds. Perception and
Psychophysics, 55, 313-322].
For a review of the literature, see Chapter 6 "Perception of missing
sounds" in R.M. Warren, 1999, Auditory Perception: A New Analysis
and Synthesis, New York: Cambridge University Press (a third
edition is now in production by Cambridge).
--
Bruno H. Repp
Haskins Laboratories
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New Haven, CT 06511-6624
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