Dear Nina and List,
by damping (touching) a vibrating string in the middle of its length 
you get two vibrating half-strings.
Now if you slide the damping finger, one half get shorter producing a 
rising gliss and the other half gets longer producing a falling gliss.
The falling gliss is much softer, because a string section that gets 
longer increases in mass and thus dramatically decreases in vibration 
amplitude.
You might like to have your students find the solutions themselves by 
various double damping experiments.
Martin
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Martin Braun
Neuroscience of Music
S-671 95 Klässbol
Sweden
web site: http://w1.570.telia.com/~u57011259/index.htm
----- Original Message ----- From: "Cornelia Fales" <cfales@xxxxxxxxxxx>
To: <AUDITORY@xxxxxxxxxxxxxxx>
Sent: Wednesday, March 21, 2007 11:14 PM
Subject: Slide guitar - acoustics question
Hello List,
Can anyone explain this slide guitar technique?
1)  Lightly damp a single guitar string at, say, half its length to 
get the harmonic pitch an octave above the open string pitch (ie, 
interfering with the fundamental and odd modes of vibration),
2) Replace your damping finger with a steel slide at the same damping 
pressure, and slide it up the neck to some point along the neck.
The result is the expected ascending glissando from the beginning 
harmonic pitch to the pitch at the end of the glide, but also a 
fainter descending glissando that moves at the same speed and 
distance as the stronger ascending glissando.  The downward glissando 
is easily audible with practice - more so if the rising harmonics are 
filtered out - and is also clearly visible on a spectrogram.
My students and their teacher have two questions: 1) if the slide 
really maintains the same pressure as the original damping finger, 
then theoretically its movement doesn't change the length of the 
string or the fundamental, but must instead be interfering with 
different vibration modes as it slides upward.  So how does it 
produce a (chromatic) glissando?
2) what accounts for the descending glissando?
Thanks for any insights.
Nina Fales